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1

Hall, Simon W. "The history of Orkney literature." Thesis, University of Glasgow, 2009. http://theses.gla.ac.uk/2365/.

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The history of Orkney literature is the first full survey of the literature of the Orkney Islands. It examines fiction, non-fiction and poetry that is uncomplicatedly Orcadian, as well as that which has been written about Orkney by authors from outside the islands. Necessarily, the work begins with the great Icelandic chronicle Orkneyinga Saga. Literary aspects of the saga are examined, as well as its place within the wider sphere of saga writing. Most significantly, this study examines how the saga imposes itself on the work of subsequent writers. The book goes on to focua on the significance
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2

Talif, Rosli. "Teaching literature in ESL in a Malaysian context : (proposed INSET course designs for literature in ESL instruction)." Thesis, University of Nottingham, 1991. http://eprints.nottingham.ac.uk/11560/.

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In view of the recent introduction of a literature component in the Malaysian English language teaching syllabus, this research study sets out to determine the present situation concerning the teaching of literature in ESL in Malaysia with particular reference to the Class Reader Programme (CRP). This is in order to develop two proposed course designs for the teaching of literature in ESL at the secondary school level with special emphasis on the Malaysian context. Under the present circumstances, this study offers an immediate response to the new developments and challenges brought about by t
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3

Saunders, Rosalyn. "The monster within : emerging monstrosity in Old English literature." Thesis, University of Glasgow, 2013. http://theses.gla.ac.uk/4166/.

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This thesis examines representations of monstrosity in Old English literature. The literary studies herein examine the construction of monstrous individuals in Old English poetry, and I demonstrate that literary monstrous types converge and develop a tradition of monstrosity that informs the monsters of the Liber monstrorum and Anglo-Saxon Wonders of the East. I argue that, for Old English writers, a monster was not necessarily a deformed being located in the distant lands of the East; rather, the literary and linguistic evidence suggests that any man or woman had the potential to become a mon
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4

Brljak, Vladmir. "Allegory and modernity in English literature c. 1575-1675." Thesis, University of Warwick, 2015. http://wrap.warwick.ac.uk/73270/.

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The thesis examines the place of allegory in the literature and intellectual culture of sixteenth-and seventeenth-century England, especially in its complex and contested relationship to the notion of the period’s (early) modernity. What is modernity’s quarrel with allegory? Why does it run so deep in Western thought, and why has it remained with us to the present day? What specific forms does this quarrel assume in the literary culture of the period now commonly designated as “early modern”? Why has allegory, under its many names, remained a point of differentiation and dispute between variou
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5

Fisher, Marianne. "Nobility in Middle English romance." Thesis, Cardiff University, 2013. http://orca.cf.ac.uk/54052/.

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Medieval nobility was a compound and fluid concept, the complexity of which is clearly reflected in the Middle English romances. This dissertation examines fourteen short verse romances, grouped by story-type into three categories. They are: type 1: romance and lost heirs (Degaré Chevelere Assigne, Sir Perceval of Galles, Lybeaus Desconus, and Octvian); type 2: romances about winning a bride (Floris and Blancheflour, The Erle of Tolous, Sir Eglamour of Artois, Sir Degrevant, and the Amis-Belisaunt plot from Amis and Amiloun); type 3: romances of improversihed knights (Amiloun's story from Amis
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6

Smith, William Leon. "Torontos : representations of Toronto in contemporary Canadian literature." Thesis, University of Nottingham, 2012. http://eprints.nottingham.ac.uk/14507/.

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This thesis examines how representations of Toronto in contemporary Canadian literature engage with place and further an understanding of spatial innovation in literature. Acknowledging the Canadian critical tradition of discussing place and space, the thesis moves the focus away from conventional engagements with wilderness motifs and small town narratives. In this way the thesis can be seen to respond to the nascent critical movement that urges engagement with contemporary urban spaces in Canadian literature. Responding to the critical neglect of urban representation, and more particularly,
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7

Boucher, Abigail Kate. "Representations of the aristocratic body in Victorian literature." Thesis, University of Glasgow, 2015. http://theses.gla.ac.uk/7059/.

