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Artículos de revistas sobre el tema "Private investigators (fictional)"

Autor: Grafiati

Publicado: 28 de julio de 2024

Última modificación: 31 de julio de 2025

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1

Schneiderman, Leo. "Norman Mailer and Rank's Theory of the Creative Self." Imagination, Cognition and Personality 14, no. 1 (1994): 3–18. http://dx.doi.org/10.2190/5bc6-cxca-d48t-n941.

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The present article investigates Mailer's fiction and non-fiction in relation to Rank's views on creativity. Both Rank and Mailer are interpreted as examples of artists who invent themselves, the former as an intuitive therapist, the latter as the creator of a public and private persona. In Mailer's case, projections of the persona are traced to his fictional alter egos. Special attention is given to analyzing the significance of Mailer's creation of fictional protagonists who act out antisocial, anarchic impulses in a seemingly conflict-free way. This tendency, which characterizes Mailer's wo

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2

Bubíková, Šárka, and Olga Roebuck. "Female Investigators:." American & British Studies Annual 15 (December 21, 2022): 89–99. http://dx.doi.org/10.46585/absa.2022.15.2432.

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While the crime genre may have seemed as purely masculine for the greater part of its history, feminist critics looking for the roots of female crime writing have found a rich history of both the woman crime writer as well as the woman detective. Since the 1980s there has been not only a pronounced resurgence of interest in crime fiction, but also a boom of female detectives created by female writers. Focusing on works by Robert Galbraith, Denise Mina, Linda Barnes, Dana Stabenow and S. J. Rozan, this article explores some of the ways the traditionally masculine private eye subgenre can be app

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Murad, Rimun. "Resisting the Allure: The West as Fiction in the Arab Immigrant Novel." Journal of Ethnic and Cultural Studies 11, no. 5 (2024): 48–67. https://doi.org/10.29333/ejecs/2042.

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This article investigates the resemblance between the Arab immigrant experience in the Arab immigrant novel, on the one hand, and the experience of fiction reading, on the other one. The article analyzes Tayeb Salih’s Season of migration to the north (1966), Waguih Ghali’s Beer in the snooker club (1964), Walid Al Hajjar’s trilogy The search for the self (published privately in 1973, 1979, and 1984), Leila Aboulela’s The translator (1999), and Alaa Al Aswany’s Chicago: A novel (2007) to demonstrate the presence of a pattern depicting the experience of Arab immigrants as akin to fiction reading

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Fallis, Jeff. "“So sensual, so languid, and so private”: James Baldwin’s American South." James Baldwin Review 4, no. 1 (2018): 8–29. http://dx.doi.org/10.7227/jbr.4.2.

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James Baldwin has frequently been written about in terms of his relationship to geographical locations such as Harlem, Paris, St. Paul-de-Vence, Istanbul, and “the transatlantic,” but his longstanding connection to the American South, a region that served as a vexed and ambiguous spiritual battleground for him throughout his life and career, has been little discussed, even though Baldwin referred to himself as “in all but no technical legal fact, a Southerner.” This article argues that the South has been seriously underconsidered as a major factor in Baldwin’s psyche and career and that were i

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Radavičiūtė, Jūratė. "The Subversion of the Meanings of Food Tropes in Salman Rushdie’s Novel “Midnight’s Children”." Respectus Philologicus 42, no. 47 (2022): 65–75. http://dx.doi.org/10.15388/respectus.2022.42.47.109.

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The article investigates the subversion of the meanings of food tropes in Salman Rushdie’s novel “Midnight’s Children”. The research is carried out within the theoretical framework of Postethnic Narrative Criticism, which postulates that historical and political contexts are relevant for understanding and interpreting the postethnic literary work; however, literature should not be perceived as an accurate representation of reality outside the world of fiction or interpreted as such. The article provides an analysis of the key connotations of the tropes in the description of Doctor Aziz and his

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Machado, Meanda Juliana, and Diana da Silva Rodrigues. "Detetives transculturais: rompendo fronteiras na ficção criminal." Caderno de Letras da UFF 35, no. 68 (2024): 76–97. https://doi.org/10.5281/zenodo.13366747.

