Literatura académica sobre el tema "Religion in radio Radio stations, American"

Crea una cita precisa en los estilos APA, MLA, Chicago, Harvard y otros

Elija tipo de fuente:

Consulte las listas temáticas de artículos, libros, tesis, actas de conferencias y otras fuentes académicas sobre el tema "Religion in radio Radio stations, American".

Junto a cada fuente en la lista de referencias hay un botón "Agregar a la bibliografía". Pulsa este botón, y generaremos automáticamente la referencia bibliográfica para la obra elegida en el estilo de cita que necesites: APA, MLA, Harvard, Vancouver, Chicago, etc.

También puede descargar el texto completo de la publicación académica en formato pdf y leer en línea su resumen siempre que esté disponible en los metadatos.

Artículos de revistas sobre el tema "Religion in radio Radio stations, American"

1

Stoneman, Timothy H. B. "Preparing the Soil for Global Revival: Station HCJB's Radio Circle, 1949–59." Church History 76, no. 1 (2007): 114–55. http://dx.doi.org/10.1017/s000964070010143x.

Texto completo
Resumen
The second half of the twentieth century witnessed a fundamental shift in the character of the Christian religion—namely, a massive expansion and shift of its center of gravity southward. During this period, Christianity experienced a transformation from a predominantly Western religion to a world religion largely defined by non-Western adherents in Africa, Asia, and Latin America. From 1970 to 2005, the size of the Southern Church increased two and a half times to over 1.25 billion members. By the early twenty-first century, 60 percent of all professing Christians lived in the global South an
Los estilos APA, Harvard, Vancouver, ISO, etc.
2

Balfanz, Henry B. "Radio Daze." Journal of Business Case Studies (JBCS) 14, no. 1 (2018): 17–22. http://dx.doi.org/10.19030/jbcs.v14i1.10113.

Texto completo
Resumen
Radio has been a part of the American advertising landscape since the 1920s. Many threats to the industry have been thwarted by the strength and effectiveness of the medium. Prior to the deregulation of the industry in the 1990s and the technological change of the 21st century, there were literally hundreds of small entrepreneurs, owning one or two stations, spread across the country. This is the mythical story of Gus Rowekamp, who owns two stations in a midsize Midwestern market. He hangs on as an owner/operator, putting most of his focus on the efforts of his advertising sales staff.
Los estilos APA, Harvard, Vancouver, ISO, etc.
3

., Surianor. "PENGAYAAN MATERI SIARAN AGAMA UNTUK KERUKUNAN UMAT BERAGAMA PADA RADIO-RADIO SWASTA DI KALIMANTAN SELATAN." Alhadharah: Jurnal Ilmu Dakwah 16, no. 31 (2017): 13. http://dx.doi.org/10.18592/alhadharah.v16i31.1752.

Texto completo
Resumen
Religion Islam is very rich with the material teachings about religious harmony, especially in relationships with adherents of other religions. But regrettably the propagation material about this harmony is still rarely delivered or socialized to the community, including through radio-radio that conducts the broadcast in the community. This paper discusses the teachings of Isam about religious harmony and loading of harmony material through the broadcast of preaching programs on radio stations in South Kalimantan. Conclusion of this paper, the average radio in this area already has the broadca
Los estilos APA, Harvard, Vancouver, ISO, etc.
4

Wilbricht, Jana. "Tribal radio stations as key community informants and sites of resistance to mainstream media narratives." Journal of Alternative & Community Media 4, no. 3 (2019): 43–55. http://dx.doi.org/10.1386/joacm_00057_1.

Texto completo
Resumen
Rural US Indigenous communities are disproportionately affected by digital divides, insufficient infrastructures, and health disparities, so that community radio still represents a key medium in the lean mediascapes of these communities. The first US radio stations licensed to American Indian/Alaska Native tribes began broadcasting in 1971, about 50 years after the rise of rural radio in the US, which until then had almost entirely ignored Indigenous news, concerns, and voices. This paper draws on interview data from 2016 fieldwork conducted in Alaska and Arizona with two community radio stati
Los estilos APA, Harvard, Vancouver, ISO, etc.
5

Raymond, Ronald K. "Managing college radio: Understanding American college stations through their management practices." Radio Journal: International Studies in Broadcast & Audio Media 14, no. 2 (2016): 193–211. http://dx.doi.org/10.1386/rjao.14.2.193_1.

Texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
6

RASTOGI, R. G., P. V. KOPARKAR, and B. M. PATHAN. "Nighttime radio wave scintillation at equatorial stations in Indian and American zones." Journal of geomagnetism and geoelectricity 42, no. 1 (1990): 1–10. http://dx.doi.org/10.5636/jgg.42.1.

Texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
7

Saleem, Anila, Wajiha Raza Rizvi, and Maria Saleem. "Role of Radio Pakistan in Advancing Socio-Economic Development of Rural Areas." Global Regional Review IV, no. II (2019): 359–63. http://dx.doi.org/10.31703/grr.2019(iv-ii).38.

Texto completo
Resumen
This doctoral study examines the role of Radio Pakistan in influencing socio-economic development in Central Punjab through its radio stations situated in Lahore, Faisalabad, and Sargodha by analyzing the policy, content and the format of the programs related to socio-economic development focusing on the social indicators of religion, healthcare, education, culture, and politics as well as economic indicators of agriculture, trade & business, small & medium enterprise, infrastructure, and China Pakistan Economic Corridor during 2008-2013. The research design of this study included the
Los estilos APA, Harvard, Vancouver, ISO, etc.
8

Martínez-Roa, Omar-Gerardo, and Elsy-Genith Ortega-Erazo. "Perceptions and participation in community radio stations in Nariño-Colombia." Comunicar 26, no. 54 (2018): 81–90. http://dx.doi.org/10.3916/c54-2018-08.

Texto completo
Resumen
This work investigates the relationships between community radio and their audiences in the Department of Nariño, Colombia, considering Latin American and European experiences, and participation as a key element for social sustainability. The aim is to investigate whether the participation of citizens in the production, diffusion and radio management has been supported or not. Methodologically, we follow a mixed design that combined the results of two questionnaires: one, applied to 632 people from eleven municipalities; and the second, to eleven directors of communal stations. This was comple
Los estilos APA, Harvard, Vancouver, ISO, etc.
9

MacLennan, Anne F. "American Network Broadcasting, the CBC, and Canadian Radio Stations During the 1930s: A Content Analysis." Journal of Radio Studies 12, no. 1 (2005): 85–103. http://dx.doi.org/10.1207/s15506843jrs1201_8.

Texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
10

Wedel, Kip Anthony. "Permission to Dissent: Civil Religion and the Radio Western, 1933–1960." Religion and American Culture: A Journal of Interpretation 22, no. 1 (2012): 31–52. http://dx.doi.org/10.1525/rac.2012.22.1.31.

Texto completo
Resumen
AbstractRadio drama gave Americans a new form of commercial entertainment in the 1930s, but the stories themselves contained time-honored elements. One of these was the rhetorical tradition scholars have identified as American civil religion. Radio Westerns were particularly well suited to promulgate familiar civil religion themes. They described the United States as an instrument of divine will in history, celebrated Americans as pious people, and associated national expansion with the implementation of God's will.The Lone Ranger was the most famous Western to articulate these themes. The sho
Los estilos APA, Harvard, Vancouver, ISO, etc.

Tesis sobre el tema "Religion in radio Radio stations, American"

1

Sanders, Tyrone. "American local radio journalism : a public interest channel in crisis /." Connect to title online (Scholars' Bank) Connect to title online (ProQuest), 2008. http://hdl.handle.net/1794/7507.

Texto completo
Resumen
Thesis (Ph. D.)--University of Oregon, 2008.<br>Typescript. Includes vita and abstract. "The study documents the news operations of four different types of ownership structures within a single radio market, Salt Lake City, Utah"--P. v. Includes bibliographical references (leaves 218-229). Also available online in Scholars' Bank; and in ProQuest, free to University of Oregon users.
Los estilos APA, Harvard, Vancouver, ISO, etc.
2

Stoneman, Timothy H. B. "Capturing Believers: American International Radio, Religion, and Reception, 1931-1975." Diss., Georgia Institute of Technology, 2005. http://hdl.handle.net/1853/10415.

