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Artículos de revistas sobre el tema "Prehistoric peoples in art"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 28 de julio de 2025

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1

McGhee, Robert. "PREHISTORIC ARCTIC PEOPLES AND THEIR ART." American Review of Canadian Studies 17, no. 1 (1987): 5–14. http://dx.doi.org/10.1080/02722018709480971.

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2

Srisuchat, Amara. "Rock art in Thailand: A legacy." Sarawak Museum Journal LXXI, no. 92 (2013): 81–104. http://dx.doi.org/10.61507/smj22-2013-rt19-04.

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This paper discusses some significant points on rock art of the prehistoric period in Thailand beginning with how local folk tales influence local people’s perception of rock art which differs from that proposed by scholars, followed by archaeological visits to rock art sites, artworks on the rock walls of the prehistoric artists, the past information from rock art and the present condition of rock art sites and the challenges of preservation. Though non-scientific learning of local people on rock art prior to academic inventory rock art sites of archaeologists, the results of the archaeologic

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3

Baraliu, Sedat, and Ilir Hivzi Muharremi. "Geometric prehistoric motifs in the mural art of Kosovo." Street Art & Urban Creativity 9, no. 2 (2023): 38–45. https://doi.org/10.25765/sauc.v9i2.746.

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This paper addresses prehistoric murals content in the Balkans with special emphasis those in the territory of Kosovo. In Kosovo, murals are located in town of Ferizaj. The dominant figures in this mural are: the Goddess sitting on the Throne, Urns, anthropomorphic masks of the Neolithic period, geometric shapes in vases and various objects, e. The authors have made an interweaving between the figures and the compositional alignment, while the colors are completely independent of the figures. The purpose is to show the importance of prehistory as inspiration for modern artists. The murals that

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4

de Quirós, F. H. Bernaldo. "Reflections on the Art of the Cave of Altamira." Proceedings of the Prehistoric Society 57, no. 01 (1991): 81–90. http://dx.doi.org/10.1017/s0079497x00004898.

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Discovery of the cave of Altamira in 1879 introduced a new aspect to ideas on human evolution, requiring a fresh approach to previous notions of life and customs among prehistoric groups. In the final years of the 19th century the prevailing view of prehistoric life was still coloured by the prejudice and concepts which had marked early discussion on the origin of man. From what was known of their tools and art forms, early men were presented as living in simple communities which were considered equivalent to the ‘primitive peoples’ being described, often with a Euro-centric superiority, by co

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5

Nenakhova, Yuliya N. "Siberian Scientific School of Prehistoric Art Founded by Academician A. P. Okladnikov." Archaeology and Ethnography 18, no. 7 (2019): 19–41. http://dx.doi.org/10.25205/1818-7919-2019-18-7-19-41.

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Purpose. One of the most important research areas studied by A. P. Okladnikov was prehistoric art, in particular its origin and correlation with the concept of “aesthetic beginning”, as well as issues of ancient art development and a number of other related aspects. Siberian scientific school of prehistoric art founded by academician A. P. Okladnikov has already made a significant contribution to the study of prehistoric art on a worldwide scale. Results. A. P. Okladnilov’s scientific interest in prehistoric art issues formed at the beginning of the 1960s, when he moved to Akademgorodok in Nov

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6

Bradley, Richard. "Rock Art and the Perception of Landscape." Cambridge Archaeological Journal 1, no. 1 (1991): 77–101. http://dx.doi.org/10.1017/s0959774300000263.

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Studies of the prehistoric landscape are best suited to the analysis of sedentary communities with enclosed resources. Studies of prehistoric art show different limitations, especially an excessive subjectivity. This paper attempts to bring these areas of research together by considering the changing content of rock art in relation to topography, the movement of people in the cultural landscape, and the operation of specialized kinds of monument. The characteristic designs found in the open air are analyzed in terms of their organization and visual impact, and the results of this pilot study a

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7

Menu, Michel. "Cave Paintings: Structure and Analysis." MRS Bulletin 21, no. 12 (1996): 48–53. http://dx.doi.org/10.1557/s0883769400032115.

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Prehistoric art is the oldest manifestation of the human desire to record the religion, myths, and spirituality of prehistoric people. The purpose of this article is by no means to propose an interpretation of this artistic expression but to carry out, within a multidisciplinary approach, research aimed at rediscovering the technical system by which the walls of the prehistoric caves were decorated.

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8

Gedo, John E. "Art Alone Endures." Journal of the American Psychoanalytic Association 40, no. 2 (1992): 501–16. http://dx.doi.org/10.1177/000306519204000209.

