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Artículos de revistas sobre el tema "Portuguese literature – Translations into Chinese"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 16 de febrero de 2022

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1

Mengyuan, Zhou. "TRANSLATION OF ‘CULTURE-SPECIFIC CONCEPTS’ IN CONTEXT OF INDIRECT TRANSLATION." Diacrítica 32, no. 2 (2019): 26. http://dx.doi.org/10.21814/diacritica.447.

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Contact between Portuguese and Chinese began as early as the 16th century. As the relations between China and the Portuguese-speaking countries developed, translations between the two languages have flourished, particularly in literature. It is important to note that, in this domain, direct translation as well as indirect translation has been active options. Translation via a third language has been a frequent method used by Portuguese-Chinese translators – not only in the early days of their burgeoning contact but also well into the twentieth-first century. This paper analyses the translation

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2

Nunes, Ana Margarida Belém, and Shasha Wu. "Chinese-Portuguese bilingual’s phonological awareness: annotations." Caderno de Letras, no. 35 (January 19, 2020): 59. http://dx.doi.org/10.15210/cdl.v0i35.16750.

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Economic and trade cooperation between China and Portuguese-speaking countries have increased, as consequence more universities began offering Portuguese courses and the demand of Portuguese/Chinese bilinguals increased in China. However, the principal focus is mostly on areas such as grammar, translation and literature; also in terms of research, those areas are preferred, leaving for second place important linguistic aspects of Portuguese language. This study aims to identify some of the characteristics of the development of European Portuguese’s phonological awareness of Chinese speakers. B

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3

Hu, Zhihua, and Maria Teresa Roberto. "Reflexão sobre a Formação em Duas Línguas Estrangeiras (Inglês e Uma Outra Língua) pelas Universidades Chinesas e Proposta da Disciplina de Tradução Inglês – Português para os Licenciandos em Português." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 73, no. 1 (2020): 247–72. http://dx.doi.org/10.5007/2175-8026.2020v73n1p247.

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The training of two foreign languages (usually English and another foreign language) by the Chinese universities can date back to the 1980s (Sun, 2015:91). Nevertheless, there are still some parts which need to be improved, such as the lack of adequate materials, and the insufficiency of disciplines linking knowledge of two foreign languages, for example, the disciplines on comparison, contrast and possible translation between the two foreign languages. Without such disciplines, students can only study the two languages separately, which not only increases the student's task, but also is not c

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Hu, Zhihua, and Maria Teresa Roberto. "Tradução do Hibridismo: Análise da Versão Portuguesa de “The Joy Luck Club” de Amy Tan." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 72, no. 2 (2019): 245–72. http://dx.doi.org/10.5007/2175-8026.2019v72n2p245.

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As a writer of American literature, while being of Chinese extraction, Amy Tan was born and raised in the United States. In her works, we sometimes notice the appearance of marks of the Chinese language, which is sometimes evident in the discourse of a bilingual person. In addition, her works are also full of cultural words strongly linked to traditional Chinese culture that, when translated, find lexical gaps in the target language, producing divergence and loss of meaning. Through the analysis of linguistic and cultural hybridity in the Portuguese translation of The Joy Luck Clubby her, we i

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Chan, Hiu Fung, Manwa L. Ng, Clark A. Rosen, and Sarah L. Schneider. "Cultural Adaptation and Validation of Speech Handicap Index: A Scoping Review." American Journal of Speech-Language Pathology 30, no. 2 (2021): 748–60. http://dx.doi.org/10.1044/2020_ajslp-20-00236.

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Objectives The Speech Handicap Index (SHI) is a self-reported speech-related quality of life assessment originally developed for measuring the psychosocial speech impact in patients with oral or pharyngeal cancer. This review article provides a scoping review of the literature on the validated SHI, with the purpose of identifying and documenting available studies and procedures for the cultural adaption and validation of SHI. Method Prime databases including PubMed, EMBASE, and Google Scholar were searched for journal publications reporting validation of the SHI. Reviews and reference cross-ch

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Lee, Leo Ou-fan. "Contemporary Chinese Literature in Translation—A Review Article." Journal of Asian Studies 44, no. 3 (1985): 561–67. http://dx.doi.org/10.2307/2056268.

