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1

Deike, Michael W. "Tundale’s Vision: Socialization in 12th Century Ireland." Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/honors/182.

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The purpose of this project is to explore the historical image of Hell in Medieval Europe as an agent of socialization for illiterate Christian communities. The project focuses on a literary work, Tundale’s Vision, written in 1149 C.E in Cashel, Ireland. Tundale’s Vision came from a genre of vision literature derived from popular oracular folk tradition surrounding the image of Hell that served the purpose of socializing Christian communities to certain social norms and stigmas presented by the author. Vision literature would be used by preachers in vernacular sermons throughout the Medieval p
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2

Balnaves, John, and jojopacme@hotmail com. "Bernard of Morlaix : the Literature of complaint, the Latin tradition and the Twelfth-century “Renaissance”." The Australian National University. Faculty of Arts, 1998. http://thesis.anu.edu.au./public/adt-ANU20020515.114244.

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Bernard of Morlaix was a Cluniac monk who flourished around 1140. What little is known about him, including his visit to Rome, is examined in relation to the affairs of the Cluniac family in his day. A new conjecture is advanced that he was prior of Saint-Denis de Nogent-le-Rotrou. His poems are discussed as examples of the genre of complaint literature. His treatment of the end of the world, and of death, judgement, heaven and hell, is discussed in relation to twelfth-century monasticism. His castigation of the sins of his time includes some of the earliest estates satire. His anticleri
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3

Toro, Vial Miguel José de. "In exoticis historiis acutissimus. L'ancien Orient dans les chroniques universellesdu XIIe siècle." Thesis, Poitiers, 2014. http://www.theses.fr/2014POIT5007.

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Au cours de la « Renaissance du XIIe siècle », l'écriture de l'histoire s'épanouit dans l'Europe Latine. L'un des genres dans lequel ce phénomène est le plus visible est celui des chroniques universelles. Les chroniqueurs tentent d'y raconter l'histoire de l'humanité, depuis la Création jusqu'à leur propre époque. Certaines sont particulièrement riches en matière d'histoire ancienne, et fournissent même parfois d'amples informations sur l'Orient ancien. Pourquoi des moines reclus dans leurs monastères s'intéressaient-ils à une histoire aussi éloignée dans le temps et dans l'espace ? Le présent
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4

Khan, Robert Omar. "Ariake no Wakare, genre, gender, and genealogy in a late 12th century Monogatari." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0008/NQ34561.pdf.

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5

Sibley, David J. "The sixteenth-century parody mass." Thesis, University of Nottingham, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.254959.

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6

Kirmizi, Burcu. "Material Characterization Of The Late 12th-13th Century Byzantine Ceramics From Kusadasi Kadikalesi/anaia." Phd thesis, METU, 2012. http://etd.lib.metu.edu.tr/upload/12614094/index.pdf.

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This study investigates the petrographical and chemical characteristics of a group of Zeuxippus Ware Related Ceramics dating to the late 12th-13th centuries from Kusadasi Kadikalesi/Anaia. Kadikalesi was a Byzantine fortress at the coast of Aegean Sea. It was also a significant commercial port and an episcopacy center during the 13th century. In this study, visual classifications of the ceramics were carried out based on their stylistic properties. Then, ceramic samples were investigated by several methods including mineralogical, micromorphological, chemical (SEM-EDX, ICP-OES, ICP-MS) and Ram
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7

Bolding, Sharon Lynn Dunkel. "When worlds collide : structure and fantastic in selected 12th- and 13th- century French narratives." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0002/NQ27109.pdf.

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8

Nadhiri, Aman Asili Ya Wittig Joseph S. "Sarasins and Franks perceptions of self and the other in 12th-15th century literature /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2009. http://dc.lib.unc.edu/u?/etd,2212.

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Thesis (Ph. D.)--University of North Carolina at Chapel Hill, 2009.<br>Title from electronic title page (viewed Jun. 26, 2009). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English." Discipline: English and Comparative Literature; Department/School: English and Comparative Literative.
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9

Roveda, Vittorio. "Narrative reliefs of the SW and NW western corner pavilions of Angkor Wat." Thesis, SOAS, University of London, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313427.

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10

OZAWA, Minoru. "From Runic Stone to Charter : Transformation of property confirmation in 11th and 12th century Denmark." 名古屋大学大学院文学研究科, 2007. http://hdl.handle.net/2237/13996.

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11

Ostapkowicz, Joanna. "Taino wooden sculpture : Duhos, rulership and the visual arts in the 12th-16th century Caribbean." Thesis, University of East Anglia, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.300073.

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12

Stiles, Paula R. "Christian and non-Christian Templar associates in the 12th and 13th century crown of Aragon." Thesis, University of St Andrews, 2005. http://hdl.handle.net/10023/13665.