Texto completo
Resumen
Capturing Believers provides a history of the reception of American conservative evangelical missionary broadcasting from its inception in 1931 through the rise of the commercial era in 1970. The dissertation narrates accounts of two major Protestant stations, HCJB and ELWA, located in Ecuador and Liberia, respectively, as well as the U.S.-based project to build a custom transistor radio for the mission field. Employing a case-study approach, the thesis demonstrates the innovativeness of religious broadcasters who formulated a range of pragmatic responses to the drastic shortage of receiving s
Los estilos APA, Harvard, Vancouver, ISO, etc.
3

Stoneman, Timothy H. B. ""Capturing believers American international radio, religion, and reception, 1931-1975" /." Available online, Georgia Institute of Technology, 2006, 2006. http://etd.gatech.edu/theses/available/etd-11282005-173744/.

Texto completo
Resumen
Thesis (Ph. D.)--History, Technology and Society, Georgia Institute of Technology, 2006.<br>Dr. Susan Smulyan, Committee Member ; Dr. John Tone, Committee Member ; Dr. Larry Foster, Committee Member ; Dr. Steve Usselman, Committee Member ; Dr. John Krige, Committee Chair.
Los estilos APA, Harvard, Vancouver, ISO, etc.
4

Damome, Lakétienkoia Étienne. "Radios et religion en Afrique : information, communication et/ou prosélytisme : analyse comparée des cas du Bénin, Burkina-Faso, Ghana et du Togo." Bordeaux 3, 2007. http://www.theses.fr/2007BOR30060.

Texto completo
Resumen
Les nombreux changements intervenus dans le domaine de la radiophonie en Afrique peuvent être analysés de diverses manières. Ce travail prend l’option de les aborder par le biais du rapport avec la religion. Le fait religieux semble en effet constituer un secteur de choix pour les diffuseurs africains. Quels sont les enjeux, les fonctions et les contenus de cette tendance ? Quelle place occupe la religion dans l’être et le devenir des radios africaines ? Comment les médias utilisent-ils le fait religieux et, inversement, quels usages les religieux font-ils des médias ? Telles sont quelques-une
Los estilos APA, Harvard, Vancouver, ISO, etc.
5

Meeks, Herman Ellis. "A History of WKY-AM." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc500899/.

Texto completo
Resumen
The problem of this study was to document the history of radio station WKY, Oklahoma City, and to locate its place within the development of American radio broadcasting. This thesis divides WKY's history into two periods: 1920 through 1925, the years it was operated by Earl Hull, and 1926 through 1989, after it was acquired by E. K. Gaylord. The purpose of this study was to record the history of the oldest radio station operating west of the Mississippi River, its effect on the broadcast industry in general, and its effect on Gaylord Broadcasting Corporation, the parent organization. The study
Los estilos APA, Harvard, Vancouver, ISO, etc.
6

Wedel, Kip A. "One nation on the air: the centripetalism of radio drama and American civil religion, 1929-1962." Diss., Kansas State University, 2011. http://hdl.handle.net/2097/8570.

Texto completo
Resumen
Doctor of Philosophy<br>Department of History<br>Robert D. Linder<br>During the 1950s, a decade scholars call the high point of American civil religion, journalist and historian William Lee Miller complained that the “popular religious revival is closely tied to a popular patriotism, of which it is the uncritical ally: religion and Americanism, god and country, Cross and flag.” If it bothered Miller that Americans too often “slipped unnoticing from one to the other,” he suspected that at least part of the problem had to do with mass media. “It is ‘salable’ religion,” he quipped, “quite clearly
Los estilos APA, Harvard, Vancouver, ISO, etc.
7

Straw, Will 1954. "Popular music as cultural commodity : the American recorded music industries 1976-1985." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39241.

Texto completo
Resumen
This dissertation is an analysis of historical change within those cultural industries involved in the production and dissemination of popular music. Through an analysis of the relationship between the recording and radio industries within the United States, during the period 1976-1985, the manner in which crises within these industries arise and are resolved is traced. The emergence of such musical forms as "disco" and "New Wave", and the manner in which these forms have been integrated within the functioning of the music-related industries, are central concerns of the dissertation. At the sa
Los estilos APA, Harvard, Vancouver, ISO, etc.
8

Iggström, Marita. "Jesu återkomst den 21 maj 2011 : En undersökning om Harold Campings kristna domedagsrörelse." Thesis, Högskolan i Gävle, Avdelningen för kultur-, religions- och utbildningsvetenskap, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-9402.

