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Artículos de revistas sobre el tema "Poet"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 25 de julio de 2025

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1

Sandler, Stephanie. "Scared into Selfhood: The Poetry of Inna Lisnianskaia, Elena Shvarts, Ol´ga Sedakova." Slavic Review 60, no. 3 (2001): 473–90. http://dx.doi.org/10.2307/2696811.

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Sandler analyzes the poetry of three contemporary Russian women poets, focusing on one poem by each poet from the late Soviet period. Using psychoanalytical theory and philosophical theories of the sublime, she assesses how fear creates a sense of self for each poet. In all the texts examined, the poet's self is shattered in order to be built up again. Poetic identity means a writer's identity, particularly to Sedakova and Lisnianskaia, and all three poets find a sense of self by resisting some conventional notions of the woman poet.

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2

Masama, Abubakar Adamu, та Nura Yahya Kaura. "رثاء المرأة في الشعر العربي النيجيري: همزية الشاعر محمد نذير في رثاء أخته الشقيقة أنموذجا". Scholars International Journal of Linguistics and Literature 8, № 05 (2025): 117–23. https://doi.org/10.36348/sijll.2025.v08i05.002.

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Elegy is a prominent and important topic of Arabic poetry in Nigeria, as through it the poet can express his feelings and pain he suffers due to the magnitude of the calamity resulting from the loss of a loved one who has a high status in the hearts of the people, despite all this, the elegy of women, whether a wife, daughter or sister, was very little and rare among Nigerian poets. Perhaps the reason for this is what critics have said, that the most difficult elegy for a poet is to eulogize a child or a woman, due to the narrowness of speech and the scarcity of attributes. This may lead to th

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3

З. Арва, Сара. "ФИГУРА ПЕСНИКА У ЦИКЛУСУ „КРИТИКА ПОЕЗИЈЕ” БРАНКА МИЉКОВИЋА". PHILOLOGIA MEDIANA 15, № 1 (2023): 63–73. http://dx.doi.org/10.46630/phm.15.2023.04.

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The aim of this research was to analyse the figure of the poet within the cycle „The Criticism of Poetry” from Miljković’s book of poetry Origin of Hope (1960). By interpreting several poems from the presented cycle, this paper questions the position of the lyrical subject, while seeking out the possibilities of the lyrical self being identified with poets and thus interpreted as a poetic subject – a poet within the poem or a poet who possibly leads metapoetic dialogues with other poets. The figure of the poet is also considered through Nietzsche’s and Hegel’s philosophical approach to the amb

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4

Jones, Thomas. "Poem: Capitalist Poet." Critical Perspectives on Accounting 7, no. 5 (1996): 585. http://dx.doi.org/10.1006/cpac.1996.0059.

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5

Shahnawaz, Mohammad Sharique. "ROBERT FROST AS A NATURE POET : AN ECOCRITICAL VIEW." Journal of English Language and Literature 09, no. 04 (2022): 35–39. http://dx.doi.org/10.54513/joell.2022.9406.

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Robert Frost is arguably the greatest American poet of 20th Century and if there is any truth to Emerson’s maxim “to be great is to be misunderstood,” then definitely Robert Frost is great as he is one of the most misunderstood poets. Critics have hotly debated whether or not he is a Nature-poet. This paper intends to examine the claim of Frost being a Nature-poet with an ecocritical perspective. We will review The Tuft of Flowers to understand whether or not he can be called Nature-poet. Humans have been writing poems about Nature for centuries and Frost has also described hills, mountains, v

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6

Botelho, Alice Vieira. "O mito de Byron no decembrismo russo: algumas considerações sobre a obra de Wilhelm Küchelbecker." RUS (São Paulo) 15, no. 26 (2024): 252–68. http://dx.doi.org/10.11606/issn.2317-4765.rus.2024.222350.

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This paper analyzes the relationship between Russian Decembrist revolutionary poets and Byron’s myth. Our point of departure is the historical context of the emergence of Byronism in Russia’s 19th century and the connection between Byron’s myth and the poet-prophet in Decembrist’s civic discourse. We expose the possibilities and obstacles that challenge the construction of a lyrical subjectivity rooted in Romantic individualism in Russia’s first decades of the 19th century. Finally, we build a close-reading of Küchelbecker’s poem “Byron’s death”, in order to identify how the poet resignifies B

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7

Reznichenko, N. A. "A day that spanned years… David Samoylov’s sketch ‘A Day with Zabolotsky’ [‘Den s Zabolotskim’]: Semantic counterpoints." Voprosy literatury, no. 5 (October 30, 2022): 99–124. http://dx.doi.org/10.31425/0042-8795-2022-5-99-124.

