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Tesis sobre el tema "Poets, american – 19th century"

Autor: Grafiati

Publicado: 25 de julio de 2024

Última modificación: 31 de julio de 2025

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1

Riley, Peter. "Moonlighting in Manhattan : American poets at work 1855-1930." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610494.

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2

Laffey, Seth Edward. "The Letters of Edwin Arlington Robinson: A Digital Edition (1889-1895)." Kent State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=kent1499369594701871.

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3

Ziegler, Christopher Taylor. "Jeffersonianism and 19th century American maritime defense policy." [Johnson City, Tenn. : East Tennessee State University], 2003. http://etd-submit.etsu.edu/etd/theses/available/etd-1110103-111416/unrestricted/ZieglerC120103a.pdf.

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Thesis (M.A.)--East Tennessee State University, 2003.<br>Title from electronic submission form. ETSU ETD database URN: etd-1110103-111416. Includes bibliographical references. Also available via Internet at the UMI web site.

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4

Martin, Michael Sean. "Imaginative Thanatopsis: Death and the 19th-Century American Subject." Diss., Temple University Libraries, 2009. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/41295.

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English<br>Ph.D.<br>In my dissertation, I intend to focus on the way that supernaturalism was produced and disseminated as a cultural category in 19th-century American fiction and non-fiction. In particular, my argument will be that 19th-century authors incorporated supernaturalism in their work to a large degree because of changing death practices at the time, ranging from the use of embalming to shifts in accepted mourning rituals to the ability to record the voices of the dead, and that these supernatural narratives are coded ways for these authors to rethink and grapple with the complexiti

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5

Bean, Heidi R. "Poetry 'n acts: the cultural politics of twentieth-century American poets' theater." Diss., University of Iowa, 2010. https://ir.uiowa.edu/etd/638.

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"Poetry 'n Acts: The Cultural Politics of Twentieth-Century American Poets' Theater," focuses on the disciplinary blind spot that obscures the productive overlap between poetry and dramatic theater and prevents us from seeing the cultural work that this combination can perform. Why did 2100 people turn out in 1968 to see a play in which most of the characters speak only in such apparently nonsensical phrases as "Red hus the beat trim doing going" and "Achtung swachtung"? And why would an Obie award-winning playwright move to New Jersey to write such a play in the first place? What led to the f

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6

Davis, Michael A. "Jacksonian Volcano: Anti-Secretism and Secretism in 19th Century American Culture." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1378109351.

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7

Vara-Dannen, Theresa C. "Benevolence and bitterness : the African-American experience in 19th century Connecticut." Thesis, Swansea University, 2012. https://cronfa.swan.ac.uk/Record/cronfa43161.

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This study examines the African-American experience in 19th century Connecticut through the writing of its eminent resident authors, ordinary people, and journalists. In every racial incident that occurred during this period, white citizens were torn between profoundly emotional racist ideologies and a more humanitarian, Christian benevolence rooted in Connecticut's Congregational history. Even allies of the African-American cause, such as Harriet Beecher Stowe and Mark Twain, set clear limits on their support, perhaps to maximize the appeal of their work to the broadest readership. Newspaper

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8

Zheng, Juan. "African American Cultural Products and Social Uplift, the End of the 19th Century - the Early of the 20th Century." W&M ScholarWorks, 2004. https://scholarworks.wm.edu/etd/1539626432.

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9

Dowd, Ann Karen. "Elizabeth Bishop: her Nova Scotian origins and the portable culture of home." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31238427.

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10

Schrag, Mitzi. "Rei(g)ning mediums : spiritualism and social controls in 19th-century American literature /." Thesis, Connect to this title online; UW restricted, 2006. http://hdl.handle.net/1773/9321.

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11

Li, Xiaorong 1969. "Woman writing about women : Li Shuyi (1817-?) and her gendered project." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33300.