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This article surveys the available English translations of contemporary Chinese literature from the People's Republic. In view of the post-Mao Party policy of relative freedom for creative writing, more works are pouring out of China than ever before. Of the most recent translations, the largest share belongs to Panda Books, a publishing subunit of the Foreign Languages Press in Beijing. Under the leadership of the Yangs (Xianyi and Gladys), a husband-and-wife team of great renown, this new Panda series has published more than a dozen titles as of 1984, and new ones continue to be received.Des

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7

Paganine, Carolina. "Tradução de poesia e performance: “Still I Rise”, de Maya Angelou." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 72, no. 2 (2019): 71–86. http://dx.doi.org/10.5007/2175-8026.2019v72n2p71.

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This paper presents an evaluation of five translations into Brazilian Portuguese of the poem “Still I Rise” by African-American author Maya Angelou (1928-2014). Also, I present and discuss my own translation of the same poem, in which I aimed at creating a text to be performed, i.e. that would work orally in Portuguese. The reasons behind this choice are: 1) this is one of Angelou’s most famous poems and one which she performed on many occasions; 2) Angelou’s poetry stands out for following the African-American tradition of oral literature and so the poem acquires a new aesthetical dimension w

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8

Bär, Gerald. "‘Ossian fürs Frauenzimmer’? Lengefeld, Günderrode, and the Portuguese Translations of ‘Alcipe’ and Adelaide Prata." Translation and Literature 22, no. 3 (2013): 343–60. http://dx.doi.org/10.3366/tal.2013.0127.

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This article examines German and Portuguese Ossian translations by female writers, particularly translations of Dar-thula, one of Macpherson's most popular pieces. Charlotte von Lengefeld's and Karoline von Günderrode's German translations raise the question of whether Ossian was considered a suitable subject for women, offering further insights into the reasons for the astonishing popularity of Macpherson's publications in German-speaking countries. The Portuguese versions of the Marquesa de Alorna and Adelaide Prata and their favourable reviews shed light on their acceptance in nineteenth-ce

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9

CHEN, Ying. "CHINESE LITERATURE IN BULGARIA AND BULGARIAN LITERATURE IN CHINA – TRANSLATIONS AND PUBLISHING." Ezikov Svyat volume 18 issue 3, ezs.swu.v18i3 (2020): 110–13. http://dx.doi.org/10.37708/ezs.swu.bg.v18i3.11.

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In the history of mankind, translation has played an important role in popularizing the individual achievements of different civilizations among other nations. This rings true about the Chinese translated literature in Bulgaria and the Bulgarian translated literature in China. The article focuses on individual books as it is extremely challenging to include in this collection the translations published in magazines and newspapers. The translation of Chinese and Bulgarian literature had prolific periods marked by significant accomplishments. It is worth looking back at those works on the occasi

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Humblé, Philippe. "Tradução automática e poesia: o caso do inglês e do português." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 72, no. 2 (2019): 41–52. http://dx.doi.org/10.5007/2175-8026.2019v72n2p41.

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This article sets out to analyse the translations into Portuguese of three poems written I English, “A Letter is a Joy of Earth” by Emily Dickinson, “To a Stranger” by Walt Whitman and “Sandra” by Charles Bukowski. Three translations by three human translators, Geir Campos, Pedro Gonzaga and Jorge de Sena, are compared to the translations made by Google Translate in order to evaluate machine translation quality. This research shows that machine translations are less “ludicrous” than some would think and are in fact quite acceptable. In the cases investigated, machine translations are sometimes

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11

Marin-Lacarta, Maialen. "Mediated and Marginalised: Translations of Modern and Contemporary Chinese Literature in Spain (1949-2010)." Meta 63, no. 2 (2018): 306–21. http://dx.doi.org/10.7202/1055141ar.

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The history and reception of translations of modern and contemporary Chinese literature in Spain form the basis of the discussion in this article. Eighty-four translations of modern and contemporary Chinese literature were published in Spain – either in Spanish or in Catalan – between 1949 and 2010. Using this under-researched corpus as a starting-point, this article explores two interrelated premises: the marginalisation of modern and contemporary Chinese literature in Spain and the mediation of its Spanish reception by Anglophone and Francophone literary systems. To do so, the study investig

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Galindo, Caetano, and Vitor Alevato Amaral. "Houaiss... Pinheiro. Galindo: and what the future holds for Ulysses translations in Brazil." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 72, no. 2 (2019): 191–204. http://dx.doi.org/10.5007/2175-8026.2019v72n2p191.

