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Tesis sobre el tema "Popular culture"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 25 de julio de 2025

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1

Lane, Barbara Diana. "Materiality and popular culture." Thesis, Georgia Institute of Technology, 1989. http://hdl.handle.net/1853/21803.

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2

Tam, Pui-kam Ada, and 譚沛錦. "Postmodernism and popular culture." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B26902448.

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3

Storey, John. "Hegemony and popular culture." Thesis, University of Sunderland, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.337210.

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4

Cairns, David. "Sectarianism in popular culture." Thesis, University of Ulster, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.274136.

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5

au, LMcrae@westnet com, and Leanne Helen McRae. "Questions of Popular Cult(ure)." Murdoch University, 2003. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20040428.152619.

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Questions of Popular Cult(ure) works in the uncomfortable and unclear spaces of popular culture. This thesis demonstrates how cult cauterizes ambiguity and functions as a framing agent for unpopular politics in popular culture. In tracking the flows and hesitations in the postwar period through the rise of the New Right and identity politics, this thesis shows how cult contains moving and malleable meanings that maneuver through everyday life. It is a slippery and slight subject that denies coherent categorization in definitional frames. This thesis negotiates this liminality by tracking bro

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6

Hitchin, Linda. "Technological uncertainties and popular culture." Thesis, Brunel University, 2002. http://bura.brunel.ac.uk/handle/2438/5247.

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This thesis is an inquiry into possibilities and problems of a sociology of translation. Beginning with a recognition that actor network theory represents a sociological account of social life premised upon on recognition of multiple ontologies, interruptions and translations, the thesis proceeds to examine problems of interpretation and representation inherent in these accounts. Tensions between sociological interpretation and social life as lived are examined by comparing representation of nonhuman agency in both an actor-network and a science fiction study of doors. The power identified in

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7

Daniels, Rebecca. "Walter Sickert and popular culture." Thesis, University of Oxford, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.410774.

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8

Ross, Peter Colin. "Jack Sheppard in popular culture." Thesis, Birkbeck (University of London), 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.413726.

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9

Herrmann, Andrew F., and Art Herbig. "Communication Perspectives on Popular Culture." Digital Commons @ East Tennessee State University, 2016. https://www.amzn.com/1498523927.

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Popular culture helps construct, define, and impact our everyday realities and must be taken seriously because popular culture is, simply, popular. Communication Perspectives on Popular Culture brings together communication experts with diverse backgrounds, from interpersonal communication, business and organizational communication, mass communication, media studies, narrative, rhetoric, gender studies, autoethnography, popular culture studies, and journalism. The contributors tackle such topics as music, broadcast and Netflix television shows, movies, the Internet, video games, and more, as t

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10

Brown, Adam. "Democratising popular culture : comparing and contrasting some cultural industries." Thesis, Manchester Metropolitan University, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.240742.

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11

Soncini, Luana. "Política de patrimônio cultural imaterial na América Latina: análise dos processos de identificação e registro no Brasil e no México." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/84/84131/tde-12072012-155540/.

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Há cerca de uma década a noção de Patrimônio Imaterial vem sendo incorporada às políticas de patrimônio dos Estados latinoamericanos, e também no contexto internacional mais amplo, a partir da Convenção para a Salvaguarda do Patrimônio Imaterial (UNESCO, 2003). Nesta dissertação são analisadas as experiências de identificação e registro de bens culturais desta natureza no Brasil e no México, por meio da apreciação de documentos oficiais produzidos no âmbito desta política, os Dossiês de registro realizados no Brasil e o Inventario del Patrimonio Inmaterial mexicano. Considera-se, a partir do h

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12

da, Silva Sara. "From caravelas to telenovelas : Popular culture, cultural exchange and cultural appropriation." Thesis, Stockholm University, Department of Spanish, Portuguese and Latin American Studies, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-8094.

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<p>Brazilian telenovelas have always been very popular in Portugal but in the last years this popularity is decreasing. It seems Portuguese audiences prefer Portuguese telenovelas instead. Why is this so? Within the context of the relationship between Portugal and Brazil, Portuguese identity and theories of cultural exchange and cultural appropriation, this essay, through interviews to ten different subjects, tries to analyse why this is happening.</p>

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13

Bergfeld, Sarah Elizabeth. "Hegemony at play four case studies in popular culture /." Pullman, Wash. : Washington State University, 2009. http://www.dissertations.wsu.edu/Dissertations/Spring2009/s_bergfeld_042109.pdf.

