Bibliografías temáticas / Postmoderne dance / Tesis
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Tesis sobre el tema "Postmoderne dance"

Autor: Grafiati
Publicado: 31 de agosto de 2024
Última modificación: 31 de julio de 2025

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1

Fleischle-Braun, Claudia. "Der Moderne Tanz : Geschichte und Vermittlungskonzepte /." Butzbach-Griedel : Afra, 2001. http://catalogue.bnf.fr/ark:/12148/cb389105358.

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2

Stanich, Veronica Dittman. "Poetics and Perception: Making Sense of Postmodern Dance." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1402089308.

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3

Forster, Lou. "Page à la main. ː : Lucinda Childs et les pratiques de danse lettrée". Electronic Thesis or Diss., Paris, EHESS, 2024. http://www.theses.fr/2024EHES0015.

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Lucinda Childs est une figure majeure de la danse au XXe siècle. Au début des années 1960, elle participe à la fondation du Judson Dance Theater, un collectif de danseurs, danseuses, chorégraphes, artistes et compositeurs qui renouvellent à New York les formes et les pratiques de la danse. Avec sa compagnie crée en 1973, elle devient l’une des cheffes de file de la danse minimale et de la danse postmoderne américaines, tout en collaborant à partir des années 1980 avec les plus importantes compagnies de ballet en Europe et aux États-Unis. Dans le processus de création, répétition et représentat
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4

Griffiths, Carolyn Margaret. "Tracing image and bodily displacement in modern and postmodern dance." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2000. https://ro.ecu.edu.au/theses/1362.

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Through time the dancer has been both celebrated and disadvantaged by antithetical ideas: the division of soul and body, form and matter, life and death, artist and audience. For the romantics, the dancing body stood in a relationship to poetic thought in much the same way as the dancer stood to the body. Notions of the body in early modernism arose from cultural and political constructs through which poets and writers examined the nature of truth. These poets, Yeats in particular, hinted at a premise that a whole history of culture may be necessary to explain why women and art may not be cons
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5

Mathews, Rachel A. "Postmodern Theory and the Choreography of Michael Clark." Thesis, University of Surrey, 1992. https://eprints.qut.edu.au/74785/6/Postmodern%20Theory%20and%20the%20Choreography%20of%20Michael%20Clark_Mathews_1992.pdf.

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This study addresses two interrelated questions: Can postmodern ‘theory’ illuminate an understanding of Michael Clark’s work? and, a sub-question, In which ways, if at all, does Clark’s work demonstrate a postmodern sensibility? Chapter one, the introduction to this study, provides a ‘portrait’ of postmodernism, that is, it addresses the question What is postmodernism? Chapter two is a biography of Michael Clark. The seminal sections to this study, however, are chapters three and four. Here the author blends a discussion of a) subject matter, treatment and meanings in Clark’s choreography
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6

Monten, Joshua Lee. ""Something old, something new, something borrowed...": eclecticism in postmodern dance." The Ohio State University, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=osu1407405704.

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7

Sears, Linda Roseanne. "Resistant corporealities contemporary British dance-theater /." For electronic version search Digital dissertations database. Restricted to UC campuses. Access is free to UC campus dissertations, 2002. http://uclibs.org/PID/11984.

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8

Postle, Julia. "Dancing through the postmodern : Australian choreography in relation to postmodernism." Thesis, Queensland University of Technology, 1996.

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9

Peter, Frank-Manuel. "Zwischen Ausdruckstanz und Postmodern Dance Dore Hoyers Beitrag zur Weiterentwicklung des modernen Tanzes in den 1930er Jahren /." [S.l. : s.n.], 2003. http://www.diss.fu-berlin.de/2004/245/index.html.

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10

Campbell, Daly Janis. "A perplexing pilgrimage : the spectator as Mitreisender in the Tanztheater of Pina Bausch." Thesis, University of Roehampton, 2009. https://pure.roehampton.ac.uk/portal/en/studentthesis/a-perplexing-pilgrimage(220e92fb-9910-4017-8174-e85ab543ae95).html.

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11

Keller, Matthew J. "DANCENOISE DECLARES OPEN SEASON ON THE DOCILE BODY: DANCE STUDIES AND FEMINIST THEORY." Ohio University Honors Tutorial College / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1493393510333692.

