Bibliografías temáticas / Popular music Chilean poetry Popular culture Politics and culture Popular culture Politics and culture / Libros
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Libros sobre el tema "Popular music Chilean poetry Popular culture Politics and culture Popular culture Politics and culture"

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Publicado: 4 de junio de 2021
Última modificación: 18 de febrero de 2022

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1

Washabaugh, William. Flamenco: Passion, politics, and popular culture. Oxford: Berg, 1996.

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2

Best, Curwen. Barbadian popular music and the politics of Caribbean culture. Rochester, VT: Schenkman Books, 1998.

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3

The defence of tradition in Brazilian popular music: Politics, culture, and the creation of música popular Brasileira. Aldershot, Hants, England: Ashgate, 2008.

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4

Proud to be an Okie: Cultural politics, country music, and migration to Southern California. Berkeley, CA: University of California Press, 2007.

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5

David, Rowe. Popular cultures: Rock music, sport, and the politics of pleasure. London: Sage Publications, 1995.

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6

Dispatches from the culture wars: How the left lost teen spirit. New York: Miramax, 2003.

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7

We are the champions: The politics of sports and popular music. Farnham, Surrey, England: Ashgate, 2011.

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8

Bernoviz, Nimrod. China's new voices: Politics, ethnicity and gender in popular music culture on the Mainland, 1978-1997. Ann Arbor: UMI, 1997.

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9

We gotta get out of this place: Popular conservatism and postmodern culture. New York: Routledge, 1992.

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10

Evil necessity: Slavery and political culture in antebellum Kentucky. Lexington: University Press of Kentucky, 2003.

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11

Underground harmonies: Music and politics in the subways of New York. Ithaca: Cornell University Press, 1995.

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12

Walley, David. Teenage nervous breakdown: Music and politics in the post-Elvis age. 2a ed. New York, NY: Routledge, 2005.

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13

Teenage nervous breakdown: Music and politics in the post-Elvis age. New York: Insight Books, 1998.

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14

Teenage nervous breakdown: Music and politics in the post-Elvis age. 2a ed. New York: Routledge, 2006.

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15

1968 in America: Music, politics, chaos, counterculture, and the shaping of a generation. New York: Weidenfeld & Nicolson, 1988.

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16

1968 in America: Music, politics, chaos, counterculture, and the shaping of a generation. New York: Grove Press, 1988.

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17

How the left lost teen spirit-- (and how they're getting it back). New York: RDV Books, 2005.

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18

Guaral, Guilherme. O Estado Novo da Portela. Jundiaí, SP: Paco Editorial, 2012.

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19

Max, Du Preez, Kombuis Koos, Hilton-Barber Steven -2002 y Ross Lloyd, eds. Voëlvry: The movement that rocked South Africa. Cape Town: Zebra Press, 2006.

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20

Sinker, Daniel. We Owe You Nothing. Brooklyn: akashic books, 2009.

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21

Embodying Mexico: Tourism, nationalism, and performance. New York: Oxford University Press, 2011.

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22

Sŏ Tʻae-ji nŭn uri ege muŏt iŏnna: Sŏ Tʻae-ji, taejung ŭmak, hawi munhwa. Sŏul-si: Munhwa Kwahaksa, 1999.

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23

Cavallo, Pietro. Vincere! Vincere! Vincere!: Fascismo e società italiana nelle canzoni e nelle riviste di varietà (1935-1943). Napoli: Liguori, 2003.

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24

Refried Elvis: The rise of the Mexican counterculture. Berkeley: University of California Press, 1999.

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25

Purifying America: Women, cultural reform, and pro-censorship activism, 1873-1933. Urbana: University of Illinois Press, 1997.

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26

Talajooy, Saeed. Resistance in contemporary Middle Eastern cultures: Literature, cinema and music. New York: Routledge, 2012.

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27

Alejandro, Petruccelli y Morgade Pablo, eds. Música y dictadura: Por qué cantábamos. Buenos Aires, Argentina: Capital Intelectual, 2008.