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Abstract: This article analyzes Lucha Corpi’s <em>Eulogy for a Brown Angel</em> (1992) and T. E. Wilson’s <em>Mezcalero</em> (2015). We seek to understand how their detectives, Gloria Damasco and Ernesto Sánchez, respectively, raise questions of identity, especially in relation to gender and ethnicity, and also bring multiculturalism and subalternity into their contexts. Corpi was born in Mexico and lives in the United States, while Wilson was born in Canada and lives in Mexico, and both write their detective fiction in English. The writing of these authors is a space of cul

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7

Bettaglio, Marina. "Locuras detectivescas en La detective miope de Rosa Ribás." RAUDEM. Revista de Estudios de las Mujeres 3 (May 23, 2017): 157. http://dx.doi.org/10.25115/raudem.v3i0.625.

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Resumen: En La detective miope la escritora española Rosa Ribás lleva a cabo una inversión paródica de las normas de la literatura detectivesca al crear una investigadora privada recién salida de una institución psiquiátrica. A diferencia de los métodos deductivos empleados por eminentes detectives del siglo XIX, Irene Ricart subvierte las leyes de la lógica al resolver el enigma del brutal asesinato del que fueron víctimas su esposo y su hija. Mientras su vista se va deteriorando progresivamente, esta detective tan peculiar logra desenmascarar a los culpables del doble asesinato y acabar con

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8

De Matas, Jarrel Kristan Zakhary. "The Future of Public Health through Science Fiction." Humanities 11, no. 5 (2022): 127. http://dx.doi.org/10.3390/h11050127.

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This study investigates the ability of science fiction to address issues that emerge in public health. The issues that form the focus of this paper include the spread of misinformation and disinformation, dependence on technology, and competent public-private partnerships that serve the interests of society. Each of these issues is brought under the spotlight by Barbadian sociologist Karen Lord in ‘The Plague Doctors’ and American psychiatrist Justin C. Key in ‘The Algorithm Will See You Know’. The stories, although set in unrealized futures and describe as yet inconceivable advancements in te

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9

Berberich, Christine. "Detecting the Past: Detective Novels, the Nazi Past, and Holocaust Impiety." Genealogy 3, no. 4 (2019): 70. http://dx.doi.org/10.3390/genealogy3040070.

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Crime writing is not often associated with Holocaust representations, yet an emergent trend, especially in German literature, combines a general, popular interest in crime and detective fiction with historical writing about the Holocaust, or critically engages with the events of the Shoah. Particularly worthy of critical investigation are Bernhard Schlink’s series of detective novels focusing on private investigator Gerhard Selb, a man with a Nazi background now investigating other people’s Nazi pasts, and Ferdinand von Schirach’s The Collini Case (2011) which engages with the often inadequate

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Teel, Linda. "Activities and Strategies for the Inclusion of a K-12 Educational Component in Digitization Grant Projects of Academic Libraries." Education Libraries 33, no. 2 (2017): 36. http://dx.doi.org/10.26443/el.v33i2.293.

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This article seeks to explore and discuss activities and strategies for including a K-12 educational component in digitization grant projects in academic libraries. The article is based on cases studying the K-12 educational component of the three following grants awarded to East Carolina University Joyner Library by North Carolina Exploring Cultural Heritage Online (NC ECHO) grant program: Digitizing Eastern North Carolina History, Fiction and Artifacts: The Eastern North Carolina Digital Library (http://digital.lib.ecu.edu/historyfiction/), Seeds of Change: The Daily Reflector Image Collecti

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Ba-fadhel, Nawal, and Riyad Manqoush. "The Portrayals of the Other in Yemeni Postcolonial Fiction: A Critical Study on Ahmed Zein's Steamer Point." International Journal of Language and Literary Studies 6, no. 4 (2024): 206–15. http://dx.doi.org/10.36892/ijlls.v6i4.1915.

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This research paper investigates the portrayals of the other in Ahmed Zein’s Steamer Point (2015), with a special focus on the European colonizer. In addition to that, it examines the coexistence between the natives and Europeans as reflected in the story. The postcolonial theory has been used as a methodology to frame the discussions and analysis of the novel in this study. The paper has been constructed in five sections: Introduction, background of the study, theoretical framework, discussions and analysis, and finally the conclusion. The study ended up with the conclusion that The relations

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Bibri, Simon Elias. "The Social Shaping of the Metaverse as an Alternative to the Imaginaries of Data-Driven Smart Cities: A Study in Science, Technology, and Society." Smart Cities 5, no. 3 (2022): 832–74. http://dx.doi.org/10.3390/smartcities5030043.