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This paper aims to analyze the history behind the three Brazilian translations of James Joyce’s Ulysses, trying to consider how each translation helped to set up the conditions for the production of another, and may even define the need for this future retranslation, which by its turn will react to that first work, filling a cultural blank space previously created only by the existence and the specific characteristics of the work that came before. In this way, we attempt to provide some clarification for the apparent abundance of Portuguese language translations of Joyce’s seminal novel.

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13

Azevedo, M. M. "The Sound and the Fury in Two Translations into Portuguese." Luso-Brazilian Review 48, no. 2 (2011): 150–63. http://dx.doi.org/10.1353/lbr.2011.0035.

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14

Ying, Yan. "Migrating Literature: Reading Geling Yan’s The Banquet Bug and its Chinese Translations." Meta 58, no. 2 (2014): 303–23. http://dx.doi.org/10.7202/1024176ar.

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Using Geling Yan’s The Banquet Bug and its Chinese translations as a case study, this article attempts to explore what I term “migrating literature” in a transnational and translational framework. Translation is reconceptualised at three levels: contextual, paratextual and textual. This article will first of all examine the very translational nature of immigrant writing from a contextualized reading. It will then look at how paratextual matters re-frame immigrant writing and sometimes impose meaning by analyzing two key paratextual elements, title and front cover. At the end, the gain and loss

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15

Liu, Chao Peng. "Research on Web Application Technology for Building a Chinese-French Parallel Corpus of the Four Great Chinese Classical Novels." Applied Mechanics and Materials 473 (December 2013): 206–10. http://dx.doi.org/10.4028/www.scientific.net/amm.473.206.

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As masterpieces in Chinese classical literature, the Four Great Chinese Classical Novels with their multilingual translations have exerted a profound influence in literature and translation studies both home and abroad. Building a Chinese-French bilingual parallel corpus of the Four Great Chinese Classical Novels is believed to facilitate large-scale investigations into the original Chinese text and their French translations in terms of stylistics, diction, culture and translation techniques. In this paper, we introduced the French translations of the four novels and illustrated the process of

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16

Juan, Wu. "Mechanisms of Contact-Induced Linguistic Creations in Chinese Buddhist Translations." Acta Orientalia Academiae Scientiarum Hungaricae 73, no. 3 (2020): 385–418. http://dx.doi.org/10.1556/062.2020.00017.

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ABSTRACTWhile it has long been noted that Chinese Buddhist translations contain many new lexical and syntactic elements that were created due to the contact between Indic and Chinese languages during the translation process, few attempts have been made to systematically explore the major mechanisms of such contact-induced creations. This paper examines six mechanisms of contact-induced lexical creations and three mechanisms of contact-induced syntactic creations in Chinese Buddhist translations. All of these mechanisms have parallels in non-Sinitic language contacts. The parallels demonstrate

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Blauth, Taís Paulilo, and Célia Maria Magalhães. "Quem é Shar em Nw e suas traduções para o português? Um estudo da representação da personagem baseado em valores atitudinais." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 72, no. 2 (2019): 321–46. http://dx.doi.org/10.5007/2175-8026.2019v72n2p321.

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This paper draws on the Martinian interpretation of Systemic Functional Grammar (MARTIN 1992, MARTIN; ROSE 2007) to approach translation as interlingual reinstantiation (SOUZA, 2010), from an interpersonal stance. The goal of this investigation is to examine the representation of a character of the novel in the original text and its translations to cast light on the implications of semantic variation for reader positioning. The analysis is based on the Appraisal system (MARTIN; WHITE 2005) and the text chosen for this investigation is an excerpt of a chapter of British contemporary novel NW by

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18

Aiken, Milam. "An Updated Evaluation of Google Translate Accuracy." Studies in Linguistics and Literature 3, no. 3 (2019): p253. http://dx.doi.org/10.22158/sll.v3n3p253.

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In 2011, a comprehensive evaluation of accuracy using 51 languages with Google Translate showed that many European languages had good results, but several Asian languages performed poorly. The online service has improved its accuracy over the intervening eight years, and a reevaluation using the same text as the original study shows a 34% improvement based upon BLEU scores. This new study shows that translations between English and German, Afrikaans, Portuguese, Spanish, Danish, Greek, Polish, Hungarian, Finnish, and Chinese tend to be the most accurate.

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19

Landa, Sara. "On the Interplay between Poets’ and Philologists’ Translations of Chinese Poetry into German." Comparative Critical Studies 17, no. 2 (2020): 245–62. http://dx.doi.org/10.3366/ccs.2020.0361.

