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1

Hannouch, Hanin. Gabriel Lippmann's Colour Photography. Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463728553.

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Physicist Gabriel Lippmann’s (1845–1921) photographic process is one of the oldest methods for producing colour photographs. So why do the achievements of this 1908 Nobel laureate remain mostly unknown outside niche circles? Using the centenary of Lippmann’s death as an opportunity to reflect upon his scientific, photographic, and cultural legacy, this book is the first to explore his interferential colour photography. Initially disclosed in 1891, the emergence of this medium is considered here through three shaping forces: science, media, and museums. A group of international scholars reasses
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2

Auktionen, Villa Grisebach. Photographie: Photography. Villa Grisebach Auktionen, 2004.

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3

Auktionen, Villa Grisebach. Photographie: Photography. Villa Grisebach Auktionen, 2002.

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4

Auktionen, Villa Grisebach. Photographie: Photography. Villa Grisebach Auktionen, 2003.

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5

Bennett, Terry. Early Photography in Vietnam. Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9781912961047.

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Early Photography in Vietnam is a fascinating and outstanding pictorial record of photography in Vietnam during the century of French rule. In more than 500 photographs, many published here for the first time, the volume records Vietnam’s capture and occupation by the French, the wide-ranging ethnicities and cultures of Vietnam, the country’s fierce resistance to foreign rule, leading to the reassertion of its own identity and subsequent independence. This benchmark volume also includes a chronology of photography (1845–1954), an index of more than 240 photographers and studios in the same per
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6

F, Ray Sidney, ed. Photographic imaging and electronic photography. Focal Press, 1994.

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7

Sieff, Jeanloup. Jeanloup Sieff: Erotishe photographie = erotic photography = photographie érotique. Benedikt Taschen, 1991.

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8

Shaw, Bernard. Bernard Shaw on photography: Essays and photographs. Equation, 1989.

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9

Eddie, Ephraums, ed. AG plus Photographic: Darkroom practice & photography. AG plus Photographic, 1992.

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10

Sin, Hye-yŏng. Changch'i e matsŏda: Han'guk tongsidae sajin pip'yŏng. IANN, 2021.

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11

Moreau, Jeffrey. Muni photographs: The photography of Jeffrey Moreau. Carbarn Press, 1991.

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12

Liam, Kelly. Photographs and photography in Irish local history. Four Courts Press, 2008.

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13

Stoltz, Liv. Thinking photography - using photography. Centrum för Fotografi/Centre for Photography, 2012.

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14

Stuart, Koop, and Centre for Contemporary Photography, eds. Post: Photography post photography. Centre for Contemporary Photography, 1995.

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15

Kertész, André. André Kertész: The mirror as muse. Stephen Daiter Gallery, 1999.

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16

Kertész, André. André Kertész: A lifetime of perception. Andalusian Books, 1993.

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17

Daniele, Sallenave, and Centre National de la Photographie., eds. André Kertész. Centre National de la Photographie, 1985.

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18

Gibbons, Bob. The outdoor photographer: Advanced landscape & countryside photography. Blandford Press, 1988.

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19

Collins, Phil. I only want you to love me. Photoworks in collaboration with the Brighton Photo Biennial, 2003.

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20

Guibert, Hervé. Ghost image. Sun & Moon Press, 1996.

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21

Australasian Nature Photography 10. CSIRO Publishing, 2013. http://dx.doi.org/10.1071/9781486300648.

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The bioregion of Australia, New Zealand, Antarctica and New Guinea possesses a unique natural heritage stretching back over 80 million years since the break-up of the great southern continent of Gondwana. The South Australian Museum and Australian Geographic focus on enhancing a general knowledge of this extraordinary legacy by encouraging photography of the region’s nature and wilderness, and promoting an annual competition to find the Australian Geographic ANZANG Nature Photographer of the Year.
 Australasian Nature Photography: ANZANG Tenth Collection presents the finest photographs su
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22

Australasian Nature Photography 08. CSIRO Publishing, 2011. http://dx.doi.org/10.1071/9780643106802.

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The bioregion of Australia, New Zealand, Antarctica and New Guinea possesses a unique natural heritage stretching back over 50 million years since the break-up of the great southern continent of Gondwanaland. The South Australian Museum focuses on enhancing a general knowledge of this extraordinary legacy by encouraging photography of the region’s nature and wilderness, and promoting an annual competition to find the Nature Photographer of the Year.
 Australasian Nature Photography: ANZANG Eighth Collection presents the finest photographs submitted to the competition. Each photograph is a
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23

Australasian Nature Photography 09. CSIRO Publishing, 2012. http://dx.doi.org/10.1071/9780643108271.

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The bioregion of Australia, New Zealand, Antarctica and New Guinea possesses a unique natural heritage stretching back over 50 million years since the break-up of the great southern continent of Gondwanaland. The South Australian Museum focuses on enhancing a general knowledge of this extraordinary legacy by encouraging photography of the region’s nature and wilderness, and promoting an annual competition to find the Nature Photographer of the Year.
 
 Australasian Nature Photography: ANZANG Ninth Collection presents the finest photographs submitted to the competition. Each photograp
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24

Hannouch, Hanin, ed. Gabriel Lippmann’s Colour Photography. Amsterdam University Press B.V., 2022. http://dx.doi.org/10.5040/9789048561940.