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The article discusses the history and context of D. Samoylov’s poem ‘Zabolotsky in Tarusa’ [‘Zabolotsky v Taruse’] (1958–1961), inspired by Samoylov’s personal memories of the meeting with the poet, as well as the sketch ‘A Day with Zabolotsky’ [‘Den s Zabolotskim’]. Samoylov’s poem and sketch offer two different portrayals of the older-generation poet, both using various associations and allusions to Zabolotsky’s lyrical works and biography. Reznichenko’s choice of the two works was primarily guided by the fact that Zabolotsky was an artistic as well as moral influence on Samoylov, who apprec

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8

Mestre, Juan Carlos, and Mark Aldrich. "El poeta / The Poet." Sirena: poesia, arte y critica 2006, no. 2 (2006): 108–15. http://dx.doi.org/10.1353/sir.2006.0158.

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9

Abbas, Assistant Professor Dr Falah Hassan. "Modernity in the Poetry of Nima Yoshij and Baland Al-Haidari A comparative study." Thi Qar Arts Journal 1, no. 40 (2022): 1–16. http://dx.doi.org/10.32792/tqartj.v1i40.359.

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This research discusses the issue of modernity in contemporary Persian and Arabic poetry. The researcher chose the Iranian poet Nima Yoshij, who is considered one of the pioneers of modernity in contemporary Iranian poetry, and the Iraqi poet Baland Al-Haidari, who is also one of the pioneers of modernity in contemporary Iraqi poetry. Through their poetry, the two poets expressed the themes of modernity that entered the world of poetry and literature, and that are based on modernist concepts with a new and contemporary vision in harmony with their time; The two poets explained their aspi

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10

Amin, Prof Dr Waria Omar. "Al-Jawahiri In A Statistic Research." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 212, no. 1 (2018): 185–210. http://dx.doi.org/10.36473/ujhss.v212i1.659.

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Muhammad Mahdi Al-Jawahiri (1898 – 1997) was born in Najaf city of Iraq, to a family of poets and traditional learning. His father, his two brothers, and many other members of his family were poets. He is considered the greatest poet in the history of Arab literature, and said to be the last Neoclassic Arab.This paper is a statistical study of Al- Jawahiri’s poetry. It shows the number of lines of each poem, the meters on which he composed them, and their percentage. It is the first statistic research ever conducted about an Arab poet. The conclusions are shown in a table in the end.

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11

Deudney-Theron, E. "Metapoëtiese raakpunte in die poësie van Gerrit Kouwenaar en Breyten Breytenbach." Literator 12, no. 2 (1991): 49–58. http://dx.doi.org/10.4102/lit.v12i2.758.

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Prompted by the poem "brief in een fles voor breyten" in which a certain poetic relationship between the Dutch poet Gerrit Kouwenaar and the Afrikaans poet Breyten Breytenbach is implied, the author of this article traces the outlines of a meta-poetics common to both poets and through which their poetry has intertextual links with the poetics of among others Poe, Mallarme and Wallace Stevens. The following common denominators are found in Kouwenaars’s body of works and Breytenbach’s ("yk") and Lewendood: the proliferation of the subject, the ‘killing’ of life in language, the extended metaphor

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12

Mohammed, Ayoub Haji. "Aesthetic Composition in "The Evening" Poem by The Poet Khalil Mutran." Journal of AlMaarif University College 34, no. 2 (2023): 217–33. http://dx.doi.org/10.51345/.v34i2.676.g363.

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The poet Khalil Mutran was distinguished by his creativity in writing poetry. He also wrote many poems and left behind him a treasure of masterpieces and poems. His poetic style was distinctive; as he was distinguished by emotional honesty, sweet musical tone, and originality. In addition, the poet Khalil Mutran is considered one of the most innovative poets in modern Arabic poetry, and one of the most beautiful and well-known poems in all parts of the Arab world is the poem "Al-Masaa", which was included in some educational curricula. Through this study, we will shed light on the aesthetic as

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13

Fatma Abdullah Bellal. "Ecological Elements in Maqaleh's ‘Village Book’ and Wordsworth's ‘Daffodils’: A Comparative Study." Albaydha University Journal 2, no. 2 (2020): 254–70. http://dx.doi.org/10.56807/buj.v2i2.68.

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The aim of this study is to explore a side of two poets’ works from different centuries and cultures: Abdalaziz Al–Maqaleh in the first stanza of his work "Village Book" and William Wordsworth in his poem "Daffodils". Al–Maqaleh is regarded as the greatest and the most famous contemporary Yemeni poet. Wordsworth is considered as "the father of nature" and one of the most well-known romantic poets.Regarding the comparative study, the most connected feature between the two poets is fighting and being disappointed by the adverse impacts of urban and industrial life on nature and man. Therefore, t

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14

Zarodova, Yu P., N. O. Laskina, and I. E. Loshchilov. "Yuri Sopov’s Poem “Arthur Rimbaud” (1919): Text and Contexts." Studies in Theory of Literary Plot and Narratology 17, no. 1 (2021): 228–63. http://dx.doi.org/10.25205/2410-7883-2021-1-228-263.