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28

Moviendo los engranes: Discurso, música, y política a partir de los 90. San Juan, P.R: Editorial Isla Negra, 2007.

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29

Pihlström, Sami. Pragmatic Realism, Religious Truth, and Antitheodicy: On Viewing the World by Acknowledging the Other. Helsinki: Helsinki University Press, 2020.

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30

Hanʼguk sosŏl ŭi pundan iyagi. Sŏul-si: Chʻaek Sesang, 2006.

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31

undifferentiated, Tony Bennett. Rock and Popular Music: Politics, Policies, Instruments (Culture). Routledge, 1993.

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32

Critique Of Exotica: Music, Politics and the Culture Industry. Pluto Press, 2000.

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33

Critique Of Exotica: Music, Politics and the Culture Industry. Pluto Press, 2000.

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34

Best, Curwen. Barbadian popular music and the politics of Caribbean culture. AC Inc, 1995.

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35

Byron: The Poetry of Politics and the Politics of Poetry. Taylor & Francis Group, 2016.

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36

Flamenco: Passion, Politics and Popular Culture (Explorations in Anthropology). Berg Publishers, 1996.

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37

Flamenco: Passion, Politics and Popular Culture (Explorations in Anthropology). Berg Publishers, 1996.

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38

undifferentiated, Tony Bennett. Rock and Popular Music: Politics, Policies, Instruments (Culture : Policies and Politics). Routledge, 1993.

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39

Gilbert, Jeremy. Discographies: Dance Music Culture and the Politics of Sound. Routledge, 1999.

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40

Discographies: Dance Music Culture and the Politics of Sound. Routledge, 1999.

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41

Luk thung: The culture and politics of Thailand's most popular music. 2015.

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42

Tahmahkera, Dustin. American Indians in Popular Culture. Editado por Frederick E. Hoxie. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199858897.013.16.

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Resumen
Contemporary scholars are shaping the field of indigenous popular cultural studies through multiple critical approaches and explorations of new areas of analysis. This scholarship seeks to emphasize narratives of Native agency, negotiation, contestation, and reconfiguration in interdisciplinary sites of cultural production, representation, and reception. These efforts have opened a space for critical dialogue about the formations of topics in American Indian popular culture studies that transcend mere description and surface analysis. The goal of this new approach is to place American Indians at the center of the complex politics of pop culture. This chapter provides an overview of scholarly approaches to pop cultural representations of American Indians. It examines critical issues in the field while surveying recent scholarship on the production, representation, and reception of American Indians in television, film, music, and other expressive mass media. The chapter concludes with a look at future scholarship on American Indian representations.
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43

This Is the Sound of Irony: Music Politics and Popular Culture. Taylor & Francis Group, 2016.

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44

Mazierska, Ewa, Les Gillon y Tony Rigg. Popular Music in the Post-Digital Age: Politics, Economy, Culture and Technology. Bloomsbury Publishing Plc, 2020.

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45

Inna Di Dancehall: Popular Culture And the Politics of Identity in Jamaica. University of West Indies Press, 2006.

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46

Stroud, Sean. Defence of Tradition in Brazilian Popular Music: Politics, Culture and the Creation of Musica Popular Brasileira. Taylor & Francis Group, 2016.

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47

1952-, Redhead Steve, ed. Rave off: Politics and deviance in contemporary youth culture. Aldershot, Hants., England: Avebury, 1993.

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48

Washabaugh, William. Flamenco: Pasion, politica y cultura popular / Passion, Politics and Popular Culture (Paidos De Musica / Paidos of Music). Ediciones Paidos Iberica, 2005.

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49

Chapelle, Peter La. Proud to Be an Okie: Cultural Politics, Country Music, and Migration to Southern California. University of California Press, 2007.

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50

Chapelle, Peter La. Proud to Be an Okie: Cultural Politics, Country Music, and Migration to Southern California. University of California Press, 2007.

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