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Libros sobre el tema "Public interest architecture"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 1 de febrero de 2022

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1

Anthony, Iannacci, ed. Architecture in the public interest: Fentress Bradburn architects. Edizioni Press, c2001, 2001.

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2

1953-, De Wire Elinor, ed. Lighthouses: Sentinels of the American coast. Graphic Arts Center Publishing, 2003.

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3

Andreu, Paul. Paul Andreu. Tempera, 1990.

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4

Andreu, Paul. Paul Andreu: The discovery of universal space. L'Arca Edizioni, 1997.

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5

Alexander, David, Colin Henry Davidson, Andrew Fox, Cassidy Johnson, and Gonzalo Lizzaralde, eds. Post-Disaster Reconstruction: Meeting Stakeholder Interests. Firenze University Press, 2007. http://dx.doi.org/10.36253/978-88-8453-611-2.

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This book collects together 46 papers presented at the Third Biennial Conference of i-Rec, International Group for the Diffusion of Research and Information on Post-Disaster Reconstruction. The various sections of the book cover the technical and administrative aspects of housing and other buildings after disaster. The approach to post-disaster shelter and reconstruction exemplified by this volume is fully interdisciplinary. A very wide range of perspectives is covered, including the disciplines and sub-disciplines of seismic and structural engineering, architecture, applied geography and geol
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6

Saha, Pallab. Enterprise architecture for connected e-government: Practices and innovations. Information Science Reference, 2012.

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7

Yang, Kwang-wan. 2009-yŏndo EA sŏngsukto ch'ŭkchŏng kyŏlgwa pogosŏ: A result of enterprise architecture maturity assessment. Han'guk Chŏngbohwa Chinhŭngwŏn, 2009.

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8

La protection du patrimoine architectural contemporain: Recherche sur l'intérêt public et la propriété en droit de la culture. Harmattan, 2010.

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9

Chŏng, Chun-ha. 2009-yŏndo EA silt'ae chosa kyŏlgwa pogosŏ: A report of the result on the investigation of enterprise architecture's current condition. Han'guk Chŏngbohwa Chinhŭngwŏn, 2009.

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10

Sandra, DiPasqua, ed. Holy places: Sacred sites in Catholicism. Viking Studio, 2002.

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11

Ferrari, Aldo, Stefano Riccioni, Marco Ruffilli, and Beatrice Spampinato. L'arte armena. Storia critica e nuove prospettive Studies in Armenian and Eastern Christian Art 2020. Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-469-1.

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Exploration of Armenian art began in the 19th century with French, Russian, German, Finnish, Austrian and Armenian art historians, and continued into the 20th century primarily with Russian, Armenian, Ukrainian, American and Italian scholars, who brought to the attention of a large public – not only of academics –, the artistic heritage of a territory that goes beyond the borders of present-day Armenia and encompasses an area known as Subcaucasia, a term used to indicate the regions from the South Caucasus to Anatolia, Iran and Upper Mesopotamia. Interest in Armenian art, from illuminated manu
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12

National Association of State Chief Information Officers. The states and enterprise architecture: How far have we come? : findings from the NASCIO 2005 EA assessment. National Association of State Chief Information Officers (NASCIO), 2005.

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13

Pragmatismo y voluntad: La idea de nación de las élites en Colombia y Argentina, 1880-1910. Universidad Nacional de Colombia, Facultad de Ciencias Humanas, 2004.

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14

1969-, Laube Felix B., and Newman Peter Dr, eds. An international sourcebook of automobile dependence in cities, 1960-1990. University Press of Colorado, 1999.

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15

Dillon, David. Architecture in the Public Interest. Edizioni Press, 2001.

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16

Bell, Bryan, and Lisa M. Abendroth. Public Interest Design Education Guidebook: Curricula, Strategies, and SEED Academic Case Studies. Taylor & Francis Group, 2018.

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17

Henderson, Jay, and Soichiro Fukutake. With Art As My Weapon: Revitalizing Rural Communities and Introducing Public Interest Capitalism. Long River Press, 2020.

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18

Bell, Bryan, and Lisa M. Abendroth. Public Interest Design Practice Guidebook: SEED Methodology, Case Studies, and Critical Issues. Taylor & Francis Group, 2015.