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Sigmund Freud, a passionate collector of antiquities, often treated these objects as animate beings. He described such blurring of boundaries between persons and things in the protagonist of W. Jensen's novella, Gradiva. Freud began collecting when his father died, but his unusual attitude toward artefacts was established much earlier, presumably as a consequence of repeated early disappointments in human caretakers. It is postulated that this adaptive maneuver was not simply a displacement of love and hate, but a turning away from vulnerability in relationships, toward attachments over which

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9

Gortner, Willis A. "Bear Paw Petroglyphs and the Prehistoric Martis Complex." North American Archaeologist 15, no. 1 (1994): 69–76. http://dx.doi.org/10.2190/ccku-c0d5-x36f-ev80.

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People of the Martis Complex occupied lands adjoining the north-central Sierra Nevada from approximately 2000 B.C. to 500 A.D. They left their rock art on 100 or more rock outcroppings. The appearance of glyphs clearly resembling a bear paw or bear track at several dozen petroglyph sites suggested that this symbol in the north-central Sierra Nevada might be unique to the Martis people. A review of the occurrence of bear paw glyphs at ninety nine recorded sites in Nevada and 265 petroglyph sites in California showed that none of these glyphs appeared at the 293 sites more than 90 km from Martis

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10

Mishra, Nitesh Kumar, Anshu Mala Tirkey, and Baleswar Kumar Besra. "The Cultural Study of Tribes and Prehistoric Rock Paintings of Simdega District." Journal of Ravishankar University (PART-A) 26, no. 1 (2021): 39–48. http://dx.doi.org/10.52228/jrua.2020-26-1-7.

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This research paper will mainly consist of the unreported Neolithic site and rock art sites of Simdega district. In this paper there will be the detailed information about the rock paintings. The detailed study will be done of the various figures of the paintings. This paper will also describe the associated remains found along with the rock paintings. The research paper also consists of the developing phase of the rock art which can be seen in the tribal communities. Paper will also consist of the study of saddle quern, its various uses and how it is related to the tribal community. There wil

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11

Alvarez-Morales, Lidia, Neemias Santos da Rosa, Daniel Benítez-Aragón, Laura Fernández Macías, María Lazarich, and Margarita Díaz-Andreu. "The Bacinete Main Shelter: A Prehistoric Theatre?" Acoustics 5, no. 1 (2023): 299–319. http://dx.doi.org/10.3390/acoustics5010018.

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In the last few years, archaeoacoustic studies of rock art sites and landscapes have undergone significant growth as a result of renewed interest in the intangible aspects of the archaeological record. This article focuses on the acoustic study carried out in the rock art complex of Bacinete, Cádiz (Spain). After describing the archaeological site and its importance, a representative set of monaural and spatial IRs gathered onsite is thoroughly analysed to explore the hypothesis that the sonic component of the site played an important role in how prehistoric people interacted with it. Addition

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12

Mytum, Harold. "Materiality and memory: an archaeological perspective on the popular adoption of linear time in Britain." Antiquity 81, no. 312 (2007): 381–96. http://dx.doi.org/10.1017/s0003598x00095259.

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Archaeologists increasingly realise that prehistoric peoples had their own ideas about time. The concept of linear, measurable time emerged in learned Europe largely in the first millennium. Here the author tracks how, with the broadening of literacy in sixteenth-century Britain, dates start appearing on numerous items of popular culture. The dated objects in turn feed back into the way that people of all social levels began to see themselves and their place in history.

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13

Broughton, Jack M. "Widening diet breadth, declining foraging efficiency, and prehistoric harvest pressure: ichthyofaunal evidence from the Emeryville Shellmound, California." Antiquity 71, no. 274 (1997): 845–62. http://dx.doi.org/10.1017/s0003598x0008577x.

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The Emeryville Shellmound is a famous but now destroyed midden once located on the east shore of San Francisco Bay. Analyses of the fish remains from the stratified late Holocene deposits indicate that prehistoric peoples had substantial impacts on the sturgeon populations of the Bay. This calls into question the commonly held belief that native peoples lived in harmony with nature and has important implications for the management of modern vertebrate populations.

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14

Watson, Aaron, and David Keating. "Architecture and sound: an acoustic analysis of megalithic monuments in prehistoric Britain." Antiquity 73, no. 280 (1999): 325–36. http://dx.doi.org/10.1017/s0003598x00088281.