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12

Pawelke, Sigrid. "Einflüsse der Bauhausbühne in den USA : eine Unterschung zur Verbindung von Bauhausbühne und amerikanischer Bühnenperformance und Postmodern Dance unter ästhetischen und pädagogischen Aspekten /." Regensburg : Roderer, 2005. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=013191936&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.

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13

COSTA, RODRIGO CARDOSO CONDEIXA DA. "GOD IS HUMBLE AND KNOWS HOW TO DANCE!: AS A TRINITARIAN TEOPO(ETHIC): THE SENSIBLE REASON TRINITARIAN AS OTHER THEOLOGICAL RATIONALITY IN THE POSTMODERN HORIZON." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2015. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=25727@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>CONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO<br>A tese doutoral que tens sob teus olhos nasceu de uma caminhada. Ela é parte integrante de nossa ventura, na lida da vida, como discípulo do Mestre de Nazaré: vinculada a uma genuína vocação pastoral e teológica. O tema aqui tratado está inextricavelmente ligado a uma intensa vivência como humano, cristão e professor de teologia: fruto de uma transfiguradora experiência de Deus; de um encontro com o Sentido da vida: uma caminhada feita de afastamentos, descaminhos, dúvidas, in
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14

Alonso, Breto Isabel. ""How many identities can dance on a maple leaf?". La escritura de Marlene Nourbese Philip en el contexto de la Postmodernidad." Doctoral thesis, Universitat de Barcelona, 2003. http://hdl.handle.net/10803/1660.

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La tesis es un estudio analítico de la obra literaria y teórica de la escritora afrocaribeña afincada en Canadá Marlene Nourbese Philip según teorías postcoloniales y posmodernas. <br/>Tras algunas consideraciones sobre la estructuración y enfoque del estudio, y una primera aproximación al contexto actual de la literatura y la comunidad canadiense afrocaribeña, el texto elabora una sucinta arqueología de la posmodernidad y establece unos principios para una "literatura posmoderna" que se aplicarán al corpus literario analizado. El análisis posterior pone de manifiesto la pertinencia de combina
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15

Oprea, Denisa-Adriana. "Une poétique du personnage dans cinq romans québécois contemporains au féminin (1980-2000) : métaféminisme et postmoderne." Thesis, Université Laval, 2008. http://www.theses.ulaval.ca/2008/25096/25096.pdf.

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16

Nilson, Teodor. "Kulturskolan Maskinen." Thesis, KTH, Arkitektur, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-168582.

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Arkitekturprojektet som förslag syftar till att synliggöra Kulturskolans verksamhet i det aktuella området: Älvsjö i Stockholm. Skolan som plats utgör en plattform för möten och kulturutövande. Byggnadens utformning tangerar äldre såväl som senare arkitektur och skapar en relation som speglar Älvsjös mångtydiga identiteter. Skolbyggnaden skapar en fantasifull sfär för lärande och lek som hävdar barnkulturens okränkbara rätt till utrymme i staden.<br>The architectural project aims to make the activity of the Communal Culture School visible in the Älvsjö area in Stockholm. The school as a place
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17

Ling, Xiao-Jiu. "Dance for balance : a postmodern rendering /." 2004.

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Thesis (M.Ed.)--York University, 2004. Graduate Programme in Education.<br>Typescript. Includes bibliographical references (leaves 152-157). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: LINK NOT YET AVAILABLE.
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18

Šilarová, Anežka. "Izraelský lidový tanec: historie a současnost se zvláštním zřetelem na české prostředí." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-305031.

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This thesis intends to introduce Israeli folk dance from a number of different perspectives. In the first part, based on literature review, the author presents the origins of Israeli folk dances in Israel as well as their roots and the way they further function in a current Israeli society. Special attention is given to the problematic labeling of Israeli folk dance as "folk". The second part of the thesis is based on the author's own field work and describes the ways Israeli folk dances are practiced in the Czech environment. Whereas in Israel these dances are mostly connected with demonstrat
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19

Mokotow, A. "Why dance: the impact of multi arts practice and technology on contemporary dance." 2007. http://repository.unimelb.edu.au/10187/3625.

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This thesis investigates the influence of hybrid theatre practices, media and technology on contemporary dance performance and questions if dance is endangered by developments in hybrid cultures. Through a consideration of dance genealogies, the thesis suggests that notions of identity play a significant role in power structures within interdisciplinary relationships.<br>Contemporary dance has gone through many changes in the last century. In particular, contemporary aspects of performance have demonstrated that the body is not the only site for dance. Why dance, is a culmination of questions
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20

LI, WEN-HSIN, and 李文心. "The Postmodern Dance Center at Chientan MRT Station." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/12110352368266588493.

