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Libros sobre el tema "Poetry"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 25 de julio de 2025

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1

Sibani, Raychaudhuri, and Read Ruth, eds. Bengali poetry English poetry. Kavita, 1988.

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2

Bradford, Richard. Poetry. Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-26791-7.

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3

translator, Glavinova Sofija, ed. Poetry. St. Clement of Ohrid, National and University Library, 2011.

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4

J, Epstein Leonard, ed. Poetry. Park Place Publications, 1992.

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5

Raum, Elizabeth. Poetry. Raintree, 2009.

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6

Hetherington, Paul, and Cassandra Atherton. Prose Poetry. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691180656.001.0001.

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This is the first book of its kind — an introduction to the history, development, and features of English-language prose poetry, an increasingly important and popular literary form that is still too little understood and appreciated. The book introduces prose poetry's key characteristics, charts its evolution from the nineteenth-century to the present, and discusses many historical and contemporary prose poems that both demonstrate their great diversity around the Anglophone world and show why they represent some of today's most inventive writing. A prose poem looks like prose but reads like p
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7

Davis, Peter. Poetry! Poetry! Poetry! Bloof Books, 2010.

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8

Foster, Roy. The Poetry Question. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199574797.003.0017.

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Oxford University Press, with a long tradition of publishing scholarly books on English literature, canonical authors, and anthologies of poetry, did not introduce a contemporary poetry list until the 1960s. Under the direction of Jon Stallworthy, himself a noted poet, and with the support of the Delegates, the Press developed a vibrant list that included the work of poets from Britain, Ireland, America, Australia, and New Zealand, as well as English poetic translations of European titles. Despite its critical success the poetry list was not profitable, and, facing serious financial constraint
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9

Goldberg, Brian. Poetry and Social Class. Edited by David Duff. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199660896.013.11.

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During the Romantic period, poetry and social class were intimately connected. Many of the period’s political arguments were about the social hierarchy, and poetic writing often reflected these debates. A poet’s social origin also had much to do with what he or she wrote and how that writing might be received. Fundamentally, audiences assumed that a legitimate poet would have a classical education unavailable to writers below a certain rank. Poets regularly attempted to challenge perceived class distinctions, sometimes by experimenting with the voices and viewpoints of other ranks, sometimes b
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10

Lunn-Rockliffe, Katherine. French Romantic Poetry. Edited by Paul Hamilton. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199696383.013.7.

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French Romantic poetry marked a dramatic break with a national tradition of verse which had been inherited almost unaltered from the seventeenth century. During the eighteenth century, the neo-classical conception of poetry as a rule-governed and highly stylized art had continued to prevail; verse was characterized by a solemn tone and narrow lexis, and there was a rigid distinction between poetic genres. Whereas Romantic poetry in England and Germany seemed already to allow the imagination free reign, in France poets needed first to reject these neo-classical conventions. Victor Hugo declared
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11

Crofts, Nigel. Poetry 2000: Poetry. Independently Published, 2017.

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12

Poetry As Poetry. AuthorHouse, 2006.

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13

Pellatt, Alfred. Poetry Sheer Poetry. Excalibur Press of London, 1991.

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14

Sparacio, John. Poetry As Poetry. AuthorHouse, 2006.

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15

McKenzie, Earl. A Poet's House: Poetry. Mango Publishing, 2004.

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16

Poetsy: Poetry Inspired by Cecilia. Austin Macauley Publishers Ltd., 2022.

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17

Trudell, Scott A. Unwritten Poetry. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198834663.001.0001.

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Vocal music was at the heart of English Renaissance poetry and drama. Virtuosic actor-singers redefined the theatrical culture of William Shakespeare and his peers. Composers including William Byrd and Henry Lawes shaped the transmission of Renaissance lyric verse. Poets from Philip Sidney to John Milton were fascinated by the disorienting influx of musical performance into their works. Musical performance was a driving force behind the period’s theatrical and poetic movements, yet its importance to literary history has long been ignored or effaced. Unwritten Poetry reveals the impact of vocal
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18

Whitehead, James. Madness Writing Poetry/ Poetry Writing Madness. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198733706.003.0007.

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The final chapter returns to the scene of Romantic poetry, looking at poetry by William Blake, William Wordsworth, Samuel Taylor Coleridge, John Keats, Lord Byron, Percy Bysshe Shelley, and John Clare. It reads these Romantic texts as poised articulations of the idea of poetic madness, and discusses generally how these writers contributed to, or interwove with their own lives and works, new and rediscovered mythologies of madness, sometimes anticipating or resisting the public images created by journalism, criticism, or biography, previously described. Finally, the Romantic mad poet is conside
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19

Dawson, Clara. Victorian Poetry and the Culture of Evaluation. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198856108.001.0001.

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Victorian Poetry and the Culture of Evaluation argues that the dialectic and dynamic relationship between the periodical review and poetry creates a culture of evaluation which shapes Victorian poetic form. The mediation of poetry by the periodical review orients poets towards public readership and reception, heightening their self-consciousness about their audience and generating a poetics of publicness. Using methodologies associated with historical poetics and new formalism, the book examines the dialogues between poets and periodical reviews from the 1830s to the 1860s. It juxtaposes male
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20

Ehlers, Sarah. Left of Poetry. University of North Carolina Press, 2019. http://dx.doi.org/10.5149/northcarolina/9781469651286.001.0001.

