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Tesis sobre el tema "Photography"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 25 de julio de 2025

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1

De, Lorenzo Nicholas. "Photography Post-Photography: Materiality of the Photograph." Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/16303.

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This exegesis examines the theoretical framework and artistic context of my studio practice. The primary focus of the work is on the materiality of the photograph. Through alchemical experimentations and abstractions, the work contemplates the question what is photography? in the complex context of a post-photographic world. While not attempting to answer such an elusive question, this paper seeks to investigate some of the relevant ideas and evaluate how they manifest in contemporary practice. I will use this exegesis as a means of recording an exploration of the mediums recent history, as th

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2

Oscar, Sara. "Into this wild abyss learning through fabricated photographs /." Connect to full text, 2007. http://hdl.handle.net/2123/3965.

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Thesis (Ph. D.)--University of Sydney, 2007.<br>"Photomedia"--T.p. Title from title screen (viewed February 18, 2007) Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy (Visual Arts) to the Sydney College of the Arts. Includes bibliography. Also available in print form.

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3

Jolly, Martyn. "Fake photographs : making truths in photography." Phd thesis, Sydney College of the Arts, 2003. http://hdl.handle.net/2123/4046.

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4

Jolly, Martyn. "Fake photographs making truths in photography /." Click here for electronic access to document: http://www.anu.edu.au/ITA/CSA/photomedia/ph_d.pdf, 2003. http://www.anu.edu.au/ITA/CSA/photomedia/ph_d.pdf.

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5

Teichmann, Esther. "Falling into photography : on loss, desire and the photographic." Thesis, Royal College of Art, 2011. http://researchonline.rca.ac.uk/1173/.

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Falling into Photography examines the relationship between loss, desire and the imaginary. Across writing, photographic works and film pieces, we move from real to imagined spaces, exploring the boundaries between autobiography and fiction within the alternate orphic worlds evoked. Within staged fantastical images, the subjects are turned-away figures of loss, desired but always already beyond reach. The photographic medium is worked upon with painting, collage and montage, narrative voice over juxtaposed with moving image. Here, the photographic is loosened from its referent, slipping in and

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6

Kanar, Ege. "Photography as artificial memory: Construction of the Photographic Self." Master's thesis, Akademie múzických umění v Praze. Filmová a televizní fakulta AMU. Knihovna, 2008. http://www.nusl.cz/ntk/nusl-78095.

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7

Stotzer, Talhy. "Photography and the medium : a photographic dialogue in China." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2013. https://ro.ecu.edu.au/theses/598.

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Using documentary photography with an ethnographic approach, this practice-ledbresearch project focuses on a case study of a Han-Chinese woman called Zai yu who practices mediumship in urban China. It aims to explore the relationships between herbmediumship practice and the medium of photography. During a mediumship session, a spirit is represented as temporarily displacing the agency of the medium by entering his/her body and causing a change of identity. For the duration of the episode, the spirit can potentially provide access to divine powers and knowledge in order to counsel and to heal.

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8

Napier, Ellen Bethany. "Thomas Struth's Museum Photographs and the Textual Experience of Photography." The Ohio State University, 1998. http://rave.ohiolink.edu/etdc/view?acc_num=osu1364223682.

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9

Abdullah, Ismail Bin. "Documentary photography : a study of nineteenth century documentary photography with special reference to West Malaysian historical photographs 1874-1910." Thesis, Goldsmiths College (University of London), 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.344016.

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10

Ashworth, Brad. "Architecture Lucida : photography and design--a center for photographic studies." Thesis, Georgia Institute of Technology, 1991. http://hdl.handle.net/1853/23780.

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11

Cooper, Elena Sophia Christina. "Art, photography, copyright : a history of photographic copyright, 1850-1911." Thesis, University of Cambridge, 2011. https://www.repository.cam.ac.uk/handle/1810/283882.

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12

Belknap, Geoffrey David. "'From a photograph' : photography and the periodical print press 1870-1890." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609850.

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13

Gmuender, Christopher. "On black-and-white paper image-stability enhancement effectiveness of toning treatments on silver gelatin prints determined by the hydrogen peroxide fuming test /." Online version of thesis, 1992. http://hdl.handle.net/1850/10950.

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14

Shirley, Anne. "What a photograph and cannot do exegesis submitted in partial fulfilment of requirements for the degree Master of Art and Design, to Auckland University of Technology, 2008." Click here to access this resource online, 2008. http://hdl.handle.net/10292/455.

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15

Mthethwa, Zwelethu. ""Personal" constructs /." Online version of thesis, 1988. http://hdl.handle.net/1850/11638.