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This thesis examines the representations of the aristocratic body in Victorian literature. This thesis argues that the authors often wrote, coded, and interpreted an aristocrat’s physical form as a paradoxical object which reflected many of the complex interclass issues and socio-economic transitions seen throughout the Victorian era. By exploring distinct, sequential genres and types of ‘popular’ fiction in this dissertation, I investigate a broad-spectrum literary treatment of aristocratic bodies as cultural paradoxes: for the same usage of the aristocratic body to crop up again and again in
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8

Cavill, Paul. "Maxims in Old English poetry." Thesis, University of Nottingham, 1996. http://eprints.nottingham.ac.uk/11063/.

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The focus of the thesis is on maxims and gnomes in Old English poetry, but the occasional occurrence of these forms of expression in Old English prose and in other Old Germanic literature is also given attention, particularly in the earlier chapters. Chapters 1 to 3 are general, investigating a wide range of material to see how and why maxims were used, then to define the forms, and distinguish them from proverbs. The conclusions of these chapters are that maxims are ‘nomic’, they organise experience in a conventional, authoritative fashion. They are also ‘proverbial’ in the sense of being rec
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9

Evans, Dewi. "Ideas of books and reading in literature, 1880-1914." Thesis, Cardiff University, 2012. http://orca.cf.ac.uk/41976/.

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This thesis elucidates some of the ways in which concerns about the status of ‘the book’ at the end of the nineteenth century both inform and are, in turn, informed by the representation of books in the period’s fiction. Focusing on the work of Oscar Wilde, Robert Louis Stevenson, M.R. James and E.M. Forster, I argue that their fiction places a discursive ‘idea’ of the book at the centre of a range of socio-political debates in which literary texts participate and which they also help to shape. In particular, I argue that the fragmentation of dominant nineteenth-century print-cultural institut
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10

Woolner, Victoria Evelyn. "Scottish romanticism and its impact on early Canadian literature." Thesis, University of Glasgow, 2014. http://theses.gla.ac.uk/5071/.

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This research considers the impact of Scottish romanticism on the construction of literary identity in the Canadas prior to Confederation (1867). I argue that early Scottish dominance in literary Canada, and similarities faced by both countries in defining a sense of self—including participation in a wider empire (or Union), populations divided by language and religion, and the need for a distinct identity in the face of a dominant neighbour to the south—all contributed to a tendency on the part of Canadians to look to Scotland as a model. Through an examination of early Canadian literature an
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11

Allen, J. "A search for the Metamorphic Text : human animal transformation in twentieth century literature." Thesis, Bath Spa University, 2013. http://researchspace.bathspa.ac.uk/1883/.

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12

Mansfield, Katherine. "Sensationalising the New Woman : crossing the boundaries between sensation and New Woman literature." Thesis, Cardiff University, 2018. http://orca.cf.ac.uk/120186/.

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My thesis seeks to conceptualise and explore the relationship between Sensation and New Woman fiction, two popular genres of the mid- to late-Victorian era, to investigate the extent to which Sensation literature is a forerunner to the early development of the New Woman novel; and consequently how the two genres blur, or cross, temporal and conceptual boundaries. Both genres challenged prevailing attitudes to gender, sexuality, morality and domesticity: Sensation fiction more implicitly by making the erstwhile Angel of the House the agent of domestic and marital upheaval and even crime, New Wo
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13

Rooney, Lee. "Prophecy in Shakespeare's English history cycles." Thesis, University of Liverpool, 2014. http://livrepository.liverpool.ac.uk/2003748/.

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Prophecy — that is, the action of foretelling or predicting the future, particularly a future thought to represent the will of God — is an ever-present aspect of Shakespeare’s historical dramaturgy. The purpose of this thesis is to offer a reading of the dramas of Shakespeare’s English history cycles — from 1 Henry VI to Henry V — that focuses exclusively upon the role played by prophecy in representing and reconstructing the past. It seeks to show how, through close attention to the moments when prophecy emerges in these historical dramas, we might arrive at a different understanding of them,
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14

Carruthers, Gerard Charles. "The invention of Scottish literature during the long eighteenth century." Thesis, University of Glasgow, 2001. http://theses.gla.ac.uk/1181/.

