Bibliografías temáticas / Pirate romance

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Literatura académica sobre el tema "Pirate romance"

Autor: Grafiati
Publicado: 28 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Pirate romance"

1

Besbes, Mongia. "Literary Piracy and the Art of Experimental Narratives." Cultural Intertexts 8/2018 (December 21, 2018): 7–31. https://doi.org/10.5281/zenodo.7853512.

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A pirate is a ship-raider who abides by no rules. The pirate roams the tides of the ocean exploring new territories. An experimental writer is a literary pirate who explores new textual territories and toys with literary canons. The literary pirate abides by no generic laws and inscribes rebellion in the pages of his fiction. Classicists even label them as “literary outlaws”. In normative piracy, stealing, killing, destroying and ravaging are absolutely allowed. In experimental fiction, plots are either spiral, cyclic or non-existent. Characters are either strange humans or mutant
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Stefaniak, Alexander. "Clara Schumann's Interiorities and the Cutting Edge of Popular Pianism." Journal of the American Musicological Society 70, no. 3 (2017): 697–765. http://dx.doi.org/10.1525/jams.2017.70.3.697.

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In her contemporaries’ imaginations Clara Schumann transcended aesthetic pitfalls endemic to virtuosity. Scholars have stressed her performance of canonic repertory as a practice through which she established this image. In this study I argue that her concerts of the 1830s and 1840s also staged an elevated form of virtuosity through showpieces that inhabited the flagship genres of popular pianism and that, for contemporary critics, possessed qualities of interiority that allowed them to transcend merely physical or “mechanical” engagement with virtuosity. They include Henselt's études and vari
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Fernández-Rodríguez, María. "Reescrituras de un pirata en el Romanticismo. El caso de Bertram, de Charles Maturin, e Il pirata, de Felice Romani y Vincenzo Bellini." Argos 10, no. 26 (2023): 3–25. http://dx.doi.org/10.32870/argos.v10.n26.1.23b.

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Aunque John Silver y los motivos que Robert Louis Stevenson le atribuye en su novela sean los que, en mayor o menor medida, han impuesto el patrón por el que están modelados el resto de bucaneros en la ficción desde la publicación de La isla del tesoro hasta la actualidad, antes, en pleno Romanticismo, otros piratas poblaron obras, líricas, narrativas y dramáticas, que contribuyeron a su manera a enriquecer la figura del pirata literario. En este trabajo se presenta un caso concreto, el de Bertram, de Charles Maturin; personaje y obra que, a través de diversas reescrituras, y arrastrando su in
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Fernández Rodríguez, María. "Reescrituras de un pirata en el Romanticismo. El caso de Bertram, de Charles Maturin, e Il pirata, de Felice Romani y Vincenzo Bellini." Argos 10, no. 26 (2023): 14–35. http://dx.doi.org/10.32870/argos.v10.n26.2b23.

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Aunque John Silver y los motivos que Robert Louis Stevenson le atribuye en su novela sean los que, en mayor o menor medida, han impuesto el patrón por el que están modelados el resto de bucaneros en la ficción desde la publicación de La isla del tesoro hasta la actualidad, antes, en pleno Romanticismo, otros piratas poblaron obras, líricas, narrativas y dramáticas, que contribuyeron a su manera a enriquecer la figura del pirata literario. En este trabajo se presenta un caso concreto, el de Bertram, de Charles Maturin; personaje y obra que, a través de diversas reescrituras, y arrastrando su in
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Wang, Yuanfei. "Java in Discord." positions: asia critique 27, no. 4 (2019): 623–52. http://dx.doi.org/10.1215/10679847-7726916.

