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Tesis sobre el tema "Prokofiev"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 25 de julio de 2025

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1

Howell, Chelsea Gayle. "Multidisciplinary performance issues in Sergei Prokofiev's Trapèze." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1459902831&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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2

ZHU, DI. "PROKOFIEV'S PIANO TRANSCRIPTIONS: A COMPARATIVE STUDY OF HIS TRANSCRIBING TECHNIQUES." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1153173318.

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3

Nataša, Crnjanski. "Prokofjev i muzički gest – klavirske sonate." Phd thesis, Univerzitet u Novom Sadu, Akademija umetnosti u Novom Sadu, 2014. http://www.cris.uns.ac.rs/record.jsf?recordId=84602&source=NDLTD&language=en.

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<p>Cilj disertacije je da se kori&scaron;ćenjem teorije o<br />muzičkom gestu - na sonatama kao<br />reprezentativnom uzorku u kome je gest osnova<br />izgradnje muzičkog značenja, generator<br />kompozicione forme i strukture, ali i determini&scaron;ući<br />faktor analize koji obezbeđuje razumevanje stila i<br />stilskih promena - potvrdi upotreba muzičkog gesta<br />kao elementa naratologije muzičkog toka u muzici<br />Prokofjeva. &Scaron;ire gledano, primena teorije o<br />muzičkom gestu na istraživanje klavirskih sonata<br />Sergeja Prokofjeva potvrdiće njenu univerzalnu<br />profilisanos

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4

Bogart, Steven. "Rhapsody." ScholarWorks@UNO, 2002. http://scholarworks.uno.edu/td/3.

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5

Jones, Kathryn E. "Prokofiev Beckons the Double Bass Into the Modern Age: a Pedagogical Study of the Op 39 Quintet." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc699907/.

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Until Serge Prokofiev’s 1924 ballet score Trapèze, the double bass occupied a background or at best a doubling role in almost all composers’ use of the instrument. Technical challenge was limited in these pieces, because composers did not see the instrument’s potential in a chamber music environment. As luthiers developed the instrument, the technical ability of players grew, and composers began writing more challenging music for the instrument. As one of the first major composers to see the double bass in a new light, Prokofiev wrote challenging music for the instrument. This paper illumi

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6

Wilson, Deborah Annette. "Prokofiev’s Romeo and Juliet: history of a compromise." The Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=osu1061231843.

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7

Kim, Sooyoung. "Perspectives on the Symbiosis of Traditional and Modernist Techniques in Four Violin Compositions by Sergei Prokofiev." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1275918892.

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8

Sologub, Olga. "Sergei Prokofiev's Piano Sonata No. 8, Op. 84 and Symphony No. 5, Op. 100 : Neo-Riemannian and Kholopovian perspectives." Thesis, University of Manchester, 2014. https://www.research.manchester.ac.uk/portal/en/theses/sergei-prokofievs-piano-sonata-no-8-op-84-and-symphony-no-5-op-100-neoriemannian-and-kholopovian-perspectives(1e3b29e4-2086-4f12-bd5b-ea02635bbccd).html.

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Sergei Prokofiev is among the ranks of early-twentieth century composers whose music endures in the concert hall and whose life has attracted much musicological research. Fewer studies, however, have undertaken an analytical investigation into his music, and the body of scholarly work on the musical theoretical issues raised by his compositions does not rival that exploring the music of such major contemporaries as Igor Stravinsky and Béla Bartók. Existing Anglo-American contributions to the field of Prokofiev theory have mostly employed the tools of common-practice musical analysis, many of t

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9

Orlov, Vladimir Sergeevich. "Soviet cantatas and oratorios by Sergei Prokofiev in their social and cultural context." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609314.

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10

Moron, Nicolas. "Une incantation mise en musique : édition critique de "Sept, ils sont sept" de Serge Prokofiev." Thesis, Tours, 2011. http://www.theses.fr/2011TOUR2003.