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Prehistoric monuments in Britain are often dominant features in the landscape, and archaeological theory has tended to consider the visual and spatial influences of their architecture upon peoples' movement and perception. The articulation of sound within these structures has not been widely discussed, despite evidence which suggests that many monuments provided settings for gatherings of people. This possibility was explored at two contrasting sites in Scotland, a recumbent stone circle and a passage-grave, revealing that the elemental acoustic properties inherent in each may have literally o

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15

Smith, Craig S., and Lance M. McNees. "Facilities and Hunter-Gatherer Long-Term Land Use Patterns: An Example from Southwest Wyoming." American Antiquity 64, no. 1 (1999): 117–36. http://dx.doi.org/10.2307/2694349.

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To fully understand prehistoric land use patterns, we must define how prehistoric peoples used particular places on the landscape over longer periods of time. Factors influencing the multi-year use of particular places include human modifications to the landscape as a result of previous occupations. The construction of relatively elaborate and costly facilities for anticipated reuse is one type of modification associated with the repeated occupation of specific locations. Slab-lined cylindrical basins of southwest Wyoming are an example of that type of facility. The archaeological evidence ind

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16

Sumantri, Dirga Imam Gozali, Dicky A. S. Soeria Atmadja, and Pindi Setiawan. "Sangkulirang Mangkalihat: The Earliest Prehistoric Rock-Art in the World." Proceedings of the ICA 1 (May 16, 2018): 1–5. http://dx.doi.org/10.5194/ica-proc-1-108-2018.

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Borneo island, a part of Sundaland &amp;ndash; a great mainland in South East Asia thousands of years ago &amp;ndash; is the largest island in Indonesian Archipelago. In the middle-eastern of East Borneo, lies a peninsula karst region named Sangkulirang Mangkalihat. The region’s biodiversity contains many species of flora and fauna which are part of karst ecosystem.<br> Surprisingly, thousands prehistoric rock art paintings and engraving were found here, spread over 48 inland caves in seven different karst mountain areas. The rock arts are painted on the ceiling, wall, and hollow

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17

Bradley, Richard, Jan Harding, and Margaret Mathews. "The Siting of Prehistoric Rock Art in Galloway, South-west Scotland." Proceedings of the Prehistoric Society 59 (1993): 269–83. http://dx.doi.org/10.1017/s0079497x00003819.

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The interpretation of prehistoric rock art has posed some intractable problems, but recent studies have sought to integrate it within a more broadly based landscape archaeology. They emphasise the special character of this material, not only as a system of distinctive motifs, but also as a source of information employed by people engaged in a mobile pattern of settlement. This paper investigates the character of the rock art of south-west Scotland, comparing the positions of the petroglyphs with two series of control samples in the surrounding landscape. The carvings seem to have been situated

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18

Boyd, Carolyn E., Francisco Marcos Marín, Christopher Goodmaster, Angel Johnson, Amanda Castaneda, and Benjamin Dwyer. "Digital Documentation and the Archaeology of the Lower Pecos Canyonlands." Virtual Archaeology Review 3, no. 5 (2012): 98. http://dx.doi.org/10.4995/var.2012.4535.

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<p>The Lower Pecos Canyonlands of southwest Texas and northern Mexico house some of the most complex and compositionally intricate prehistoric rock art in the world. Because of the unique nature and the incomparable richness of this cultural legacy, it is imperative to create a permanent visual, auditory and textual archive for present and future generations and to promote preservation of this resource through education. SHUMLA’s Lower Pecos Rock Art Recording and Preservation Project is meeting this need through digital documentation of rock art sites, creation of a digital library to a

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19

Jiaxin, Zhang. "Austronesian Culture of Wanshan in Taiwan: An Ethno-Rock Art Research." Boletín APAR 9, no. 27 (2022): 1321–35. https://doi.org/10.70748/ba.27.2022.170.

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The research paper is focused on the rock art and its Ethno-rock art evidence in the region of Wanshan of Taiwan. This paper is based on the ethnological materials, archaeological site and Austronesian culture trait enhancements to corroborate the interpretation of Wanshan Rock Art. Wanshan Rock Art site is the only rock art site found in Taiwan. It is located in the southwest of the Central Mountain Range in Taiwan. It is a traditional hunting area for the Rukai people. The remains of cultural relics and physical images unearthed near the site of Wanshan Rock Art site are consistent with the

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20

Wilcox, David R. ": Exploring the Hohokam: Prehistoric Desert Peoples of the American Southwest . George J. Gumerman." American Anthropologist 94, no. 3 (1992): 754–55. http://dx.doi.org/10.1525/aa.1992.94.3.02a00700.