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The article introduces publication of the full text of the narrative poem “Arthur Rimbaud” by the Omsk poet Yuri (Pyotr Ivanovich) Sopov (1897–1919), written shortly before his tragic death in the explosion at A.V. Kolchak’s residence on August 25 (or 26), 1919. The text previously had been known by fragments only, by virtue of quotations included in the newspaper obituary by the poet Georgy Maslov, who briefly survived Sopov. A number of details allow us to conclude that Sopov is fairly accurate when rendering facts of Rimbaud’s life and must have been familiar with the French poet’s biograph

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15

Muhammad, Shakil Ur Rehman Abdus Samad Husnat Ahmed Tabassam Raj Muhammad Khan. "A Stylistic Analysis Of The Representation Of Marginalized Voices In Nasir's Cries And Shouts And Hurried Calls." Multicultural Education 7, no. 8 (2021): 243. https://doi.org/10.5281/zenodo.5191774.

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<em>This paper stylistically explores one of the substantial poetic pieces, 'Cries and Shouts and Hurried Calls' composed by Mir GulNasir, one of the representative poets of Balochistan in English. No in-depth study has been done to probe the stylistic art of the poet. The present research is, therefore, a critical quest to unfold the cloaked imaginative notions and thematic layers of the poem for the presentation of alternative understanding beyond superficial interpretation by turning the spotlight on the three vital tiers of the undertaken research framework of stylistics, namely, t

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16

İÇLİ, Ahmet. "Traces Of The I And The Other In The Nazires (=Similar Poetry): The Journey Of I To We In The Example Of Mustafa Ali's Poetry And The Nazires written for his poetry With "We" Redıf (=Rhyme)." Akademik Dil ve Edebiyat Dergisi 6, no. 3 (2022): 156–65. http://dx.doi.org/10.34083/akaded.1169198.

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It is known that the same or similar poems/works were written within the scope of nazire tradition in classical Turkish poetry. Such poems are basically based on writing a similar or better example of a sample or model poem. It is also important that these poems, which are similar in many ways, show the same feelings, dreams, thoughts and goals. In one aspect, the model poem; It can be thought that it was a source of inspiration or an interpreter for other poets who tried to write a similar poetry. The content of the model poem is a guide for other poets trying to express themselves. In additi

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17

Suleimanova, Maryam Saidovna, and Mariza Magomedova. "On the adequacy of translation of the lyrics by Fazu Aliyeva into the Russian language." Филология: научные исследования, no. 12 (December 2021): 21–29. http://dx.doi.org/10.7256/2454-0749.2021.12.37085.

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The subject of this research is the adequacy of translation of Avar poetry into the Russian language on the example of the poem &ldquo;If They Will Draw My Portrait&rdquo; by the National Poet of Dagestan Fazu Gamzatovna Aliyeva. The object of this research is the lyrical works of Fazu Aliyeva and other Dagestan poets. Using the method of comparative analysis, the authors draw parallel between the Avar and Russian versions of F. Aliyeva&rsquo;s poem, which has been translated by the Russian poet-translator Vladimir Turkin. The goal of this article lies in the comparative study of t

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18

Sobennikov, Anatoly S. "The myth of the poet in Russian literature: Alexander Pushkin." Sibirskiy filologicheskiy zhurnal, no. 3 (2024): 125–35. http://dx.doi.org/10.17223/18137083/88/8.

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The myth of the poet holds great significance in Russian culture. Mythopoetic discourse views time as cyclical, with past events recurring in the present and future. The myth of the poet carries a socio-biographical subtext. For example, it can be seen in the famous poem by Wilhelm Küchelbecker “The fate of Russian poets.” The premature, tragic passings of Alexander Pushkin, Mikhail Lermontov, Kondraty Ryleev, and Alexander Polezhaev are seen as part of the “sacred sacrifice” narrative. Russian poetry encompasses two unchanging elements of the myth: Orphic and Old Testament. Mass consciousness

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19

Aliphan, G. K. "Continuity in the work of Abai and Lermontov." Turkology 6, no. 104 (2020): 78–90. http://dx.doi.org/10.47526/2020/2664-3162.020.