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Science and technology transform the frontiers of knowledge and have deep and powerful impacts on society, demonstrating how social reality varies with each era of the world. As a set of fictional representations of technologically driven future worlds, the Metaverse is increasingly shaping the socio-technical imaginaries of data-driven smart cities, i.e., the outcome of radical transformations of dominant structures, processes, practices, and cultures. At the core of the systematic exploration of science and technology is the relationships between scientific knowledge, technological systems,

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Ūsaitytė, Jurgita. "Personal Collections of Texts from the Second Half of the 19th Century along with Their Historical Context." Tautosakos darbai 55 (June 25, 2018): 107–33. http://dx.doi.org/10.51554/td.2018.28501.

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The subject of the article comprises Lithuanian collections of texts from the second half of the 19th century, compiled by individuals of peasant origins and preserved at the Lithuanian Folklore Archives. The research involves over 40 of such collections, in which part or majority of the inscriptions consist of poetic pieces: personal poetic compositions or folksongs chiefly selected from printed sources of the time. The analysis in the article focuses on the contents of these texts, describing various components of their repertoire, attempting at establishing and identifying the sources, from

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Kuriakose, Nithin, and Neelakantan Keshavan. "Making and Unmaking Pluriversal Privacy." World Futures Review, April 24, 2025. https://doi.org/10.1177/19467567251330218.

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In an age where technology reigns supreme, our daily existence is intricately woven with an abundance of choices, each bearing unforeseen societal repercussions. As an increasing number of such challenges arise, the responsibility also lies with design to contribute to a better quality of life holistically. One particularly intertwined issue within this landscape is that of privacy. Whether knowingly or unwittingly, we regularly disclose a significant amount of our information verbally, digitally, and physically, sometimes even through our silence when there is someone to listen to. This study

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Pereira J, Deanna, and Martha Karunakar. "The Biopolitics of Disability." Journal of Literary Studies 40 (September 30, 2024). http://dx.doi.org/10.25159/1753-5387/16432.

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This article investigates the biopolitics of disability in the ablenationalist England of Kazuo Ishiguro’s novel Never Let Me Go and examines how a neoliberal society urges its citizens to depend on market-based private medical management to be able-bodied individuals in order to fully participate in society. It also analyses the lives of clones who reside at Hailsham, a boarding school, as well as those of the non-cloned human beings living in the community outside Hailsham to illustrate the Agambenian ideologies of zoē and bios. The less explored and less debated sections of the novel, such

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Doichyk, Oksana, Vita Yurchyshyn, and Yuriy Velykoroda. "Intertextual satire in media discourse." Review of Cognitive Linguistics, May 7, 2024. http://dx.doi.org/10.1075/rcl.00183.doi.

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Abstract The paper investigates intertextual satire in media discourse from the cognitive linguistic perspective. Within the frameworks of conceptual blending theory and the theory of precedent-related phenomena, we examine the cognitive processes of producing and understanding intertextual satire. By modelling conceptual integration networks, we aim to specify the cognitive mechanisms and operations involved in decoding intertextual satirical articles, drawing on examples from Private Eye magazine. The study demonstrates that the basic cognitive mechanism involved in creating intertextual sat

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Chevereşan, Cristina. "Asian-Americans in New York: Two Men’s Adventures in Immigrant-Land." Arcadia 48, no. 1 (2013). http://dx.doi.org/10.1515/arcadia-2013-0005.

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AbstractGish Jen’s Typical American and Chang-rae Lee’s Native Speaker are two essentially urban novels that focus on issues of (ethnic) identity construction and performativity in metropolitan New York, at the end of the twentieth century. Belonging to two distinct immigrant communities (Chinese and Korean), their protagonists are Americans in the making, whose personal evolutions and involutions are shaped by the social and cultural dilemmas of transition and (mal)adjustment. The present article scrutinizes the fictional interplay of public and private (hi)stories and discourses, and analyze

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18

Franks, Rachel. "A Taste for Murder: The Curious Case of Crime Fiction." M/C Journal 17, no. 1 (2014). http://dx.doi.org/10.5204/mcj.770.