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21

Steiner, Iza. "First Light on Archaic Petroglyphs in East-Central Utah as Solstice Markers." Journal of Skyscape Archaeology 10, no. 2 (2025): 223–57. https://doi.org/10.1558/jsa.25533.

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This research questions whether nomadic hunter-gatherers in prehistoric North America tracked solstices via their observations of visual horizons from rock art sites in east-central Utah. This area was inhabited by hunter-gatherers throughout prehistory, with dateable evidence of fully sedentary agriculturalists of Ancestral Puebloan and/or Fremont culture present only for between 900 and 1150 AD. This relatively brief use of the area by agriculturalists serves as a timestamp in rock art palimpsests to identify older, repatinated images made by hunter-gatherers during the earlier Archaic perio

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22

Solfeldt, Erik, and Anna Naglaya. "Rethinking Representation and Animation." Current Swedish Archaeology 32, no. 1 (2025): 135–58. https://doi.org/10.37718/csa.2024.07.

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Archaeological interpretations of prehistoric humanoid figurines, made and used by the hunter-gatherers of the Stone Ages, have traditionally relied on Western concepts of hylomorphism and iconology. Consequently, these figurines are depicted as finished and static objects of art, often separated from their archaeological contexts. Analysis of these figurines has been focused on identifying what they represent, rather than considering what they do or how people used them. This paper draws on new animism and Indigenous knowledge, combined with visual ethnographic analysis to create a visual eth

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23

Keenan, Jeremy. "The theft of Saharan rock-art." Antiquity 74, no. 284 (2000): 287–88. http://dx.doi.org/10.1017/s0003598x00059287.

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'The Greatest Museum of Prehistoric Art in the whole World'. Such was the description Henri Lhote gave to the rock paintings of the Tassili-n- Ajjer , the massif (a designated World Heritage Site) that lies to the northeast of Ahaggar in the Algerian Central Sahara. His expedition spent 16 months in the Tassili in 1956-7 making 'discovery after discovery' and copying 'hundreds upon hundreds of painted walls'. Lhote's work is now recognized for its denigration of almost all and sundry. He likened the local people, the Tuareg, who made many of his 'discoveries', to wolves and living by the laws

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24

Claassen, Cheryl. "Shellfishing Seasons in the Prehistoric Southeastern United States." American Antiquity 51, no. 1 (1986): 21–37. http://dx.doi.org/10.2307/280391.

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Shellfish seasonality studies are summarized in this article, which presents the results of analysis at 94 sites in nine southeastern states. All but six of the sites are middens or shell lenses composed of marine or brackish water species (M. mercenaria, R. cuneata, D. variabilis). Shells in those sites along the Atlantic coast were collected from fall to early spring, while shells in sites on the Gulf coast were collected during early spring to summer. Freshwater shellfish middens in four states have been investigated and consistently indicated collection during warm weather. The uniformity

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25

Solometo, Julie, and Joshua Moss. "Picturing the Past: Gender inNational GeographicReconstructions of Prehistoric Life." American Antiquity 78, no. 1 (2013): 123–46. http://dx.doi.org/10.7183/0002-7316.78.1.123.

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AbstractArtistic reconstructions of ancient life are powerful blends of archaeological interpretation and imagination. Like other narratives about the past, they can project contemporary gender roles and relations on ancient peoples, and can reinforce or transform ideas about gender in the present. This article examines the construction of gender ideologies inNational Geographicillustrations of prehistoric life. Our analysis of 204 pictorial reconstructions from 1936 to 2007 reveals that women and women’s work are significantly underrepresented and undervalued, while exhibiting evidence of tem

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26

Chlewicka, Barbara. "Sacrum and Magic in Prehistoric Healing Practices, in the Folk Medicine of the Oldest European Tribes, and in the Medicine of Ancient Civilizations." Biuletyn Głównej Biblioteki Lekarskiej 56, no. 380 (2023): 29–54. https://doi.org/10.2478/bgbl-2023-0002.

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Summary The article describes the earliest forms of healing practices, typical for primitive peoples and ancient cultures: Celtic, Scythian, and Proto-Slavic. It justifies the thesis of the omnipresence of magic and sacredness in these practices, illustrating this fact with selected examples. It describes the phenomenon of shamanism (the institution of a shaman) as common and characteristic of these cultural formations. It also presents selected figures from the pantheon of deities belonging to their mythologies, who patronized the art of healing and recovery, as well as those who inflicted di

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27

Xie, Liye, Steven L. Kuhn, Guoping Sun, et al. "Labor Costs for Prehistoric Earthwork Construction: Experimental and Archaeological Insights from the Lower Yangzi Basin, China." American Antiquity 80, no. 1 (2015): 67–88. http://dx.doi.org/10.7183/0002-7316.79.4.67.