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This thesis examines the life and poetry collection of the woman poet Li Shuyi (1817--?) within the context of women's literary culture in late imperial China. In particular, the textuality of Li Shuyi's poetry collection Shuyinglou mingshu baiyong (One Hundred Poems from Shuying Tower on Famous Women) forms the centre of critical analysis, which aims to articulate her gendered intervention into representations of women's image in poetry. The thesis is organized into three interconnected sections: the reconstruction of Li Shuyi's life in order to provide a context to articulate her relationshi

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12

Bube, June Johnson. ""No true woman" : conflicted female subjectivities in women's popular 19th-century western adventure tales /." Thesis, Connect to this title online; UW restricted, 1995. http://hdl.handle.net/1773/9508.

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13

Wilkinson, Myler 1953. "The dark mirror : American literary response to Russia, 1860-1917." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=70290.

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This thesis is an intercultural and intertextual study of the ways in which an American literary identity has emerged out of an intense imaginative and political dialogue with Russian culture. Early portions of this study trace the historical connections which have drawn American writers into the orbit of Russian literature and culture during the period, 1860-1917. A theoretical chapter attempts to explain the intensity of this dialogue on several related levels: the figural relationship between two literatures which constantly transform each other; the psychic experience of an otherness betwe

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14

Giguere, Joy M. ""The Dead Shall be Raised": The Egyptian Revival and 19th Century American Commemorative Culture." Fogler Library, University of Maine, 2009. http://www.library.umaine.edu/theses/pdf/GiguereJM2009.pdf.

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15

Moran, Theresa Ellen. "Bayard Taylor and American Orientalism : 19th century representations of national character and the other /." Thesis, Connect to Dissertations & Theses @ Tufts University, 2005.

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Thesis (Ph.D.)--Tufts University, 2005.<br>Submitted to the Fletcher School of Law and Diplomacy. Includes bibliographical references (leaves 322-330). Access restricted to members of the Tufts University community. Also available via the World Wide Web;

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16

Miller, Nikki L. "The American Civil War and Other 19th Century Influences on the Development of Nursing." Diss., The University of Arizona, 2006. http://hdl.handle.net/10150/194076.

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The Industrial Revolution created sweeping cultural and technological changes in 19th century American society. During this era, nursing evolved from an unskilled to a skilled form of work. Changes in manufacturing, communication, and transportation occurred differentially in America, which favored the growth of different regional economies. Sectionalism erupted into the first modern war in American history. The Civil War created the conditions in which nursing, medicine, and the hospital formed organizational structures, roles, and boundaries that would later form the template for the modern

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17

Strecker, Geralyn. "Reading prostitution in American fiction, 1893-1917." Virtual Press, 2001. http://liblink.bsu.edu/uhtbin/catkey/1213148.

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Many American novels of the late nineteenth and early twentieth centuries discuss prostitution. Some works like Reginald Wright Kauffman's The House of Bondage, (1910) exaggerate the threat of "white slavery," but others like David Graham Phillips's Susan Lenox: Her Fall and Rise (1917) more honestly depict the harsh conditions which caused many women to prostitute themselves for survival. Contemporary critical interpretations of novels addressed in this dissertation began before major shifts in women's roles in the workplace, before trends towards family planning, before women could respectab

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18

Smith, Sarah Elizabeth. "Colonial contacts and individual burials| Structure, agency, and identity in 19th century Wisconsin." Thesis, The University of Wisconsin - Milwaukee, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1571930.

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<p> Individual burials are always representative of both individuals and collective actors. The physical remains, material culture, and represented practices in burials can be used in concert to study identities and social personas amongst individual and collective actors. These identities and social personas are the result of the interaction between agency and structure, where both individuals and groups act to change and reproduce social structures. </p><p> The three burials upon which this study is based are currently held in the collections of the Milwaukee Public Museum. They are all

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19

Bellettiere, Giovanna Marie. "AMERICAN FEMINISM: THE CAMERA WORK OF ALICE AUSTEN, ALFRED STIEGLITZ, AND BERENICE ABBOTT." Master's thesis, Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/578947.