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14

McRae, Leanne. "Questions of popular cult(ure) /." Access via Murdoch University Digital Thesis Project, 2002. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20040428.152619.

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15

Lam, King-sau, and 林勁秀. "Wang Shuo's fiction and popular culture." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B35319161.

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16

Jones, Simon. "White youth and Jamaican popular culture." Thesis, University of Birmingham, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.391512.

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17

Caponero, Maria Cristina. "Festejando São Benedito: a congada em Ilhabela, recurso cultural brasileiro." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/93/93131/tde-23082012-081734/.

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Herança basicamente portuguesa, as festas religiosas no Brasil ganharam contornos populares, sendo de grande importância para a formação da cultura popular e para a identidade nacional. Em Ilhabela, litoral norte do Estado de São Paulo, a Festa de São Benedito que tem com ponto máximo a apresentação da Congada de São Benedito vem sendo realizada há mais de cento e cinquenta anos, sem nunca ter sido interrompida. Esta festa recebeu grande influência africana e não se tornou mero entretenimento, mantendo sua tradição como uma manifestação de grande religiosidade popular, onde o sagrado e o profa

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18

Santos, João Rafael Coelho Cursino dos. "A cultura como protagonista do processo de reconstrução da cidade de São Luiz do Paraitinga/SP." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-11042016-105654/.

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A cidade de São Luiz do Paraitinga, localizada no Vale do Paraíba, estado de São Paulo, nos primeiros dias do ano de 2010, foi atingida pela maior inundação de sua história. As águas do rio Paraitinga subiram aproximadamente doze metros acima de seu leito habi-tual, causando a destruição de grande parte do patrimônio histórico arquitetônico e causando diversos prejuízos à população atingida. O processo de reconstrução da cidade foi marcado por ter a cultura local como pro-tagonista que, em diversas situações obrigou o poder público e os órgãos de preservação do patrimônio histórico a reverem p

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19

Rodeheaver, Misty D. "An analysis of the shifts in cultural flows between the United States and Germany, 1890-1929." Morgantown, W. Va. : [West Virginia University Libraries], 2005. https://etd.wvu.edu/etd/controller.jsp?moduleName=documentdata&jsp%5FetdId=3988.

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Thesis (M.A.)--West Virginia University, 2005.<br>Title from document title page. Document formatted into pages; contains iv, 90 p. : ill. Includes abstract. Includes bibliographical references (p. 81-87).

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20

Silva, Mariana de Araujo Alves da 1992. "O encontro dos rios : a Associação de Cerâmica da Barra (BA) no contexto da arte popular /." São Paulo, 2019. http://hdl.handle.net/11449/183212.

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Orientador(a): Lalada Dalglish<br>Banca: Alberto Tsuyoshi Ikeda<br>Banca: Sonia Carbonell Alvares<br>Resumo: A arte popular ocupa um lugar social específico no âmbito das produções e estudos do campo da Arte ocidental. Com base nessa conjuntura, esta pesquisa busca compreender possibilidades de aproximação e afastamento entre a "arte" e o "popular", analisando cruzamentos, distanciamentos e convergências, a fim de identificar diferentes perspectivas para relacionar-se com estudos sobre o tema. Para tal, observa-se a produção cerâmica da comunidade artesã Associação de Cerâmica Comunitária Noss

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21

SCOTT, MEGHAN C. "BEAUTY IN THE EYE OF POPULAR CULTURE: POPULAR CULTURE AND THE OBSESSION WITH FEMALE IMAGE: THE BEAUTY RITUAL." Thesis, The University of Arizona, 2008. http://hdl.handle.net/10150/192238.

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22

DiFiore, Danielle. "Hunter S. Thompson a popular culture icon /." Tallahassee, Fla. : Florida State University, 2010. http://purl.fcla.edu/fsu/lib/digcoll/undergraduate/honors-theses/2181964.

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23

Warner, Kathleen Marie. "Historical theory, popular culture and television drama /." [St. Lucia, Qld.], 2005. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe19144.pdf.

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24

Lindell, Johan. "Japanization? - Japanese Popular Culture among Swedish Youth." Thesis, Karlstads universitet, Fakulteten för ekonomi, kommunikation och IT, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-3861.