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In this incisive study, Sarah Ehlers returns to the Depression-era United States in order to unsettle longstanding ideas about poetry and emerging approaches to poetics. By bringing to light a range of archival materials and theories about poetry that emerged on the 1930s left, Ehlers reimagines the historical formation of modern poetics. Offering new and challenging readings of prominent figures such as Langston Hughes, Muriel Rukeyser, and Jacques Roumain, and uncovering the contributions of lesser-known writers such as Genevieve Taggard and Martha Millet, Ehlers illuminates an aesthetically
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21

Gray, Jeffrey, Mary Balkun, and James McCorkle. American Poets and Poetry. Greenwood, 2015. http://dx.doi.org/10.5040/9798400611469.

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The ethnically diverse scope, broad chronological coverage, and mix of biographical, critical, historical, political, and cultural entries make this the most useful and exciting poetry reference of its kind for students today. American poetry springs up out of all walks of life; its poems are "maternal as well as paternal…stuff'd with the stuff that is coarse and stuff'd with the stuff that is fine," as Walt Whitman wrote, adding "Of every hue and caste am I, of every rank and religion." Written for high school and undergraduate students, this two-volume encyclopedia covers U.S. poetry from th
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22

Jones, Chris. Fossil Poetry. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198824527.001.0001.

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Fossil Poetry provides the first book-length overview of the place of Anglo-Saxon in nineteenth-century poetry in English. It addresses the use of Anglo-Saxon as a resource by Romantic and Victorian poets in their own compositions, as well as the construction and ‘invention’ of Anglo-Saxon in and by nineteenth-century poetry. Fossil Poetry takes its title from a famous passage on ‘early’ language in the essays of Ralph Waldo Emerson, and uses the metaphor of the fossil to contextualize poetic Anglo-Saxonism within the developments that had been taking place in the fields of geology, palaeontol
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23

Robinson, Peter. Poetry & Money. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789622539.001.0001.

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Poetry & Money: A Speculation is a study of relationships between poets, poetry, and money from Chaucer to contemporary times. It begins by showing how trust is essential to the creation of value in human exchange, and how money can, depending on conditions, both enable and disable such trustfully collaborative generations of value. Drawing upon a vast range of poetry for its exemplifications, the book includes studies of poetic hardship, religious verse and debt redeeming, the South Sea Bubble and the financial revolution, debates upon metallic and paper currency in the eighteenth and nin
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24

Coffey, Ann. Poetry Exercises (Practical Poetry). Cherrybite Publications, 1998.

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25

Shakespeare, William. Shakespeare's Sonnets (Poetry) (Poetry). In Audio, 2003.

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26

Fridkin, Susan. The poetry remembers: Poetry. S. Fridkin, 2001.

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27

Orme, David. The Poetry Show (Poetry). Nelson Thornes Ltd, 1987.

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28

Animal Poetry (Thematic Poetry). Hodder Children's Books, 1993.

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29

(Editor), Robert Hull, and Annabel Spenceley (Illustrator), eds. Christmas Poetry (Thematic Poetry). Hodder Wayland, 1991.

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30

Sea Poetry (Thematic Poetry). Hodder Children's Books, 1993.

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31

Womens Poetry Pitt Poetry. University of Pittsburgh Press, 2013.

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32

Poetry Places (Poetry Review). Poetry Society, 2000.

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33

(Editor), Robert Hull, and Annabel Spenceley (Illustrator), eds. Christmas Poetry (Thematic Poetry). Hodder Wayland, 1993.

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34

Poetry Express (Poetry Express). Ginn & Company, 1994.

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35

Lavoie, Chrystal. Poetry Beyond Thoughts: Poetry. Lulu Press, Inc., 2022.

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36

McClain, Michele Marie. Church Folk Poetry: Poetry. Independently Published, 2019.

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37

Clare, John. Selected Poetry (Poetry Library). Penguin Books Ltd, 1990.

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38

Foster, John. Poetry Paintbox (Poetry Paintbox). Oxford University Press, 1993.

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39

Harris, V. B. Straight Poetry (Straight Poetry). Vantage Press, 2000.

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40

Foster, John. Poetry Paintbox (Poetry Paintbox). Oxford University Press, 1994.

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41

(Editor), Robert Hull, and Annabel Spenceley (Illustrator), eds. Science Poetry (Thematic Poetry). Hodder Wayland, 1991.

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42

Ndlovu, Mzwandile. Poetry Land: Poetry Anthology. Independently Published, 2019.

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43

Poetry Paintbox (Poetry Paintbox). Oxford University Press, 1994.

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44

(Editor), Robert Hull, and Annabel Spenceley (Illustrator), eds. Green Poetry (Thematic Poetry). Hodder Wayland, 1993.

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45

Poetry Paintbox (Poetry Paintbox). Oxford University Press, 1994.

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46

Poetry Paintbox (Poetry Paintbox). Oxford University Press, 1994.

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47

(Editor), Robert Hull, and Annabel Spenceley (Illustrator), eds. Food Poetry (Thematic Poetry). Hodder Wayland, 1992.

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48

New century poetry: Poetry. Great Press, 1999.

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49

Poetry Paintbox (Poetry Paintbox). Oxford University Press, 1993.

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50

Ben, Jonson. Selected Poetry (Poetry Library). Penguin Books Ltd, 1992.

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