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Introduction Crime fiction is one of the world’s most popular genres. Indeed, it has been estimated that as many as one in every three new novels, published in English, is classified within the crime fiction category (Knight xi). These new entrants to the market are forced to jostle for space on bookstore and library shelves with reprints of classic crime novels; such works placed in, often fierce, competition against their contemporaries as well as many of their predecessors. Raymond Chandler, in his well-known essay The Simple Art of Murder, noted Ernest Hemingway’s observation that “the goo

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Green, Lelia, Kelly Jaunzems, and Harrison See. "Porno." M/C Journal 27, no. 4 (2024). http://dx.doi.org/10.5204/mcj.3092.

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Is what constitutes pornography in the mind of the beholder? This issue of M/C Journal sought articles on “porno”: a deliberately informal, almost friendly, playful term for a content category which evokes many complex responses. Indeed, the categories of materials deemed to be “pornographic” offer rich insights into the cultures that classify, create, and circulate the materials that key publics consume, overtly or – more commonly – covertly. The clandestine dynamic is further heightened when the people consuming and discussing such content include those who are deemed too young to do so. The

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Akhtar, Zarif Bin. "Generative artificial intelligence (GAI): From large language models (LLMs) to multimodal applications towards fine tuning of models, implications, investigations." Computing and Artificial Intelligence, November 4, 2024, 1498. http://dx.doi.org/10.59400/cai.v3i1.1498.

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This research explores the transformative integration of artificial intelligence (AI), robotics, and language models, with a particular emphasis on the PaLM-E model. The exploration aims to assess PaLM-E’s decision-making processes and adaptability across various robotic environments, demonstrating its capacity to convert textual prompts into very precise robotic actions. In addition, the research investigates Parameter-Efficient Fine-Tuning (PEFT) techniques, such as Low-Rank Adaptation (LoRA) and Quantized Low-Rank Adaptation (QLoRA), providing a historical overview of PEFT and highlighting

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KOÇ, Ahmet. "ÇÖZÜMLENMEMİŞ GİZEMLER: THOMAS PYNCHON'UN THE CRYING OF LOT 49 VE INHERENT VICE ROMANLARINDA DEDEKTİF KURGU VE PARODİ." İmgelem, December 21, 2023. http://dx.doi.org/10.53791/imgelem.1390450.

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Thomas Pynchon’s novels are noted for their postmodernist characteristics. Some of his novels also include certain features of detective fiction. In The Crying of Lot 49 (1966), the focus of Oedipa –a housewife whose name alludes to Oedipus of Sophocles— shifts to unravelling the mystery of a shadowy underground postal system, and she turns out to be an amateur ‘detective’. The challenge is that the ‘clues’ do not clarify the case, which may or may not be real. A similar pattern is available in Inherent Vice (2009), in which a professional, sandal-wearing, “pothead” detective, Larry “Doc” Spor

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Osenieks, Rihards. "EXPERIENCE OF THE PAST AND SELF-FASHIONINGIN THE 1960S SOVIET LATVIA AND ESTONIA: ANALYSIS OFALBERTS BELS’S AND RAIMOND KAUGVER’S NOVELS." Krustpunkti: kultūras un mākslas pētījumi, November 28, 2024, 21–32. http://dx.doi.org/10.55877/kkmp.2024.463.

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The aim of this paper is to investigate the experience of the past and self-fashioning in the 1960s prose of the Baltic states by largely focusing on two novels – The Investigator (1967) by Alberts Bels and Forty Candles (1966) by Raimond Kaugver. In the 1960s, Latvia and Estonia were under the governing of the USSR which in these territories was characteristic of colonial rule. By applying the insights of postcolonial theory, the colonial experience of Latvia and Estonia is substantiated. Particular attention is paid to the problem of historical interpretation in the colonial discourse and So

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Culver, Carody, and Amy Vuleta. "Suspicion." M/C Journal 15, no. 1 (2012). http://dx.doi.org/10.5204/mcj.460.