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AbstractThis paper examines choices of earth-working tools made by Neolithic Chinese populations. In the Hemudu Culture (7000–5000 B.P.), bone (scapula) digging tools were used from the earliest times, whereas peoples in surrounding areas used stone spades. A range of experiments on manufacturing costs, durability, and use efficiency under realistic conditions show that bone and stone spades are functionally equivalent when soils are soft, but that stone implements provide significant and easily perceived advantages when working harder soils. The persistence of scapular spades in the Hemudu Cu

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28

Porcasi, Judith F., and Harumi Fujita. "The Dolphin Hunters: A Specialized Prehistoric Maritime Adaptation in the Southern California Channel Islands and Baja California." American Antiquity 65, no. 3 (2000): 543–66. http://dx.doi.org/10.2307/2694535.

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Synthesis of faunal collections from several archaeological sites on the three southernmost California Channel Islands and one in the Cape Region of Baja California reveals a distinctive maritime adaptation more heavily reliant on the capture of pelagic dolphins than on near-shore pinnipeds. Previous reports from other Southern California coastal sites suggest that dolphin hunting may have occurred there but to a lesser extent. While these findings may represent localized adaptations to special conditions on these islands and the Cape Region, they call for reassessment of the conventionally he

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29

Karimova, Ruxshona, and Marjona Normatova. "KOREA INFORMATION -CULTURE AND THE ARTS." CONFERENCE OF NATURAL AND APPLIED SCIENCES IN SCIENTIFIC INNOVATIVE RESEARCH 1, no. 2 (2024): 121–24. https://doi.org/10.5281/zenodo.10699722.

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Since the earliest settlements during prehistoric times, the people of Korea have developed a unique culture based on their outstanding artistic sensibility. The geographical conditions of the peninsula provided Koreans with opportunities to receive both continental and maritime cultures and ample resources, thereby forming original cultures of interest to and value for the rest of humanity, both then and now. Korea’s vibrant cultural legacy, comprising music, art, literature, dance, architecture, clothing, and cuisine, offers a delightful combination of tradition and modernity

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30

Mattingly, David, Marta Lahr, Simon Armitage, et al. "Desert Migrations: people, environment and culture in the Libyan Sahara." Libyan Studies 38 (2007): 115–56. http://dx.doi.org/10.1017/s0263718900004283.

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AbstractThe Desert Migrations Project is a new interdisciplinary and multi-dimensional collaborative project between the Society for Libyan Studies and the Department of Antiquities. The geographical focus of the study is the Fazzan region of southwest Libya and in thematic terms we aim to address the theme of migration in the broadest sense, encompassing the movement of people, ideas/knowledge and material culture into and out of Fazzan, along with evidence of shifting climatic and ecological boundaries over time. The report describes the principal sub-strands of the project's first season in

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31

Sadasivuni, Krishna Rao, and Lucas Temu Emanuel. "Prehistoric Petroglyphs of Heritage from Ukaguru Forest Savanna in the Central Tanzania: Preliminary Survey." Social Science and Human Research Bulletin 02, no. 03 (2025): 80–88. https://doi.org/10.5281/zenodo.15063222.

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Our preliminary archaeological field research survey in the study area which is located in the Ukaguru forest in the the Ukaguru Mountains has yielded rock art engravings (petroglyphs). The area receives heavy rainfall and experiences cool climate and so found suitable for the production of plantains, vegetables, millet and paddy. We conducted reconnaissance and transect survey in this locality that was not previously explored. In the survey four big rocks with cupules and concentric circles were identified in the Ukaguru Valley. Few engravings have oval and “uterus-like” designs s

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32

Ali Kalhoro, Zulfi qar. "Cupules in Khirthar, Sindh (Pakistan)." Boletín APAR 5, no. 17-18 (2013): 805–11. https://doi.org/10.70748/ba.17-18.2013.293.

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Cup-marks or cupules are found in every continent except Antarctica. Cupules are the earliest prehistoric rock art and were produced in all three eras —of Stone Age— Palaeolithic, Mesolithic, Neolithic as well as in historical times. They are also found in the Indian Sub-continent. Therefore, the present paper deals with cupules in Khirthar region of Sindh. Khirthar is the major mountain range in Sindh which separates it from Balochistan in the west. There are many valleys in Khirthar range where people still live. The majority of the people in the valleys of Khirthar are engaged in pastoralis

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33

von Czerniewicz, Maya, Tilman Lenssen-Erz, and Jörg Linstädter. "PRELIMINARY INVESTIGATIONS IN THE DJEBEL UWEINAT REGION, LIBYAN DESERT." Journal of African Archaeology 2, no. 1 (2004): 81–96. http://dx.doi.org/10.3213/1612-1651-10020.