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In the late sixteenth century, thriving private maritime trade brought forth maritime trouble to the late Ming state. In times of rampant “Japanese” piracy and Hideyoshi’s invasion of Korea, Chinese literati composed unofficial histories and vernacular fiction on China’s foreign relations. Among them, Yan Congjian 嚴從簡 wrote Shuyu zhouzi lu 殊域周咨錄 (Records of Surrounding Strange Realms) (1574), He Qiaoyuan 何喬遠 compiled Wang Xiangji 王享記 (Records of the Emperors’ Tributes) (1597–1620), Luo Yuejiong 羅曰褧 penned Xianbin lu 咸賓錄 (Records of Tributary Guests) (1597), and Luo Maodeng 羅懋登 composed a verna
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Moshenska, Joe. "Sir Kenelm Digby’s Interruptions: Piracy and Lived Romance in the 1620s." Studies in Philology 113, no. 2 (2016): 424–83. http://dx.doi.org/10.1353/sip.2016.0010.

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Biasio, Nicola. "Diálogo da natureza e um pirata: a ecocrítica por uma perspectiva descolonizadora em A visão das plantas de Djaimilia Pereira de Almeida." Abril – NEPA / UFF 13, no. 27 (2021): 137–49. http://dx.doi.org/10.22409/abriluff.v13i27.50193.

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O presente artigo propõe apresentar o romance A visão das plantas, de Djaimilia Pereira de Almeida, através de uma chave de leitura ecocrítica e pós-colonial, a fim de destacar a relevância desse livro na produção literária da autora e no panorama da literatura da pós-memória afrodescendente. Em Portugal, a ecocrítica é uma disciplina que ainda não tem sido suficientemente utilizada como possibilidade metodológica de desconstrução das oposições binárias entre cultura/natureza e humano/não-humano que fundam o binómio colonizador/colonizado. A visão das plantas possibilita essa leitura ecocrític
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KALEZIĆ, Sofija. "NOVELS FOR CHILDREN AND YOUTH BY ANTO STANIČIĆ." Lingua Montenegrina 21, no. 1 (2018): 147–56. https://doi.org/10.46584/lm.v21i1.622.

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The author of this paper reflects on the prose achievements of Anto Staničić (Tivat, 1909 – Belgrade, 1991), who managed to create one of the best quality forms of Montenegrin youth literature. His novels Mali pirat, Bambusov štap, Ratni brod, Velika sultanija, Afrikanac, Galebovo gnezdo, Kojim putem, Afrikanče?, Priča o Sunici, Beskućine kuće, Tajne veriga and Nemirna and prose collections Binga, Minuš and Đerdan artistically convey the stories of Budva, Tivat, and Boka Kotorska Bay, while most of the associations are related to the writer’s childhood, travel and sailing. In his works, events
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Gavoille, Élisabeth. "MÉMOIRE ROMAINE DES BALKANS : LES IMAGES DE L’ILLYRIE ET DE LA DALMATIE À TRAVERS LA LITTÉRATURE LATINE." La mémoire et ses enjeux. Balkans – France: regards croisés, X/ 2019 (December 30, 2019): 5–18. http://dx.doi.org/10.31902/fll.29.2019.1.

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ROMAN MEMORY OF THE BALKAN: IMAGES OF ILLYRIA AND DALMATIA IN LATIN LITERATURE This contribution focuses on recurrent images and motives by which Latin writers (historians but above all encyclopedist and technographic authors, and poets) characterize the Western Balkan space. The names of Illyria and Dalmatia are associated with the representation of warlike peoples (Ardians, Pirustae…), piracy in the Adriatic, the figures of queen Teuta and of the last king Genthios, the vision of snowy mountains, the mention of famous resources such as precious metals or pitch (asphalt), the stereotypical st
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Bilyk, Natalia. ""TREASURE ISLAND" BY R. L. STEVENSON: A GAME FOR CHILDREN AND ADULTS." Bulletin of Taras Shevchenko National University of Kyiv. Literary Studies. Linguistics. Folklore Studies, no. 2(34) (2023): 10–13. http://dx.doi.org/10.17721/1728-2659.2023.34.02.

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"Treasure Island" by R. L. Stevenson is presented in the context of British Neo-Romanticism, that embodied masculine culture, characteristic of the late Victorian period, and produced a special type of "everyage" reader, as well as adventure literature addressed to him. "Treasure Island" is one of the first novels (romances), which were intentionally written both for children and for adults. Still, its reputation of the masterpiece of boyhood fiction may prevent readership from capturing "adults" implications, that primarily exist at the deepest levels of human consciousness and relate to the
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Libros sobre el tema "Pirate romance"

1

Fabio and Fabio. Pirate. Avon, 1993.

