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Tesis sobre el tema "Postmodern"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 25 de julio de 2025

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1

Skråge, Magnus, and Dennis Isosalo. "Postmodern counseling." Thesis, Malmö högskola, Lärarutbildningen (LUT), 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-34417.

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I detta arbete har vi haft som syfte att utreda om det postmoderna samhällets värderingar skapar ett behov av att förändra vägledningen i riktning mot en holistiskt inriktad vägledning, i arbetet betecknad som Personlig vägledning. Resultatet i arbetet tycker vi visar att det föreligger ett sådant behov. Mycket talar för att vi till stora delar redan lever i det postmoderna samhället och därför anser vi att det är angeläget att vi i vägledningskretsar diskuterar detta vidare. Vi vill även se fortsatt forskning inom området av samma skäl. Arbetet bygger på litteraturstudier och som teoretisk gr

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2

Karman, Barbara Ann. "Postmodern power plays : a linguistic analysis of postmodern comedy /." Connect to online version at OhioLINK ETD Connect to online version at Digital.Maag, 1998. http://hdl.handle.net/1989/4784.

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3

Caraher, Paul. "The Postmodern Improvisor." TopSCHOLAR®, 1995. http://digitalcommons.wku.edu/theses/900.

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This thesis represents a revitalization of the thesis form because it has organically blossomed from an integrated consciousness. Instead of the pre-existing thesis form for a Master of Arts Degree in English bending, limiting, and shaping the content, I have shaped the form according to my own synthetic ambition, resulting in a fusion of elements from both a researched and a creative thesis. This strategy is justified since the very subject of the thesis stresses the improviser's ongoing urge to create as the spontaneous moment/impulse requires while simultaneously creating an organic frame o

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4

Morgan, Andrew Hugh, and andr morgan@gmail com. "Refrain: postmodern confessions." RMIT University. Creative Media, 2006. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080702.152100.

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The creative component of my project is a conteporary, confessional novel, Refrain. The narrator, Jake, has spent his youth chasing a life that matched his dreams - first as a would-be rock star and then by fleeing to India in search of exotic adventures with his girlfriend. Now he returns alone to the suburban backwater he'd tried so hard to escape, ready for stability and responsibility. However, his attempts to reinvent himself in this world of chronic unemployment and limited horizons are thrown into confusion by old friends, estranged fmaily members, an unresolved attachment, and by his m

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5

Lindberg, Simon. "Postmodern uppmärksamhet : funderingar kring filmisk estetik och filmåskådandet i en postmodern kontext." Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-14558.

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I den här uppsatsen behandlas postmodernismens förhållande till filmestetiska och filmåskåderliga företeelser i vår samtid. Vad innebär postmodern film och vilken typ av filmisk estetik är att betrakta som typiskt postmodern och är det rimligt att benämna vår samtida film och dess kultur som tillhörande en postmodern epok? Centrala begrepp och teorier som ställs mot varandra och komparativt studeras är 3D-filmsestetiken och ansamlingsestetiken samt hur de perspektiv som presenteras i den äldre filmteorin, hos André Bazin och Roland Barthes, förhåller sig till vår samtids syn på film, både på

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6

Hay, Kenneth Einar. "Postmodern theory, computer technology, and education : looking forward to a postmodern education." Connect to resource, 1991. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1239981095.

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7

Parent, Marcel 1975. "Is comparative philosophy postmodern?" Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79800.

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This thesis examines the claims of Jeffrey Timm and James Buchanan that the field of Comparative Philosophy is moving in a postmodern direction. I examine their conception of the postmodern and compare to both the most influential views of postmodernism and with my own understanding of postmodernism. To evaluate their claims I examine the journal Philosophy East and West, which I argue is representative of the field of Comparative Philosophy. I analyze the works of the editors of the journal and also do a statistical analysis of the journal to determine whether the field is becoming mor

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8

Ng, Ho-yi Veronica, and 吳可怡. "Postmodern space in Yaumatei." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31260330.

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9

Franco, Marie. "SM in Postmodern America." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1532004486477585.

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10

Lopez, Delano J. Lopez. "How We Became Postmodern." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu153450213719398.

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11

Litowitz, Douglas E. "Postmodern philosophy and law /." Lawrence (Kan.) : University press of Kansas, 1997. http://catalogue.bnf.fr/ark:/12148/cb37177950p.

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12

Ng, Ho-yi Veronica. "Postmodern space in Yaumatei /." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22284655.

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13

Moriyama, Takeshi. "Edo and the postmodern." Thesis, Moriyama, Takeshi (1996) Edo and the postmodern. Masters by Coursework thesis, Murdoch University, 1996. https://researchrepository.murdoch.edu.au/id/eprint/52972/.