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The content of the article is based on the poem "Duma" by M.Y. Lermontov. It occupies a special place in the poet's work. "Duma" is a work with a deep and rich content, reflecting the thoughts of the poet, concerned about the future of his generation. Abai translated this poem into the Kazakh language. This article examines the problem of the creative continuity of the two poets, associated with the translation of the "Duma" into the Kazakh language and its ideological and thematic content. M.Y. Lermontov was never satisfied with the current social situation and the people he was surrounded wi

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20

Aliphan, G. K. "Continuity in the work of Abai and Lermontov." Turkology 6, no. 104 (2020): 78–90. http://dx.doi.org/10.47526/2020/2664-3162.020.

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The content of the article is based on the poem "Duma" by M.Y. Lermontov. It occupies a special place in the poet's work. "Duma" is a work with a deep and rich content, reflecting the thoughts of the poet, concerned about the future of his generation. Abai translated this poem into the Kazakh language. This article examines the problem of the creative continuity of the two poets, associated with the translation of the "Duma" into the Kazakh language and its ideological and thematic content. M.Y. Lermontov was never satisfied with the current social situation and the people he was surrounded wi

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21

Gutiérrez, Rosa García. "Emily Dickinson, Poets' Poet: First Versions in Spanish (Juan Ramón Jiménez, Gilberto Owen, Ernestina de Champourcin)." Emily Dickinson Journal 32, no. 1 (2023): 36–63. http://dx.doi.org/10.1353/edj.2023.a902810.

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Abstract: This paper focuses on the first three Spanish versions of Dickinson's poetry. They were linked from the start, as the cult of the poet was passed on by word of mouth in the Spanish-speaking world, like a secret sap that brought together those who fed on it. Dickinson's first translator was the Spanish poet Juan Ramón Jiménez, who included versions of three of her poems in his Diario de un poeta recién casado ( Diary of a Newlywed Poet , 1917). It was through Jiménez that Dickinson became known to the Mexican poet Gilberto Owen, who would publish his own translations in 1934 in the cu

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22

Teaching, Assistant Gul Ahmad Mohabat, and Assistant Shafiullah Habib Teaching. "The Role of Allegation Example in the Beauty of Pashto Language Poem." International Journal of Arts and Social Science 4, no. 4 (2023): 187–91. https://doi.org/10.5281/zenodo.7743324.

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This research aims to determine the significant role of allegation example literary term in the beauty of poem. For this purpose, the research is carried out as a library-based research, which involves the step-by-step process used to gather information from different relevant literary books. The findings show that this literary term is completed based on the simile which is generally a compound simile. The poet makes a claim in monostich (a single verse) of his poem and in another monostich, he presents an accepted fact as an argument for the stability of his claim. It is not necessary that t

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23

Mahmud, Ali Mahmud Ashma'i. "Aspects of renewal in the rhymed poem In the collection of "Jarrar al-Nour" For the poet "Abdel Nasser Abdel Mawla"." International Journal of Language and Teaching 1, no. 1 (2023): 9–18. http://dx.doi.org/10.61231/ijlt.v1i1.42.

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This study aims to know the concept of renewal in the rhymed poem, and the changes that occurred in the modern poem, and the distinction between the value of the rhymed and its current position, then talk about rhymed poetry, and define it and its controls to evoke a poetic state in the collection of "Jarrar al-Nur" by the poet "Abdul Nasser Abdel Mawla And an indication of the features of renewal in this diwan, and in the folds of this research we include the concept of renewal in the Arabic poem, and the manifestations of this renewal, and the definition of the poet as one of the poets who c

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24

Rashid, Jihad Shukri. "مضامين و انديشههاى شعرى فقى قادر ههمهوند". Twejer 3, № 3 (2020): 779–820. http://dx.doi.org/10.31918/twejer.2033.21.

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Abdul Qadir Rasool was one of the poets of the nineteenth century. He is known as Faqe. He was a talented poet but his works are still being disregarded and unknown to others. Searching and understanding his poems will clarify his new innovations in poetry. By analyzing the collected works and poems of Persian poets and Quranic verses, he could utilize conceptual semantics in his poetical works. His poems are the symbol of desire, sympathy, using the persuasive of metaphors and dominating words to spread splendid compound literary works. He was able to combine the impacts of both his life expe

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25

Murtazaliev, Ahmed M., Marjanat N. Nabigulaeva, and Rosa S. Bashirova. "ESENIN’S SUBJECT IN RASUL GAMZATOV’S WORKS." Proceedings of Southern Federal University. Philology 28, no. 2 (2024): 103–12. http://dx.doi.org/10.18522/1995-0640-2024-2-103-112.

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The article deals with the reflection of the personality of Sergey Yesenin and the motives of his work in the poetry of Rasul Gamzatov. Back in the 1940s, Yesenin&#x27;s lyrics attracted the attention of the Avar poet, who worshipped his talent, translated into his native language the pinnacle work of “the most Russian poet” – the poem “Anna Snegina”. Even though both of the poets represent different epochs, peoples, and poetic schools, they have a lot in common. Both of them glorified the motherland, its history, people, their spiritual world, moral values, a woman, her beauty and love in

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26

Khalifa, Avin Abdulqadir, and Diar Mardan Mhamad. "Anaalysis of the text of Sabris poem(Mercy that one breth), of Sabri according to the path of unity." JOURNAL OF LANGUAGE STUDIES 7, no. 4 (2023): 198–213. http://dx.doi.org/10.25130/lang.7.4.10.