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2

Jeffries, Sabrina. The Pirate Lord. HarperCollins, 2006.

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3

Devine, Angela. Dark pirate. Mills& Boon, 1995.

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4

Bryan, Emily. Pleasuring The Pirate. Dorchester Publishing Co., Inc., 2009.

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5

Miles, Cara. Pirate. Leisure Books, 1998.

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Miles, Cara. Pirate. Thorndike Press, 2003.

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7

Graham, Heather. The Pirate Bride. HQN, 2008.

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8

Graham, Heather. The pirate bride. Wheeler Pub., 2009.

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9

Copyright Paperback Collection (Library of Congress), ed. Once a pirate. Dorchester Pub. Co., 2000.

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10

Copyright Paperback Collection (Library of Congress), ed. Pleasuring the Pirate. Leisure Books, 2008.

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Capítulos de libros sobre el tema "Pirate romance"

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Benincasa, Fabrizio, Matteo De Vincenzi, and Gianni Fasano. "The Historic Lighthouses of the Italian Coasts." In Monitoring of Mediterranean Coastal Areas: Problems and Measurement Techniques. Firenze University Press, 2024. https://doi.org/10.36253/979-12-215-0556-6.49.

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The tall tower building with an intense light source on the top, visible far away, called a lighthouse in English, takes its name in the Romance languages of faro. The fuels used to produce lighting have progressively adapted to the times: bundles of dry wood, olive oil, wax candles, sperm whale fat, paraffin oil, acetylene, arriving to electricity. The lighthouses didn’t only have positive aspects; in fact, they not only facilitated bearings during night navigation, but also indicated to the pirates the coastal cities to plunder. This gave rise to a sort of "land piracy" as "prankster" charac
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2

Pender, Patricia. "‘To be a foole in print’: Anne Bradstreet and the Romance of ‘Pirated’ Publication." In Early Modern Women’s Writing and the Rhetoric of Modesty. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137008015_7.

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Taylor-Pirie, Emilie. "Expeditions into ‘Central Man’: Imperial Romance, Tropical Medicine, and Heroic Masculinity." In Empire Under the Microscope. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84717-3_3.

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AbstractIn this chapter, Taylor-Pirie considers how parasitology became rhetorically and materially entangled in the imperial imagination with travelogues, anthropological treatise, imperial romance fiction, and missionary biography. These modes jointly constructed the colonial encounter as a feat of manly endurance, using the linguistic enjoinment of medicine and exploration to frame parasitologists as modern heroes. Examining the influence of Thomas Carlyle’s conceptualisation of the heroic in history and imperial cartography as a strategy of representation, she demonstrates how tropical ill
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Taylor-Pirie, Emilie. "Detecting the Diagnosis: Parasitology, Crime Fiction, and the British Medical Gaze." In Empire Under the Microscope. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84717-3_4.

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AbstractIn this chapter, Taylor-Pirie traces the cultural encounters between the parasitologist and the scientific detective in the medico-popular imagination, revealing how such meetings helped to embed the figure of the doctor-detective in public understandings of science. Parasitologists like Ronald Ross and David Bruce were routinely reported in newspapers using detective fiction’s most famous archetype: Sherlock Holmes, a frame of reference that blurred the boundaries between romance and reality. Recognising the continued cultural currency of Holmesian detection in clinical and diagnostic
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Taylor-Pirie, Emilie. "Introduction: Stories of Science and Empire." In Empire Under the Microscope. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84717-3_1.

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AbstractIn this introduction, Taylor-Pirie appraises the intersections of the ‘imaginative architecture of science and empire’ by examining how, as a fledging medical discipline at the fin de siècle, parasitology entered into significant encounters and exchanges with the literary and historical imagination. Introducing readers to Nobel Prize–winning parasitologist Ronald Ross (1857–1932), Taylor-Pirie lays the foundations for the rest of the book by examining how forms such as poetry and biography, genres such as imperial romance and detective fiction, and modes such as adventure and the Gothi
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Taylor-Pirie, Emilie. "Imperial Aetiologies: Violence, Sleeping Sickness, and the Colonial Encounter." In Empire Under the Microscope. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84717-3_5.