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"The invention of Scottish Literature During the Long Eighteenth Century" examines the limited place in the canon traditionally allowed to creative writing in Scotland during this period and the overarching reading of creative impediment applied to it in the light of Scotland's fraught and not easily to be homogenised national history and identity. It interrogates the dominant mode of what it terms the Scottish literary critical tradition and funds this tradition to have many shortcomings as a result of its prioritising of literary and cultural holism. In examining the Scots poetry revival of
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15

Dean, Dominic. "The child and authority in contemporary literature and critical culture." Thesis, University of Warwick, 2016. http://wrap.warwick.ac.uk/87250/.

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This thesis explores representations of the child in contemporary literature, culture, and criticism. The authors and texts considered are primarily British and post-1979, but the thesis situates them within the context of post-war cultural history, and particularly in relation to changes to perceptions of the ‘post-war’ itself in the 1980s. From these texts, representations of the child that dramatise the child’s entrance into authority as a problem for the adult, one characterised by symbolic or actual violence, ground a case that the child is required to correlate with a recognisable image
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16

Chen, Chi-Fang. "A study of political humour in British literature in the 1790s." Thesis, University of Warwick, 2016. http://wrap.warwick.ac.uk/92285/.

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British responses to the French Revolution are characterised by humorous expression in the literature of the 1790s. Yet political humour is often not readily harnessed to an immediate political agenda. ‘Political humour’ as an idea appears to be a contradiction and elicits a contradictory set of epithets, which falls into two distinct categories: ideological commitment and disinterested amusement. This thesis argues that it is this tension that contributes to the redrawing of the ambit of politics. This thesis continues the recent scholarly approach to the British response to the Revolution le
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17

Hughes, Christopher. "Five Middle English alliterative poems : their versification, rhetoric and authorship." Thesis, Cardiff University, 2018. http://orca.cf.ac.uk/111228/.

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The Awntyrs off Arthure (Awntyrs), The Knightly Tale of Gologras and Gawain (Gologras), Rauf the Collier (Rauf), The Pistel of Swete Susan (Susan) and The Buke of the Howlat (Howlat), five fourteenth and fifteenth-century alliterative poems in rhyming stanzas, are the subjects of a stylistic analysis using a novel methodology. The aims of the analysis are threefold: (i) to reappraise the structure of Awntyrs and provide more evidence than hitherto has been offered for the work originally to have been two poems by different authors; (ii) to provide more securely evidenced data to evaluate the v
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18

Lamont, Craig Ronald. "Georgian Glasgow : the city remembered through literature, objects, and cultural memory theory." Thesis, University of Glasgow, 2015. http://theses.gla.ac.uk/7041/.

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The core argument under discussion in this thesis is that Georgian Glasgow (1714-1837) has been largely overshadowed by the city’s unprecedented growth in the following centuries when it became a symbol of the industrial age. In this sense much of the work being done here is a form of cultural excavation: unearthing neglected histories from the past that tell us more than is presently known about the development of Glasgow. The thesis will engage with literature, history, and memory studies: a collective approach that allows for both general discussion of ideas as well as specific engagement w
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19

Gordon, Sharon Rosamunde. "Representations of feminist and lesbian consciousness and the use of subversive strategies in selected poetry of Isabella Jane Blagden (1817-1873)." Thesis, Edinburgh Napier University, 2016. http://researchrepository.napier.ac.uk/Output/453489.

