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Libros sobre el tema "Pietists in literature"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 1 de febrero de 2022

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1

Die Selbst(er)findung des Neuen Menschen: Zur Entstehung narrativer Identitätsmuster im Pietismus. Göttingen: Vandenhoeck & Ruprecht, 2005.

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2

Wolfgang, Martens. Literatur und Frömmigkeit in der Zeit der frühen Aufklärung. Tübingen: Niemeyer, 1989.

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3

Martens, Wolfgang. Literatur und Frömmigkeit in der Zeit der frühenAufklärung. Tübingen: Niemeyer, 1989.

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4

Põldmäe, Rudolf. Vennastekoguduse kirjandus. Tartu: Ilmamaa, 2011.

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5

ed, Schneider Hans 1941, ed. Sonderbare Gesprache: ("Der Passagier"). Leipzig: Evangelische Verlagsanstalt, 2005.

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6

Hölderlin und der spekulative Pietismus Württembergs: Gemeinsame Anschauungshorizonte im Werk Oetingers und Hölderlins. Zürich: Juris, 1986.

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7

Dierauer, Walter. Hölderlin und der spekulative Pietismus Württembergs: Gemeinsame Anschauungshorizonte im Werk Oetingers und Hölderlins. Zürich: Juris, 1986.

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8

Literaturproduktion und Büchermarkt des radikalen Pietismus: Johann Henrich Reitz' "Historie Der Wiedergebohrnen" und ihr geschichtlicher Kontext. Göttingen: Vandenhoeck & Ruprecht, 1989.

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9

Pietists, Protestants, and mysticism: The use of late Medieval spiritual texts in the work of Gottfried Arnold (1666-1714). Metuchen, N.J: Scarecrow Press, 1989.

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10

Dohm, Burkhard. Poetische Alchimie : Öffnung zur Sinnlichkeit in der Hohelied- und Bibeldichtung von der protestantischen Barockmystik bis zum Pietismus. Tübingen: Max Niemeyer Verlag, 2000.

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11

Post, S. D. Pieter Boddaert en Rutger Schutte: Piëtistische dichters in de achttiende eeuw. Houten: Den Hertog, 1995.

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12

Vogel, Matthias. "Deine Sprache verrät dich": Begriffsanalytische Untersuchungen zu alt- und neupietistischen Predigten. Berlin: Logos Verlag Berlin, 2002.

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13

Propheten der Goethezeit: Sprache, Literatur und Wirkung der Inspirierten. Göttingen: Vandenhoeck & Ruprecht, 1995.

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14

Spener, Philipp Jakob. Theologisches Bedenken über den-- Religions-Eid (1690) ; Die Freiheit der Gläubigen-- in Glaubenssachen (1691) ; Sieg der Wahrheit und der Unschuld (1692) ; Wahrhaftige Erzählung-- wegen des-- Pietismi (1697) ; Aufrichtige Übereinstimmung mit der Augsburgischen Confession (1695). Hildesheim: Georg Olms Verlag, 2005.

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15

Weiss, Hartmut. Philip Jakob Speners Verhältnis zum römischen Katholizismus. Kiel: [s.n., 1986.

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16

George, Buehler. The death of socialist realism in the novels of Christa Wolf. 2a ed. Frankfurt am Main: P. Lang, 1986.

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17

Die Eschatologie Philipp Jakob Speners: Der Streit mit der lutherischen Orthodoxie um die "Hoffnung besserer Zeiten". Tübingen: Mohr Siebeck, 2005.

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18

1934-, Muschg Adolf y Messerli Alfred 1953-, eds. Schreibsucht: Autobiografische Schriften des Pietisten Ulrich Bräker (1735-1798). Göttingen: Vandenhoeck & Ruprecht, 2004.

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19

Bettridge, Joel. Avant-Garde Pieties: Aesthetics, Race, and the Renewal of Innovative Poetics. Routledge, 2019.

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20

Avant-Garde Pieties: Aesthetics, Race, and the Renewal of Innovative Poetics. Taylor & Francis Group, 2018.

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21

Cefalu, Paul. The Johannine Renaissance in Early Modern English Literature and Theology. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198808718.001.0001.

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The Johannine Renaissance in Early Modern English Literature and Theology argues that the Fourth Gospel and First Epistle of Saint John the Evangelist were so influential during the early modern period in England as to share with Pauline theology pride of place as leading apostolic texts on matters Christological, sacramental, pneumatological, and political. The book argues further that, in several instances, Johannine theology is more central than both Pauline theology and the Synoptic theology of Matthew, Mark, and Luke, particularly with regard to early modern polemicizing on the Trinity, distinctions between agape and eros, and the ideologies of radical dissent, especially the seventeenth-century antinomian challenge of free grace to traditional Puritan Pietism. In particular, early modern religious poetry, including works by Robert Southwell, George Herbert, John Donne, Richard Crashaw, Thomas Traherne, and Anna Trapnel, embraces a distinctive form of Johannine devotion that emphasizes the divine rather than human nature of Christ; the belief that salvation is achieved more through revelation than objective atonement and expiatory sin; a realized eschatology; a robust doctrine of assurance and comfort; and a stylistic and rhetorical approach to representing these theological features that often emulates John’s mode of discipleship misunderstanding and dramatic irony. Early modern Johannine devotion assumes that religious lyrics often express a revelatory poetics that aims to clarify, typically through dramatic irony, some of the deepest mysteries of the Fourth Gospel and First Epistle.
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22

Friedmann, Robert. Mennonite Piety Through the Centuries: Its Genius and Its Literature. Wipf & Stock Publishers, 1999.

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23

Lavezzo, Kathy. The Accommodated Jew. Cornell University Press, 2017. http://dx.doi.org/10.7591/cornell/9781501703157.001.0001.

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England during the Middle Ages was at the forefront of European antisemitism. It was in medieval Norwich that the notorious “blood libel” was first introduced when a resident accused the city's Jewish leaders of abducting and ritually murdering a local boy. This book rethinks the complex and contradictory relation between England's rejection of “the Jew” and the centrality of Jews to classic English literature. Drawing on literary, historical, and cartographic texts, the book charts an entangled Jewish imaginative presence in English culture. It tracks how English writers from Bede to John Milton imagine Jews via buildings—tombs, latrines and especially houses—that support fantasies of exile. Epitomizing this trope is the blood libel and its implication that Jews cannot be accommodated in England because of the anti-Christian violence they allegedly perform in their homes. In the Croxton Play of the Sacrament, Marlowe's The Jew of Malta, and Shakespeare's The Merchant of Venice, the Jewish house not only serves as a lethal trap but also as the site of an emerging bourgeoisie incompatible with Christian pieties. In the book's epilogue, the chapters advance the inquiry into Victorian England and the relationship between Charles Dickens (whose Fagin is the second most infamous Jew in English literature after Shylock) and the Jewish couple that purchased his London home, Tavistock House, showing how far relations between gentiles and Jews in England had (and had not) evolved.
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24

Domesticating the Reformation: Protestant Best Sellers, Private Devotion, and the Revolution of English Piety. Fairleigh Dickinson University Press, 2007.

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