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AbstractIn this chapter Taylor-Pirie examines how one particular tropical disease—sleeping sickness—was conceptualised as a form of tropical violence across a range of medical and nonmedical genres. Using the repetition of an African curse ‘owa na ntolo’ as an access point, she reveals how sensational literary depictions of sleeping sickness circulated between newspaper reports and clinical case studies, augmenting debates about racial susceptibility. Depictions of African sleeping sickness, she argues, were filtered through an emotional register that produced new aetiologies of race and illne
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Taylor-Pirie, Emilie. "The Knights of Science: Medicine and Mythology." In Empire Under the Microscope. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84717-3_2.

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AbstractIn this chapter Taylor-Pirie examines how parasitologists invoked myths of British nationhood in their professional self-fashioning to frame themselves as knights of science fighting on behalf of Imperial Britain. Analysing scientific lectures, political speeches, letter correspondence, obituaries, medical biographies, and journalistic essays, she draws attention to the prominence of Arthurian legend and Greco-Roman mythology in conceptualisations of parasitology, arguing that such literary-linguistic practices sought to reimagine the relationship between medicine and empire by adaptin
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Schultz, Celia E., and Allen M. Ward. "The First Punic War, northern Italy, and Illyrian pirates, 264 to 219 b.c.e." In A History of the Roman People. Routledge, 2019. http://dx.doi.org/10.4324/9781315192314-7.

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Marádi, Krisztina. "Pirates, Zombies, Chevaux de Troie – L’effet de la cybercriminalité sur notre vocabulaire." In XXVe CILPR Congrès International de Linguistique et de Philologie Romanes, edited by Maria Iliescu, Heidi Siller-Runggaldier, and Paul Danler. De Gruyter, 2010. http://dx.doi.org/10.1515/9783110231922.2-789.

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Megale, Carolina. "10. Piracy and the Fortress of Poggio del Molino: A Contribution to the Definition of the Late Republican Landscape of Populonia." In Archaeological Landscapes of Roman Etruria. Brepols Publishers, 2021. http://dx.doi.org/10.1484/m.medito-eb.5.122218.

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Actas de conferencias sobre el tema "Pirate romance"

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Fatta, Francesca, Andrea Marraffa, and Claudio Patanè. "Geometrie dello sguardo nel paesaggio calabrese." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11543.

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Geometries of the gaze in the Calabrian landscapeHaving lost their function of sighting as an instrument of strategic control, inclusion and protection from presumed pirate invasions, the coastal towers of Calabria Ultra, represented in the Diary of Wonders of the end of the sixteenth century, called Codice Romano Carratelli, will act as the key and device of the gaze that links the land to the expanse of water. A vast geometric, precise and linear system that will connect, through the gaze, the “terracqueo landscape”, unstable and multiform, continuously changing. The ninety-nine watercolour
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Малышев, А. А., and А. М. Новичихин. "THE ABRAU PENINSULA DURING THE EARLY BRONZE AGE." In Hypanis. Труды отдела классической археологии ИА РАН. Crossref, 2023. http://dx.doi.org/10.25681/iaras.2022.978-5-94375-381-7.162-185.

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В предыдущем номере «Hypanis» была опубликована обобщающая статья «Полуостров Абрау в римское время», в ней рассмотрен один из периодов (1 в. до н. э. – 5 в. н. э.) в истории юго-восточной периферии Азиатского Боспора. В предлагаемой статье систематизированы данные по истории и археологии указанного региона в 8–1 вв. до н. э. В целом эти публикации позволяют воссоздать панораму, которая охватывает широкий хронологический диапазон: 8 в. до н. э. – 5 в. н. э. Возрастающее греческое влияние на развитие этнополитической ситуации в регионе нашло отражение в периодизации истории и археологии региона
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