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This thesis deals with a contradictory nexus between two terms: “Edo” and “postmodern” in certain Japanese discourses. “Edo”, firstly, refers to the “historical” period in Japan from 1603 to 1868 anterior to the nation’s “modernisation”. Its signification as “premodem” notwithstanding, “Edo” has been objectified over and over again in postmodernist discourse, particularly, in the Japan of the 1980s. This was a decade which saw the “Edo” boom and the “postmodern” boom coincide. Karatani Kojin is concerned with this coincidence, and recognises that “Edo” has been resurrected with or by the “

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14

Franklyn, Blair Scott. "Towards a Theory of Postmodern Humour: South Park as carnivalesque postmodern narrative impulse." The University of Waikato, 2006. http://hdl.handle.net/10289/2252.

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The philosopher Martin Heidegger describes humour as a response to human 'thrownness' in the world. This thesis argues that there is a form of humour which can be usefully described as postmodern humour and that postmodern humour reflects the experience of being 'thrown' into postmodernity. Postmodern humour responds to and references the fears, fixations, frameworks and technologies which underpin our postmodern existence. It is further contended that South Park is an example of postmodern humour in the way that it exhibits a carnivalesque postmodern narrative impulse which attacks the met

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15

Herring, Lesley Virginia. "The existential and postmodern individual." Texas A&M University, 2005. http://hdl.handle.net/1969.1/2371.

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The theories of existentialism and postmodernism seem like very different ideas at first glance. Existentialism is a philosophy of individuals, while postmodernism is a theory focused more on society and less on individual existence. In this thesis, I will show that both of these ideas can be merged together to be seen as an individual philosophy. Using theories from each philosophical camp, I will describe both the existential and postmodern being. I will explain characteristics of these individuals and explain how they function in society. I will use several philosophers to explain this such

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16

Mills, Caroline Ann. "Interpreting gentrification : postindustrial, postpatriarchal, postmodern?" Thesis, University of British Columbia, 1989. http://hdl.handle.net/2429/29245.

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The topic of gentrification is employed to carry through an argument about the theorization of geographical phenomena. The thesis argues for the revival of a critical cultural geography, in conjunction with the currently dominant perspectives on economic and social change in the geography of restructuring. Applying the realist perspective on gentrification as a chaotic conception, a critical appraisal is made of the conventional production-oriented and consumption-oriented approaches to explaining gentrification. The "production of gentrifiers" approach, which seeks to overcome their conceptu

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17

Hall, Karen Alexandra. "Luce Irigaray, postmodern or essentialist." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq20789.pdf.

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18

Farrell, J. Michael. "Dramatic arts and the postmodern." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape7/PQDD_0001/NQ41066.pdf.

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19

Arndt, Kenneth G. "Sermon contextualization for postmodern ears." Theological Research Exchange Network (TREN), 2006. http://www.tren.com/search.cfm?p068-0610.

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20

Rhind, Neil James. "Alasdair Gray and the postmodern." Thesis, University of Edinburgh, 2009. http://hdl.handle.net/1842/3426.

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The prominence of the term ‘Postmodernism’ in critical responses to the work of Alasdair Gray has often appeared at odds with Gray’s own writing, both in his commitment to seemingly non-postmodernist concerns and his own repeatedly stated rejection of the label. In order to better understand Gray’s relationship to postmodernism, this thesis begins by outlining Gray’s reservations in this regard. Principally, this is taken as the result of his concerns over the academic appropriation of his work, and his suggestion that ‘postmodernism’ is an entity wholly constructed and primarily active within

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21

Whitehouse, Ian Paul. "A reading of the postmodern." Thesis, Cardiff University, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.254593.

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22

Gane, Nicholas B. "Max Weber and postmodern theory." Thesis, London Metropolitan University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.297506.

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23

Darougari, Baharak. "Hyperfiction, creativity and postmodern novel." Thesis, Strasbourg, 2018. http://www.theses.fr/2018STRAC021/document.

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Depuis l’invention du terme hypertexte par Ted Nelson en 1965, il y a eu des débats fréquents à propos des mérites et des dangers des textes numériques, pour savoir si le développement des technologies informatiques causerait l’obsolescence des supports imprimés. Les prophéties étaient apocalyptiques et l’avenir des livres semblait sombre. Environ cinquante ans plus tard, tant les supports imprimés qui étaient condamnés que les hypertextes numériques qui semblaient être leurs exécuteurs existent encore. Les romans sont toujours populaires et les hypertextes aussi. Nul n’est dépassé ou éradiqué

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24

Slocombe, Will. "Postmodern nihilism : theory and literature." Thesis, Aberystwyth University, 2003. http://hdl.handle.net/2160/740d7998-8998-4ef7-9514-4174d05cec4a.