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16

Curtin, Tansy. "Contemporary German photography and American realism : is colour the only link? /." Title page, table of contents and abstract only, 2004. http://web4.library.adelaide.edu.au/theses/09ARAHM/09arahmc9782.pdf.

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17

Lenon, Melyssa Ann. "The chemistry of photography." Diss., Connect to online resource - MSU authorized users, 2006.

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Thesis (M.S.)--Michigan State University. Interdepartmental Physical Science, 2006.<br>Title from PDF t.p. (viewed on June 19, 2009) Includes bibliographical references (p. 115-118). Also issued in print.

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18

Smyrnova, Anna. "Fashion photography." Thesis, Київський національний університет технологій та дизайну, 2019. https://er.knutd.edu.ua/handle/123456789/13164.

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19

Makotrenko, D. S. "Femto photography." Thesis, Сумський державний університет, 2013. http://essuir.sumdu.edu.ua/handle/123456789/33731.

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Harold Edgerton created amazing photo in 1964. He made a picture of the bullet that pierces to an apple with an exposure of just a million of a second. But now, fifteen years later, we can go in a million time faster and see the world not in a million or even a billion, but in a trillion frames per second. When you are citing the document, use the following link http://essuir.sumdu.edu.ua/handle/123456789/33731

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20

Miller, Larry S., and Norman Marin. "Police Photography." Digital Commons @ East Tennessee State University, 2015. http://amzn.com/1455777633.

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Quality photographs of evidence can communicate details about crime scenes that otherwise may go unnoticed, making skilled forensic photographers invaluable assets to modern police departments. For those seeking a current and concise guide to the skills necessary in forensic photography, Police Photography , Seventh Edition, provides both introductory and more advanced information about the techniques of police documentation. Completely updated to include information about the latest equipment and techniques recommended for high-quality digital forensic photography, this new edition thoroughly

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21

Sénéchal, Gilles. "Essai de recontextualisation de la photographie /." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 1993. http://theses.uqac.ca.

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Mémoire (M.A.)-- Université du Québec à Chicoutimi, 1993.<br>Cette communication a été réalisée à l'UQAC dans le cadre du programme de maîtrise en Arts plastiques de l'UQAM extensionné à l'UQAC. CaQCU Document électronique également accessible en format PDF. CaQCU

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22

Grayson, Louise. "Streets apart genres of editorial photographs and patterns of photographic practice." Thesis, Queensland University of Technology, 2012. https://eprints.qut.edu.au/50796/1/Louise_Grayson_Thesis.pdf.

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My doctoral research contributes to visual scholarship by investigating and defining representational strategies of three photographic genres – press photography, photojournalism, and documentary photography – using an ‘action genre’ approach (Lemke, 1995: 32). That is, rather than taking final photographic forms as being definitive of genre, I identify patterns of ‘activity types’ involved in the production of editorial photography to define genre (1995: 32). While much has been written on editorial photography, there is no organised body of scholarship that distinguishes between these three

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23

Hudson, Giles. "The feminization of photography and the conquest of colour : Sarah Angelina Acland, photographer." Thesis, University of Oxford, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.711651.

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24

Forrest, Eve. "On photography and movement : bodies, habits and worlds in everyday photographic practice." Thesis, University of Sunderland, 2012. http://sure.sunderland.ac.uk/3304/.

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This study is an exploration of everyday photographic practice and of the places that photographers visit and inhabit offline and online. It discusses the role of movement, the senses and repetition in taking photographs. Ultimately it is about photographers and their photographic routines and habits. Since the advent of photography, numerous texts on the subject have typically focused on photographs as objects. This trend has continued into the digital age, with academic writing firmly focusing on image culture rather than considering new issues relating to online practice. Although various t

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25

Ruminski, Jarret. "“A Terrible Fascination:” Civil War Photography and the Advent of Photographic Realism." Youngstown State University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1194962162.

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26

Fitzgerald, Shane. "Abstraction, Space and Photography." Thesis, Griffith University, 2020. http://hdl.handle.net/10072/391080.

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Much of the published writing about my practice, has focused specifically on the technical approach I employ when constructing the visual image, with very little detailed analysis of the underlying influences, visual language references and historical and contemporary methodologies embedded in the work. This exegesis titled “Abstraction, Space and Photography” identifies some of the fundamental aspects of the abstract visual language I create as a regional artist situated in far north Queensland and attempting to capture its ethos as location and conceptual construct. Consequently, at the outs

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27

Hacking, Juliet Louise. "Photography personified : art and identity in British photography 1857-1869." Thesis, Courtauld Institute of Art (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.266787.

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28

Davey, Gerald John. "Understanding Photographic Representation : Method and Meaning in the Interpretation of Photographs." Diss., University of Iowa, 1992. https://ir.uiowa.edu/etd/5372.