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碩士<br>東海大學<br>建築學系<br>90<br>This thesis design is based at CHIENTAN MRT station ,combining the transit station with a dance theater to create a postmodern dance center. The design’s purpose is in the combining of the conceptions of postmodern literature and dance ,including multi-layering、 multi-reading、open connection、structural improvisation ,and so on,to seek as well as develop design methods and possibilities in spatial form.
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21

"The Plan of Salvation: Mormon Doctrine Embodied Through Postmodern Contemporary Dance." Master's thesis, 2011. http://hdl.handle.net/2286/R.I.9048.

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abstract: The Mormon Plan of Salvation explains that people originate in a heavenly state and are sent to Earth in a physical form, where they aspire to lead good lives and gain wisdom in order to reach glory in the afterlife. The dance piece "From There to Here to There: Whose Journey is it Anyway?" explores each stage in the Plan of Salvation at a different location, requiring dancers and audience to travel both metaphorically and physically. The piece incorporates several kinds of journeys: the collective journey of humankind based on the Plan of Salvation, the dancers' own journeys, and au
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22

"Paseo: Becoming Self." Master's thesis, 2016. http://hdl.handle.net/2286/R.I.38622.

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abstract: Paseo is a postmodern dance performance that reveals the migrational passage of bodies through space and time. Paseo included five dance participants, and the choreographer/pedagogue. Paseo members participated in rehearsal and performance events that completed the investigational study. The creative process focused on integrating somatic and improvisational movement practices to design an environment where dancers could build body-mind awareness and sensitivity to their surroundings, participate democratically, and build agency in their performative decision-making. Paseo investiga
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23

Perry, Beth. "Outside the mainstream a comparison of Alwin Nikolais's works to modern and postmodern dance of the 1960s /." 2008. http://etd.lib.fsu.edu/theses/available/etd-04022008-084704.

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Thesis (M.A.)--Florida State University, 2008.<br>Advisor: John Perpener, Florida State University, College of Visual Arts, Theatre, and Dance, Dept. of Dance. Title and description from dissertation home page (viewed June 13, 2008). Document formatted into pages; contains viii, 99 pages. Includes bibliographical references.
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24

Arsenault, Nadia. "La divine comédie de Stan Brakhage : une lecture du film lyrique The Dante Quartet." Thèse, 2011. http://hdl.handle.net/1866/8343.

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Film abstrait peint à la main sur de la pellicule recyclée, The Dante Quartet de Stan Brakhage est une adaptation personnelle de La divine comédie de Dante. Agissant comme un palimpseste où chaque couche révèle des éléments caractéristiques de l’oeuvre du cinéaste ainsi que l’influence de certains poètes et artistes, The Dante Quartet reprend certaines caractéristiques de l’ekphrasis. Dans ce mémoire, je travaille avec l’hypothèse heuristique que The Dante Quartet est une ekphrasis, et plus précisément une ekphrasis inversée. Ce mémoire s’intéresse à ce qui reste du pré-texte après son passage
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25

Peter, Frank-Manuel [Verfasser]. "Zwischen Ausdruckstanz und Postmodern Dance : Dore Hoyers Beitrag zur Weiterentwicklung des modernen Tanzes in den 1930er Jahren / vorgelegt von Frank-Manuel Peter." 2003. http://d-nb.info/972387544/34.

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26

Стоян, Олена Володимирівна, та Olena Volodymyrivna Stoian. "Хореографічний перфоманс у мистецтві постмодерну". Master's thesis, 2020. http://repository.sspu.edu.ua/handle/123456789/9797.

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Хореографічні перфоманси широко розповсюджені як в Україні, так і закордоном. Вони мають досить вільний формат, що значно ускладнює можливість окреслити чіткі межі поняття «хореографічний перфоманс» і спонукає науковців розглядати його під різними кутами, один з яких – це взаємодія тіла та простору, і, у результаті, виділення такого напрямку у хореографічному перфомативному мистецтві, як сайт-специфік. Цей вид перфомансу на теренах України з’явився досить нещодавно і тільки починає привертати до себе увагу вітчизняних хореографів та мистецтвознавців. Він час від часу з’являється в українському
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