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The “Suspicion” issue of M/C Journal explores suspicion as both critical approach and cultural concept, inviting us to engage with its interpretive potential in a world where mistrust has become the norm. Contemporary Western culture is characterised by a climate of increased border security and surveillance, especially since 9/11. Judith Butler identifies an increase in paranoia and censorship associated with these factors, which has greatly affected freedom of speech, politics, the press, and what constitutes the public sphere. These shifts have had considerable impact on how we relate to wo

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Nunes, Mark, and Cassandra Ozog. "Your (Internet) Connection Is Unstable." M/C Journal 24, no. 3 (2021). http://dx.doi.org/10.5204/mcj.2813.

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It has been fifteen months since the World Health Organisation declared the COVID-19 outbreak a global pandemic and the first lockdowns went into effect, dramatically changing the social landscape for millions of individuals worldwide. Overnight, it seemed, Zoom became the default platform for video conferencing, rapidly morphing from brand name to eponymous generic—a verb and a place and mode of being all at once. This nearly ubiquitous transition to remote work and remote play was both unprecedented and entirely anticipated. While teleworking, digital commerce, online learning, and social ne

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Franks, Rachel, and Simon Dwyer. "Build." M/C Journal 20, no. 2 (2017). http://dx.doi.org/10.5204/mcj.1236.

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Rowan Moore, in his work Why We Build: Power and Desire in Architecture, notes that “most people know that buildings are not purely functional, that there is an intangible something about them that has to do with emotion” (16). Emotion is critical to why and how we build. Indeed, there is a basic human desire to build—to leave a mark on the landscape or on our society. This issue of M/C Journal unpacks this idea of emotion, examining the functional and the creative in the design process, for a range of building projects, from the tangible: building transport infrastructure, exhibition centre,

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Nairn, Angelique, and Lorna Piatti-Farnell. "The Artificial." M/C Journal 27, no. 6 (2024). http://dx.doi.org/10.5204/mcj.3141.

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Orvell noted that despite the evolution of society, imitation and authenticity function as “compass points” that guide meaning-making and retain potency as humans continue to negotiate the real and the unreal in society (ix). Describing the natural and the artificial, Birnbacher contended that, simply put, it is the difference “between what has ‘become’ and what has been ‘made’” (2): the view is that if something exists independent of human intervention, then that would make it a natural entity. Of course, he noted such a definition was not straightforward, citing examples of products manufact

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Krause, Till. "From Niche Narrative to Audio Blockbusters." M/C Journal 27, no. 2 (2024). http://dx.doi.org/10.5204/mcj.3031.

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Introduction For the past ten years, a transformative trend has emerged in the consumption of journalistic content, diverging significantly from its traditional engagement pathways. This evolution is characterised by the allure of serial journalistic podcasts such as Serial, which have seamlessly integrated narrative techniques typically reserved for fiction into journalistic storytelling (Kulkarni et al.). These podcasts have leveraged episodic structures, suspenseful build-ups, and dramatic climaxes to foster a level of engagement akin to fiction's grip on audiences. This shift towards addic

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Higley, Sarah L. "Audience, Uglossia, and CONLANG." M/C Journal 3, no. 1 (2000). http://dx.doi.org/10.5204/mcj.1827.

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Could we also imagine a language in which a person could write down or give vocal expression to his inner experiences -- his feelings, moods, and the rest -- for his private use? Well, can't we do so in our ordinary language? -- But that is not what I mean. The individual words of this language are to refer to what can only be known to the person speaking; to his immediate private sensations. So another person cannot understand the language. -- Ludwig Wittgenstein, Philosophical Investigations par. 243 I will be using 'audience' in two ways in the following essay: as a phenomenon that produces

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O'Meara, Radha, and Alex Bevan. "Transmedia Theory’s Author Discourse and Its Limitations." M/C Journal 21, no. 1 (2018). http://dx.doi.org/10.5204/mcj.1366.

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As a scholarly discourse, transmedia storytelling relies heavily on conservative constructions of authorship that laud corporate architects and patriarchs such as George Lucas and J.J. Abrams as exemplars of “the creator.” This piece argues that transmedia theory works to construct patriarchal ideals of individual authorship to the detriment of alternative conceptions of transmediality, storyworlds, and authorship. The genesis for this piece was our struggle to find a transmedia storyworld that we were both familiar with, that also qualifies as “legitimate” transmedia in the eyes of our prospe

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Seale, Kirsten. "Location, Location." M/C Journal 9, no. 5 (2006). http://dx.doi.org/10.5204/mcj.2668.