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This paper is an analysis of the text of the poem (Mercy which one breath) of (Sabri), which consists of two parts in the first part we highlighted a brief about ( Sabri) and the political and social conditions of the poets time, especially in the late nineteenth and early twentieth centuries (Sabri) is as a sufi poet, he has always sought divine love, he is considered the classical poet of Kirkuk. he followed the path of Nali and saleem for Kurdish,he chose the title (Sabri) in has poems, he was a poet who always tried to kill himself in order to attain divine love, in the second part, we wil

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27

Doost, Roger. "Poem: “The Accountant; The Poet”." Critical Perspectives on Accounting 8, no. 1-2 (1997): 146–48. http://dx.doi.org/10.1006/cpac.1996.0102.

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28

Harris, J. J. "Poem: The Land of Poet." Language Arts 67, no. 2 (1990): 163. http://dx.doi.org/10.58680/la199025362.

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29

Williams, John. "Wordsworth, Shelley, and the Riddle of Peter Bell." Romanticism 23, no. 1 (2017): 75–87. http://dx.doi.org/10.3366/rom.2017.0308.

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In 1819 Shelley was moved to anger and derision when Wordsworth published Peter Bell. His satirical response was predicated on an ironically autobiographical interpretation of the poem, and in this respect, Shelley's reading of the poem merits further study with respect to both poets. Hazlitt, Keats, Lamb, and others, were quick to note the egotistical drive that informed Wordsworth's writing, but in Peter Bell the Third Shelley claimed that Wordsworth went far beyond that. He insisted that Wordsworth had unintentionally satirised himself with devastating accuracy in the manner of Thomas Moore

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السكافي, حلى, та Educators Association Palestinian. "تحليل قصيدة " زهور" للشاعر أمل دنقل". Journal of the Palestinian Educators Association for Literature and Educational and Psychological Studies 1, № 3 (2022): 72–75. https://doi.org/10.5281/zenodo.7006189.

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<strong>Abstract:</strong> Flowers poem is a poem written by the poet Amal Dunqul, an Egyptian poet, who contracted cancer and suffered from it for nearly four years. A pitiful condition, and this poem is from free poetry. It carried many of the ideas that the poet broadcasted, filled with sadness, following his sadness, fatigue, and weakness due to the disease that attacked him while he was in the prime of his youth. Visitors bring bouquets of roses to the sick during their visits to console their feelings, which the poet expressed as cold consolation, as it does not relieve the pain anything

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31

Thomson, David E. "Lifespan development in the academy of American poets." Scientific Study of Literature 5, no. 1 (2015): 83–98. http://dx.doi.org/10.1075/ssol.5.1.04tho.

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The present study investigated lifespan writing tendencies among members of the Academy of American Poets (N = 411). All original English language poems (N = 2,558) available on the Academy website during 2013 were included provided that each poet was represented by at least two poems. Correlations of the age in which each poet published each poem with established indicators of lifespan development were small to moderate (r’s from -.11 to .16). Contrary to lifespan development for expository and emotionally expressive writing, poets tended to employ past tense and use less emotionally valenced

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Richardson, Lystra M. "The Relevance of Poetry in School Leadership Today." Journal of Educational Thought / Revue de la Pensée Educative 36, no. 3 (2018): 263–82. http://dx.doi.org/10.55016/ojs/jet.v36i3.52704.

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It could be said that poets serve society primarily by their attention to detail, their insights into life, and their contribution to the human spirit. In destitute times the role of the poet becomes even more critical, since people are likely to move from crisis to crisis without time for reflection. Inspired by the line: "What are poets for in a destitute time" from the German poet Holderlin's poem, "Bread and Wine" (Watts, 1993), this paper examines the role poets play in society, and the context in which public education exists and makes a linkage between poetry and school leadership. Comb

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33

İsmailova, E. "PRAISE OF HUMAN FEELINGS IN M.SHAHRIYAR'S POEM “SAHANDIYA”." East European Scientific Journal 3, no. 5(69) (2021): 37–40. http://dx.doi.org/10.31618/essa.2782-1994.2021.3.69.60.

