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Libros sobre el tema "Port Royal (Firm)"

Autor: Grafiati
Publicado: 26 de julio de 2024
Última modificación: 31 de julio de 2025

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1

Soyres, John De, ed. The provincial letters of Pascal. Deighton, Bell, 1987.

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2

Louis, Cognet, and Ferreyrolles Gérard, eds. Les Provinciales: Ou, Les lettres écrites par Louis de Montalte à un provincial de ses amis at aux RR. PP. Jésuites. Bordas, 1992.

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3

Michel, Le Guern, ed. Les Provinciales: Ou, Les lettres écrites par Louis de Montalte à un provincial de ses amis at aux RR. PP. Jésuites sur le sujet de la morale et de la politique de ses Pères. Gallimard, 1987.

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4

Hamon, Maurice. Du soleil à la terre: Une histoire de Saint-Gobain. J.-C. Lattès, 1988.

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5

Maslen-Jones, E. W. Fire by order: Recollections of service with 656 Air Observation Post Squadron in Burma. L. Cooper, 1997.

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6

Images de Port-Royal. Classiques Garnier, 2015.

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7

Images de Port-Royal. Nolin, 2002.

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8

Les provinciales. eBooksLib, 2005.

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9

Pascal, Blaise. Les lettres provinciales. Editions Larousse, 1998.

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10

Pascal's Lettres provinciales: A study in polemic. Clarendon Press, 1989.

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11

Campbell-Smith, Duncan. Masters of the Post: The Authorized History of the Royal Mail. Penguin Books, Limited, 2011.

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12

Pugliatti, Paola. Shakespeare and the ‘Military Revolution’. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198806899.003.0007.

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This chapter recounts how developments in the technology of battle had by Shakespeare’s time caught up with even the relatively resistant, cavalry-oriented English nobility. Outlining these technical advances, it discovers numerous moments in Shakespeare indicative of popular responsiveness to war and its new face. Alone among English writers, it was Shakespeare who (repeatedly) termed cannon-fire ‘devilish’; and the chapter demonstrates how different characters in 1Henry IV are on the turn in the long evolution from (equestrian) medieval chivalry, through (treacherous, infantry-deployed) gunp
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13

Stroeher, Vicki P., and Justin Vickers, eds. Benjamin Britten in Context. Cambridge University Press, 2022. http://dx.doi.org/10.1017/9781108634878.

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Benjamin Britten, pianist, conductor, educator, composer of a wide range of music from large-scale operas and choral works to string quartets and songs, is acknowledged as a pivotal figure in mid-twentieth-century Britain. This volume explores the contexts for his multi-faceted career and his engagement with his contemporaries in music, art, literature, and film, British musical institutions, royal and governmental entities, and the church, as well as his ground-breaking projects, philosophical and ideological tenets. The book is thematically structured in five parts: Britten's relationships w
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14

Jackson, Iain, Ewan Harrison, Michele Tenzon, Rixt Woudstra, and Claire Tunstall. Architecture, Empire, and Trade. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350411340.

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This open access book tells a new and untold history of the architecture of West Africa in the colonial era, as revealed for the first time through the archives of the United Africa Company (UAC). From the imperial Royal Niger Company’s charter in the 1890s through to its suave African department stores of the 1960s, the UAC – a British company firmly embedded in the economies of colonialism, extraction, and exploitation – became the largest commercial firm in West Africa, involved in almost every commercial enterprise and sector, and responsible for procuring architecture, infrastructure, and
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15

Ross, Charles D. Breaking the Blockade. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496831347.001.0001.

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On April 16, 1861, President Abraham Lincoln issued a blockade of the Confederate coastline. The largely agrarian South did not have the industrial base to succeed in a protracted conflict. What it did have — and what England and other foreign countries wanted — was cotton and tobacco. Industrious men soon began to connect the dots between Confederate and British needs. As the blockade grew, the blockade runners became quite ingenious in finding ways around the barriers. Boats worked their way back and forth from the Confederacy to Nassau and England, and everyone from scoundrels to naval offi
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16

Frankel, Valerie Estelle. Star Wars Meets the Eras of Feminism. The Rowman & Littlefield Publishing Group, 2018. https://doi.org/10.5040/9781978730229.

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Star Wars defined popular, big-screen science fiction. Still, what many viewers best recall is assertive, hilarious Leia, the diminutive princess with a giant blaster who had to save them all. As the 1977 film arrived, women were marching for equality and demanding equal pay, with few onscreen role models. Leia echoed their struggle and showed them what they could be. Two more films joined in, though by the early eighties, post-feminism was pushing back and shoving the tough heroine into her pornographic gold bikini. After a sixteen-year gap, the prequels catered to a far different audience. Q
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17

Stallabrass, Julian. Killing for Show. Rowman & Littlefield Publishers, 2020. https://doi.org/10.5040/9798881819828.

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See firsthand how war photography is used to sway public opinion. In the autumn of 2014, the Royal Air Force released blurry video of a missile blowing up a pick-up truck which may have had a weapon attached to its flatbed. This was a lethal form of gesture politics: to send a £9-million bomber from Cyprus to Iraq and back, burning £35,000 an hour in fuel, to launch a smart missile costing £100,000 to destroy a truck or, rather, to create a video that shows it being destroyed. Some lives are ended—it is impossible to tell whose—so that the government can pretend that it taking effective action
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