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Art History<br>M.A.<br>This thesis explores the work of photographers: Alice Austen, Alfred Stieglitz, and Berenice Abbott in relation to the American landscape of New York from approximately 1880 through 1940. Although the artwork of Georgia O’Keeffe is not addressed specifically, her role as an artist communicating her modern self image through Stieglitz’s photography is one area of focus in the second chapter. Previous scholarship has drawn parallels between women artists and photographers solely in terms related to their gender identity. In contrast, my project identifies a common theoreti

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20

Boorn, Alida S. "Interpreting the transnational material culture of the 19th-Century North American Plains Indians: creators, collectors, and collections." Diss., Kansas State University, 2016. http://hdl.handle.net/2097/34472.

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Doctor of Philosophy<br>Department of History<br>Bonnie Lynn-Sherow<br>American Indian material culture collections are protected in tribal archives and transnational museums. This dissertation argues that the Plains Indian people and Euroamerican people cross pollinated each other’s material culture. Over the last two hundred years’ interpretations of transnational material culture acculturation of the 19th - Century North American Plains Indians has been interpreted in venues that include arts and crafts, photography, museums, world exhibitions, tourism destinations, entertainments and lit

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21

Connolly, Patrick. "The American overseas community in nineteenth-century Macao." Thesis, University of Macau, 2012. http://umaclib3.umac.mo/record=b2590571.

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22

Nosal, Janice A. ""Improvement the order of the age"| Historic advertising, consumer choice, and identity in 19th century Roxbury, Massachusetts." Thesis, University of Massachusetts Boston, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10160223.

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<p> During the mid-to-late 19th century, Roxbury, Massachusetts experienced a dramatic change from a rural farming area to a vibrant, working-class, and predominantly-immigrant urban community. This new demographic bloomed during America’s industrial age, a time in which hundreds of new mass-produced goods flooded consumer markets. This thesis explores the relationship between working-class consumption patterns and historic advertising in 19th-century Roxbury, Massachusetts. It assesses the significance of advertising within households and the community by comparing advertisements from t

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23

England, Peter S. (Peter Shands). "American Literary Pragmatism : Lighting Out for the Territory." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc278511/.

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24

Abbott, Sherry L. "My Mother Could Send up the Most Powerful Prayer: The Role of African American Slave Women in Evangelical Christianity." Fogler Library, University of Maine, 2003. http://www.library.umaine.edu/theses/pdf/AbbottSL2003.pdf.

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25

Hiser, Garrett. "Illustrating the Color Line: Charles W. Chesnutt and Clyde O DeLand." Cleveland State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=csu1481030226046336.

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26

Gabrielsen, Natalia Marie, and Natalia Marie Gabrielsen. "'Ideal Vehicles': Medallic Circuitry in Nineteenth-Century Portraits of Native Americans." Thesis, The University of Arizona, 2017. http://hdl.handle.net/10150/626399.

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I examine the mobility and circulation of peace medals featured in nineteenth-century portraiture of Native Americans through the lens of object-oriented ontology. This research strives to establish a different perspective for considering nineteenth-century portraiture of Native Americans by situating the works through the framework of materiality and circulation. By applying this approach to a series of portraits of Native Americans with peace medals, my research seeks to define issues of movement and power within the transient, fluctuating space of the nineteenth-century American frontier. T

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27

Clark, R. Andrew. "American Choral Music in Late 19th Century New Haven: The Gounod and New Haven Oratorio Societies." Thesis, view full-text document, 2001. http://www.library.unt.edu/theses/open/20011/clark%5Fr%5Fandrew/index.htm.

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28

Landroche, Tina Michele. "Chinese women as cultural participants and symbols in nineteenth century America." PDXScholar, 1991. https://pdxscholar.library.pdx.edu/open_access_etds/4291.