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The purpose of this study is to recover and revise the contribution made to women's writing by the English minor novelist and poet, Isabella Jane Blagden (1817-1873), who was the centrifugal force of an influential literary and artistic milieu in Italy, in the mid-nineteenth-century. Key figures in the group were the poets Elizabeth Barrett Browning, Robert Browning and the American writer, Henry James. This study is a revisionist critique which questions the prevailing masculine discourse and conventions which oppressed women in terms of their sexual, political and economicfreedom. This, ther
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20

Wright, L. S. "'Iron on iron': Modernism engaging apartheid in some South African Railway Poems." Routledge, 2011. http://eprints.ru.ac.za/2208/1/Iron_on_Iron_for_ESiA.pdf.

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Abstract Modernism tends to be criticised, internationally, as politically conservative. The objection is often valid, although the charge says little about the quality of artistic achievement involved. This article argues that the alliance between Modernism and political conservatism is by no means a necessary one, and that there are instances where modernist vision has been used to convey substantive political insight, effective social critique and solid resistance. To illustrate the contrast,the article juxtaposes the abstract Modernism associated with Ben Nicholson and World War 2, with a
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21

Thomas, Alun Deian. "The making and remaking of history in Shakespeare's History Plays." Thesis, Cardiff University, 2012. http://orca.cf.ac.uk/42105/.

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History is a problem for the history plays. The weight of ‘true’ history, of fact, puts pressure on the dramatic presentation of history. Not fiction and not fact, the plays occupy the interstitial space between these opposites, the space of drama. Their position between the binary opposites of fact and fiction allows the history plays to play with history. They view history as a problem to be solved, and the different ways in which each play approaches the problem of history gives us a glimpse of how they attempt to engage and deal with the problem of creating dramatic history. Each history p
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22

Murdoch, Christina. "'A large and passionate humanity plays about her' : women and moral agency in the late Victorian social problem novel." Thesis, University of Glasgow, 2012. http://theses.gla.ac.uk/3703/.

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This thesis examines responses to the idea of a specific female moral agency in depictions of women’s philanthropic work by late nineteenthcentury female novelists. Focusing on depictions of romantic and sexual female experience in the late nineteenth-century campaign against poverty, I explore the role of gender and sexuality in the making of the female moral self in novels by Mrs. Humphry Ward, Iota, Margaret Harkness, Jane Hume Clapperton, Gertrude Dix. I demonstrate the manner in which altruism was linked to romantic love and sexual desire, and show how this idea surfaced in the love-plot
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23

Mushakavanhu, Tinashe. "Anarchies of the mind : a contrapuntal reading of the poetry and prose of Percy Bysshe Shelley and Dambudzo Marechera." Thesis, University of Kent, 2017. https://kar.kent.ac.uk/69686/.

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The thesis examines the historical and contemporary engagements of philosophical anarchism in the selected writings of Percy Bysshe Shelley and Dambudzo Marechera in a bid to establish an anarchic poetics that emerges between them. Both use poetry and prose to express opposition to values and relations characterising authoritarian societies while also expressing alternative social, political and personal values. The unusual pairing of two writers who wrote and lived in very different times inevitably prompts an enquiry into the various trajectories of philosophical anarchism, Romanticism and p
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24

Macnamara, Steven. "Martyrdom and masculinity : ideology and masculine identity in the work of Radclyffe Hall." Thesis, University of Nottingham, 2018. http://eprints.nottingham.ac.uk/55425/.

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This thesis explores the depiction of masculinity by one of literature's most famous female masculine writers, Radclyffe Hall. Chapters One and Two discuss two extremes in the reception of Hall's work: one a successful poem, 'The Blind Ploughman' (1913); and the other, The Master of the House (1932), a novel that was a commercial and critical failure for Hall. Both 'The Blind Ploughman' and The Master of the House depict spiritual, sensitive working class men who are different. While these texts are often mentioned in Hall scholarship, they have rarely been discussed individually. Chapter One
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25

Ttoouli, George. "Twentieth century North American serial poetic form & ecological thinking." Thesis, University of Warwick, 2017. http://wrap.warwick.ac.uk/114480/.