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This thesis seeks to illuminate the nature, extent and complexity of Templar interactions with their associates, particularly non-Christians, women and Mozarabs, by examining these interactions where the most evidence exists for them---northeastern Spain. Evidence for Temple associations with both Christians and non-Christians is strongest and most prolonged here. The overall nature of these interactions was friendlier than expected in a crusading group. In fact, Templars actively competed with the secular Church, nobility and the king in the Crown of Aragon for lordship over non-Christians be
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13

Wolken, Christine Chiorian. "Beauty, Power, Propaganda, and Celebration: Profiling Women in Sixteenth-Century Italian Commemorative Medals." Case Western Reserve University School of Graduate Studies / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=case1339555478.

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14

Wilde, Howard Lionel. "Towards a new theory of voice-leading structure in sixteenth-century polyphony." Thesis, Royal Holloway, University of London, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.283526.

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15

Logan, Gabriella Berti. "Italian women in science from the Renaissance to the nineteenth century." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0018/NQ46531.pdf.

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16

Cotellessa, Angela J. "In Pursuit of Polymaths| Understanding Renaissance Persons of the 21st Century." Thesis, The George Washington University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10749910.

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<p> This phenomenological study focused on the lived experiences of modern day polymaths. The constructs of openness to experience, identity, self-directed learning, polymathy or multi-disciplinarily, and intrapersonal functional diversity were used to frame the research. The primary theoretical lens of this study is based on Identity Theory and Social Identity Theory. The inquiry focused on accomplished polymaths with careers spanning both the arts and sciences. The participants&rsquo; narratives provided insights regarding how they became polymaths and what their experiences as polymaths hav
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17

趙智輝 and Chi-fai Chiu. "A study of the phonology of 12th century China, with reference to Zhu Xi's fanqie notation." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1988. http://hub.hku.hk/bib/B31208149.

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18

Reid, Jessica. "The Fortunes of a King: Images of Edward the Confessor in 12th to 14th Century England." Thesis, Université d'Ottawa / University of Ottawa, 2016. http://hdl.handle.net/10393/34197.

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This thesis is an iconographic study of Saint-King Edward the Confessor. It focuses on the political and devotional functions of his images in twelfth to fourteenth century England. The images are not concerned with the historical Anglo-Saxon King, but rather depict an idealized and simplified version of Edward. The discrepancies between Edward, the Anglo-Saxon monarch, and his representation in the twelfth to fourteenth centuries provide insight into how he was perceived at the time. Spanning the reigns of King Henry I to King Richard II, this unique study assembles both royal and ecclesias
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19

Steczowicz, Agnieszka. "'The defence of contraries' : paradox in the late Renaissance disciplnes." Thesis, University of Oxford, 2004. https://ora.ox.ac.uk/objects/uuid:f2f93089-60f6-4408-aae9-2b3e595efcdc.

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The aim of this thesis is to examine the meanings and functions of paradox in the late Renaissance. My understanding of Renaissance paradox, in contrast to that of most critics and historians, rests entirely on contemporary definitions of the term, rather than on its present-day meaning. Paradoxes as they are envisaged in this study begin to appear in the wake of the humanist rediscovery and dissemination of Cicero's <i>Paradoxa Stoicorum</i>. In this work, paradoxes are characterized as 'admirabilia contraque opinionem omnium', a definition that draws attention to two important traits of para
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20

Hampton, Catherine Mary. "Chastity : a literary and cultural icon of the French sixteenth-century court." Thesis, Durham University, 1996. http://etheses.dur.ac.uk/5442/.

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This thesis considers the Renaissance understanding of the virtue of chastity within the French court, countering the view that the Renaissance courtier perceived chastity to be simply an attribute properly assigned to women as a protective virtue. From within a context of Renaissance moral paradigms, religious and secular, this study demonstrates how the French nobility championed individual perfectibility and denounced passion, embracing reason as paramount moral virtue and valorizing social codes of conduct as signs of rational activity. The rational control of the body in a social context
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21

O'Malley, Michelle Marie. "The business of art : contracts and payment documents for fourteenth- and fifteenth-century Italian alterpieces and frescos." Thesis, University of London, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.308732.

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22

Edwards, Jesse R. "'Marveilous newtrality'/'strange participation' : mathematics and the colonial attitude in seventeenth-century England." Thesis, University of Sussex, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.360605.

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23

Ulff-Møller, Nina Konstantinova. "Transcription of the Stichera idiomela for the month of April from Russian manuscripts from the 12th century /." München : O. Sagner, 1989. http://catalogue.bnf.fr/ark:/12148/cb37598717n.

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24

Reynolds, Paige Martin. "Reforming Ritual: Protestantism, Women, and Ritual on the Renaissance Stage." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5439/.

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My dissertation focuses on representations of women and ritual on the Renaissance stage, situating such examples within the context of the Protestant Reformation. The renegotiation of the value, place, and power of ritual is a central characteristic of the Protestant Reformation in early modern England. The effort to eliminate or redirect ritual was a crucial point of interest for reformers, for most of whom the corruption of religion seemed bound to its ostentatious and idolatrous outer trappings. Despite the opinions of theologians, however, receptivity toward the structure, routine, and fam
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25

Kirk, Douglas Karl. "Churching the shawms in Renaissance Spain : Lerma, archivo de San Pedro ms. mus. 1." Diss., McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=77431.