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‘[I]t has unfortunately become a fashion that people who obviously cannot claim to have any legitimation or any understanding in the field of sinology […], take hold of the sinological works of others and exploit them merely for business reasons’, complains the sinologist Leopold Woitsch in 1924, referring to Albert Ehrenstein's newest translations of Chinese poetry. The debate on who could authoritatively translate Chinese poetry was fiercely contested in German modernist circles and still rages to this day. Most scholars still contrast ‘poetical’ and ‘scholarly’ translations of Chinese poetr

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Li, Bo. "(Re)Framing Gay Literature through Translations, Reprints and Cross-Medium Retranslations." TranscUlturAl: A Journal of Translation and Cultural Studies 12, no. 1 (2020): 158–72. http://dx.doi.org/10.21992/tc29475.

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Homosexuality has always been a sensitive topic, a taboo in many social contexts. Recent literature has witnessed burgeoning academic attention in the translation of gay literature in the past two decades, while the translation of Chinese gay literature has remained largely unattended. This paper aims to study the translations, reprints and cross-medium retranslations of the modern Chinese founding works of gay literature, Nie Zi (Crystal Boys). The Chinese literary piece has been translated into English and reprints of the translation have appeared in U.S.A. and Hong Kong over the last three

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김혜준. "Korean Translations and Studies of Chinese Contemporary Literature -- Focusing on the 2000s." Journal of Study on Language and Culture of Korea and China ll, no. 22 (2010): 300–313. http://dx.doi.org/10.16874/jslckc.2010..22.020.

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Tan, Zaixi. "Censorship in Translation: The Dynamics of Non-, Partial and Full Translations in the Chinese Context." Meta 62, no. 1 (2017): 45–68. http://dx.doi.org/10.7202/1040466ar.

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This research focuses upon how the translation of certain types of literature in China evolved historically: from ‘non-translations’ (i.e., ‘translations’ unmade as well as made and yet strictly forbidden under given censorship conditions) to ‘partial’ or ‘full/near-full’ translations set against the backdrop of changing practices required by the country’s censorship policies. My analysis begins with an overview of the multi-faceted interface between censorship and translation, followed by the conceptualization of a typology of translations under censorship. This initial discussion, in turn, a

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Hoefle, Arnhilt Johanna. "Jelinek in Chinese: a Controversial Austrian Nobel Laureate in the Chinese Book Market." Vienna Journal of East Asian Studies 2, no. 1 (2011): 1–25. http://dx.doi.org/10.2478/vjeas-2011-0007.

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Abstract The awarding of the world’s best known literature prize to the controversial Austrian writer Elfriede Jelinek in 2004 triggered off worldwide hype in its reception. So far, Jelinek’s works have been translated into more than 40 languages. Chinese is one of them. Although the author’s first works had already been translated back in the 1990s, on the Chinese mainland all translations of her works were actually published only after the key event of the Nobel Prize. They immediately received immense attention from the Chinese public and unleashed what could even be termed a ‘Jelinek fever

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Polovinkina, O. I. "Pound, E. (2019). Cathay. A critical edition. Ed. by T. Billings. New York: Fordham U. P." Voprosy literatury, no. 2 (June 17, 2021): 282–87. http://dx.doi.org/10.31425/0042-8795-2021-2-282-287.

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The new edition of E. Pound's poetic collection Cathay, first published in 1915, shows the idea of world literature to be as real as it is problematic. Thanks to T. Billings, the editor behind the publication, the book offers the most exhaustive description of the process whereby the translations were created: it involved not only Pound and Fenollosa, but also K. Mori and N. Ariga, who represent the Japanese tradition of reading classical Chinese poetry. The volume contains almost all of Pound's Chinese translations produced in the 1910s, his essay ‘Chinese Poetry,' as well as an impressive sc

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Fan, Shouyi. "Translation of English Fiction and Drama in Modern China: Social Context, Literary Trends, and Impact." Meta 44, no. 1 (2002): 154–77. http://dx.doi.org/10.7202/002717ar.

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Abstract This article, which is organized along a chronological-thematic framework, will briefly review the early days of translating American and British fiction and drama into Chinese, the social context in which these translations were done, the literary ideas which have affected the work of Chinese writers, and the social impact that translated works of literature and literary theory have had in various periods of literature. The bottom line is that the literary works introduced to China to date represent only the tip of the iceberg. We need more quality translations for Chinese readers an

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Lockard, Joe, and Qin Dan. "Translation ideologies of American literature in China." Translation and Interpreting Studies 11, no. 2 (2016): 268–86. http://dx.doi.org/10.1075/tis.11.2.07loc.