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There is nothing that can affect the spirit and national consciousness of the people as an artistic word. Glorification, propagation and transmission of human feelings from generation to generation is the highest task of the art of speech and literature. In this sense, there is a greater task and responsibility before genius masters of a word. In keeping the people alive, instilling human feelings, and glorifying the highest human feelings such as patriotism, heroism, and bravery, the poets held a leading position in all periods of society. The works of the poet Mohammad Hussein Shahriyar (190

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Πασχάλης, Μιχαήλ. "Η τεθλασμένη πρόσληψη της αρχαιοελληνικής ποίησης και το ποίημα «Πάνω σ’ ένα ξένο στίχο» του Γ. Σεφέρη". Σύγκριση 30 (30 жовтня 2021): 24–34. http://dx.doi.org/10.12681/comparison.25293.

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Refracted Modern Greek reception of Ancient Greek poetry and George Seferis’ poem ‘Upon a Line of Foreign Verse’The term ‘refracted’ describes instances where Modern Greek reception of Ancient Greek poetry is mediated through one or more intertexts, like Italian-Latin or French-Latin. After treating briefly Dionysios Solomos’ poem ‘The Shade of Homer’ (1821-1822) the paper focuses on George Seferis’ ‘Reflections on a Foreign Line of Verse’ (1931). Each of the two poets claims the Homeric heritage for himself as a Greek poet through a poem that constitutes a refracted reception of Homer. The fo

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بدر, بن سعيد بن شيخان. "الشواهد الأدبية في جوابات وخطابات الإمام محمد بن عبدالله الخليلي، ودلالاتها السياقية "الشعر أنموذجًا"". International Jordanian Journal ARYAM, for humanities and social since A special issue of the Second International Periodic Conference on "Humanities, Social and Sports Sciences, 2021, A special issue of the Second International Periodic Conference on "Humanities, Social and Sports Sciences, 2021 (2021): Pages 17–30. https://doi.org/10.5281/zenodo.4732814.

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<strong>Abstract:</strong> This study aimed at investigating the poetry citations included in the correspondences and letters of Imam Mohammed Abdullah Al-Khalili by addressing his official and unofficial correspondences, as well as his jurisprudence (Fiqh) and religious correspondences in order to track the origin of those citations by identifying the poet, poem, and its literary era. The study also addresses the contextual indications of the citations and matches them with the indications of the original texts. The study concluded (38) citations for (24) poets of various literary eras which

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Hasan, Mariwan. "Robert Herrick’s Daffodils, Percy Bysshe Shelley’s Flower and Abdulla Goran’s Ivy Flower: A Comparative Study." JOURNAL OF LANGUAGE STUDIES 6, no. 4, 1 (2023): 239–52. http://dx.doi.org/10.25130/jls.6.4.1.15.

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This paper intends to highlight the similarities in three poems by three different poets coming from different times and places - Robert Herrick’s poem, “To Daffodils”, Percy Bysshe Shelly’s poem, “The flower that smiles today” (mutability), and Abdulla Goran’s poem, “To the Ivy Flowers”. It endeavours to depict the influence that Shelly and Herricks’ poems had on the Kurdish poet Goran in composing his poem. Herrick’s poem was first published in the 17th century in English Language, although Shelley’s Poem was published in the 19th century in England, yet its language is English, too. The inf

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Đurđevic, Đorđe. "HODOČAŠĆE KA POEZIJI." Lipar, no. 71 (April 2020): 115–26. http://dx.doi.org/10.46793/lipar71.115dj.

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The paper examines the angelological-poetic relations in the poetry of Vasko Popa, Branko Miljković and Vojislav Karanović. Beginning with the medial position between the poet and the poem, the angel, with the poet‘s intervention, becomes an active principle in discovering the poem as such. He simultaneously exists in the space of the poem itself, as well as in the space of its realization in language, and its role is doubly translational: it translates the poet into the space of poetry and brings poetry closer to the poet. The given process flows through the original approximation and depicti

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K, Sivamani. "Rural Cultural Elements Presented in the Poems of the Poet Sirpi." International Research Journal of Tamil 4, SPL 1 (2022): 259–65. http://dx.doi.org/10.34256/irjt22s136.

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The earthy antiquity and culture of the writer can be speaking the strength of his writings. The culture can serve as a bridge between the people who followed the ethics to live the better life and their living environment. One of the most noteworthy poets and sculptors in the history of contemporary Tamil poetry. One of the most noteworthy poets and sculptors in the history of contemporary Tamil poetry. A village river on the banks of the poet-sculptor's poem is a unique rural story based on the lives of human beings who are realistically moving. As a Kongu vernacular poem, it is full of pro-

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Nilofar, Naila. "Gaya Bahasa Kiasan dalam Wekwekwek Sajak-Sajak Bumilangit Karya K.H. A. Mustofa Bisri." ATAVISME 10, no. 1 (2007): 75–83. http://dx.doi.org/10.24257/atavisme.v10i1.232.75-83.