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La partition de "Sept, ils sont sept" pour ténor solo, chœur et orchestre ayant été imprimée en Russie en 1922 sans l'accord du compositeur, la question de l'authenticité du texte musical de cette œuvre, méconnue et néanmoins l'une les plus chères à Prokofiev, est fondamentale. L'origine de l'incantation mésopotamienne transcrite par le poète Constantin Balmont, à partir de laquelle Prokofiev rédigea le texte mis en musique, a pu être retracée en confrontant les ouvrages du poète aux écrits du compositeur. Des liens ignorés jusqu'à présent ont ainsi pu être tissés, et les rôles successifs joué

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11

Hwang, Yun-Young. "Prokofiev piano sonatas no. 2, no. 5, and no. 8 : comparison and performance strategies /." Connect to resource, 2002. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1227222432.

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12

Erlanson, Ernst. "Varför spelar du som du gör? : En studie om relationen mellan interpretation och förklaringar." Thesis, Karlstads universitet, Institutionen för konstnärliga studier (from 2013), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-75429.

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I föreliggande studie undersöks relationen mellan ”förklaringar” och musikalisk interpretation. Mer specifikt frågan varför jag spelar Prokofievs 6:e pianosonat på ett visst sätt. Alla interpreter gör olika val vid förberedelsen och framförandet av ett musikaliskt verk. Många av de valen handlar om tempo, dynamik, frasering men även andra musikaliska parametrar. Denna studie undersöker till vilken grad sådana val går att basera på analytiska ”förklaringar” rörande musikens struktur. Med hjälp av teoretiska perspektiv från Leonard Meyer och Karl Popper undersöker jag ett antal passager som delv

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13

Liao, Chiann-Yi. "Trilogy-Prokofiev's War Sonatas : a study of pianism diagnosis and performance practice /." Connect to resource, 1999. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1118237294.

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14

Brynolf, Max. "Uppförande av Prokofjevs åttonde pianosonat : En musikalisk analys med fokus på spelteknik och interpretation." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-4042.

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In this study, Prokofiev’s Eighth piano sonata was analyzed based on interpretation and technique. Prokofiev lived in the communist Soviet Union, during the middle of the Second World War, and wrote music with a lot of collected experience. The purpose of the study was to illustrate important interpretational- and technical aspects that are required to perform the sonata, based on personal experience. To accomplish this, the piece was practiced for several months, while continuously taking notes of my personal reflections based on the practice sessions and recordings. The study shows that the

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15

Morrison, Simon. "Sergei Prokofiev's Semyon Kotko as a representative example of socialist realism." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26048.

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Shortly after returning to Moscow in 1936, Prokofiev composed his first Soviet opera, Semyon Kotko (Opus 81). The libretto was taken from Valentin Kataev's novel I am a Son of the Working People, a tale of revolution and war in a small Ukrainian village and one that adheres to the tenets of Socialist Realism. Kataev encouraged Prokofiev to set this text in a highly conservative song style. Prokofiev was also influenced in the project by Vsevolod Meyerhold, an innovative artist who advocated using continuous declamation as a means of achieving "dramatic truth" in music.<br>This essay examines t

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16

Kalichman, Joshua. "RICK." Bowling Green State University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1165870623.

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17

Liu, Tzu-Yi. "An Analytical Perspective of the Developing Aesthetic Concepts in Sergey Prokofiev's Choses en soi, Op. 45." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062899/.

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The purpose of this study is to analyze the compositional techniques in Choses en soi op.45, by Sergey Prokofiev, and to explore the new aesthetic concepts he claimed to include in this composition. Through the examination of the compositional elements and discussion of its salient characteristics.

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18

Cristão, Rui Pedro Mendes. "Sonata para violino e piano OP.94 bis de Sergey Prokofiev: história e análise comparativa com versão original." Master's thesis, Universidade de Évora, 2012. http://hdl.handle.net/10174/11792.

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Na realização do Mestrado em Música – Interpretação – Violino foi proposta a elaboração de um Trabalho de Projeto, no qual os alunos escolheriam o tema a abordar. O tema escolhido e que melhor define a opção para este trabalho é “Sonata para violino e piano op.94 bis de Sergey Prokofiev: história e análise comparativa com a versão original”. O seguinte trabalho centra-se na análise e comparação de duas sonatas: a sonata para flauta e piano e a sua transcrição para violino e piano, elaboradas pelo compositor russo, Sergey Prokofiev. Este documento inicia-se com um breve foco da vida e obra do c

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19

Guillaumier, Christina. "From piano to stage : a genealogy of musical ideas in the piano works of Sergei Prokofiev (1900-c.1920)." Thesis, University of St Andrews, 2010. http://hdl.handle.net/10023/6451.