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The "linguistic turn" in early twentieth-century philosophy established that through language we not only live in a world but create it as well. Language, in this sense, incorporates the entire range of media and cultural artifacts through which we create and share meaning. In contemporary post-industrial societies, photographic images play a central role in communicating and creating the world in which we live. In part, this increasingly visually oriented culture is possible because we tend to equate what we see in photographs with what is real. Photographs, however, bring to light a vision o

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29

Mikuriya, Junko Theresa. "Imitations of photography." Thesis, Goldsmiths College (University of London), 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.518923.

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30

Yu, Kit-yee Flora, and 余潔儀. "Postmodernism and photography." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1991. http://hub.hku.hk/bib/B31950152.

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31

譚美兒 and Mei-yee Eve Tam. "Orientalism and photography." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B4413938X.

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32

Collingham, Maria. "Photography : locus suspectus." Thesis, De Montfort University, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.391990.

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33

Larsen, Jonas. "Performing tourist photography /." Roskilde : Department of Geography and International Development Studies, Roskilde University, 2004. http://hdl.handle.net/1800/788.

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34

Tam, Mei-yee Eve. "Orientalism and photography." Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25262099.

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35

Lin, Chiawen. "Photography and Poetry." Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2013. http://www.nusl.cz/ntk/nusl-172935.

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Jak se mohou navzájem ovlivnit dvě naprosto odlišná média, jako jsou fotografie a psaní? Tato práce si klade za cíl odpovědět na tuto otázku. Hlavní myšlenkou této práce je určit vztah mezi poezií a fotografií. Pár vybraných fotografií poslouží jako příklady a budou podrobeny rozboru. Práce je rozdělena do pěti kapitol, přičemž první část tvoří Úvod, druhá kapitola podává základní shrnutí obou médií. Třetí kapitola se zabývá rozborem prací japonského fotografa Masaa Yamamota. Čtvrtá kapitola rozebírá několik vybraných příkladů fotografií, které jsou nahlíženy metaforicky. Poslední, pátá kapito

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36

DiFrancesco, A. Gary. "An investigation of the competition between surface/internal latent-image formation in AgBr core-shell emulsions /." Online version of thesis, 1985. http://hdl.handle.net/1850/8753.

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37

Scarsella, Thomas M. "An investigation of the potential mobility of gold ions in core/shell silver bromide emulsions /." Online version of thesis, 1991. http://hdl.handle.net/1850/11293.

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38

Schwab, Michael. "Image automation : post-conceptual post photography and the deconstruction of the photographic image." Thesis, Royal College of Art, 2008. http://researchonline.rca.ac.uk/309/.

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This PhD thesis delivers an artistic research practice based on a deconstruction of the photographic image. Photography in post-photographic, digital culture has, due to changes in technology, become a matter of style while neglecting its own traditional process base. This thesis claims that similar automated processes can be found within information technology, which in the artistic realm has a strong relation to Conceptual art. A post-conceptual critique of the notion of ‘information’ in Conceptual practice allows for a repositioning of the image. Focusing on visual, transformative reflectio

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39

Orain, Hélène. "Pure Photography : la photographie pure en Grande-Bretagne, matière à discours (1860-1917)." Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01H058.

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Cette étude est une analyse de l’évolution de la notion de photographie pure, dans les discours en Grande-Bretagne, entre 1860 et 1917. Définie comme une image non retouchée ni manipulée, la photographie pure est envisagée en miroir de la retouche et des interventions sur les négatifs et positifs. Une exploration des journaux britanniques a mis en lumière cette préoccupation constante pour la définition et la légitimité des moyens de la photographie. Premièrement, la question des combination printings, de la notion de vérité comme essence de la photographie ainsi que l’aspect des images photog

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40

Kirkpatrick, Erika Marie. "Photography, the State, and War: Mapping the Contemporary War Photography Landscape." Thesis, Université d'Ottawa / University of Ottawa, 2017. http://hdl.handle.net/10393/35723.

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This dissertation explores the ways in which media, visuality, and politics intersect through an analysis of contemporary war photography. In so doing, it seeks to uncover how war photography as a social practice works to produce, perform and construct the State. Furthermore, it argues that this productive and performative power works to constrain the conditions of possibility for geopolitics. The central argument of this project is that contemporary war photography reifies a view of the international in which the liberal, democratic West is pitted against the barbaric Islamic world in a ‘civi

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41

Shtonda, A. O. "Great Contemporary Photographers." Thesis, Київський національний університет технологій та дизайну, 2017. https://er.knutd.edu.ua/handle/123456789/8399.