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This thesis develops a reflexive methodology to read four North American long form poetic projects: Lorine Niedecker's North Central; Charles Olson's Maximus Poems; Robin Blaser's The Holy Forest; and Susan Howe's Souls of the Labadie Tract. The methodology, 'ecoseriality,' provides a way of reading serial structures in the 'web of life' (Jason W. More). Ecoseriality emerges through two research threads: ecological thinking (Lorraine Code, Dianne Chisholm), an interdisciplinary approach to ecological methodologies, and seriality, an extension of serial poetic form into an interdisciplinary und
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26

Harris, Nicola Joy. "'The means of seeing' : looking at reality in the novels of Thomas Hardy." Thesis, University of Birmingham, 1998. http://etheses.bham.ac.uk//id/eprint/8018/.

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Hardy approached the problem of nineteenth-century realism as an ontological and literary concern largely through images of perception. This thesis suggests that Hardy adopted an innovative approach in an effort to identify the term, and argues that his subversive contribution to the Great Debate occasioned the necessary impetus for the experimental fictions of the twentieth century. In rejecting the orthodox, aesthetic prescriptions established by such authorities as George Eliot and Henry James, it is suggested that Hardy released the Victorian novel from its restricting reliance on ostensib
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27

Ward, Mary Elizabeth. "Forests of thought and fields of perception : landscape and community in Old English poetry." Thesis, University of Birmingham, 2018. http://etheses.bham.ac.uk//id/eprint/8674/.

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Old English poetry is centred on the concept of community and the importance of belonging. Landscape was a component of any community since, during the period when Old English poetry was being composed and written down, the landscape was a far more important constituent of daily life than it is for the majority of people today. Landscape dictated the places that could be settled, as well as the placing of the paths, fords, and bridges that joined them; it controlled boundaries, occupations, and trading routes. In the poetry of the period landscape, as part of the fabric of community, is the ar
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28

Monks, Philip. "The importance of the poetry book in the digital age." Thesis, University of Birmingham, 2018. http://etheses.bham.ac.uk//id/eprint/8128/.

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An examination through the creation and curation of a printed poetry collection, together with other practice-based and wider research, of how far digital technology has influenced contemporary poetry and the status of the poetry book. Personal practice is considered and analysed and, from this, and research leading out from this, a more general survey provided of the impact of digital technology on the poet’s persona, the creation of the poems themselves and on their dissemination. These wider issues, and the practice-based research that underlies them, inform the specific consideration of th
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29

Cho, Dukhee. "Political Shakespeare in Korea : from the early twentieth century to today." Thesis, University of Birmingham, 2028. http://etheses.bham.ac.uk//id/eprint/8574/.

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This thesis examines Korea's reception of Shakespeare from the turn of the twentieth century to the present day, paying specific attention to the significant extent to which this reception has been influenced by the nation's political circumstances. The thesis focuses on Korea's political upheavals, including Japanese colonialism, the Korean War, the division of the country, dictatorship and rapid modernisation and Westernisation, which affected attitudes towards accepting, understanding and adapting Shakespeare and his works. My introduction explores how Korea has made Shakespeare its own, al
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30

Bailach, Teresa. "West Indian theatre : Derek Walcott and the infinite rehearsal." Thesis, University of Warwick, 2005. http://wrap.warwick.ac.uk/103796/.

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This thesis analyses three of Derek Walcott's plays in the light of Wilson Harris's ideas of 'infinite rehearsal' and 'unfinished genesis.' The purpose of this thesis is to explore Walcott's definition of the artist and his relation to society in the context of decolonisation. Throughout the thesis the struggle against nihilism appears as a constant underlying goal that both writers relate to the essence of the Caribbean, as a symbol of survival and regenesis. The first part of the thesis offers a deep analysis of Harrisian concepts of literature and its connection to reality, and an explorati
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31

Campbell, Alexandra. "Archipelagic poetics : ecology in modern Scottish and Irish poetry." Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/9102/.