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This thesis is a study of Prokofiev's musical ideas as they emerge in his early writing for piano. It is concerned with elucidating the connections between Prokofiev's pianistic technique and his compositional technique. In doing so, the study explores the genealogy of composer's musical gestures and thematic ideas. Both his playing and his compositional styles have been labelled as distinctive: the thesis attempts to deconstruct that distinctiveness by pinpointing the origins of the composer's playing and compositional styles, tracing their gradual evolution into a mature idiom. The first cha

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20

Petchenina, Ludmila. "Une expérience de mise en musique de la prose à travers les deux versions du "Joueur" de Serge Prokofiev." Paris 4, 2006. http://www.theses.fr/2006PA040127.

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La mise en musique des textes en prose devient une pratique courante dans le répertoire vocal du début du XXe siècle. Orienté sur le modèle d’un opéra dit « littéraire », Prokofiev a l’ambition de créer un drame musical moderne. Depuis les années 1910 il adopte une méthode originale fondée essentiellement sur le traitement musical des textes de sa plume élaborés à partir des sources littéraires en prose narrative. Ce choix suscite une question légitime portant sur le caractère de la dimension musicale de son œuvre lyrique dont la spécificité est déterminée par la présence d’un matériau qui, co

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21

Yan, Jishuang. "Prokofiev's Eclectic Approach in his Violin Concerto No. 2 in G Minor." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1505201/.

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Prokofiev had a specific approach to the modernist aesthetic that is worthy of a special study from a new perspective: eclecticism. There are two distinguishable views on his achievement in modern music. One is the Western version, which sees his eclectic approach as not innovative enough in comparison with modern composers such as Stravinsky. The other view is from the traditional Soviet approach, which holds Prokofiev in the highest esteem. These sources largely ignore Prokofiev's Paris and American periods. Such an oversimplification is likely to have reflected political circumstance. Neith

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22

Roth, Emily Renee. "An examination of major works for concert band and chamber ensembles: Down a Country Lane by Aaron Copland, Two Pieces from Lieutenant Kije by Sergei Prokofiev, and Suite in B-flat by Richard Strauss." Kansas State University, 2015. http://hdl.handle.net/2097/19089.

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Master of Music<br>Department of Music, Theatre, and Dance<br>Frank C. Tracz<br>The following report is a detailed analysis on the following three pieces: Suite in B-flat by Richard Strauss for woodwind chamber ensemble, Two Pieces from Lieutenant Kije by Sergei Prokofiev for brass and percussion ensemble, and a finally Down a Country Lane by Aaron Copland for concert band. The goal of the analysis is to provide rehearsal information for educational purposes. Aspects of the compositions studied include: background information on the composer and composition, a historical perspective, technical

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23

Liu, Wenjing. "Prokofiev's Tales of old grandmother, Op. 31: a performance and pedagogical guide." Diss., University of Iowa, 2016. https://ir.uiowa.edu/etd/3132.

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Tales of Old Grandmother, Op. 31 by Prokofiev is based on a fairy tale theme. It can be considered as both a most valuable pedagogical piece for young students and as a piece for the concert repertoire. However, this piece was under-appreciated by most piano performers and piano pedagogues for many years, even though it was praised by several well-known composers and was often played by other pianists and Prokofiev himself. The main aim of this study is to promote the Tales so that they will be performed and taught more often. All of the complex harmonic language, unique unforgettable lyricism

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24

Hutchinson, Paula C. "Structure and Style in Three Flute Works of John La Montaine : With Three Recitals of Selected Works by Bach, Prokofiev, Messiaen, Reinecke, and Others." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc277868/.

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This comprehensive study specifically includes: a brief biography of La Montaine, background surrounding the composition of the three works, a thorough analysis of each work, and a style comparison of the three pieces. Materials in the appendixes are: an annotated list of La Montaine's flute compositions; the text of the song cycle Fragments; an interview with John La Montaine; and an interview with Doriot Anthony Dwyer, to whom Come into My Garden and My Beloved, Let Us Go Forth are dedicated.

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25

Dogaru, Gabriela. "À la mémoire de Serge Prokofieff : Francis Poulencs oboesonat jämförd med utdrag ur Prokofjevs musik." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3967.