Texto completo
Resumen
I denna uppsats har jag undersökt hur  Harold Campings domedagsrörelses, ”Campingitismens” och därmed radiostantionsnätverk Family Stations Inc.s, religiösa föreställningsvärld ser ut som de sprider världen över. Undersökningen går igenom frågorna: (1) vem är mannen bakom profetian om den 21 maj 2011?, (2) vilka är Harold Campings centrala läror och vad grundar de sig på?, (3) på vad grundar sig hans profetia om Jesu återkomst den 21 maj 2011?, (4) vad är hans föreställning om frälsning och hur kan man realisera detta mål?, (5) hur skiljer sig ”Campingitismens” frälsningsläror från Heaven’s Ga
Los estilos APA, Harvard, Vancouver, ISO, etc.
9

Noell, David. "Broadcasting Faith: Regulating Radio from the New Era to the American Century." Thesis, 2020. https://doi.org/10.7916/d8-c2vr-1n67.

Texto completo
Resumen
Between 1927 and 1987, American broadcast regulators undertook a project for radio. The project pursued multiple goals: to allocate wavelengths, to hold stations accountable to the public interest, to restrict prejudicial content, to protect domestic wavelengths from international signal interference, to sustain these policies over time with the advent of new media, and to evangelize the American way of life abroad. The Federal Communications Commission (FCC) and the State Department, as the primary institutions responsible for developing this American system of radio, addressed several challe
Los estilos APA, Harvard, Vancouver, ISO, etc.

Libros sobre el tema "Religion in radio Radio stations, American"

1

Shah, Wali. Afro-American radio directory. Xlibris Corp., 2002.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
2

American Indian radio voices. Zner-Bloser, 2000.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
3

Sturm, Gary L. Compendium of American railroad radio frequencies. Avaialable from G.L. Sturm, 1991.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
4

Sauls, Samuel J. The culture of American college radio. Iowa State University Press, 2000.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
5

Sturm, Gary L. The compendium of American railroad radio frequencies. Kalmbach Pub. Co., 1996.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
6

Sturm, Gary L. The compendium of American railroad radio frequencies. Kalmbach Pub. Co., 1995.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
7

J, Landgraf Mark, ed. The compendium of American railroad radio frequencies. Kalmbach Pub. Co., 1993.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
8

Sturm, Gary L. The compendium of American railroad radio frequencies. Kalmbach Pub. Co., 1999.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
9

Border Radio: Quacks, Yodelers, Pitchmen, Psychics, and Other Amazing Broadcasters of the American Airwaves. Texas Monthly Press, 1987.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
10

Duncan, James H. American radio: Sixteenth anniversary issue, 1976-1992 :a statistical history. Duncan's American Radio, 1992.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.

Capítulos de libros sobre el tema "Religion in radio Radio stations, American"

1

Baptiste, Bala J. "Organized Action Colorized White Radio in the Crescent City." In Race and Radio. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496822062.003.0001.

Texto completo
Resumen
Black voices on radio provided community building opportunities for African Americans. As such, blacks created an alternative public sphere which allowed them to engage in discourse that unifies people into a collective. The Urban League on the national and local levels aided community building by organizing its members to approach radio station managers beginning in 1941. The organization's directives led to the establishment of the “Negro Forum,” an Afrocentric talk show that integrated the airways in New Orleans in 1946. WNOE station owner James Noe provided O. C. W. Taylor 15 minutes of free airtime on Sundays from 10 a.m. to 10:15 a.m. Noe's decision to accept the “Religious Forum” was also influenced by his interest in gaining Federal Communications Commission approval to change his position on the dial and increase the station's broadcast power from 250 watts to 50,000 watts.
Los estilos APA, Harvard, Vancouver, ISO, etc.
2

"The Production of Local Public Spheres: Community Radio Stations." In The Latin American Cultural Studies Reader. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822385462-028.

Texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
3

Vaillant, Derek W. "The Drama of Broadcast History after May 1968." In Across the Waves. University of Illinois Press, 2017. http://dx.doi.org/10.5622/illinois/9780252041419.003.0007.