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This thesis examines a range of poets from Ireland, Northern Ireland and Scotland from the Modernist period to the present day, who take the relationship between humans, poetry and the natural world as a primary point of concern. Through precise, materially attentive engagements with the coastal, littoral, and oceanic dimensions of place, Louis MacNeice, Hugh MacDiarmid, Derek Mahon, Michael Longley, Kathleen Jamie, John Burnside, Moya Cannon, Mary O’Malley and Jen Hadfield, respectively turn towards the vibrant space of the Atlantic archipelago in order to contemplate new modes of relation th
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32

Melville, Nicholas James. "The Imperative Commands : the poetics of imperatives and assertions in everyday life." Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/30624/.

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The Imperative Commands is an interdisciplinary creative writing PhD in two parts: (a) a poem-object of 365 pages, which is an original engagement with found everyday instructional language, reimagined in an experimental/visual format; (b) ‘Appropriate Language,’ a critical and theoretical afterword exploring the inspiration, themes and methods of the poem. The premise of The Imperative Commands is to investigate current institutional and corporate language and appropriate it as poetry. It is a collagistic arrangement of found imperatives and assertions, harvested from the language of state in
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33

Foulds, Alexandra Laura. "Gothic monster fiction and the 'novel-reading disease', 1860-1900." Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/30684/.

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This thesis scrutinises the complex ‘afterlife’ of sensation fiction in the wake of the 1860s and ‘70s, after the end of the period that critics have tended to view as the heyday of literary sensationalism. It identifies and explores the consistent framing of sensation fiction as a pathological ‘style of writing’ by middle-class critics in the periodical press, revealing how such responses were moulded by new and emerging medical research into the nervous system, the cellular structure of the body, and the role played by germs in the transmission of diseases. Envisioned as a disease characteri
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34

Wilkins, Katrina M. "Characterization in Ælfric's Esther : a cognitive stylistic examination." Thesis, University of Nottingham, 2018. http://eprints.nottingham.ac.uk/52051/.

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This thesis examines characterization in Ælfric’s Old English version of the biblical book of Esther, from the perspective of cognitive stylistics. This area of study uses concepts and methods from linguistics in order to better understand both how literature works and how language works. The study investigates explicit characterization cues, discourse presentation, semantic fields, and deixis to illuminate how Ælfric’s careful linguistic choices construct characters that remain true to their biblical exempla, make sense to his Anglo-Saxon audience, and underscore the doctrinal themes of the n
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35

Greig, Pamela L. C. "The "Lay Folks' Catechism" : an edition." Thesis, University of Nottingham, 2018. http://eprints.nottingham.ac.uk/53204/.

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This thesis presents the first critical edition of the Lay Folks’ Catechism using the previously unpublished Oxford, Bodleian MS Don.c.13 as the base text. The list of extant witnesses is revised and includes the newly discovered Chetham Library fragment. The edition presents detailed manuscript descriptions, variants from all 26 witnesses, notes on the text and a comprehensive glossary. The introduction considers the roles of Archbishop Thoresby and the Benedictine John de Gaitrik in commissioning and composing the Catechism, and its sources and orthodoxy are confirmed. Scribal presentation o
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36

Jones, Philip. "Rewriting the Atlantic archipelago : modern British poetry at the coast." Thesis, University of Nottingham, 2018. http://eprints.nottingham.ac.uk/51877/.

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Despite a so-called ‘oceanic turn’, there has been relatively little attention paid to literary representations of the shoreline as a specific material and cultural site. This thesis examines how modern British poets respond to and represent the coastline in their work, with particular emphasis on notions of place and geographic scale. Whilst looking at the use of the archipelago in recent cultural and literary studies of British and Irish writing, this thesis argues for a more refined and complex sense of the archipelagic, one which responds to the needs and demands of an increasingly global
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37

May, Charlotte. "An edition of the selected letters of Samuel Rogers." Thesis, University of Nottingham, 2017. http://eprints.nottingham.ac.uk/45856/.