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Over the last hundred years the Djebel Uweinat was the objective of several expeditions, most of them being driven by the intention to find new rock art sites. These explorers mostly stayed at the base of the mountain where the majority of the currently known rock art sites were found. During their two recent visits, the members of the ACACIA team focused their interest on the upper part of the Uweinat and on its smaller, mostly neglected neighbouring mountain, the Djebel Arkenu. In the upper part of the Djebel Uweinat artefacts and some stone arrangements were found. While no rock art sites w

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34

Lentfer, Carol J., Matthew W. Felgate, Robynne A. Mills, and Jim Specht. "Human history and palaeoenvironmental change at Site 17, Freshwater Beach, Lizard Island, northeast Queensland, Australia." Queensland Archaeological Research 16 (February 12, 2013): 141. http://dx.doi.org/10.25120/qar.16.2013.227.

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Late Holocene patterns of change in occupation and use of islands along the eastern coast of Queensland have long been debated in terms of various drivers, though much of this discussion relates to regions south of Cairns, with comparatively little study of the far northern Great Barrier Reef islands. The numerous middens, stone arrangements and art sites on Lizard Island suggest long-term use by Indigenous people, but recent discoveries of pottery give tantalising glimpses of a prehistoric past that may have included a prehistoric economy involving pottery. Here we review previous archaeologi

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35

BRIOLA, DANIELA, VIVIANA MASCARDI, and MASSIMILIANO GIOSEFFI. "OntoScene, A Logic-Based Scene Interpreter: Implementation and Application in the Rock Art Domain." Theory and Practice of Logic Programming 20, no. 4 (2020): 456–511. http://dx.doi.org/10.1017/s1471068419000462.

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AbstractWe present OntoScene, a framework aimed at understanding the semantics of visual scenes starting from the semantics of their elements and the spatial relations holding between them. OntoScene exploits ontologies for representing knowledge and Prolog for specifying the interpretation rules that domain experts may adopt, and for implementing the SceneInterpreter engine. Ontologies allow the designer to formalize the domain in a reusable way and make the system modular and interoperable with existing multiagent systems, while Prolog provides a solid basis to define complex rules of interp

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36

Lewis-Williams, J. D. "Wrestling with Analogy: A Methodological Dilemma in Upper Palaeolithic Art Research." Proceedings of the Prehistoric Society 57, no. 01 (1991): 149–62. http://dx.doi.org/10.1017/s0079497x00004941.

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In 1902 Emile Cartailhac published hisMea Culpa d'un Sceptique. His acceptance of the high antiquity of prehistoric art in western Europe followed Capitan and Breuil's convincing discoveries in Font de Gaume and Les Combarelles and reflected a widespread change of opinion. Despite previous scepticism, researchers were beginning to allow that the parietal as well as the mobile art did indeed date back to the Upper Palaeolithic. But this swing in scientific opinion opened up an even more baffling problem: why did Upper Palaeolithic people make these pictures? In the year following Cartailhac's t

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37

Lillios, Katina T. "Mobility and Alterity in Iberian Late Prehistoric Archaeology: Current Research on the Neolithic–Early Bronze Age (6000–1500 BCE)." Annual Review of Anthropology 49, no. 1 (2020): 49–65. http://dx.doi.org/10.1146/annurev-anthro-010220-042345.

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Archaeological investigations of late prehistoric Iberia between the Neolithic and Bronze Age (6000–1500 BCE) have long been a battleground between indigenist and exogenous models, and understandings of mobility and alterity have played an important role in these debates. Prior to the development of radiocarbon dating, key cultural transformations, such as megaliths, copper metallurgy, fortified hilltop settlements, and Beakers, were generally associated with nonlocal peoples, migrants, or colonizers. With the incorporation of radiocarbon dating to Iberian archaeological contexts in the 1980s

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Barker, Graeme. "Regional archaeological projects." Archaeological Dialogues 3, no. 2 (1996): 160–75. http://dx.doi.org/10.1017/s138020380000074x.