Texto completo
Resumen
This chapter explores selected English-language programs of the Direction des affaires extérieures et de la coopération (DAEC), an affiliate of French broadcasting’s Office de radiodiffusion-télévision française (ORTF). The DAEC supplied historical and cultural radio dramas to U.S. listeners from 1968 until 1973. The DAEC’s dramas used experimental aesthetic techniques and topical provocations to engage a contemporary American audience seeking alternatives to commercial radio. Irreverence, satire, and a willingness to critique French society imbued these exports with a mildly subversive quality rarely heard on U.S.–French radio. DAEC brought non-U.S. radio content to select public stations and marked a final burst of U.S.–French connectivity in the waning days of France’s state broadcast monopoly, which dissolved in 1974.
Los estilos APA, Harvard, Vancouver, ISO, etc.
4

Young, Dannagal Goldthwaite. "The Counterculture Comics versus the Hate Clubs of the Air." In Irony and Outrage. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190913083.003.0001.

Texto completo
Resumen
This chapter describes what is referred to as the first generation of American irony and outrage of the 1960s: the radical counterculture comedy of the 1960s versus conservative talk radio programming. While conservative voices on limited-circulation radio stations around the country were railing against the United Nations and a liberal United States Supreme Court, liberal activists in New York and San Francisco were producing a very different kind of political information that was antiwar, antisegregation, and anti–status quo: ironic social and political satire in smoky underground comedy clubs and coffeehouses. The chapter provides historical details about conservative radio shows hosted by people like Clarence Manion and Dan Smoot, and contrasts these shows’ voice and approach with that of radical satirists of that same era, particularly that of the improvisational political comedy theatre company The Committee, including insights from interviews with members of the group.
Los estilos APA, Harvard, Vancouver, ISO, etc.
5

Vaillant, Derek W. "Served on a Platter." In Across the Waves. University of Illinois Press, 2017. http://dx.doi.org/10.5622/illinois/9780252041419.003.0005.

Texto completo
Resumen
This chapter analyzes the French Broadcasting System (FBS), a postwar unit of Radiodiffusion Française (RDF), led by Pierre Crénesse. From Paris the FBS produced and distributed recorded English-language radio programs to hundreds of commercial, not-for-profit, and educational U.S. stations from the late 1940s to the early 1970s. The chapter assesses the effects of Cold War geopolitics and the Marshall Plan on the nature of U.S.–French broadcasting, which blurred clear lines of command and control. The FBS promulgated sounds of a revived France on U.S. airwaves. Radio marked an important field of geopolitics and afforded access points for France to reach American listeners and burnish its international reputation via broadcasting.
Los estilos APA, Harvard, Vancouver, ISO, etc.
6

Feu, Montse. "Solidarity for Political Prisoners." In Fighting Fascist Spain. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043246.003.0006.

Texto completo
Resumen
The Confederadas and its supporters held hundreds of rallies, pickets, and demonstrations across the United States to protest political persecution in Spain. In their cultural fundraisers, antifascist plays were performed, artists danced and sang, speeches were delivered, dinners were served, dance orchestras played, lotteries were held, and funds subsequently collected. España Libre reviewed the extraordinary activism for political prisoners in each of its issues. Protest was extended to other media, too. Members published letters of protest in American mainstream papers and rented radio space in several radio stations. The Confederadas’ numerous forms of protest and occupation of the public space garnered international attention for the incarcerations and executions of dissenters in Spain.
Los estilos APA, Harvard, Vancouver, ISO, etc.
7

Stephens, Randall. "Spirit in the Air." In Southern Religion, Southern Culture. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496820471.003.0005.

Texto completo
Resumen
This chapter traces out the long and complex relationship between Holiness-Pentecostals and technology, innovation, and mass media. One of the most significant religious phenomena of the 1980s was the emergence, or at least widespread public awareness, of the electronic church. Indeed, in 1987, four of the most-watched religious programs on television were hosted by southern Pentecostals. In coming years, African American Word of Faith and Pentecostal ministers like T. D. Jakes and Creflo Dollar would join the ranks of these highly visible religious stars. The link between Holiness and Pentecostal faith and tech savviness was not accidental. Pentecostals have used these resources to spread the movement. While media-driven Pentecostalism made enormous headway in the Global South, it also gained ground in other unlikely places as well. Pentecostal ministers outside the states proved just as adept at using radio, TV, and, later, social media to champion the cause.
Los estilos APA, Harvard, Vancouver, ISO, etc.
8

Vaillant, Derek W. "Introduction." In Across the Waves. University of Illinois Press, 2017. http://dx.doi.org/10.5622/illinois/9780252041419.003.0001.