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Physicist Gabriel Lippmann’s (1845–1921) photographic process is one of the oldest methods for producing colour photographs. So why do the achievements of this 1908 Nobel laureate remain mostly unknown outside niche circles? Using the centenary of Lippmann’s death as an opportunity to reflect upon his scientific, photographic, and cultural legacy, this book is the first to explore his interferential colour photography. Initially disclosed in 1891, the emergence of this medium is considered here through three shaping forces: science, media, and museums. A group of international scholars reasses
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25

Auktionen, Villa Grisebach. Photography: Photographie. 1998.

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26

Warburton, Nigel. Photography. Edited by Jerrold Levinson. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199279456.003.0036.

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Photography is the most widespread form of visual communication using still images. Since its invention the medium has not changed substantially, or at least not until the recent invention of digital photography. The uses to which photography has been put and the conventions surrounding those uses have, however, evolved significantly. Those analytic philosophers who have written about still photography have for the most part focused on quite a narrow range of topics. Their main concern has been to characterize the nature of the causal link between object photographed and photographic image.
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27

(Editor), Lionel Bovier, Inez van Lamsweerde (Photographer), Valerie Belin (Photographer), Leo Fabrizio (Photographer), and Natacha Lesveur (Photographer), eds. Ecal Photography/Photographie. JRP/Ringier, 2005.

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28

Photographie + Photoarbeiten: Photography. Kunsthaus Lempertz, 2003.

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29

Digital Photographer (Photography). Harpercollins Reference, 2008.

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30

Heidelberg, Marisa. Travel Photography Book : Specific Insight into Creating Photographs for the Travel Photographer: Digital Photography. Independently Published, 2021.

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31

Trefzer, Annette. Exposing Mississippi. University Press of Mississippi, 2022. http://dx.doi.org/10.14325/mississippi/9781496837493.001.0001.

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Internationally known as a writer, Eudora Welty has also been spotlighted as a talented photographer. The prevalent idea remains that Welty simply took snapshots before she found her true calling as a renowned fiction writer. But who was Welty as a photographer? What did she see? How and why did she photograph? And what did Welty know about modern photography? This book elucidates Welty's photographic vision and answers these questions by exploring her photographic archive and writings on photography. The photographs Welty took in the 1930s and 1940s frame her visual response to the cultural l
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32

Hereford, Royal. Photographic Guide : Digital Photography Language: Focused Photography Books. Independently Published, 2021.

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33

Dk Publishing. Digital Photography Complete Photographer. Kindersley Ltd., Dorling, 2016.

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34

(Contributor), Kunsthalle Bremen, ed. Gunther Forg Photographs: Fotografie/Photography. Snoeck, 2006.

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35

Strader, Orlando. Photography Business : How to Be a Photographer: Learn Photography. Independently Published, 2021.

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36

Wildi, Ernst. Creating World-Class Photography: How Any Photographer Can Create Technically Flawless Photographs. Amherst Media, Incorporated, 2001.

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37

Wildi, Ernst. Creating World-Class Photography: How Any Photographer Can Create Technically Flawless Photographs. Amherst Media, Incorporated, 2012.

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38

Wildi, Ernst. Creating World-Class Photography: How Any Photographer Can Create Technically Flawless Photographs. Amherst Media, Incorporated, 2001.

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39

Publishing and Z. Z. Publishing. Photographer Notebook: Photography Calendar Journal. Independently Published, 2020.

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40

Popular Photography's Slr Photography, 1987. CBS Magazine, 1987.

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41

Popular Photography's Slr Photography, 1986. CBS Magazine, 1986.

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42

AG+ Photographic (Darkroom Practice & Photography). Timothy Benn Publishing Ltd, 2000.

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43

Wittmann, Gary. Digital Photography: Learn How to Take Beautiful Photographs with Digital Photography. Independently Published, 2020.

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44

Inc, American Showcase. American Showcase: Photography (Showcase Photography). Amshow & Archive, 1992.

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45

McGregor, Iona, and Dorothy I. Kidd. Bairns-Scottish Children in Photographs (Photography). National Museums of Scotland, 1994.

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46

McGregor, Iona, and Dorothy I. Kidd. Bairns-Scottish Children in Photographs (Photography). National Museums of Scotland, 1995.

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47

Mondrian and Photography: The Complete Photographs. Hatje Cantz Verlag GmbH & Co KG, 2023.

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48

Kensington, Ltd Christie's South. 20th century photographs and photography books. 1998.

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49

Beaumont, Sheona. The Bible in Photography. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9780567706553.

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Sheona Beaumont addresses the untold story of biblical subjects in photography. She argues that stories, characters, and symbols from the Bible are found to pervade photographic practices and ideas, across the worlds of advertising and reportage, the book and the gallery, in theoretical discourse and in the words of photographers themselves. Beaumont engages interpretative tools from biblical reception studies, art history, and visual culture criticism in order to present four terms for describing photography’s latent spirituality: the index, the icon, the tableau, and the vision. Throughout h
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50

Creating world-class photography: How any photographer can create technically flawless photographs. Amherst Media, 2001.

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