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Chinese translations of U.S. literature manifest a shift from the third-world internationalism and anti-Western and anti-capitalist politics of the 1950s toward a diminished rhetorical antagonism in the late twentieth and early twenty-first centuries. Because translation introductions are instrumental in introducing Chinese readers to the social context of U.S. literature, we surveyed a broad sample of prefaces. Based on this survey, we theorize China-U.S. translation relations within a world system; examine the ideological character of post-Revolution translation introductions to American lit

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Xinmai, L. "Translations, research and reception of Solzhenitsyn’s works in China." Voprosy literatury 1, no. 1 (2020): 246–57. http://dx.doi.org/10.31425/0042-8795-2020-1-246-257.

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In the centre of this research is the problem of translation, study and reception of Solzhenitsyn’s works in the People’s Republic of China. A Chinese scholar of Slavic languages and literature, the author points out that Solzhenitsyn studies in China would be understandably interrupted for political reasons only to be resumed later, due to the growing interest in the writer’s works. Starting from 1963, there have been two distinct lines of study: Solzhenitsyn’s biography and his literary legacy. The first topic mainly attracts Chinese writers, historians, cultural scholars, philosophers, and

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Yao, Dadui. "Shakespeare in Chinese as Christian Literature: Isaac Mason and Ha Zhidao’s Translation of Tales from Shakespeare." Religions 10, no. 8 (2019): 452. http://dx.doi.org/10.3390/rel10080452.

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The introduction of Shakespeare to China was through the Chinese translation of Mary and Charles Lamb’s adaptation of Shakespeare’s plays, Tales from Shakespeare. The Western missionaries’ Chinese translations of the Lambs’ adaptation have rarely been studied. Isaac Mason and his assistant Ha Zhidao’s 1918 translation of the Lambs’ book, entitled Haiguo Quyu (Interesting Tales from Overseas Countries), is one of the earliest Chinese versions translated by Christian missionaries. Although Mason was a Christian missionary and his translation was published by The Christian Literature Society for

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Li, Wenjie. "The intertextual relations created by Chinese translations of H. C. Andersen's tales." Orbis Litterarum 74, no. 4 (2019): 292–306. http://dx.doi.org/10.1111/oli.12231.

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Nam, Jeong-Hee. "Lee Myeongseon’s Translations of Chinese Modern Literature and Social Role of Literature - Chinese modern literature selection of short stories and Lu Xun’s Loose Impressions -." Studies of Korean Literature 52 (October 31, 2016): 61. http://dx.doi.org/10.20864/skl.2016.10.52.61.

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Chen, Zhenyuan. "An Analysis of Chinese American Literature from the Perspective of Cultural Translation." Lifelong Education 9, no. 6 (2020): 196. http://dx.doi.org/10.18282/le.v9i6.1342.

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The rise and development of Chinese-American literature is closely related to the socio-cultural context in which the subject of its creation resides. Because the works contain a lot of Chinese elements, the writing of Chinese American literature often entails translation from the perspective of cultural studies. This kind of translation does not refer to the simple conversion on linguistic level, but the adaptation of Chinese culture, Chinese history and Chinese experience, which is a kind of invisible cultural translation. Chinese American writers have applied Chinese traditional culture to

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Paterska-Kubacka, Agnieszka. "Polska literatura dziecięca w Chinach." Poznańskie Studia Polonistyczne. Seria Literacka, no. 40 (September 14, 2021): 99–119. http://dx.doi.org/10.14746/pspsl.2021.40.4.

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Polish literature has been present in China since 1906. The first Polish literary text translated into Chinese was Latarnik (The Lighthouse Keeper) by Henryk Sienkiewicz. Contemporary fans of Polish novella and novel were reading indirect translations since the Chinese novelists, who did not speak Polish, usually based their translations on the Japanese versions. In my years of contact with Chinese culture and literature, I have never come across any mention of translations of Polish or Eastern European children’s literature. Once I started my research into this subject, I quickly learned what

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She, Xiaoling, and Jian Wen. "Modern Chinese Fiction (1919–1949) in Russia: Early Translation, Publication and Research." Vestnik of Saint Petersburg University. Asian and African Studies 13, no. 1 (2021): 4–18. http://dx.doi.org/10.21638/spbu13.2021.101.