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Explicitly regional projects have been a comparatively recent phenomenon in Mediterranean archaeology. Classical archaeology is by far the strongest discipline in the university, museum and antiquities services career structures within the Mediterranean countries. It has always been dominated by the ‘Great Tradition’ of classical art and architecture: even today, a university course on ‘ancient topography’ in many departments of classical archaeology will usually deal predominantly with the layout of the major imperial cities and the details of their monumental architecture. The strength of th

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Klein, A. Norman. "Toward a new understanding of Akan origins." Africa 66, no. 2 (1996): 248–73. http://dx.doi.org/10.2307/1161318.

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AbstractRecent evidence from archaeology and human population biology indicates two major demographic periods in the prehistoric and early historical settlement of the forest of southern Ghana. The earlier period began during the early part of the Common Era. The greatest material problem confronting early forest populations in West Africa was the need to counteract extraordinarily high rates of infant and childhood mortality and adult morbidity. This demographic drain resulted from the new disease ecologies—the relationship between the pathogens, notably malaria, their hosts and their mutual

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40

Mandal, Barun. "Visual Rhetoric on Rock During Mesolithic Period at Chintakunta, Kadapa, Andhra Pradesh, India." International Journal of Language, Literature and Culture 2, no. 5 (2022): 1–7. http://dx.doi.org/10.22161/ijllc.2.5.1.

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Following the present to make a better future, there are areas to understand about human settlement in aforementioned, which provides the information about food, shelter, dress, culture, lifestyle, and the relation between human and animal. Moreover, the providers are available in contemporary times which carry the history like- cave paintings, rock paintings, sculptures from ancient civilizations, pots, etc. Human habitations in India had been evaluated by humans from nowhere to somewhere dated back to 10000 BC - 8000 BC, where communication was needed initially, and food, cloth, and language

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41

Katyal, Megha. "Wandering Minds: An Artistic and Scientific Exploration of Attention and Consciousness." International Journal for Research in Applied Science and Engineering Technology 13, no. 7 (2025): 198–203. https://doi.org/10.22214/ijraset.2025.72929.

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The relation between art and science is not new. It dates back to prehistoric era. The paper attempts to explore the relation between art and science and tries to look at one of the important phenomena of science i.e. Mind –Wandering from an artistic point of view. Mind-wandering is a very banal activity of human mind. It tends to occur during driving, reading and in other activities where vigilance is low. In these situations, people do not remember what happened in the surrounding environment as they are pre-occupied with their thoughts. Hence, the attention decouples from the external envir

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42

Copetti, Luana. "The Influence of Technology on Contemporary Aesthetic Standards." International Journal of Research and Scientific Innovation XI, no. X (2024): 483–91. http://dx.doi.org/10.51244/ijrsi.2024.1110039.

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Throughout time, as a result of literacy and the need to communicate, communication has been present since prehistoric times through cave art and pictorial representations. Human beings have always had this need for sociability. The media is part of this process, being an integral part of everyday life and the social lives of most people, especially through social networks. It influences how we live, what we buy, and how we act, pushing us to follow trends or emulate influencers, all in pursuit of a specific form of happiness, which, in reality, is unattainable. The problem arises when part of

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43

GRYTSENKO, L., and T. SAIENKO. "STUDY OF TRADITIONS OF FOLK ART OF UKRAINE IN EXTRACURRICULAR EDUCATION INSTITUTIONS." Pedagogical Sciences, no. 79 (September 19, 2022): 129–34. http://dx.doi.org/10.33989/2524-2474.2022.79.264671.

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The article analyzes the process of studying the traditions of folk art of Ukraine in out-of-school education institutions.It is noted that the formation of national identity in the younger generation is of great importance. This can be done in several ways, including by joining students to a national culture whose branches are folk art and its traditions. At the same time, folk art is a historical phenomenon. It is based on prehistoric times, which reflect the diverse needs of people, replenish the material and spiritual treasure of the Ukrainian people. Perhaps the most important folk tradit

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Barlow, K. Renee. "Predicting Maize Agriculture among the Fremont: An Economic Comparison of Farming and Foraging in the American Southwest." American Antiquity 67, no. 1 (2002): 65–88. http://dx.doi.org/10.2307/2694877.

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Variation in the costs and benefits of maize agriculture relative to local foraging opportunities structured variation in the relative intensity of agricultural strategies pursued by prehistoric peoples in the American Southwest. The material remains of Fremont farmers and horticulturists, long identified as the "northern periphery" of Southwestern archaeological traditions, are examined as a case representing extreme intersite variation in the economic importance of farming. New data quantifying the energetic gains associated with maize agriculture in Latin America are compared to caloric ret

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Kinanti, Lintang Anis Bena. "Formulating Strategies to Develop Jember Historical Tourism Marketing." International Journal of Scientific Research and Management 8, no. 05 (2020): 1781–88. http://dx.doi.org/10.18535/ijsrm/v8i05.em04.