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A poem can be studied from many aspects. It can be studied from structures and parts of it, as a poem is a structure set from many poetic facilities. A writer describes about the figure of speech in a collection of poem Wekwekwek created by K.H. A. Mustofa Bisri. A poet uses different language from the daily language. For daily language is not enough to describe what a poet feels. Expressing of meaning only in a poem is not enough. A poet wants a reader can feel and do what he feels and done.

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Ishtaih, Hifdi, and Saidah Aldomor. "The Image of a Brutal Bull in Three Pre-Islamic Poems Reality, or Legendary." Dirasat: Human and Social Sciences 49, no. 6 (2022): 299–315. http://dx.doi.org/10.35516/hum.v49i6.3741.

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This study aims to look into the significance of the image of a brutal bull in the pre-Islamic poem which did not find great attention among the ancient critics. In modern criticism, the study concluded that the legendary critical approach does not assist us in understanding the real significance of this image. Since he omits to link some semantics and legendary religious sediments, he gives an unsatisfied interpretation. The study supposed that it is more beneficial to look at that image realistically, and to monitor how the poet portrayed this reality as an artistic portrayal of his main ide

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DRAGOMAN, Diana Alexandra. "Arte poetice în literatura română contemporană. Studii de caz." ANALELE UNIVERSITĂȚII DIN CRAIOVA SERIA ȘTIINȚE FILOLOGICE LIMBI STRĂINE APLICATE 2024, no. 1 (2024): 133–46. http://dx.doi.org/10.52744/aucsflsa.2024.01.15.

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Poetic arts provide us with data that lead to an understanding of the changes in literature and the formulas that poets opt for. So far, no research has appeared to probe this type of Romanian poetry published in the third millennium. The purpose of the article is to signal some trends in current poetry by analyzing the literary motifs in the poetic arts selected by us and configuring a perspective on the relationship between the poet and the text. This allows us to make a synthesis about the literary beliefs of some poets. We turn to the case study, using stylistic analysis. During the resear

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Barbosa, Tereza Virgínia Ribeiro, Andréia Santos Marques, Andreza Júnia Ferreira, Marcelo Pimenta Marques, and Tereza Pereira do Carmo. "Mito, literatura e filosofia." Revista do Centro de Estudos Portugueses 22, no. 31 (2002): 27. http://dx.doi.org/10.17851/2359-0076.22.31.27-37.

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<p>A abordagem de <em>O Mito, </em>texto do poeta Carlos Drummond de Andrade, é um terreno fértil para reflexão teórico-filosófica. Para nossa análise utilizaremos aqui, várias definições de diferentes autores acerca do que vem a ser ‘mito’. O poema tem como eixo central a figura de Fulana. Em todo o poema podemos perceber uma busca para compreender esta Fulana misteriosa e multifacetada. Este caráter ambíguo e enigmático já é designado pela forma como o poeta a nomeia. O termo <em>fulana </em>significa: <em>uma idéia vaga de alguma pessoa, alguém que não se

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ALDULAIMI, Ihsan Hadi Ahmed. "DEATH AND POST-DEATH IN THE POETRY OF AHMED ARIF." Rimak International Journal of Humanities and Social Sciences 4, no. 1 (2022): 320–28. http://dx.doi.org/10.47832/2717-8293.15.24.

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The great Turkish poet Ahmed Arif is considered one of the important poets in Turkish literature in the 20th century. He was born in Diyar Bakr on 23rd of April 1923 and died on 2nd of June 1991 in Ankara. Through his life that lasted for 68 years, he published one book about poetry. It was considered the best book to be published in Turkey which makes him different from any other poet. Death as a fact and part of our nature is considered the end of life. The separation of the soul from the body is inevitable. It is impossible that a man can be born again after his death. Hence, there was a gr

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Fahmawi Watad, Aida. "“A Whiff Like the Effect of Butterflies at the End of the Earth”1 : Esthetics of Linguistic Discourse in the Poems of Arab Poetesses as Mirrors of Liberation and Influence." Feminist Research 6, no. 1 (2022): 30–38. http://dx.doi.org/10.21523/gcj2.22060104.

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Many female Arab writers have chosen poetry as the most efficient and esthetically most gratifying medium for expressing the discourse of liberation and influence that they are leading. The present paper discusses the new poetic devices adopted by various women poets, from the use of shocking titles to the creation of unusual devices for communication between reader and poem. In this study, we focus on three poems by three women poets and compare the role that verbal esthetics play in promoting the concept of liberation and influence in them. The first poem is ‘Taḥaddin’ (Challenge) by the Alg

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Mitchell, Keith. "The Future Is Now: Keith S. Wilson’s Affrilachian-Afrofuturist Politico-Aesthetic." Callaloo 42, no. 2 (2024): 184–94. http://dx.doi.org/10.1353/cal.2024.a939160.