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À la mémoire de Serge Prokofieff står högst upp på första sidan av Oboesonaten, FP 185 av Francis Poulenc. Stycket komponerades år 1962 och är Poulencs sista komposition, som han aldrig har fått möjligheten att höra innan han dog samma år. Under åren har Poulenc tillägnat sina verk till många vänner och bekanta. Sitt sista verk tillägnar han sin vän som han beundrar väldigt mycket, dvs. Prokofjev. Detta är en vinkel som jag länge har velat fördjupa mig i. Under studieåren har många lärare dragit kopplingar mellan oboesonaten och vissa verk av Prokofjev, som t.ex. balet

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Couch, Roy L. "Comparison and Contrast of Performance Practice for the Tuba in Igor Stravinsky's The Rite of Spring, Dmitri Shostakovich's Symphony No. 5 in D major, Op. 47, and Sergei Prokofiev's Symphony No. 5 in B flat major, Op. 100." Thesis, connect to online resource, 2006. http://www.unt.edu/etd/all/May2006/couch%5Froy%5Flee/index.htm.

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Thesis (D.M.A.)--University of North Texas, 2006.<br>System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded June 25, 2001, Nov. 18, 2002, Mar. 21, 2005, and Feb. 20, 2006. Includes bibliographical references (p. 44-48).

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Neto, Maira Urbano. "Estudo comparativo entre edições da sonata OP.94 para flauta e piano de Sergei Prokofiev: subsídios para a escolha da edição e interpretação da peça." Universidade Federal de Minas Gerais, 2007. http://hdl.handle.net/1843/AAGS-7ZWMYH.

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Sergei Prokofiev's Sonata OP. 94, originally written for flute and piano, has been transcribed by the composer for violin and piano, soon after its premiere. The transcription had a strong influence over the subsequent editions of flute sonata. This article presents a comparative analysis of several editions of Sonata ( both for flute and piano and for violin and piano) in order to demonstrate and describe the differences and similarities between editions, as well as offer resources for well-infored choices regarding the edition and interpretations of this piece - a work of such relevance for

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28

Tseng, Li-Han Eliza. "Sergey Prokofiev’s Complete Solo Cello Repertory: The Compositional History and Performance Guide." University of Cincinnati / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1554213587575424.

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Webb, Timothy. "Part I The Samson Suite for Chamber Orchestra. Part II The Provocative Prokofiev: Analysis of Moderato Movement Sonata for Flute and Piano in D Major, Opus 94." Youngstown State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1280337287.

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30

Saunders, David Harold. "Capriccio, By Richard Strauss and Clemens Krauss: Theoretical Discussion as Theatrical Presentation, Together with Three Recitals of Selected Works of Strauss, Wagner, Verdi, Mozart, Britten, and Prokofiev." Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc331935/.

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In Capriccio. Richard Strauss and Clemens Krauss examine the very nature of opera with the core of their thesis being the relationship of words and music. A work that is, in essence, an extended discussion poses two problems to the composer and librettist: how to sustain the argument of the thesis without losing the attention of the audience, and how to prevent a conversational opera from sounding like endless recitative. Strauss and Krauss manage to present their case without having to resort to an actual discussion for the duration of the opera. Their characters are engaging, identifiable hu

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31

Green, James Matthew. "The History and Usage of the Tuba in Russia." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1449095115.

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32

Johansen, Ken. "Gabriel Fauré and the art of ambiguity : an examination of his late style through selected piano works, with three recitals of selected works by Bach, Beethoven, Chopin, Prokofiev, Franck, Liszt and Schubert /." Denton : Tex. : K. Johansen, 1995. http://catalogue.bnf.fr/ark:/12148/cb39138962c.

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33

Assay, Eshghpour Michelle. "Hamlet in the Stalin Era and Beyond : Stage and Score." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040020.

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Hamlet a longtemps été une partie inséparable de l'identité nationale russe. Cependant, les mises en scène d’Hamlet en Union soviétique (surtout en Russie) durant l'époque de Staline présentèrent des problèmes spécifiques liés aux doctrines idéologiques imposées sur les arts et la culture en général ainsi qu’aux idées reçues concernant l’opinion personnelle de Staline envers de la tragédie. Les deux mises en scènes principales d’Hamlet en Russie au cours de cette période ont été celles réalisées par Nikolai Akimov (1932) et Sergei Radlov (1938). Un réexamen approfondi de ces mises en scène, en

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34

Albasini, Garaulet Olga. "Piano and memory : Strategies to memorize piano music." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3331.