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This thesis examines the relationship between nihilism and postmodernism in relation to the sublime, and is divided into two parts: theory and literature. Beginning with histories of nihilism and the sublime, the Enlightenment is constructed as a conflict between the two. Rather than promote a simple binarism, however, nihilism is constructed as a temporally-displaced form of sublimity that is merely labelled as nihilism because of the dominant ideologies at the time. Postmodernism, as a product of the Enlightenment, is therefore implicitly related to both nihilism and the sublime, despite the

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25

Shagufta, Iqra. "Postmodernity and Pakistani Postmodern Literature." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1707404/.

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Though scholars have discussed postmodernism in Islam and South Asia before, they tend to (i) assume Muslims as a monolithic group, bypassing the diversity of different cultures and the interaction of these cultures with indigenous practices of Islam; (ii) study postmodernity synchronically, thereby eliding histor(ies) and the possibility of multiple temporalities; and (iii) compare postmodernity in non-Western countries with Western standards, and when these countries fail this test, declare them not-yet-postmodern, or even modern. Negligible and scant discussions of postmodernity that do tak

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26

Johnston, Graham. "Biblical preaching to postmodern listeners." Theological Research Exchange Network (TREN), 1998. http://www.tren.com.

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27

Stiller, Brian. "Preaching parables to the postmodern." Online full text .pdf document, available to Fuller patrons only, 2002. http://www.tren.com.

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28

Venegas, Robinson Hugo F. "Preaching in a postmodern context." Online full text .pdf document, available to Fuller patrons only, 2004. http://www.tren.com.

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29

Cox, Nicholas Michael. "Storytelling in the postmodern context." Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p062-0318.

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30

de, Vries Kees. "Oscar Wilde and postmodern thought." Thesis, Bangor University, 2013. https://research.bangor.ac.uk/portal/en/theses/oscar-wilde-and-postmodern-thought(7e7e1241-5610-45a3-b4b5-e17e18747cd7).html.

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31

Ohanyan, Rima. "The Theatre of a Thousand Plateaus : How can architecture accommodate the postmodern conceptions of the theatre and provide spaces for non-conventional theatricals where narrative is deconstructed and the audiences are active co-creators or co-participants?" Thesis, Umeå universitet, Arkitekthögskolan vid Umeå universitet, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-174995.

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Today’s world has undergone through a variety of changes shifting from metaphysical way of thinking into postmodernism which has left its footprint in the aspects of literature, art and theatre. But architecture doesn’t reflect those changes in the theatrical world because buildings are not adjusted to the postmodern performances. In this research I made a journey through postmodern philosophy, literature, art, architecture, and theatre and tried to analyze the main tools of postmodernism, such as deconstruction of narrative, displacement etc. Then I applied them into my project which makes an

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32

Prette, James Andrew. "Preaching to the postmodern congregation an exploration of the sermon process among ten postmodern preachers /." Theological Research Exchange Network (TREN), 2006. http://www.tren.com/search.cfm?p068-0627.

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33

Lee, Hyun-Min. "Postmodern epistemology and schooling / Hyun-Min Lee." Thesis, North-West University, 2007. http://hdl.handle.net/10394/1137.

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One of the core and primary functions of the school is to transmit knowledge from one generation to the next. The theory and practice of schooling (teaching and learning) should be founded on a sound concept of knowledge. A change in epistemology entails a change in approach to schooling. This study investigates how the postmodern idea of knowledge may affect schooling both in theory and practice. The author traces how the concept of knowledge has changed from modern to the postmodern era, in order to find the general features of the recent view of knowledge. The postmodern idea of knowledge i

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34

Ferret, Fortuny Jordi. "L'efecte hipnòtic en el cinema postmodern." Doctoral thesis, Universitat Pompeu Fabra, 2010. http://hdl.handle.net/10803/7274.

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L'efecte hipnòtic en el cinema postmodern desenvolupa una aproximació al discurs postmodern a través de la categoria estètica d'allò sinistre (das unheimliche), com el camí que senyala l'ombra i el fantasma, el desplaçament del subjecte i la representació de l'inconscient, el real del desig, per mitjà de la metàfora de la hipnosi aplicada al cinema.<br/>Hypnotic effect in postmodern cinema develops an approach to postmoden theories throught the sinister aesthetic category (das unheimliche), understood as the way that shows the shadow and the ghost, the subject displacement and the unconsciousn

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35

M, Ferreira Maria José. "Information technology and the postmodern community." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq31285.pdf.

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36

Hart, Susan Elizabeth. "Traditional war memorials and postmodern memory." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape2/PQDD_0015/MQ54346.pdf.

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37

Cromb, Brenda. "Ambivalent passion : Pedro Almodóvar's postmodern melodrama." Thesis, University of British Columbia, 2008. http://hdl.handle.net/2429/4074.