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Chinese female immigrants were active cultural contributors and participants in nineteenth century America, yet Americans often simplified their roles into crude stereotypes and media symbols. The early western accounts concerning females in China created the fundamental images that were the basis of the later stereotypes of women immigrants. The fact that a majority of the period's Chinese female immigrants became prostitutes fueled anti-Chinese feelings. This thesis investigates the general existence of Chinese prostitutes in nineteenth century America and how they were portrayed in the medi

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29

Mahar, Karen E., and University of Lethbridge Faculty of Arts and Science. "Comstockery and censorship in early American modernism / Karen E. Mahar." Thesis, Lethbridge, Alta. : University of Lethbridge, Dept. of English, 2011, 2011. http://hdl.handle.net/10133/2601.

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Anthony Comstock was a moral crusader who abhorred all things lewd and obscene, and who was successful in introducing the Comstock Law to help his fight against it. His lifelong battle against vice at the end of the nineteenth-century had an impact on literature and the literary world as it transitioned from Victorian prudery to modernist realism. Comstock’s influence negatively affected publishers, distributers, and writers, in particular, canonical Americans Walt Whitman and Theodore Dreiser. His methods were unconventional, and in the name of morality, Comstock often behaved immorally to ac

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30

Gerhold, Emily. "American Beauties: The Cult of the Bosom in Early Republican Art and Society." VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/353.

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This interdisciplinary project offers new research to introduce the American cult of the bosom, which emerged in the years following the Revolutionary War and helped shape the discourse around women’s roles in the early republic. The cult of the bosom sought to shift the way in which the female body, and especially the bosom, was regarded and represented by identifying it as the locus of a number of positive qualities associated with women, including virtue, modesty, beauty, and grace. This shift constituted, in the minds of citizens, a significant way in which American culture honored and cel

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31

King, Laurel Allison. "God's in his lab and all's right with the world : depictions of science in 19th century American literature /." Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/9512.

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32

Stoltz, Taylor. "Aristocrats, Republicans, and Cannibals: American Reactions to French Women in Violence." Thesis, Virginia Tech, 2015. http://hdl.handle.net/10919/52780.

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This thesis discusses the reactions of American newspapers and elite individuals to French women in violence as perpetrators and victims during the French Revolution. Canvassing the years between 1789 and 1799, it includes papers, especially politically aligned ones, from across the states of America and attempts to assess the prescriptive nature of various reports. In includes case studies of common/working-class women, aristocratic revolutionaries (Charlotte Corday and Madame Roland), and Queen Marie Antoinette. Using newspapers with and without political affiliations, to either the Federali

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33

Dabek, Diana I. "Misinterpreted experiences : the tension between imagination and divine revelation in early 19th century Anglo American Gothic fiction." FIU Digital Commons, 2010. http://digitalcommons.fiu.edu/etd/2649.

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The purpose of this study was to analyze the ways in which 19th century Gothic fiction novelists Charles Brockden Brow and James Hogg explore the themes of religious enthusiasm and divine revelation. A close look at these texts reveals a common interest in the tension between the imagination and reality. By analyzing the philosophical and theological roots of these issues it becomes clear that Wieland and Confessions of a Justified Sinner mirror the anxieties of 19th century Anglo American culture. Questions regarding voice and authority, the importance of testimony, and religious seduction ar

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34

Baumgardner, Thomas A. "Shape Matters." ScholarWorks@UNO, 2014. http://scholarworks.uno.edu/td/1903.

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An analysis of the production of the University of New Orleans thesis film, Shape Matters, a period film, written and directed by Thomas Baumgardner. The film is concerned with the practice of Phrenology and follows a nervous preacher who becomes entangled in the bizarre "science" and a local murder. This paper describes the director's experiences and details the challenges encountered, and lessons learned, from attempting to bring the project to fruition.

