Bibliografías temáticas / Porcelain, japanese – edo period, 1600-1868

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Literatura académica sobre el tema "Porcelain, japanese – edo period, 1600-1868"

Autor: Grafiati
Publicado: 26 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Porcelain, japanese – edo period, 1600-1868"

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Genshiro, Hiruta, and Allan Beveridge. "Japanese psychiatry in the Edo period (1600-1868)." History of Psychiatry 13, no. 50 (2002): 131–51. http://dx.doi.org/10.1177/0957154x0201305002.

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Morris, James Harry. "Measles Epidemics During the Edo Period: An Analysis Using DANJURU Ver. 7.0." Hungarian Journal of English and American Studies 30, no. 2 (2024): 346–72. http://dx.doi.org/10.2478/hjeas/2024/30/2/6.

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Abstract Measles epidemics had a large influence on Japanese society during the Edo period (1600–1868). Spreading throughout the country periodically and particularly affecting young people, the disease had the power to drastically alter both rural and urban communities. This paper seeks to apply a mixed digital analysis to data garnered from religious membership registers (Shūmon aratame-chō 宗門改帳) taken from the Edo jidai ni okeru jinkō bunseki shisutemu 江戸時代における人口分析システム (DANJURO ver. 7.0) [Edo Period Population Analysis System (DANJURO ver. 7.0)] in order to determine what information these
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Kunimoto, Namiko. "A Third Gender: Beautiful Youths in Japanese Edo-Period Prints and Paintings (1600–1868) by Joshua S. Mostow and Asato Ikeda." Journal of Japanese Studies 43, no. 2 (2017): 416–18. http://dx.doi.org/10.1353/jjs.2017.0046.

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Hudeček, Jiří. "Annick Horiuchi, Japanese Mathematics in the Edo Period (1600-1868), Basel: Birkhäuser 2010, xxvii+376 pp. Translated by Silke Wimmer-Zagier from the French original Les Mathématiques japonaises à l’époque d’Edo 1600-1868, Paris: Libraire Philosophique J. Vrin, 1994." East Asian Science, Technology, and Medicine 37, no. 1 (2013): 73–82. http://dx.doi.org/10.1163/26669323-03701006.

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Mimura, Makiko, Marina Takeuchi, Takayuki Kobayashi, et al. "Genetic diversity in the traditional cultivars and wild ancestor of near-threatened Japanese iris (Iris ensata Thunb.)." Conservation Genetics, July 18, 2024. http://dx.doi.org/10.1007/s10592-024-01625-7.

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AbstractWild relatives of cultivars are crucial sources of genetic variation for further enhancement, yet they face potential threats due to contemporary environmental changes. Iris ensata var. spontanea, a wild progenitor of the Japanese iris cultivars (I. ensata var. ensata), is extensively cultivated in Japanese gardens, is distributed across mesic meadows and wetlands in Japan and East Asia. This species is currently threatened owing to habitat loss linked to land use alterations. We assessed genetic diversity and phylogenetic relationships in 32 wild accessions and the 14 principal Edo Gr
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Hayashi, Ryota. "Past Biodiversity: Japanese Historical Monographs Document the Epibiotic Barnacles and Cold-Stunning Event of the Hawksbill Turtle Eretmochelys imbricata." Frontiers in Ecology and Evolution 9 (October 7, 2021). http://dx.doi.org/10.3389/fevo.2021.734415.

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The historical monographs called “Honzou Gaku” present the first record of cold-stunning of a hawksbill turtle Eretmochelys imbricata (Linnaeus, 1766) in the Echigo region of Japan during the Edo period (1600–1868), and the barnacles attached to the turtle were identified as Platylepas hexastylos (Fabricius, 1798). Analysis of this finding adds substantial knowledge to our understanding of the life history of the hawksbill turtles along the coast of Japan. As reported in this study, literature on the historical heritage of other animals or plants can also provide information about their past b
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Noda, Renate. "Souvenir Photography in Japan: Between Stereotype and Art." International Journal for History, Culture and Modernity, October 24, 2023, 1–36. http://dx.doi.org/10.1163/22130624-20230009.

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Abstract Japanese photo albums were a popular souvenir of Western travellers from Japan at the end of the 19th century. Using the photo collection of the Übersee-Museum Bremen, it will be shown, that not only were the photos elaborately hand-coloured by masters of woodblock printing, but also the motives and the staging of the depicted scenes were influenced by this genre. Although many of the photographs recreated the everyday life of the pre-modern Edo period (1600‒1868), they were seen in the West as an up-to-date, realistic depiction of conditions in contemporary Japan. Yet, Japan had been
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Tesis sobre el tema "Porcelain, japanese – edo period, 1600-1868"

1

Gotō, Tomoko. "Emergent consciousness about the self depicted in the world map screens." Thesis, 2000. http://hdl.handle.net/2429/10620.

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A pair of eight-fold screens entitled "World-Map-and-Twenty-Eight-City" represents a colorful world map with the figures of peoples of the world on one screen. The painting is punctuated by numerous city markers, with the largest indicating the city of Rome. On the other screen, twenty-eight cities of the world and Christian and Muslim kings in ceremonial attire on horseback are depicted. This pair of screens was probably produced in the early seventeenth century. It was most likely painted by Jesuit-trained Japanese painters who had learned western themes and painting techniques: perspec
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Libros sobre el tema "Porcelain, japanese – edo period, 1600-1868"

1

(Netherlands), Rijksmuseum, Haags Gemeentemuseum, Groninger Museum, and Museum Het Princessehof, eds. Chinese and Japanese porcelain for the Dutch Golden Age. Waanders Uitgevers, 2014.

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2

John, Ayers. Porcelain for palaces: The fashion for Japan in Europe 1650 - 1750 : an exhibition organised jointly with the British Museum in the new Japanese galleries 6th July to 4th November 1990. Oriental Ceramic Society, 1990.

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3

Horiuchi, Annick. Japanese Mathematics in the Edo Period (1600-1868). Birkhäuser Basel, 2010. http://dx.doi.org/10.1007/978-3-7643-8745-7.

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Hakkokan, Senʼoku. Senʼoku hakko: Nihon kaiga = Sen-oku Hakuko Kan : Sumitomo collection. Senʼoku Hakkokan, 2010.

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5

Ryōkan. Kōchū Ryōkan zenkashū. Shunjūsha, 1996.

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6

Neuer, Roni. Ukiyo-e: 250 years of Japanese art. Gallery Books, 1988.

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7

Yasuhiro, Sato, Kuwayama George, Los Angeles County Museum of Art., and Japan Bunkachō, eds. Japanese ink painting. The Museum, 1985.

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8

Tenri Toshokan. Wataya Bunko Haisho Shūsei Henshū Iinkai., ed. Haikai Saitanshū. Tenri Daigaku Shuppanbu, 1995.

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9

Wong, Russel. Life in Edo: Russel Wong in Kyoto. Edited by Onn Clement curator, Guth Christine contributor, Toh Charmaine 1977 contributor, Kōbe Shinbunsha, and Asian Civilisations Museum (Singapore). Asian Civilisations Museum, 2021.

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10

Jun, Etō. Kindai izen. Bungei Shunjū, 1985.

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