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<p></p><p>Japanese presence on the global cultural market has steadily been increasing throughout the last decades. Fan-communities all over the world ar

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25

McEwen, Melissa. "Gramsci and Spielberg : hegemony in popular culture /." Title page, contents and introduction only, 1991. http://web4.library.adelaide.edu.au/theses/09AR/09arm1418.pdf.

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26

Graham, Michael Richard. "Remembering the commune : historiography and popular culture /." Title page, table of contents and introduction only, 2004. http://web4.library.adelaide.edu.au/theses/09AR/09arg7381.pdf.

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27

Donald, James. "Schooling, popular culture, government ideology and beyond." Thesis, Open University, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.253550.

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28

Branca, Andrea. "Identity and Popular Culture In Art Therapy." Digital Commons at Loyola Marymount University and Loyola Law School, 2012. https://digitalcommons.lmu.edu/etd/100.

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This paper explores the psychological concept of identity and how popular culture may be used as a theme in art therapy for exploring and repairing life story. The literature review defines identity from varying perspectives with emphasis on awareness of parallels between popular culture and the client’s personal story. These parallels may offer art therapists a framework of images and memories useful specifically to exploring identity development with clients. The case study places client’s identity into the context of popular culture unique to the experiences of the client at varying life st

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29

Sjöstedt, Jenny, and Sanna-Petra Wålberg. "Populärkultur i förskolan - Popular culture in preschool." Thesis, Malmö högskola, Fakulteten för lärande och samhälle (LS), 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-30735.

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SammanfattningBarn möter idag populärkultur både i leksaksaffärerna och klädesaffärerna men även i TV-reklamen. Populärkulturella leksaker blir något barnen har ett gemensamt fokus till och skapar gemenskap kring. Leksakerna kan därför bidra till att barns tankar och kunskaper i förskolan blir till ett gemensamt intresse. Barns erfarenheter bildas till stor del i förskolan där de tillbringar mycket tid. Förskolan blir därför en social och kulturell mötesplats där barns intressen kan tas tillvara. Vårt arbete syftar därför till att studera hur pedagoger förhåller sig till och arbetar med populä

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30

Bennett, James Andrew. "Popular styles, local interpretations : rethinking the sociology of youth culture and popular music." Thesis, Durham University, 1996. http://etheses.dur.ac.uk/1570/.

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31

Silveira, Mônica Maria de Souza. "A queimada da palhinha no Vale do Itamboatá: a permanencia de uma prática do catolicismo popular na região metropolitana de Salvador." Programa de Pós-Graduação em Cultura e Sociedade da UFBA, 2009. http://www.repositorio.ufba.br/ri/handle/ri/10806.

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132f.<br>Submitted by Suelen Reis (suziy.ellen@gmail.com) on 2013-05-09T18:13:19Z No. of bitstreams: 1 dissert_Mônica Silveira.pdf: 1886455 bytes, checksum: 55564663aae2d734bb9f7823929e711d (MD5)<br>Approved for entry into archive by Alda Lima da Silva(sivalda@ufba.br) on 2013-05-10T16:50:43Z (GMT) No. of bitstreams: 1 dissert_Mônica Silveira.pdf: 1886455 bytes, checksum: 55564663aae2d734bb9f7823929e711d (MD5)<br>Made available in DSpace on 2013-05-10T16:50:44Z (GMT). No. of bitstreams: 1 dissert_Mônica Silveira.pdf: 1886455 bytes, checksum: 55564663aae2d734bb9f7823929e711d (MD5) Previous is

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32

Esquirol, Meritxell. "Femininity, neoliberalism and popular culture: the depolitization of feminism." Doctoral thesis, Universitat de Girona, 2015. http://hdl.handle.net/10803/285781.

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This thesis intends to analyze the logics of representation of contemporary femininity in the popular imagery that has instrumentalized feminism. Such is the case of the transmedia narrative The Twilight Saga, the cultural franchise of 50 Shades of Grey, and TV fiction Girls. All of these cultural products have earned an important position in contemporary cultural consumption, invite a form of cultural participation closely linked to the consumer industry, and propose female ideals characterized by a strong sentiment of freedom of choice. However, these ideals are inserted within an androcentr

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33

Szemere, Anna. "Pop culture, politics, and social transition /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC IP addresses, 1998. http://wwwlib.umi.com/cr/ucsd/fullcit?p9820881.

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34

Costa, Carmem Lúcia. "Cultura, religiosidade e comércio na cidade: a festa em louvor à Nossa Senhora do Rosário em Catalão - Goiás." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8136/tde-06122010-151424/.