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The article provides an overview of early Russian translations and publication of modern Chinese fiction (1919-1949). The approaches to the early study of the works of prominent representatives of modern Chinese literature are examined and the reasons why Soviet society is interested in their heritage are identified. Since the 1920s, well-known works of renowned Chinese writers have been frequently translated into Russian mainly by young sinologists. Most of them had been to China and had developed a direct understanding of the development of modern Chinese literature, translating primarily fr

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Xuchen, Zhu. "Taciana Fisac’s Translation of Chinese Modern and Contemporary Literature." Sinología hispánica 7, no. 2 (2019): 29. http://dx.doi.org/10.18002/sin.v7i2.5729.

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The internationalization of literature manifests achievement of source language literature and witnesses the target language readers’ requirement of understanding the source language country. Moreover, it reflects the developments and changes on international strategies and relationships. The translation of Chinese literature to Spanish began from 1949, but the first translation from Chinese original edition arose in 1978. Taciana Fisac is one of the first Chinese-Spanish translators in Spain. All her translations were translated from Chinese original edition since Lu Xun’s “Argument” and “Suc

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Pagano, Adriana Silvina, Flavia Ferreira de Paula, and Kícila Ferreguetti. "Verbal and verbal-visual logico-semantic relations in picturebooks: an English-Portuguese parallel corpus study." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 71, no. 1 (2018): 53–76. http://dx.doi.org/10.5007/2175-8026.2018v71n1p53.

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This article presents and explores a methodology to analyze verbal and verbal-visual logico-semantic relations (LSRs) in picturebooks originally written in English and their translations into Brazilian Portuguese. Drawing on systemic-functional theory (Halliday & Matthiessen, 2014) and on Visual Grammar (Kress & van Leeuwen, 2006), verbal and visual text in picturebooks was annotated and analyzed according to the LSRs identified in them. Results showed differences between the type of LSRs that tend to occur most frequently in verbal-visual texts and in clause complexes: while Expansion

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Ferreira, Ana Paula. "The Portuguese Translation of Oyono's Une vie de boy: José Saramago's Invisible Postcolonial Intervention." PMLA/Publications of the Modern Language Association of America 128, no. 1 (2013): 119–26. http://dx.doi.org/10.1632/pmla.2013.128.1.119.

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Translators are Typically invisible, noticed only when they blunder. how might one interpret, then, a book translated by a now very visible Nobel laureate, especially when the underlying text confronts controversial subjects that the laureate's own works avoid? Such is the case of the Portuguese writer José Saramago (1922-2010), who in 1981 translated Ferdinand Oyono's 1956 Une vie de boy. In its press release announcing the 1998 Nobel for literature, the Swedish Academy called him a writer “who with parables sustained by imagination, compassion and irony continually enables us once again to a

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Shang, B., Na Sai, and Z. Liu. "I. S. Turgenev’s Novel “Fathers and Sons” in Chinese Translation and Research Reception." Nauchnyi dialog, no. 6 (June 29, 2020): 333–53. http://dx.doi.org/10.24224/2227-1295-2020-6-333-353.

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The previously not considered question of the reception of the novel “Fathers and Sons” by Ivan Sergeyevich Turgenev in the Chinese research tradition and in translations is considered. The novelty of the work is seen in the fact that at present in the Russian and Chinese literary environment there is no detailed study devoted to the perception of the novel “Fathers and Sons” in China. The relevance of the article is due to the need to study the significance of I.S. Turgenev for the Chinese cultural process in order to understand the specifics of Russian-Chinese literary relations, which corre

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Menghan, Qian. "Penguin Classics and the Canonization of Chinese Literature in English Translation." Translation and Literature 26, no. 3 (2017): 295–316. http://dx.doi.org/10.3366/tal.2017.0302.

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This article examines the process by which translated Chinese literature becomes ‘canonical’ in the anglophone literary system. Adopting a notion of the ‘classic’ that takes into account both essentialist and historical stances, it conducts a study of Penguin Classics originally written in Chinese under the aspects of choice of texts, translations, publishing, and literary-critical reception. It addresses the questions: What is the current canon of Chinese literature in English translation? What are the forces that certify some Chinese works as deserving canonical status in anglophone culture?