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   Last year, the ABC’s Media Watch (17 Oct. 2005) noted the continuing outrage in the tabloid media over “the dirtiest house in NSW”. The program took issue with Sydney newspaper The Daily Telegraph, and the descriptor “exclusive” attached to their article on a property in beachside Bondi (9 Oct. 2005). In fact, as Media Watch pointed out, Channel Seven’s current affairs flagship Today Tonight had already made repeat visits to the residence. A Current Affair, Channel Nine’s rival show, as well as Bondi’s local newspaper also offered coverage. However, I am interested not in

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Miletic, Sasa. "‘Everyone Has Secrets’: Revealing the Whistleblower in Hollwood Film in the Examples of Snowden and The Fifth Estate." M/C Journal 23, no. 4 (2020). http://dx.doi.org/10.5204/mcj.1668.

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In one of the earliest films about a whistleblower, On the Waterfront (1954), the dock worker Terry Malloy (Marlon Brando), who also works for the union boss and mobster Johnny Friendly (Lee J. Cobb), decides to testify in court against him and uncover corruption and murder. By doing so he will not only suffer retribution from Friendly but also be seen as a “stool pigeon” by his co-workers, friends, and neighbours who will shun him, and he will be “marked” forever by his deed. Nonetheless, he decides to do the right thing. Already it is clear that in most cases the whistleblowers are not simpl

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Burrough, Xtine, and Sabrina Starnaman. "Epic Hand Washing." M/C Journal 24, no. 3 (2021). http://dx.doi.org/10.5204/mcj.2773.

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In March 2020, co-authors burrough and Starnaman with Technical Director Dale MacDonald had just finished collaborating on a work of computational art, A Kitchen of One’s Own, for The Photographers’ Gallery in London. In this essay we discuss the genealogy of our Zoom performance, Epic Handwashing for Synchronous Participation, which was an extension of two earlier projects—one that was derailed due to COVID-19, and the other that resulted from our pivot towards reflecting on the pandemic experience. Our performance was a response to, and offered a collaborative moment of reflection on, the un

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Taylor, Alison. "“There’s Suspicion, Nothing More” — Suspicious Readings of Michael Haneke’s Caché (Hidden, 2005)." M/C Journal 15, no. 1 (2011). http://dx.doi.org/10.5204/mcj.384.

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Michael Haneke’s film Caché tells the story of a bourgeois family in peril. The comfortable lives of the Laurents—husband Georges (Daniel Auteuil), wife Anne (Juliette Binoche), and teenage son Pierrot (Lester Makedonsky)—are disrupted when surveillance tapes of their home and private conversations are delivered to them anonymously. Ostensibly Caché sits in a familiar generic framework: the thriller narrative of a family under threat is reminiscent of films such as The Desperate Hours (1955), Cape Fear (1962), and Straw Dogs (1971). The weight of outside forces causes tension within the family

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Brien, Donna Lee. "“Concern and sympathy in a pyrex bowl”: Cookbooks and Funeral Foods." M/C Journal 16, no. 3 (2013). http://dx.doi.org/10.5204/mcj.655.

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Introduction Special occasion cookery has been a staple of the cookbook writing in the English speaking Western world for decades. This includes providing catering for personal milestones as well as religious and secular festivals. Yet, in an era when the culinary publishing sector is undergoing considerable expansion and market segmentation, narratives of foods marking of one of life’s central and inescapable rites—death—are extremely rare. This discussion investigates examples of food writing related to death and funeral rites in contemporary cookbooks. Funeral feasts held in honour of the d

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Brabazon, Tara. "Freedom from Choice." M/C Journal 7, no. 6 (2005). http://dx.doi.org/10.5204/mcj.2461.

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   On May 18, 2003, the Australian Minister for Education, Brendon Nelson, appeared on the Channel Nine Sunday programme. The Yoda of political journalism, Laurie Oakes, attacked him personally and professionally. He disclosed to viewers that the Minister for Education, Science and Training had suffered a false start in his education, enrolling in one semester of an economics degree that was never completed. The following year, he commenced a medical qualification and went on to become a practicing doctor. He did not pay fees for any of his University courses. When reminded o

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