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A Festa em Louvor à Nossa Senhora do Rosário é uma parte da identidade de moradores do interior de Goiás no Brasil, mais especificamente da cidade de Catalão. A Festa é realizada, primeiro apenas por descendentes de escravos, que usavam a festa para manterem vivas suas tradições no espaço do outro, o colonizador; anos mais tarde, para firmar-se na cidade, os dançadores que eram em sua maioria pobres que lutavam todos os anos, não apenas para sobrevier, mas também para fazer a festa na cidade do outro, levar seus grupos à Igreja de Nossa Senhora do Rosário. A Festa sobrevive através da religios

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35

Wang, Yi. "From revolutionary culture to popular culture: Chinese literature and television 1987-1991." Thesis, Wang, Yi (1996) From revolutionary culture to popular culture: Chinese literature and television 1987-1991. PhD thesis, Murdoch University, 1996. https://researchrepository.murdoch.edu.au/id/eprint/50714/.

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For over forty years since 1949, the People's Republic of China adapted to a unified and homogeneous "revolutionary cultural" identity that was deeply inscribed with communism and socialist ideals, which was located in a fixed relationship to the culture of the past and the culture of the West. The emergence of an elite culture in the 1980s and then a popular culture in the 1990s were significant historical breakthroughs. It not only highlighted the changes in the co-existence of different cultural domains but also, more significantly, provided sites for new discourses of elite culture and pop

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36

Leal, Alessandra Fonseca. "Semear cultura, cultivar culturas populares, colher patrimônios: a gestão social da cultura popular às margens do Rio São Francisco no norte de Minas Gerais." Universidade Federal de Uberlândia, 2011. https://repositorio.ufu.br/handle/123456789/16112.

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Cette recherche vise à analyser la organisation et réorganisation des groupes culturels populaires. Mes sujets et interlocuteurs sont des groupes de danse de Saint Gonçalo situés entre les villes de Buritizeiro et de Várzea da Palma et des groupes de Folias de Reis entre les villes de Pirapora et São Francisco. Il s'agit de gérer la création de la représentation des formes de culture populaire de toutes sortes (traditionnel, du patrimoine, etc.) par ces acteurs-auteurs dans leurs relations et leurs dialogues auprès de différentes instances et personnes de la société civile : les institutions,

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37

Oliveira, Aluizio Lins de. "Erudição e cultura popular na atividade intelectual de Luís da Câmara Cascudo." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8132/tde-18122012-121921/.

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A descrição de alguns aspectos da vida intelectual de Luís da Câmara Cascudo visa contribuir para análise sociológica de aspectos culturais da sociedade. O autor produziu escrito nas áreas de história, biografia, memorialística e folclore. Com a produção intelectual folclórica se colocou no mercado editorial brasileiro em formação. Procurou-se concentrar análises em alguns documentos culturais relacionados à perspectiva intelectual de Cascudo. Produzidos pelo próprio ou sobre ele. Detalhando características desses documentos bem específicos, tentou-se ver neles alguns elementos das estruturas

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38

Blue, Gwendolyn. "Discourse of wilderness, grizzly bears in popular culture." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ38526.pdf.

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39

Campbell, Jennifer Riley Walters Frank. "Long strange trip mapping popular culture in composition /." Auburn, Ala., 2006. http://repo.lib.auburn.edu/2006%20Spring/doctoral/CAMPBELL_JENNIFER_10.pdf.

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40

Hiwatari, Yasutaka. "Anglicisms, globalisation and performativity in Japanese popular culture." Thesis, University of Leeds, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.550813.

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This thesis examines the ways in which English is used to produce and reproduce new meanings and identities in the Japanese context. The study of language contact with English in Japan is far from new in Japanese sociolinguistics, and a number of studies have been conducted in this area. However, I argue that previous studies are marked by two main oversights: firstly, previous studies were conducted on data collected from limited genres; secondly, in the previous studies, English was examined on the basis of a restricted contact setting. Thus, the earlier studies provided a limited view of th

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41

Ferguson, Galit. "Watching families : parenting, reality television and popular culture." Thesis, University of East London, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.532891.

