Literatura académica sobre el tema "Portuguese Religious drama"

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Artículos de revistas sobre el tema "Portuguese Religious drama"

1

B. McGinness, Anne. "Between Subjection and Accommodation." Journal of Jesuit Studies 1, no. 2 (2014): 227–44. http://dx.doi.org/10.1163/22141332-00102005.

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This article provides an explanation for why José de Anchieta, S.J., the most influential missionary in early colonial Brazil, engaged in apparently contradictory evangelization practices. Anchieta’s belief that both subjection and accommodation were necessary in the process of converting natives is evidenced by his epic poem, De gestis Mendi de Saa, which praised Governor Mem de Sá for the peace he brought to Brazil. The climax of the poem is the death by cannibalism of a bishop. This act, in the minds of Anchieta and fellow Portuguese colonists, constituted a cause for just war. While Anchie
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2

Baião, Joana. "Iconografias de violência e esperança: a Pietà na obra de Graça Morais." e-Letras com Vida: Revista de Estudos Globais - Humanidades, Ciências e Artes 13 (December 31, 2024): 035–51. https://doi.org/10.53943/elcv.0224_35-51.

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Representing the Virgin Mary holding the martyred body of her son, Jesus Christ, the Pietà is an iconic motif in Christian culture. By focusing on the representation of the mother’s pain in the face of her son’s exposure to violence and death, this iconography became popular beyond its religious sense, being continually revisited by artists to this day. This article discusses the representation of Pietà in the Portuguese painter Graça Morais’ work at different production stages from the beginning of the 1980s to the present day. The theme assumes countless formalizations in her work, concernin
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Franco, José Eduardo, and Célia Tavares. "New Christians, Converted Hindus, Jesuits, and the Inquisition." Journal of Jesuit Studies 8, no. 2 (2021): 195–213. http://dx.doi.org/10.1163/22141332-0802p003.

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Abstract This paper analyses the complex relationship between Jesuits, New Christians, converted Hindus, and the Inquisition. The collaboration of Jesuits with the Holy Office did not prevent voices from being raised within the Society of Jesus against the tribunal’s practices, which were observed with caution by the first Jesuit leaders. For their part, conversos were initially welcomed into the Society and even assumed high positions in the Society, such as the second superior general. Despite the difficult history of intolerance and inquisitorial persecution against New Christians, in the s
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4

Louzao Villar, Joseba. "La Virgen y lo sagrado. La cultura aparicionista en la Europa contemporánea." Vínculos de Historia. Revista del Departamento de Historia de la Universidad de Castilla-La Mancha, no. 8 (June 20, 2019): 152. http://dx.doi.org/10.18239/vdh_2019.08.08.

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RESUMENLa historia del cristianismo no se entiende sin el complejo fenómeno mariano. El culto mariano ha afianzado la construcción de identidades colectivas, pero también individuales. La figura de la Virgen María estableció un modelo de conducta desde cada contexto histórico-cultural, remarcando especialmente los ideales de maternidad y virginidad. Dentro del imaginario católico, la Europa contemporánea ha estado marcada por la formación de una cultura aparicionista que se ha generadoa partir de diversas apariciones marianas que han establecido un canon y un marco de interpretación que ha ali
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Dewulf, Jeroen. "The Saga of Lohodann: Making Sense of an Annobonese Folktale Rooted in Carolingian Drama." Journal of Early Modern Studies 13 (July 31, 2024). http://dx.doi.org/10.36253/jems-2279-7149-15262.

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The essay analyzes the saga of Lohodann in relation to the idiosyncratic cultural and religious history of the African Atlantic island of Annobón. It does so by placing the history of the island in the context of the Portuguese expansion in Africa during the early modern era, and studies the folktale in connection to the dissemination of Iberian cultural elements in the region. It pays special attention to the role of confraternities, in the context of which the population of Annobón reinvented and reimagined Iberian culture from an African perspective.
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6

Viljoen, Martina. "Mzansi Magic." M/C Journal 26, no. 5 (2023). http://dx.doi.org/10.5204/mcj.2989.

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Introduction Jerusalema, a song from Mzansi — an informal isiZulu name for South Africa — became a global hit during the Covid-19 pandemic. Set to a repetitive, slow four-to-a-bar beat characteristic of South African house music, the gospel-influenced song was released through Open Mic Productions in 2019 by the DJ and record producer Kgaogelo Moagi, popularly known as ‘Master KG’. The production resulted from a collaboration between Master KG, the music producer Charmza The DJ, who composed the music, and the vocalist Nomcebo Zikode, who wrote the lyrics and performed the song for the master
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Libros sobre el tema "Portuguese Religious drama"

1

Prestes, António. Autos. Imprensa Nacional-Casa da Moeda, 2008.

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2

Prado, Décio de Almeida. O teatro como instrumento de catequese. Memorial da América Latina, 2006.

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3

Rodrigues, Maria Idalina Resina. Estudos ibéricos da culturaà literatura: Pontos de encontro, séculos XIII a XVII. Instituto de Cultura e Língua Portuguesa, Ministério da Educação, 1987.

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4

Rodrigues, Maria Idalina Resina. Estudos ibéricos da cultura à literatura: Pontos de encontro, séculos XIII a XVII. Instituto de Cultura e Língua Portuguesa, Ministério da Educação, 1987.

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5

Almeida, Navarro Eduardo de, and Anchieta José de 1534-1597, eds. Teatro: Auto de São Lourenço - auto "Na Aldeia de Guaraparim". Martins Fontes, 1999.

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6

Kamāl, Abū Dīb, ред. al-Sūnaytāt aw al-tawāshīḥ al-kāmilah: Bi-al-lughatayn al-ʻArabīyah wa-al-Inklīzīyah. Dār al-Sāqī, 2012.

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7

Shakespeare, William. The sonnets: English und in ausgewählten deutschen Versübersetzungen. Philipp Reclam, 1986.

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8

Shakespeare, William. Shakespeare's sonnets. Oxford University Press, 2007.

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9

Shakespeare, William. Shi si hang shi: Shakespeare's sonnets. Shi jie shu ju, 1996.

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10

Shakespeare, William. The sonnets. 2nd ed. Signet Classic, 1999.

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