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This study was carried out in order to discover new strategies to memorize piano music. There are six different types of memory involved in performing: auditory, kinesthetic, visual, analytical, nominal and emotional. There are two main ways of practicing: playing practice and non-playing practice. I tried to find out if the order in which we use these two kinds of practice affects the quality of the memorization. During one week I practiced three different pieces following three different methods: 1 Using only playing practice; 2 using first playing practice and then non-playing practice; 3 u

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Ožana, Petr. "Sergej Prokofjev (klavírní dílo)." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2013. http://www.nusl.cz/ntk/nusl-177788.

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The base of this work is analysis of Prokofiev´s piano compositions. It isn´t a scientific work. It´s rather analysis of form, melody and harmony in context with his others piano works. At chapter about surroundings dislocation generation of piano concertos I am based on the author´s testation a with him I try to find his ideas right in this work. Also I introduce the poem wich is inspired by the conceptus of this work, was written by poet Balmont. At the last chapter I tout about a view on Prokofiev like friend pianist, colleague, composer by the eyes his contemporaries both his students and

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Kong, Won-Young. "Paul Wittgenstein's Transcriptions for Left Hand: Pianistic Techniques and Performance Problems : A Lecture Recital, Together with Three Recitals of Selected Works of R. Schumann, S. Prokofiev, F. Liszt, M. Ravel, and F. Chopin." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc935633/.

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Paul Wittgenstein (1887-1961) made significant contributions to the piano literature for the left hand through numerous commissioned works as well as his own transcriptions. In the transcriptions, Wittgenstein preserved the texture of two-hand music, aiming for the simulation of the original works. This requires special techniques in the performance by the left hand alone. This dissertation investigations technical means and performance problems associated with the transcriptions as well as Wittgenstein's own recordings of selections from his works. Chapter 1 serves as an introduction, provid

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37

Kovacevic, Stefan. "Prokofievs Sjunde Pianosonat "Stalingrad" : Analys av andra satsen och reflektion av Prokofievs sinne för form." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1640.

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Denna uppsats kretsar kring andra satsen ur Sergei Prokofievs berömda verk Piano Sonata 7, Op 83. Syftet är att utforska Prokofievs sinne för musikalisk form, samt att reflektera kring varför hans musik var banbrytande genom att studera stycket från ett nytt perspektiv. Jag har tidigare själv spelat hela sonaten och djupdyker nu mer teoretiskt i verket för att hitta nya infallsvinklar.<br><p>Bilaga: 1 CD</p>

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Rosík, Alexej. "Sergej Prokofjev a jeho komorní tvorba." Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2010. http://www.nusl.cz/ntk/nusl-79392.

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I was very interested in Sergej Prokofjev music when I had studied his Sonata for violin and piano D - major, op. 94.I make a short evalution of his life and publication in this work. In more details I decribe his chamber music work, Violin sonata D - major, op. 94 , orchestra and vocal pieces too. In conclusion I present the full list of his composition.

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39

Al-Ashhabová, Marie. "Klavírní koncerty S. Prokofjeva." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2014. http://www.nusl.cz/ntk/nusl-177889.

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This thesis focuses on the piano concertos by Sergei Prokofiev. It is aimed not only at the composer's works for piano and orchestra, but also at the life of this unique artist. It refers not only to the beauty and timelessness of these pieces, but also at the factors behing creating these piano concertos. The work is divided into five main chapters - each chapter includes a piano concerto. I add a brief biography of the composer for better orientation of the reader in a given topic at the beginning.

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Poldjaeva, Jelena. "Bibliographie zu Leben und Werk von Sergei Prokofjew." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-220814.

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41

Levický, Martin. "Sergej Prokofjev: Sonáty č.6, 7 a 8." Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2009. http://www.nusl.cz/ntk/nusl-79089.