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This interdisciplinary thesis provides a contemporary-historical, psychoanalytically inflected study around family-help reality television programmes. The combination of psychoanalytic and discursive perspectives, and the focus on popular cultural texts positions this as a psychocultural study. Focussing on Supernanny, Honey We're Killing the Kids and House of Tiny Tearaways, engagements with theses hows and issues around parenting on the web, and policy representational texts, I argue that such programmes and surrounding texts articulate a set of `affective discourses' that are also present i

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42

Enstone, Zoe O. "Becoming goth : geographies of an (un)popular culture." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:13715ee9-d01d-4671-a8d1-0dd08bd616e5.

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Within this thesis I explore what can be achieved when culture is critically assessed through a series of theories that mobilise a spatial imaginary. I place the concepts of atmosphere, connection, site and encounter, and theories of emergence via terms such as movement, practice and embodiment, into tension with a single case study: Goth. Goth is a music based grouping, emerging from Punk, New Romantic, Indie and Glam Rock style and music cultures in the late 1970s, with a significant near-global presence in the popular culture industries and links to several salient media controversies; incl

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43

Hen, Yitzhak. "Popular culture in Merovingian Gaul, A.D. 481-751." Thesis, University of Cambridge, 1994. https://www.repository.cam.ac.uk/handle/1810/272394.

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44

Howells, Richard. "The interpretation of popular culture as modern myth." Thesis, University of Cambridge, 1994. https://www.repository.cam.ac.uk/handle/1810/272473.

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45

Gustafsson, Malin, and Linn Rix. "Contemporary Popular Culture for Educational Purposes – Teaching English." Thesis, Malmö högskola, Lärarutbildningen (LUT), 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-34842.

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The purpose of this dissertation is to examine four teachers’ of English perceptions of the use of CPCE in their teaching. When reading the control documents of the Swedish school, indications pointing towards the use of CPCE texts in teaching were found. Therefore we took an interest in finding out how teachers choose to implement CPCE in their teaching. We have combined the methods of semi structured qualitative interviews and the use of a focus group to gather the data needed. Our main findings consist of how the concept of popular culture is understood by our informants. They find the conc

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46

Berglund, Jeffrey Duane. "Cannibal fictions in U.S. popular culture and literature /." The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487935573771863.

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47

Reis, Claudio. "O nacional-popular em Antonio Gramsci." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280794.

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Orientador: Omar Ribeiro Thomaz<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-08-13T17:03:04Z (GMT). No. of bitstreams: 1 Reis_Claudio_D.pdf: 2208291 bytes, checksum: c02ed633320c0bb52b25a76aa5cf5a36 (MD5) Previous issue date: 2009<br>Resumo: O desenvolvimento do trabalho teve como ponto central o exame do conceito de "nacionalpopular" na obra do pensador italiano Antonio Gramsci, com destaque para a sua produção carcerária. Foi, portanto, a partir dos Quaderni del Carcere que se buscou compreender toda

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48

Kajikawa, Loren Yukio. "Centering the margins black music and American culture, 1980-2000 /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1930277371&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Figueiredo, Valeria Maria Chaves de. "Gente em cena : fragmentos e memorias da danÃ§a em Goias." [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/252489.

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Orientador: Marcia Maria Strazzacappa Hernandez<br>Tese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação<br>Made available in DSpace on 2018-08-08T11:09:09Z (GMT). No. of bitstreams: 1 Figueiredo_ValeriaMariaChavesde_D.pdf: 10654732 bytes, checksum: 6f1e605c162482a779657ba5e7114195 (MD5) Previous issue date: 2007<br>Resumo: O presente trabalho tem como objetivo apresentar a dança como arte da memória e expressa em corpos que dançam. Reconstruímos danças populares de Goiás quase que 'esquecidas', presentes apenas na memória de antigos moradores da região de Santa Cruz, c

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Toneto, Livia Cristina. "Bumba-meu-boi e suas manifestações urbanas: uma análise a partir dos estudos culturais." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/100/100135/tde-19122014-125017/.

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Uma manifestação da cultura popular Brasileira é a razão de interesse em nossa pesquisa: o Bumba Meu Boi da cidade de São Paulo. Tal folguedo existe no Brasil desde aproximadamente o século XVII, surgindo primeiramente nas regiões do nordeste brasileiro. Hoje é uma das manifestações culturais mais populares entre as existentes em nosso país. Dentre todas as regiões onde o Boi é tematizado, o foco de nosso estudo é o Boi do Grupo Cupuaçu, Boi do Morro do Querosene, localizado na cidade de São Paulo, bairro do Butantã. Região esta que apresenta e comemora o folguedo inspirado no Bumba Meu Boi do

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