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19

Public Interest Design Practice Guidebook: SEED Methodology, Case Studies, and Critical Issues. Taylor & Francis Group, 2015.

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20

Museum, New York Transit, ed. Subway style: 100 years of architecture & design in the New York City subway. Stewart, Tabori, and Chang, 2004.

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21

Robins, Anthony, New York Transit Museum, and Andrew Garn. Subway Style: 100 Years of Architecture & Design in the New York City Subway. Stewart, Tabori and Chang, 2004.

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22

Parent, Laurence, and Elinor Dewire. Lighthouses. Graphic Arts Center Publishing Company, 2003.

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23

Andreu, Paul, and Filippo Beltrami Gadola. Paul Andreu: The Discovery of Universal Space. L'Arcaedizioni, 1998.

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24

Berkel, Ben Van, and Caroline Bos. Buy Me a Mercedes-Benz. Actar, 2006.

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25

1957-, Berkel Ben van, ed. Buy me a Mercedes-Benz: The book of the museum. Actar, 2006.

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26

1970-, Saha Pallab, ed. Advances in government enterprise architecture. Information Science Reference, 2008.

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27

The good place guide: Urban design in Britain and Ireland. Batsford, 2002.

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28

Billington, John, and Richard Cole. The Good Place Guide: Urban Design in Britain and Ireland. Batsford, 2003.

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29

van, José. Governing a Responsible Platform Society. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190889760.003.0008.

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This chapter shifts the focus from the analytical and the descriptive to the normative and the reflective. A key issue is how public values can be forced upon the ecosystem’s architecture—an architecture whose core is overwhelmingly controlled by (US) tech giants pushing economic values and corporate interests, often at the expense of a (European) focus on social values and collective interests. The mechanisms of datafication, commodification, and selection seem to afford tech companies unprecedented infrastructural, sectoral, and intersectoral powers. However, the ecosystem’s architecture is
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30

Sklair, Leslie. The Icon Project. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190464189.001.0001.

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In the last quarter century, a new form of iconic architecture has appeared throughout the world's major cities. Typically designed by globe-trotting "starchitects" or by a few large transnational architectural firms, these projects are almost always funded by the private sector in the service of private interests. Whereas in the past monumental architecture often had a strong public component, the urban ziggurats of today are emblems and conduits of capitalist globalization. In The Icon Project, Leslie Sklair focuses on ways in which capitalist globalization is produced and represented all ov
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31

von Stackelberg, Katharine T., and Elizabeth Macaulay-Lewis. Afterword. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190272333.003.0009.

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The papers in this volume have considered the reception, translation, transcription, and appropriation of Classical and Ancient Egyptian architecture in spaces of dwelling from the mid-eighteenth to late twentieth centuries. A complex picture emerges from these diverse analyses that points to future avenues for research. Most fundamentally, these essays demonstrate that scholars should approach much of the reception of ancient architecture not solely through a Neoclassical or Neo-Egyptian lens, but also through that of the Neo-Antique. Broader in concept, a Neo-Antique framework encourages us
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32

Mathur, Kuldeep. Recasting Public Administration in India. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780199490356.001.0001.

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Ever since a democratic system of government was adopted and a strategy of planned economic development was launched in India, the planners were quite conscious of the need for an administrative system different from the colonial one to implement the planned objective of development. Kuldeep Mathur, in this volume, examines these administrative reforms and provides a magisterial account of the changes in the institutional process of public administration. The introduction of neoliberal policies revived the concerns about reform and change, thereby giving rise to a new vocabulary in the discour
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33

Dipasqua, Sandra, and Barbara Calamari. Holy Places: Sacred Sites in Catholicism. Studio, 2002.

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34

Bradley, Richard. The Idea of Order. Oxford University Press, 2012. http://dx.doi.org/10.1093/oso/9780199608096.001.0001.