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35

Ertle, Lynne 1963. "Antique Ladies : Women and Newspapers on the Oregon Frontier, 1846-1859." Thesis, University of Oregon, 1995. http://hdl.handle.net/1794/12275.

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viii, 234 p. A print copy of this thesis is available through the UO Libraries under the call number: KNIGHT PN4897.O74 E78 1995<br>Studies have shown that women's ideas, especially those that challenge the status quo, have historically received little attention from the press. This thesis discusses how women were described in three of Oregon's frontier newspapers from 1846 to 1859, and also explores their contributions to the newspapers as writers, poets, editors, and businesswomen. Information from established American media clipped for the frontier papers described popular, mainstream

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36

Staton, Maria S. "Christianity in American Indian plays, 1760s-1850s." Virtual Press, 2006. http://liblink.bsu.edu/uhtbin/catkey/1364944.

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The main purpose of this study is to prove that the view on the American Indians, as it is presented in the plays, is determined by two dissimilar sets of values: those related to Christianity and those associated with democracy. The Christian ideals of mercy and benevolence are counterbalanced by the democratic values of freedom and patriotism in such a way that secular ideals in many cases supersede the religious ones. To achieve the purpose of the dissertation, I sifted the plays for a list of notions related to Christianity and, using textual evidence, demonstrated that these notions were

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37

Hubbs, Holly J. "American women saxophonists from 1870-1930 : their careers and repertoire." Virtual Press, 2003. http://liblink.bsu.edu/uhtbin/catkey/1259304.

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The late nineteenth century was a time of great change for women's roles in music. Whereas in 1870, women played primarily harp or piano, by 1900 there were all-woman orchestras. During the late nineteenth century, women began to perform on instruments that were not standard for them, such as cornet, trombone, and saxophone. The achievements of early female saxophonists scarcely have been mentioned in accounts of saxophone history. This study gathers scattered and previously unpublished information about the careers and repertoire of American female saxophonists from 1870-1930 into one referen

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38

McCaslin, Sarah Elizabeth. "'Great gathering of the clans' : Scottish clubs and Scottish identity in Scotland and America, c.1750-1832." Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/26041.

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The eighteenth century witnessed the proliferation of voluntary associations throughout the British-Atlantic world. These voluntary associations consisted of groups of men with common interests, backgrounds, or beliefs that were willing to pool their resources in order to achieve a common goal. Enlightenment Scotland was home to large numbers of clubs ranging from small social clubs to large national institutions. The records of these societies suggest that most, if not all, of the men who formed them believed that defining and performing Scottish identity was important to preserving the socia

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39

Jenkins, Jennifer Lei. "Failed mothers and fallen houses: Gothic domesticity in nineteenth-century American fiction." Diss., The University of Arizona, 1993. http://hdl.handle.net/10150/186122.

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This study examines the relation between gender and genre in four novels that chart the development of American domestic life from the Colonial to the Gilded Age. In these novels, the presence in the house of women--mothers, daughters, sisters, servants, slaves--often threatens the fathers' dynastic ambitions and subverts the formal intentions of the narrative. These women represent familiar but strange forces of the uncanny which lurk beneath the apparently placid surface of domestic narrative. In "house" novels by Hawthorne, Stowe, Alcott, and James, interactions of the uncanny feminine with

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40

Breidenbach, Michael David. "Conciliarism and American religious liberty, 1632-1835." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648152.

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41

Bollinger, Heather K. "The North comes South northern Methodists in Florida during Reconstruction." Master's thesis, University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4849.

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This thesis examines three groups of northern Methodists who made their way to north Florida during Reconstruction: northern white male Methodists, northern white female Methodists, and northern black male and female Methodists. It analyzes the ways in which these men and women confronted the differences they encountered in Florida's southern society as compared to their experiences living in a northern society. School catalogs, school reports, letters, and newspapers highlight the ways in which these northerners explained the culture and behaviors of southern freedmen and poor whites in Jacks

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42

Newhouse, James. "Framing Revolution: Simón Bolívar’s Rhetoric and Reason." Thesis, Boston College, 2015. http://hdl.handle.net/2345/bc-ir:104151.

