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1

Alam, Zafar, Faiz Iqbal y Dilshad Ahmad Khan. Post-processing Techniques for Additive Manufacturing. Boca Raton: CRC Press, 2023. http://dx.doi.org/10.1201/9781003288619.

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2

Angela, Geary, ed. Post-digital printmaking: CNC, traditional and hybrid techniques. London: A. & C. Black, 2012.

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3

Max, Ferguson. Max Ferguson's digital darkroom masterclass: An illustrated guide to photographic post production. Oxford: Focal Press, 2000.

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4

J, Mitchell William. The reconfigured eye: Visual truth in the post-photographic era. Cambridge, Mass: MIT Press, 1992.

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5

Castañer, Manuel Sierra y Lars J. Foged. Post-Processing Techniques in Antenna Measurement. SciTech Publishing, Incorporated, 2019.

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6

Sierra Castaner, Manuel y Lars J. Foged, eds. Post-processing Techniques in Antenna Measurement. Institution of Engineering and Technology, 2019. http://dx.doi.org/10.1049/sbew529e.

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7

Post-processing techniques for integrated MEMS. Boston: Artech House, 2006.

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8

Sedky, Sherif. Post-Processing Techniques for Integrated MEMS. Artech House Publishers, 2005.

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9

Post- Processing Techniques for Additive Manufacturing. CRC Press LLC, 2023.

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10

Post-Processing Techniques in Antenna Measurement. SciTech Publishing, Incorporated, 2019.

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11

Concepcion, Rafael. HDR Book: Unlocking the Pros' Hottest Post-Processing Techniques. Pearson Education, Limited, 2014.

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12

Davis, Phyllis y Harold Davis. Photoshop Darkroom: Creative Digital Post-Processing. Taylor & Francis Group, 2014.

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13

Davis, Phyllis y Harold Davis. Photoshop Darkroom: Creative Digital Post-Processing. Taylor & Francis Group, 2018.

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14

Davis, Phyllis y Harold Davis. Photoshop Darkroom: Creative Digital Post-Processing. Taylor & Francis Group, 2014.

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15

Davis, Phyllis y Harold Davis. Photoshop Darkroom: Creative Digital Post-Processing. Taylor & Francis Group, 2014.

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16

Davis, Phyllis y Harold Davis. Photoshop Darkroom: Creative Digital Post-Processing. Taylor & Francis Group, 2014.

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17

Davis, Phyllis y Harold Davis. Photoshop Darkroom: Creative Digital Post-Processing. Taylor & Francis Group, 2014.

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18

The HDR Book: Unlocking the Pros' Hottest Post-Processing Techniques. Peachpit Press, 2014.

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19

Bai, Yuchao y Yan Jin Lee. Post-Processing Techniques for Metal-Based Additive Manufacturing: Towards Precision Fabrication. Taylor & Francis Group, 2023.

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20

Bai, Yuchao y Yan Jin Lee. Post-Processing Techniques for Metal-Based Additive Manufacturing: Towards Precision Fabrication. Taylor & Francis Group, 2023.

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21

Post-Processing Techniques for Metal-Based Additive Manufacturing: Towards Precision Fabrication. CRC Press LLC, 2023.

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22

Post-Processing Techniques for Metal-Based Additive Manufacturing: Towards Precision Fabrication. CRC Press LLC, 2023.

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23

Silva, Carolina Ernani da. Introduction to Ocean Numerical Modeling: An Overview of the Main Ocean Models and Post-Processing Techniques. Elsevier, 2024.

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24

Regional seismic lines reprocessed using post-stack processing techniques: National Petroleum Reserve--Alaska (Open-file report). U.S. Dept. of the Interior, U.S. Geological Survey, 2000.

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25

Doran, John P. y Brais Brenlla Ramos. Unreal Engine 4 Shaders and Effects Cookbook: Over 70 Recipes for Mastering Post-Processing Effects and Advanced Shading Techniques. Packt Publishing, Limited, 2019.

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26

Slomka, Piotr J., Guido Germano y Daniel S. Berman. Gated SPECT MPI Processing and Quantitation. Oxford University Press, 2015. http://dx.doi.org/10.1093/med/9780199392094.003.0007.

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Gated MPS provides an accurate and reproducible method for measuring myocardial perfusion at stress and rest as well as LVEF, EDV, ESV and diastolic function. It also provides a means of assessing regional wall motion abnormality, either at rest or post-stress. These functions and perfusion measurements obtained from gated MPS complement each other in CAD diagnosis as well as risk stratification. This chapter presents a comprehensive review of techniques used in gated SPECT processing to quantify function and perfusion, including the latest techniques and developments.
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27

Modern Post: Postproduction Workflows and Techniques for Digital Filmmakers. Taylor & Francis Group, 2014.

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28

Kelly, Doug. Digital Compositing In Depth: The Only Guide to Post Production for Visual Effects in Film. Coriolis Group Books, 2000.

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29

Zen Of Post Production Stressfree Photography Workflow And Editing. John Wiley & Sons Inc, 2013.

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30

The Everything Digital Photography: How to Take Great Pictures, Send Them to Your Friends, and Post Them on the Web (Everything Series). Adams Media Corporation, 2002.

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31

The reconfigured eye: Visual truth in the post-photographic era. Cambridge, Mass: MIT Press, 1994.

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32

Mitkov, Ruslan, ed. The Oxford Handbook of Computational Linguistics. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199276349.001.0001.

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The Oxford Handbook of Computational Linguistics features thirty-eight articles commissioned from experts all over the world. The book describes major concepts, methods, and applications in computational linguistics. Part I looks at linguistic fundamentals and provides an overview of the field suitable for senior undergraduates and non-specialists from other fields of linguistics and related disciplines. Part II describes current tasks, techniques, and tools in natural language processing and aims to meet the needs of post-doctoral workers and others embarking on computational language research. Part III surveys current applications.
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33

Between film, video, and the digital: Hybrid moving images in the post-media age. New York: Bloomsbury Academic, 2016.

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34

Fix it in post: Solutions for postproduction problems. Amsterdam: Focal Press, 2009.

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35

Cameli, Matteo, Partho Sengupta y Thor Edvardsen. Deformation echocardiography. Oxford University Press, 2016. http://dx.doi.org/10.1093/med/9780198726012.003.0004.

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Echocardiographic strain imaging, also known as deformation imaging, has been developed as a means to objectively quantify regional and global myocardial function. First introduced as a post-processing feature of tissue Doppler imaging velocity converted to strain and strain rate, strain imaging has more recently also been derived from speckle tracking analysis. Tissue Doppler imaging yields velocity information from which strain and strain rate are mathematically derived whereas two-dimensional speckle tracking yields strain information from which strain rate and velocity data are derived. Data obtained from these two different techniques may not be equivalent due to limitations inherent with each technique. Speckle tracking analysis can generate longitudinal, circumferential, and radial strain measurements and left ventricular twist. Although potentially useful, these measurements are also complicated and frequently displayed as difficult-to-interpret waveforms. Strain imaging is now considered a robust research tool and has great potential to play many roles in routine clinical practice. This chapter explains the fundamental concepts of deformation imaging, the technical features of strain imaging using tissue Doppler imaging and speckle tracking, and the strengths and weaknesses of these methods.
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36

Kim, Jihoon. Between Film, Video, and the Digital: Hybrid Moving Images in the Post-Media Age. Bloomsbury Publishing Plc, 2018.

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