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Richard Bradley investigates the idea of circular buildings - whether houses or public architecture - which, though unfamiliar in the modern West, were a feature of many parts of prehistoric Europe. Why did so many people build circular monuments? Why did they choose to live in circular houses, when other communities rejected them? Why was it that those who preferred to inhabit a world of rectangular dwellings often buried their dead in round mounds and worshipped their gods in circular temples? Why did people who lived in roundhouses decorate their pottery and metalwork with rectilinear motif
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35

Benkler, Yochai, Robert Faris, and Hal Roberts. The Origins of Asymmetry. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190923624.003.0011.

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This chapter examines the origins of asymmetry in the American public sphere by charting the rise of second-wave right-wing media. Taking a political economy approach, this chapter investigates how institutions, politics, culture, and technology combine to explain why Rush Limbaugh, televangelism, and Fox News were able to emerge as mass media when they did, rather than remaining, as first-generation right-wing media after World War II had, small niche players. The chapter also considers how the emergence of the online right-wing media ecosystem followed the offline media ecosystem architectur
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36

Holt, Jennifer, and Patrick Vonderau. “Where the Internet Lives”. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039362.003.0003.

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This chapter examines how recent depictions of data-center visibility function both as a mode of claiming corporate territory and as an obfuscation of the less picturesque dimensions of cloud infrastructure. Analyzing media infrastructure industries, such as the companies that run cloud systems, presents particular challenges for researchers. The structural convergence and functional heterogeneity of media make it difficult to apply some of the tried and true concepts in media and communication studies, such as the distinction between public and private. Using the Swedish data center as an exa
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37

Pastrana Salcedo, Tarsicio. MAN’S GADGETS OR THE MACHINES THAT DO THINGS. Editorial Grupo Lacería, 2020. http://dx.doi.org/10.37806/egl.2020.001.

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This book has its origin in the research I did for my PhD studies in architecture, at that time it was not easy for me to look for the publication of the work, I was more interested in finishing my studies and continue with my life. Time and chance led me to publish part of that thesis in my first book, however that publication did not cover all the work done so far, so that’s what’s decided by the editors, leaving out the part of the analysis of the machines and taking only the explanations of hydraulic engineering, mestizo processes and treaties and their analysis, the book published in 2010
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38

McTaggart, Craig. Governance of the internet's infrastructure: Network policy for the global public network. 1999.

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39

Champion, Erik Malcolm, ed. Virtual Heritage: A Concise Guide. Ubiquity Press, 2021. http://dx.doi.org/10.5334/bck.

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Virtual heritage has been explained as virtual reality applied to cultural heritage, but this definition only scratches the surface of the fascinating applications, tools and challenges of this fast-changing interdisciplinary field. This book provides an accessible but concise edited coverage of the main topics, tools and issues in virtual heritage. Leading international scholars have provided chapters to explain current issues in accuracy and precision; challenges in adopting advanced animation techniques; shows how archaeological learning can be developed in Minecraft; they propose mixed rea
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40

Domínguez, Virginia R., and Jane C. Desmond, eds. Michael Titlestad on Solli and Condry. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040832.003.0028.

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This essay takes Solli’s and Condry’s essays as examples of possibilities worth emulating. Both essays, Titlestad argues, are refined instances of a refusal to adopt simple dialectical or bilateral understandings or analyses. Both describe the use of aspects of “American” culture (country and rap music respectively, as well as their social-symbolic architecture) in dynamic processes of triangulation that link their origins (in the United States), their destinations (Norway and Japan respectively), and third terms demarcated by the context and political priorities of performers and their public
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41

Garipzanov, Ildar. Graphic Signs of Authority in Late Antiquity and the Early Middle Ages, 300-900. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198815013.001.0001.

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This book presents a cultural history of graphic signs such as the sign of the cross, christograms, monograms, and other graphic devices, examining how they were employed to relate to and interact with the supernatural world, and to represent and communicate secular and divine authority in the late antique Mediterranean and early medieval Europe. It analyses its graphic visual material with reference to specific historical contexts and to relevant late antique and early medieval texts as a complementary way of looking at the cultural, religious, and socio-political transition from the late Gra
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42

Kenworthy, Jeffrey R., Felix B. Laube, Tamim Raad, Chamlong Poboon, and Benedicto Guia. An International Sourcebook of Automobile Dependence in Cities, 1960-1990. 2nd ed. University Press of Colorado, 2000.

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