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42

Blomgren, Constance, and University of Lethbridge Faculty of Education. "Family photos : an exploration of significant exposures." Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Education, 1999, 1999. http://hdl.handle.net/10133/93.

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This hermeneutic inquiry into the significance of family photographs in our personal and public lives explores the relationship between the subject, the photographer and the viewer. The discussion uses the photgraphic oeuvres of the author's paternal grandfather and maternal grandmother as the basis of the exploration. Themes which appear include the following: the represented and projected images of a family within family photos; the significance of gender in the making of snapshots; and, the influence of history and religion upon families. The discussion also includes the relationship betwe

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43

O'Toole, Sean W. P. "The effect of environment on latent image formation and stability /." Online version of thesis, 1995. http://hdl.handle.net/1850/12173.

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44

JIASHEN, HAN, and JING NING. "Study on wedding photography and Strategic business plan for wedding photography Studi." Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-20170.

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This thesis is aiming to reveal different characters of wedding photographic market in Sweden, China and Pakistan and give an overview, including history and trends on the three distinctive markets. Through the comprehensive comparison, an entire business plan is presented to enter into the Swedish market by mixing with unique Asian visual characters.<br>Program: Magisterutbildning i fashion management med inriktning modemarknadsföring

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45

Godeau, Vincent. "La photographie africaine contemporaine : vers une photographie panafricaine." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040097.

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La photographie africaine contemporaine est ici celle que pratique les Africains vivant en Afrique. Durant notre période (1989-2009), le constat de l’absence de spécificité de la photographie africaine fait place au constat du regard photographique erroné que porte les Occidentaux sur l’Afrique. « Quelle est la vraie photographie africaine ? » est une des questions les plus souvent posées. En parallèle, le genre du portrait s’impose, en lutte contre un afropessimisme ambiant, tandis que les photographies documentaire et du réel montrent l’Afrique vécue par les Africains. Plus militante, la pho

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46

Gheorghiu, Rares Cosmin. "Dark Humour in Photography." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2018.

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With the invention of photography and the camera, people have been given the possibility to immortalize moments in time that evoke incongruities in everyday life and document photographic jokes laughing in the face of death or ridiculing a certain class of people or race. Therefore, the camera has served as a means for different types of laughter not always with the subject as the humourist but the photographer himself. The aim of this work is to analyse how photographic humour works and its diachronic development throughout the years with particular focus on dark humour and how the latter is

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47

Dal, Pezzo Rolando. "Photography, sociology & anthropology." FIU Digital Commons, 1999. http://digitalcommons.fiu.edu/etd/2708.

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An analysis of the social research done to date using photographs shows that photography, although used both in anthropology and sociology for data collection, as visual evidence and illustration, in photoelicitation or in time-studies, has not been fully exploited as an aid to see further and deeper in the social arena. Most social researchers still perceive photography as being simultaneously too complicated as a research aid and too creative and therefore unscientific to use as a research method. This project is exploratory and argumentative and not directed towards the formulation of a mod

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48

Raina, Priyanka. "Architectures for computational photography." Thesis, Massachusetts Institute of Technology, 2013. http://hdl.handle.net/1721.1/82393.

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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Electrical Engineering and Computer Science, 2013.<br>Cataloged from PDF version of thesis.<br>Includes bibliographical references (p. 93-94).<br>Computational photography refers to a wide range of image capture and processing techniques that extend the capabilities of digital photography and allow users to take photographs that could not have been taken by a traditional camera. Since its inception less than a decade ago, the field today encompasses a wide range of techniques including high dynamic range (HDR) imaging, low light en

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49

Coombes, Justin. "Photography, memory and ekphrasis." Thesis, Royal College of Art, 2012. http://researchonline.rca.ac.uk/1280/.

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Recollected Places: Photography, Memory and Ekphrasis. The practice component of my PhD, ‘Recollected Places’, consists of exhibitions combining my work as an artist in still photography, video and installation and books that combine text and the photographic image. My written thesis, ‘Photography, Memory and Ekphrasis’ looks at a number of artworks from the 1950s to the present day which employ the photography-ekphrasis relationship. ‘Ekphrasis’ is the verbal description of visual works of art, for example, Homer's imaginary evocation of Achilles' shield in The Iliad. It became the object of

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50

Balaba, M. A. "The invention of photography." Thesis, Сумський державний університет, 2014. http://essuir.sumdu.edu.ua/handle/123456789/34848.

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Photography was invented in the first half of the XIX century. The word "photography" comes from the Greek words " Fotos " ( light) and "The Count " ( write ) and means “light painting ." When you are citing the document, use the following link http://essuir.sumdu.edu.ua/handle/123456789/34848

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