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This thesis offers an edition of the selected letters of the poet Samuel Rogers (1763-1855). Rogers was a member of extensive social networks in the late eighteenth and early to mid- nineteenth centuries. The Introduction looks at how the study of correspondence reveals the author to be an individual actively engaged in sociability. The content of a letter, its intended recipient, and the format of the letter itself, reveals the intricacies of the cultivation of sociability. The letter fulfils four crucial functions: to inform the recipient, thank them, ask a request of them, and create future
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38

Marlatt, Cameo Rae-Ann. "Letters for a Newfoundland Dog and other encounters with nonhuman animals ; Bird's Work." Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/30584/.

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This project encompasses a collection of lyric essays and a collection of poetry engaging with the topic of zoopoetics, which as a field is interested in the way that attentiveness to the poiesis of nonhuman animals can shape human creative forms. The lyric essays, which form my critical component, are each centered on what Donna Haraway would refer to as a ‘companion species,’ a term that extends beyond companion animals such as pets to include any animals we share our lives with. Looking at frogs, dogs, whales, cats, bats, and parrots, I explore my personal history with specific animals of t
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39

Xu, Xiaofan. "A poet's country : landscape and nationhood in T.S. Eliot's post-conversion poetry and politics." Thesis, University of Nottingham, 2018. http://eprints.nottingham.ac.uk/49120/.

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The thesis contributes to the knowledge on modernist national identity in the transnational context, with a primary focus on the agency of the rural landscape in the identity-making process. It engages with the post-conversion works of T. S. Eliot, investigates his ruralism in relation to the metropolitan and cosmopolitan aspects of modernism, and situates it within the context of late modernism where an idealised representation of rurality is exploited by various ideologies including fascism and imperialism. By drawing upon insights from transnational modernism and latest theoretical advances
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40

Shirley, Victoria. "The Galfridian tradition(s) in England, Scotland, and Wales : texts, purpose, context, 1138-1530." Thesis, Cardiff University, 2017. http://orca.cf.ac.uk/110303/.

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This thesis examines the responses to and rewritings of the Historia regum Britanniae in England, Scotland, and Wales between 1138 and 1530, and argues that the continued production of the text was directly related to the erasure of its author, Geoffrey of Monmouth. In contrast to earlier studies, which focus on single national or linguistic traditions, this thesis analyses different translations and adaptations of the Historia in a comparative methodology that demonstrates the connections, contrasts and continuities between the various national traditions. Chapter One assesses Geoffrey’s repu
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41

Tyrrell, Thomas. "Remapping Milton : space, place and influence, 1700-1800." Thesis, Cardiff University, 2017. http://orca.cf.ac.uk/111233/.

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In my examination of the influence of John Milton’s poetry on eighteenth century literature, I argue that eighteenth-century writers engage with ideas of space and place as they seek to transform Miltonic verse into a suitable medium for describing the Newtonian astronomy and imperial geography of their day. My first chapter examines John Philips’s Cyder and John Dyer’s The Fleece alongside county maps and commercial atlases, as part of a study of how their verse appropriates Milton’s politics and revises his geography. In my second chapter, I use digital mapping technology to explore the diff
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42

Garcia, Rangel Sherezade. "The Wounded Me : a novel and critical essay on Hugo Simberg's oeuvre and the literary engagement with his painting The Wounded Angel." Thesis, University of Glasgow, 2016. http://theses.gla.ac.uk/7355/.

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43

Mastropierro, Lorenzo. "Corpus stylistics and translation studies : a corpus-assisted study of Joseph Conrad's 'Heart of Darkness' and its Italian translations." Thesis, University of Nottingham, 2016. http://eprints.nottingham.ac.uk/33678/.

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This thesis carries out a corpus stylistic study of Joseph Conrad’s Heart of Darkness and four of its Italian translations. It investigates the role of textual patterns as building blocks of the fictional world and triggers of literary themes. It also investigates the effects of translation on the relation between textual patterns and the fictional world, and discusses the potential consequences of translational alterations on the text’s themes. Heart of Darkness is a complex and multifaceted text that deals with a multitude of themes and has been interpreted in many different ways. By offerin
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44

Sun, Shuo. "The reception of Jane Austen in China." Thesis, University of Nottingham, 2016. http://eprints.nottingham.ac.uk/38499/.