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This thesis considers the films of Spanish director Pedro Almodóvar as postmodern melodramas. The crux of my argument is that melodrama is known for its expressiveness and its attempt to restore a spiritual element to a post-sacred world, and is used by Almodóvar to make clear the problems and contradictions inherent in the destabilized world of postmodernity. This definition of melodrama draws primarily on the work of Peter Brooks, Christine Gledhill and Linda Williams; it is modified to apply to postmodernism as defined by Jean Baudrillard and Frederic Jameson. The conclusion reached is that

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38

Bradley, Jessica. "Postmodern bodies and feminist art practice." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=69635.

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This thesis examines, from a feminist perspective, conceptions of the body proposed by poststructuralist philosophy and postmodernist art practice. Within both feminist and postmodern critiques of the humanist subject, the body has come to be understood as a site of cultural inscriptions. In tracing the relationship between postmodernism and feminism, the thesis addresses specifically the shift from celebratory, affirmative female imagery typical of feminist art in the seventies, to the semiotic analysis of images of women which, in the eighties, problematized the question of sexual difference

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39

Sung, Mei-yee, and 沈美怡. "Likeness and unlikeness in postmodern fiction." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B26791973.

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40

Yu, King-lun Sunny, and 余經綸. "Gender and crime in postmodern cinema." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B29793233.

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41

Moore, Gregory. "Art and action : exploring postmodern aesthetics." Honors in the Major Thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1456.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Sciences<br>Political Science

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42

Goodman, Steve. "Turbulence : a cartography of postmodern violence." Thesis, University of Warwick, 1999. http://wrap.warwick.ac.uk/36343/.

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This thesis maps the end of the millenium in terms of the geostrategic flux of the post Cold War world system. Using the concept of turbulence developed in the physics of fluids, and Gilles Deleuze & Felix Guattari's liquid microphysics of the war machine, a materialist analysis of violence is developed which cuts through the binary oppostions of order/chaos, law/violence, war/peace to construct a cartography of speeds and slowness, collective compositions and power. Sector 1 defines postmodernity in terms of cybernetic culture, delineating the distinction between Deleuze & Guattari's concept

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43

Long, Nigel Jeremy. "Aspects of a radical postmodern theatre." Thesis, University of Exeter, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.267225.

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44

Barnes, Lucy Dawn. "Performances of law under postmodern conditions." Thesis, University of Kent, 2010. http://eprints.kingston.ac.uk/21028/.

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45

Swindells, Rachel Justine. "Stylistic fusion in a postmodern context." Thesis, University of Leeds, 1999. http://etheses.whiterose.ac.uk/7849/.

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The purpose of this study is to examine the links between postmodernism and music ‘fusing’ what are commonly described as popular and classical styles. Much postmodern theory has discussed the relationship between ‘high’ and ‘low' and recognised eclecticism within art, but how does fusion connect with this? An investigation of terminology and definitions together with a discussion of historical precedents for contemporary cross-influences provides a base from which to explore fusion and the postmodern. A framework oulining postmodernism’s background and its relevance to music is used in conjun

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46

Bejo, Ermir. "Postmodern Multiplicities in Three Original Works." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062830/.

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My recent compositions are situated within a postmodern theoretical framework. The heterogeneity of materials and hybridity of musical formation in these works are interpreted and contextualized within a personal reading of postmodern theories. The critical essay traces my aesthetics through a historical investigation into the definition of musical postmodernism. Through extensive citation and analysis of the writings of Julius T. Fraser, Italo Calvino, and Richard Rorty, the essay aims to provide a theoretical context for the interpretation of the musical examples. The creative documentation

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47

Philibert, Céline Lydia Germaine. "French postmodern cinema : desire in question /." The Ohio State University, 1992. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487760357819381.

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48

Jaccaud, Sabine Jeanne. "The postmodern city : architecture and literature." Thesis, University of Oxford, 1996. http://ora.ox.ac.uk/objects/uuid:90ac276d-030a-4a8f-8743-018c21c5f50f.

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This thesis explores Postmodern architecture and narrative representations of the city as an emblem for the presence of the past in a contemporary environment. The architectural theory of Aldo Rossi is a model for this perception of the city as a locus of memory. Berlin, London and Paris are the places I will consider. Part I presents examples of architectural practice of the 1980s. A project for a museum of German history in Berlin, the Sainsbury Wing of the National Gallery in London and the Place de Stalingrad in Paris re-work urban historical traces. Chapter 4 outlines the theories behind

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49

Kroschel, John A. "Dialectic preaching in a postmodern ethos." Online full text .pdf document, available to Fuller patrons only, 2002. http://www.tren.com.

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50

Morris, Russell Alexander. "A biblical paradigm for postmodern ministry." Online full text .pdf document, available to Fuller patrons only, 2004. http://www.tren.com.

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