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Thesis advisor: Sylvia Sellers-García<br>Between 1812-1829, the Spanish American colonies waged a war of independence against the Spanish crown. In Northern South America, this movement was spearheaded by the Enlightenment-educated Simón Bolívar, who understood that expelling the Spaniards necessitated winning widespread support from Spanish America's many distinct interest groups. Bolívar capitalized on his leadership and love for public speaking to wage a war of words against the Spanish that framed the actual revolution in such a way as to give it meaning. This campaign featured a number of

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43

Hanson, Jeffrey Allan. "SAVING APPEARANCES." Ohio University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1172593287.

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44

Kisawadkorn, Kriengsak. "American Grotesque from Nineteenth Century to Modernism: the Latter's Acceptance of the Exceptional." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc278030/.

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This dissertation explores a history of the grotesque and its meaning in art and literature along with those of its related term, the arabesque, since their co-existence, specifically in literature, is later treated by a well-known nineteenth-century American writer in Tales of the Grotesque and Arabesque- Theories or views of the grotesque (used in literature), both in Europe and America, belong to twelve theorists of different eras, ranging from the sixteenth century to the present period, especially Modernism (approximately from 1910 to 1945)--Rabelais, Hegel, Scott, Wright, Hugo, Symonds,

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45

Lang, Christopher T. "The importance of consciousness and the mind/body problem exploring social systems of containment in 19th century American literature /." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 2006. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M.A.)--Kutztown University of Pennsylvania, 2006.<br>Source: Masters Abstracts International, Volume: 45-06, page: 2833. Typescript. Abstract precedes thesis as 1 leaf (iii). Includes bibliographical references (leaves 461-474).

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46

Tejeira-Davis, Eduardo. "Roots of modern Latin American architecture the Hispano-Caribbean region from the late 19th century to the recent past /." Heidelberg : Deutscher Akademischer Austauschdienst, 1987. http://books.google.com/books?id=LNBPAAAAMAAJ.

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47

Schneider, William Steven. "Music and Race in the American West." PDXScholar, 2017. https://pdxscholar.library.pdx.edu/open_access_etds/3674.

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This thesis explores the complexities of race relations in the nineteenth century American West. The groups considered here are African Americans, Anglo Americans, Chinese, Mexican Americans, and Native Americans. In recent decades historians of the West have begun to tell the narratives of racial minorities. This study adopts the aims of these scholars through a new lens--music. Ultimately, this thesis argues that historians can use music, both individual songs and broader conceptions about music, to understand the complex and contradictory race relations of the nineteenth century west. Proce

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48

Brill, Kristen Cree. "Rewriting southern womanhood in the American Civil War." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.608254.

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49

Wahlstrom, Christine M. "Vereinsleben in Indianapolis : the social culture of the liberal German-American population as reflected in the design of community buildings, 1851-1918." Virtual Press, 1999. http://liblink.bsu.edu/uhtbin/catkey/1136710.

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Beginning in the middle of the nineteenth century, a thriving German immigrant community could be found in the city of Indianapolis. The more liberal members of the German community established organizations which catered to their athletic, intellectual, and social needs. This community life was called Vereinsleben, from the German words for club/association (Verein) and life (Leben). Fitting homes were needed for the clubs. Thus, several structures central to the Vereinsleben of the liberal German community were constructed. The buildings were built to be recognized as the homes of these club

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50

Cross, Rhonda Kay. "Walter MacEwen: A forgotten episode in American art." Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc9854/.

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Despite having produced an impressive body of work and having been well-received in his lifetime, the career of nineteenth-century American expatriate artist Walter MacEwen has received virtually no scholarly attention. Assimilating primary-source materials, this thesis provides the first serious examination of MacEwen's life and career, thereby providing insight into a forgotten episode in American art.

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