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In China, Jane Austen is today widely acknowledged as one of the greatest English writers. Yet her literary reputation has altered greatly since her works were first introduced to Chinese readers in the early decades of the twentieth century. This thesis will examine and explain the major changes in the Chinese reception of Austen in light of the political, social, and cultural upheavals experienced by the country over the last century. The introduction will provide a historical overview of Chinese translation and criticism of Austen’s novels. During the first half of the twentieth century, Au
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45

Barker, Anna. "Green fiction : ecocriticism of the contemporary novel." Thesis, University of Huddersfield, 2016. http://eprints.hud.ac.uk/id/eprint/32673/.

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46

Taylor-Brown, Emilie. "Miasmas, mosquitoes, and microscopes : parasitology and the British literary imagination, 1885-1935." Thesis, University of Warwick, 2016. http://wrap.warwick.ac.uk/84851/.

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This thesis explores the complex and multi-form exchanges between parasitology and the British literary imagination in the period 1885 to 1935. This fifty-year period, which takes the institutionalisation of parasitology as its mid-point, was a significant cultural moment, witnessing the diversification of medicine into research specialisms. In the case of parasitology, this increasing specialisation was accompanied, seemingly paradoxically, by what we would now call interdisciplinarity. Parasitologists consciously engaged with literary myths of nationhood in order to garner widespread support
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47

Armstrong, Catherine. "Representations of North American 'place' and 'potential' in English travel literature, 1607-1660." Thesis, University of Warwick, 2004. http://wrap.warwick.ac.uk/2628/.

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This thesis analyses the representations of North America in English travel narratives between the years 1607-1660. Texts in both print and manuscript format are examined to discover how authors described the geography, climate, landscape, flora and fauna of America, as well as the settlements established there by the English. The thesis is mostly concerned with literature concerning Virginia and New England, although the settlements of Newfoundland, Maine and Maryland are also briefly mentioned. The first chapter describes the methodology of the thesis and locates its place alongside the exis
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48

Muto, Hiroshi. "The 'disembodied voice' in fin-de-siècle British literature : its genealogy and significances." Thesis, University of Warwick, 2001. http://wrap.warwick.ac.uk/3938/.

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A particular kind of voice recurs in fin-de-siècle British literature. It is a voice without a human body, a voice whose source is either invisible or non-human. This study explores the historical factors underlying the literary representation of such a voice. Chapter 1 examines Arthur Symons' phrase, 'the disembodied voice of a human soul,' and sets up the context for the subsequent discussion by teasing out the four major implications of the fin-de-siècle disembodied voice: the socio-political, the aesthetico-linguistic, the techno-scientific, and the sexual-somatic. Chapter 2 first outlines
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49

Salvey, Courtney. "Mechanism and meaning : British natural theology and the literature of technology, 1820-1840." Thesis, University of Kent, 2014. https://kar.kent.ac.uk/47605/.

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As Carlyle recognized—and Arnold deplored—the nineteenth century was the ‘Age of Machinery’. Increasingly ubiquitous physical things, machines were also increasingly important cultural objects. In this project, I track how the meanings of machines were constructed by an emergent ‘literature of technology’ and ask what cultural work those meanings accomplished. From popular expositions of steam engines to mechanics textbooks to industrial travel narratives to histories of technology, the material, literary, and generic forms of these texts constructed the ‘machine’ as an intelligible object of
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50

Routledge, Amy. "'Dress and undress thy soul' : nakedness and theology in early modern literature and culture." Thesis, University of Birmingham, 2014. http://etheses.bham.ac.uk//id/eprint/5536/.

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This thesis examines how concepts and images of nakedness are used to shape literary and theological meaning and experience within the literature and culture of early modern England. It considers how nakedness functions within a number of key literary and spiritual forms, including theological treatises, the spiritual allegory, religious lyrics, and drama. The first three chapters establish the rich cultural and spiritual heritage of nakedness, through an examination of the Bible, the works of Martin Luther and John Calvin, Anglican Church practice and debate, and anatomical texts and practice
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