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This work deals with Prokofievs piano sonatas from the WW II period. The introduction explains my chice of this topic and describes my relation to Prokofjevs works in general. The first chapter is a brief biography of Prokofjev, that focuses on his piano works. The main part of this work is dedicated to the analysis of the sonatas No. 6, 7 and 8. These compositions are being studied from three perspectives: the listener´s, the composer´s and the performer´s. In conclusion, this work mentions a famous interpretation by Sviatoslav Richter.

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42

Yang, Shu-mei. "Piano Music of Native Chinese Composers, with Particular Focus on the Piano Works Since 1950: a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, L.v. Beethoven, S. Prokofiev, F. Chopin, R. Schumann, J. Brahms, M. Ravel, and A. Skryabin." Thesis, North Texas State University, 1988. https://digital.library.unt.edu/ark:/67531/metadc331819/.

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This documents aims at the identification of the sources of influence upon the styles of selected 20th century Chinese composers. Personal influences are reflected as well as those general influences specific to the different stylistic periods discussed. Most important, however, is the description of the methods by which these composers employ contemporary compositional devices to project musical gestures that are uniquely Chinese: elements of culture which are fundamentally programmatic and intimately related to the lives of the Chinese people. The introduction of Western music and musical in

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43

Ruttle, Mark. "Aspects of a Late Style in Sergei Rachmaninoff's Variations on a Theme of Corelli, Op. 42: a Lecture Recital, together with Three Recitals of Selected Works of J. Brahms, L. v. Beethoven, F. Chopin, C. Debussy, Zoltan Kodaly, M. Moussorgsky, and S. Prokofiev." Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc330593/.

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This document identifies elements of a stylistic change which occurred in several of the pieces Rachmaninoff wrote during the last years of his life. These elements reflect a progressive trend in his music, which certainly maintained in spite of the change, its characteristic sound. The Variations on a Theme of Corelli, Op. 42 illustrate these new developments in their lean, angular unison sonorities, stripped of chordal padding and virtuosic display, in their percussive, staccato and incisive ostinato rhythmic figures, astringent chromatic harmony and modern air of detachment. The Rhapsody on

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44

Seinen, Nathan Christopher. "Prokofiev's Soviet operas : four essays." Thesis, University of Cambridge, 2012. https://www.repository.cam.ac.uk/handle/1810/283904.

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Benelli, Maria Giulia. "Proposta di traduzione: sei favole di Sof'ja Prokof'eva." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2017. http://amslaurea.unibo.it/13747/.

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Questa tesi presenta la traduzione inedita di sei favole di autore di Sof'ja Prokof'eva e l'analisi degli elementi principali delle opere. Oltre alla discussione di problematiche relative alla traduzione, l'elaborato si pone l'obbiettivo di inquadrare l'autrice nel contesto della letteratura di infanzia sovietica degli anni 50-60 del 1900.

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46

Hsieh, Szu-Yun, and 謝斯韻. "Prokofiev Symphony no.1." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/sy3656.

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Yi-Fang, Liu, and 劉怡芳. "Prokofiev 《Visions Fugitives》 op.22." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/56364164991408674404.

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Yu, Hsin-Ying, and 余忻穎. "An Analysis of Prokofiev Violin Sonata Op.94." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/77249999746761274885.

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Stratkauskas, David Vincent Edwin. "Tonical ambiguity in three pieces by Sergei Prokofiev." Thesis, 1996. http://hdl.handle.net/2429/6071.

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There is much that is traditional in the compositional style of Sergei Prokofiev, invoking the stylistic spirit of the preceding two hundred years. One familiar element is the harmonic vocabulary, as evidenced by the frequent use of simple triadic sonorities, but these seemingly simple sonorities are frequently instilled with a sense of multiple meaning, and help to facilitate a tonal style which differs from the classical norm. In this style, the conditions of monotonality do not necessarily apply; there is often a sense of the coexistence of several "tonical" possibilities. An examinat

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E, Joukova Eugenia. "The songs and song cycles of Sergey Prokofiev (1930--1950) /." 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3301158.

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Thesis (D.M.A.)--University of Illinois at Urbana-Champaign, 2007.<br>Includes abstract. Vita. Source: Dissertation Abstracts International, Volume: 69-02, Section: A, page: 0429. Adviser: William Kinderman. Includes bibliographical references (leaves 153-157) Available on microfilm from Pro Quest Information and Learning.

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