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Abstract: This essay argues that Affrilachian poet Keith S. Wilson’s poem “Calf’s Head and Ox Tongue,” from his debut collection Fieldnotes on Ordinary Love (2019), extends the African American poetic tradition and the concerns of Black poets associated with the Appalachian region by addressing ongoing issues concerning anti-Black surveillance and anti-Black violence in relationship to Afro-futurity.

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Purwanto, Sugeng, and Idha Nurhamidah. "First love simplicity: A systemic-functional perspective study of Karina Del Campo�s Do You Remember Our Love?" EduLite: Journal of English Education, Literature and Culture 3, no. 2 (2018): 161. http://dx.doi.org/10.30659/e.3.2.161-172.

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The current study aims at exploring the intended meaning and structure of a poem entitled �Do You Remember Our Love?� written by a poet, ��Karina Del Campo (2009) in both interpretational and systemic functional perspectives. In the former, the poem was examined interpretatively in order to find out the possible stance of the poet; meanwhile the later was an analytical representation of systemic functional grammar in the framework of construing the three domains of meanings: ideational, interpersonal and textual in order to arrive at the field, the tenor and the mode of the discourse.� It turn

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Adkoli, Bharati N. "Nature in the Poetry of William Wordsworth and Kuvempu (A Study)." Shanlax International Journal of English 11, no. 4 (2023): 8–14. http://dx.doi.org/10.34293/english.v11i4.6528.

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In the light of what we owe to Nature , with lot of regards and gratitude, the paper makes an attempt to explore and examine how Nature has been treated, described and presented in all its entirety by two great poets of two different periods of time- One is William Wordsworth, an English poet, a Romantic poet of the Nineteenth century, ever remembered as a poet of nature, and another one is a 20th century Kannada poet, revered with an honour ‘Rashtrakavi’(National Poet) popularly known as Kuvempu, Kuppalli Venkatappa Puttappa. Based on the secondary data collected through books, related review

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Haft, Adele J. "Imagining Space and Time in Kenneth Slessor’s “Dutch Seacoast” and Joan Blaeu’s Town Atlas of The Netherlands: Maps and Mapping in Kenneth Slessor’s Poetic Sequence The Atlas, Part Three." Cartographic Perspectives, no. 74 (January 3, 2014): 29–54. http://dx.doi.org/10.14714/cp74.1199.

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“Dutch Seacoast” by the acclaimed Australian poet Kenneth Slessor (1901–1971) is thecenterpiece of The Atlas the five-poem sequence opening his 1932 collection Cuckooz Contrey. Like the other four poems, “Dutch Seacoast” pays tribute to cartography’s “Golden Age,” Toonneel der Steden van de vereenighde Nederlanden being the poem’s epigraph and the title that Joan Blaeu gave to one of two volumes comprising his Town Atlas of the Netherlands (1649). While focusing on Blaeu’s exquisitely ordered map of Amsterdam, Slessor suggests that he is gazing at the map described by his poem and invites us t

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Мүтиев, Зейнолла, Жангүлім Мұханбетова та Гулжанат Курмашева. "ПОЭМА ИЗТАЯ МАМБЕТОВА "САЛ САРЫ": ТЕМАТИКО-ИДЕЙНЫЙ ПОИСК, УМЕНИЕ СТРОИТЬ СЮЖЕТ". Батыс Қазақстан инновациялық-технологиялық университетінің Хабаршысы 31, № 3 (2024): 84–92. http://dx.doi.org/10.62724/202430201.

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The article provides examples from collections of poetry by lyricist, poet Iztai Mambetov, who came to Kazakh poetry with their tone, analyzes the poet's poems, analyzes thematic and ideological searches, analyzes the author's poems. The poet's poems cover such topics as humanism, propaganda of the peaceful life of mankind, peacefulness of the people, friendship, reverence for cultural and historical values. In the epic genre, excerpts from poems were given, which told in which direction the story unfolds, depending on each chapter of the poem – Sarah's sala. The poem, based on a complex plot,

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Harrison, S. J. "Drink, suspicion and comedy in Propertius 1.3." Proceedings of the Cambridge Philological Society 40 (1994): 18–26. http://dx.doi.org/10.1017/s0068673500001802.

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Propertius 1.3 famously begins with the drunken poet returning from a night out to find his puella Cynthia asleep. The sleeping Cynthia is then apparently idealised by the poet through a series of comparisons with mythological heroines, until she wakes up and shows her true and less elevated character, shrewishly nagging the poet for staying out late with another woman, and thereby destroying his illusions. Some of the wit and irony of the situation has been pointed out in previous accounts of the poem; this treatment takes a closer look at the text, especially at the mythical analogues for Cy

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