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Jember has a long history since prehistoric times, and is evidenced by the diversity of relics from prehistoric times to the colonial period. Historical heritage objects become important regional assets that can generate profits and have a significant effect on economic development. One idea that can be initiated is the presence of an ancient museum. Because of that, an effective marketing strategy is needed to increase the people's visit to the museum and other historical tourism. This study aims to explore how the condition of ancient sites and objects in Jember, explore how the potential of

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Kinanti, Lintang Anis Bena, Dr. Bambang Irawan, M.Si., and Dr. Novi Puspitasari, S.E., M.M. "Strategies Model of Jember Historical Tourism Marketing." International Journal of Scientific Research and Management 8, no. 12 (2020): 2058–68. http://dx.doi.org/10.18535/ijsrm/v8i12.em06.

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Jember has a long history since prehistoric times, and is evidenced by the diversity of relics from prehistoric times to the colonial period. Historical heritage objects become important regional assets that can generate profits and have a significant effect on economic development. One idea that can be initiated is the presence of an ancient museum. Because of that, an effective marketing strategy is needed to increase the people's visit to the museum and other historical tourism. This study aims to explore how the condition of ancient sites and objects in Jember, explore how the potential of

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47

Richman, Angela M., Von Del Chamberlain, and Joe Pachak. "“Sun Marker”." Journal of Skyscape Archaeology 2, no. 2 (2017): 217–41. http://dx.doi.org/10.1558/jsa.30373.

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“Sun Marker” is a contemporary work of art and science located at an archaeological site in the Southwestern United States. Its origins come from the study of Ancestral Puebloan culture and life-ways and its creation was influenced by the architecture, traditions and observational methods of these prehistoric people, relating celestial movements of Sun, Moon and stars to calendar-keeping. The artist, Joe Pachak, designed “Sun Marker” so that it demonstrated natural light-and-shadow interactions with symbolic rock art images at the times of equinoxes and summer and winter solstices. In doing so

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Sanad, Reham, and Zainab Salim Aqil Alhadi Baomar. "A study of landscape painting development – Past, present and future perspectives." New Trends and Issues Proceedings on Humanities and Social Sciences 8, no. 1 (2021): 01–11. http://dx.doi.org/10.18844/prosoc.v7i4.5774.

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This study is focused on landscape paintings’ characteristics throughout history. It starts with primitive cave paintings passed through the ancient civilisations, then followed by the main art movements and styles and ends with the contemporary style landscape paintings. Future prospects and expectations for landscape representations were also considered. It was found that landscape representation has been the focus for most artists because of its link to their normal lives. In the primitive caves, illustrations of plants and animals were found covering caves’ walls. Landscape backgrounds wer

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Delcourt, Paul A., Hazel R. Delcourt, Cecil R. Ison, William E. Sharp, and Kristen J. Gremillion. "Prehistoric Human Use of Fire, the Eastern Agricultural Complex, and Appalachian Oak-Chestnut Forests: Paleoecology of Cliff Palace Pond, Kentucky." American Antiquity 63, no. 2 (1998): 263–78. http://dx.doi.org/10.2307/2694697.

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Fossil pollen assemblages from Cliff Palace Pond, Kentucky, characterize changes in forest composition through the past 9,500 years of the Holocene. Early-Holocene spruce and northern white cedar stands were replaced by mixed mesophytic forests after 7300 B.P. Hemlock declined around 4800 B.P., and eastern red cedar became locally important. After 3000 B.P, mixed oak-chestnut and pine forests were dominant. The fossil charcoal record from Cliff Palace Pond demonstrates that Late Archaic and Woodland peoples cleared forest gaps to cultivate native plants in the Eastern Agricultural Complex and

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He, Jie. "The Charm and Significance of Painting in the Modern World." International Journal of Computer Science and Information Technology 5, no. 2 (2025): 65–70. https://doi.org/10.62051/ijcsit.v5n2.09.

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This paper delves deep into the charm and significance of painting in the modern world. As an ancient art form, painting has witnessed numerous masterpieces throughout history, ranging from prehistoric cave paintings to classic works in the East and West. In modern society, it plays multiple important roles. As a medium for self - expression, artists such as Vincent van Gogh, Frida Kahlo, and Banksy convey their inner worlds and social views through painting. Painting can shape cultural identities, reflecting the values and histories of different cultures and contributing to the preservation o

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