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Shi, Flair Donglai. "Translating the Translational: A Comparative Study of the Taiwanese and Mainland Chinese Translations of Xiaolu Guo's A Concise Chinese-English Dictionary for Lovers." Translation and Literature 30, no. 1 (2021): 1–29. http://dx.doi.org/10.3366/tal.2021.0443.

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The untranslatability of this particular novel does not come from the ‘resistant singularity’ claimed by world literature scholars like Emily Apter, but has to do instead with its inherently translational nature as a novel about intercultural (mis-)communication. Comparative close readings of the three versions published in Britain, Taiwan, and mainland China focus on paratexts, intra-textual visual design, and specific translational strategies. Caught between the established traditions of diasporic Chinese literature and liuxuesheng wenxue (‘overseas Chinese student writing’), A Concise Chine

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Kosykhin, Vitaly G., and Svetlana M. Malkina. "On the Influence of Translations of Religious and Philosophical Texts of Buddhism on the Literature and Art of Medieval China." RUDN Journal of Philosophy 24, no. 4 (2020): 601–8. http://dx.doi.org/10.22363/2313-2302-2020-24-4-601-608.

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The era of the Tang dynasty (618-907) was a period of great flourishing of all aspects of Chinese culture, when changes covered the most diverse spheres of philosophy, art and literature. The article examines the role played in this cultural transformation by translations from Sanskrit into Chinese of the religious and philosophical texts of Indian Buddhism. The specificity of the Chinese approach to the translation of Indian texts is demonstrated, when, at the initial stage, many works were translated in a rather free style due to the lack of precisely established correspondences between Sans

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Reis, José Eduardo. "Avatars de Raphaël Hythlodée, ou l'influence de l'Utopie de Thomas More dans le roman portugais contemporain." Moreana 55 (Number 209), no. 1 (2018): 61–78. http://dx.doi.org/10.3366/more.2018.0030.

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The history of the literary reception of Thomas More's Utopia in Portugal has been a tale of omissions, censorships and deferred translations that highlight a flaw within the Portuguese cultural system. Indeed, it is somewhat ironic that such a representative work of both Western literature and thought, historically associated with the opening of the world's geographical horizons, and which ascribed to a Portuguese sailor, Raphael Hythloday, the discovery of an ideal place, was first translated into Portuguese only in the second half of the twentieth century. However, the first decade of the t

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Livingstone, Victoria. "BETWEEN THE GOOD NEIGHBOR POLICY AND THE LATIN AMERICAN “BOOM”:." Belas Infiéis 4, no. 2 (2015): 115–27. http://dx.doi.org/10.26512/belasinfieis.v4.n2.2015.11340.

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This article studies the translation of Brazilian literature in the United States between 1930 and the end of the 1960s. It analyzes political, historical and economic factors that influenced the publishing market for translations in the U.S., focusing on the editorial project of Alfred A. Knopf, the most influential publisher for Latin American literature in the U.S. during this period, and Harriet de Onís, who translated approximately 40 works from Spanish and Portuguese into English. In addition to translating authors such as João Guimarães Rosa and Jorge Amado, de Onís worked as a reader f

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Xavier, Subha. "The global afterlife: Sino-French literature and the politics of translation." French Cultural Studies 30, no. 2 (2019): 153–65. http://dx.doi.org/10.1177/0957155819842980.

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Following the critical acclaim of Sino-French literature in recent years, an increasing number of Chinese presses have solicited translations of prize-winning novels written in French by authors of Chinese descent. Yet as the work of authors like François Cheng, Shan Sa, Ya Ding and Dai Sijie travels from French into Chinese, it also undergoes a transformation via the politics of translation and publication in China. This essay exposes the inner workings of translation between French and Chinese, as well as the politics that colour its publication and reception between France and China. The ac

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Ruffini, Mirian, and Gabriel Both Borella. "Pós-colonialismo e tradução: uma análise do romance Half a Life e sua tradução para o português." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 72, no. 2 (2019): 301–20. http://dx.doi.org/10.5007/2175-8026.2019v72n2p301.

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The publication of translations of postcolonial literary works is increasingly gaining space in the Brazilian publishing market. In this article, the articulation between Translation Studies and Postcolonial Studies is sought through the analysis of the post-colonial novel Half a Life, by V.S. Naipaul, and its translation to Brazilian Portuguese, entitled Meia Vida. Discussions of ideological aspects in the translation of postcolonial texts and the very choice of what is translated and by whom are questions raised by the text, as well as the challenges of translating postcolonial literary text

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Huang, Saisai. "A Study of Chi-Chen Wang’s Translation Strategies of Modern Chinese Literature." English Language and Literature Studies 9, no. 1 (2019): 45. http://dx.doi.org/10.5539/ells.v9n1p45.