Texto completo
Resumen
U.S–French transatlantic encounters produced contrasting techno-aesthetic ideals of radio broadcasting. The American paradigm stressed power, abundance, and high-speed execution; it could be quantified in kilowatts (kW), stations, transmitters, and program hours. The French techno-aesthetic emphasized quality, scarcity, and deliberate pacing; it prized the artistic and aesthetic merits of a program, valorized the disciplining effect of making do with finite resources, and celebrated deliberation over speedy results. Part 1 of this book examines the rise of U.S.–French broadcasting from the mid-1920s through World War II. Part 2 shifts to post-Liberation France, the Marshall Plan era, and the entanglements shaping U.S–French broadcasting as a dynamic mode of Cold War geopolitics.
Los estilos APA, Harvard, Vancouver, ISO, etc.
9

Siwe, Thomas. "Electronic Music." In Artful Noise. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043130.003.0008.

Texto completo
Resumen
With the end of World War II came the rebirth of European radio. Government stations in both France and Germany established experimental studios for research, from which arose a new kind of music, “electronic music.” The station in France, Office de Radiodiffusion Télevision Française (ORTF), was directed by the engineer/composer Pierre Schaeffer and his partner, Pierre Henry, who called their musical creations musique concrète. In Germany the Westdeutscher Rundfunk (WDR) studio produced music through the process of “synthesis.” This chapter will explain the difference between the two approaches used to create electronic music with examples from the percussion solo and ensemble repertoire. Early experiments using wire recorders, test records, and tape recorders by composers Halim El-Dabh, John Cage, and Edgard Varèse precede the major electronic works of Karlheinz Stockhausen, Mario Davidovsky, and the American composer Stephen Everett, whose use of computers in “real time” brings the reader into the next century.
Los estilos APA, Harvard, Vancouver, ISO, etc.
10

Potter, Simon J. "Rivalry and Competition, 1934–1937." In Wireless Internationalism and Distant Listening. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198800231.003.0004.

Texto completo
Resumen
The mid 1930s were one of the most decisive periods in the development of international broadcasting, as the use of wireless for propaganda purposes intensified and states became intimately involved with cross-border radio services. Fascist Germany, Italy, and Japan set the pace: Germany’s short-wave station at Zeesen continued to be the main competitor for the BBC’s Daventry station, and following the invasion of Abyssinia Italy’s stations at Rome and Bari threatened to undermine British influence in the Middle East, and particularly in Egypt and Palestine. Attempts by the International Broadcasting Union and the League of Nations (with its Broadcasting in the Cause of Peace initiative) to halt the rising tide of broadcast propaganda failed. Wireless internationalism increasingly seemed a forlorn hope. Britain also used broadcasting for propaganda purposes. The BBC stepped up attempts to reach US audiences by providing improved relays for the American networks. More significantly, the Foreign Office turned to the BBC to begin broadcasting in Arabic for the Middle East and Spanish and Portuguese for Latin America. The chapter significantly revises our understanding of the relationship between the BBC and the British state in this period, demonstrating that in taking on the work of broadcasting in foreign languages, the BBC accepted significant restrictions on its independence.
Los estilos APA, Harvard, Vancouver, ISO, etc.

Actas de conferencias sobre el tema "Religion in radio Radio stations, American"

1

Bude, R. X. F., U. Johannsen, T. A. H. Bressner, A. B. Smolders, and M. V. Ivashina. "Sparse Array Topologies for 5G mmWave Base-Stations: A System-Level Study." In 2020 IEEE International Symposium on Antennas and Propagation and North American Radio Science Meeting. IEEE, 2020. http://dx.doi.org/10.1109/ieeeconf35879.2020.9330035.

Texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
Ofrecemos descuentos en todos los planes premium para autores cuyas obras están incluidas en selecciones literarias temáticas. ¡Contáctenos para obtener un código promocional único!