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Chi-Chen Wang (1899-2001) is a trailblazer in promoting Chinese literature in the West and is also one of the earliest scholars who made modern Chinese literature known to the Westerners. As a both renowned writer and translator in the West, Chi-Chen Wang&rsquo;s translation motivation, his comment on modern Chinese literature together with the social background of his translation activities has a great influence on his choice of translation strategies. The study provides a detailed discussion on Wang&rsquo;s choice of translation strategies by analyzing his translation motivation, the

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Carvalho, İmren Gökce Vaz de. "Repurposed texts and translation: the case of José Saramago’s El Silencio del Agua in Turkish." Translation Matters 3, no. 1 (2021): 58–75. http://dx.doi.org/10.21747/21844585/tm3_1a4.

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: This article focuses on the Turkish translation of a picturebook by Portuguese Nobel laureate author José Saramago, first published in 2012 after the author’s death. The source text for this translation was a Spanish picturebook for children, El Silencio del Agua, created by the Barcelona-based publisher Libros del Zorro Rojo in 2011 by publishing an excerpt from the Spanish translation of Saramago’s book As Pequenas Memórias(Las Pequeñas Memorias, 2007) as an illustrated stand-alone children’s book. This represents a repurposing of the work since both As Pequenas Memóriasand Las Pequeñas Me

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Shapiro, Roman. "Chinese Pidgin Russian." Pidgins and Creoles in Asian Contexts 25, no. 1 (2010): 5–62. http://dx.doi.org/10.1075/jpcl.25.1.02sha.

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The much-understudied Chinese Pidgin Russian (CPR) has existed at the Chinese–Russian border since at least the 18th century. Unlike many Western-based pidgins, it was formed in a territory where the lexifying language (Russian) was dominant. It also uses a typical inflecting language as its lexifier and an isolating language (Chinese) as its substrate. This paper considers the influence of both ‘parent’ languages at all CPR levels. The sources of CPR include: pidgin records and descriptions; ‘Russian’ textbooks compiled for the Chinese going to Russia; and works of literature depicting contac

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Wu, Kan. "Reception of Jin Yong’s Wuxia Novels in English and French: A Sentiment Analysis with Reflection." International Journal of Linguistics, Literature and Translation 4, no. 3 (2021): 117–23. http://dx.doi.org/10.32996/ijllt.2021.4.3.13.

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This research investigates the reception of English and French translations of Jin Yong’s Wuxia novels through sentiment analysis --- a text mining technique which helps uncover readers’ opinions of these translated literary works from their online reviews. The findings show that almost all of the published English/French versions of Jin Yong’s Wuxia novels are well received by readers in both languages in terms of fictional details like “character”, “plot” and “narratives”, despite there are some minor complains. These findings lead us to reflect on the current literary position of Wuxia tran

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Meng Ji. "Corpus stylistics in translation studies: two modern Chinese translations of Don Quijote." Language and Literature: International Journal of Stylistics 18, no. 1 (2009): 61–73. http://dx.doi.org/10.1177/0963947008099306.

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This article aims to provide a quantitative account of the stylistic differences between two modern Chinese translations of Don Quijote in terms of the use of language archaism. For this purpose, a number of statistical techniques applicable in corpus linguistics have been used, which exemplifies the foregrounding of quantitative primary data. The article provides an original interdisciplinary study which attempts to integrate research methods adapted from different areas of research, e.g. textual statistics, corpus linguistics, literary stylistics and translation studies, into the development

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Byrne, Aisling. "From Hólar to Lisbon: Middle English Literature in Medieval Translation, c.1286–c.1550." Review of English Studies 71, no. 300 (2019): 433–59. http://dx.doi.org/10.1093/res/hgz085.

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Abstract This paper offers the first survey of evidence for the translation of Middle English literature beyond the English-speaking world in the medieval period. It identifies and discusses translations in five vernaculars: Welsh, Irish, Old Norse-Icelandic, Dutch, and Portuguese. The paper examines the contexts in which such translation took place and considers the role played by colonial, dynastic, trading, and ecclesiastical networks in the transmission of these works. It argues that English is in the curious position of being a vernacular with a reasonable international reach in translati

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