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Numerous studies have shown that in the sixteenth and seventeenth centuries Spanish churches (both metropolitan and monastic) employed bands of wind instrumentalists to play frequently in liturgies and processions throughout the church year. Exactly what this music was, though, beyond colla parte participation in masses and motets has remained conjectural because not a note of it has been found. This dissertation is a study and edition of a major, newly-discovered manuscript which contained part of the repertory of the minstrels who served the Duke of Lerma, c. 1607, in the collegial church of
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26

Maxson, Brian. "Review of Humanism in Fifteenth-Century Europe." Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etsu-works/6204.

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27

Labuk, Tomasz. "Gluttons, drunkards and lechers : the discourses of food in 12th-century Byzantine literature : ancient themes and Byzantine innovations." Doctoral thesis, Katowice : Uniwersytet Śląski, 2019. http://hdl.handle.net/20.500.12128/11501.

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Niniejsza praca doktorska przedstawia analizę literackich dyskursów jedzenia oraz jego konsumpcji, używanych przez bizantyńskich autorów w okresie od połowy wieku jedenastego do początków wieku trzynastego. Za pomocą pojęcia ‘dyskursu jambicznego’, które zaproponowane zostało przez Nancy Worman w jej pracy Abusive Mouths in the Classical Athens autor powyższej rozprawy analizuje w jaki sposób konsumpcja jedzenia oraz ludzkie ciało używane były w wielu tekstach bizantyńskich, we wspomnianym okresie, jako środek wyrazu dla inwektywy, satyry, bądź też społecznej krytyki. We Wstępie prezento
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28

Gerdes, Erin Marie. "Instruments of Praise: Sixteenth-Century Pedagogy, Lutheranism, and the 26 Fugae of Johann Walter." Bowling Green State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1282176669.

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29

Rosenthal, Elaine G. "Lineage bonds in fifteenth century Florence : the Giovanni, Parenti, and Petrucci." Thesis, Queen Mary, University of London, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.390279.

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30

Mariani, Irene. "Vespucci family in context : art patrons in late fifteenth-century Florence." Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/15740.

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The study of Florentine artistic patronage has attracted several approaches over the last three decades, including the exploration of patron-­‐client structures and how the use of art in private and public spheres contributed to shape families’s identity. Building on past research, this work focuses on the art patronage of a prominent, yet overlooked, family, the Vespucci, to whom Amerigo, the navigator who reached the coasts of America in the late fifteenth century, belonged. Although the family’s importance was achieved through a synergy of political, religious and intellectual forces, atten
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31

Kranias, Alison. "Verovio's keyboard intabulations and domestic music making in the late Renaissance." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98544.

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At the end of the sixteenth century, Simone Verovio printed a series of canzonetta anthologies in Rome. These collections were unique, in that they contained keyboard and lute intabulations alongside their vocal parts. The keyboard intabulations seem primarily intended as accompanimental parts. As such, they inform us about the use of keyboard instruments in ensembles of mixed voices and instruments. This thesis examines how the printing format of Verovio's keyboard intabulations arose from a larger context. In particular, it asks what were the skills and training of amateur keyboard players (
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32

Forward, Alice. "The ceramic evidence for economic life and networks from the 12th to 17th Century Settlement Sites in South Glamorgan." Thesis, Cardiff University, 2013. http://orca.cf.ac.uk/56805/.

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33

Orr, Eric D. "Six degrees of Guillelmus Mancip : a study of connections between donors to the military orders in 12th century Toulouse /." View online, 2008. http://repository.eiu.edu/theses/docs/32211131458162.pdf.

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34

Marchant, Katrina. "Things 'necessary' and 'unnecessary' : trash and trifles in early modern England, 1519-1614." Thesis, University of Sussex, 2015. http://sro.sussex.ac.uk/id/eprint/55175/.

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This thesis investigates the shifting representation of trash and trifles in the literature and art of sixteenth and early seventeenth century England. It connects previously disparate critical fields – religion, politics, national identity, travel, literary criticism – in order to offer new perspectives on the period. The investigation of the terms ‘trash' and ‘trifles' at the centre of this project reinstates a crucial literary perspective to the historical study of early modern England's crises in spiritual and material value, whilst retaining a keen awareness of the importance of interconn
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35

Macaulay, Michael James. "Pansophia and perfection : the nature of utopia in the early seventeenth century." Thesis, Durham University, 2001. http://etheses.dur.ac.uk/1657/.

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36

Giunta, Stephen. "Between memory and desire : the renaissance vision of Cristoforo Sorte." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=27474.

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This thesis is concerned with cartographic practices and the representation of the world during the Renaissance. In contrast with the modern instrumentalized world view, it will present surveying techniques and representational means that were defined by and reflected a divine transcendental order. The work of Cristoforo Sorte, as exemplified in his chorographia, will be investigated in order to display the mysterious qualities and geometric depth shared with Renaissance art and architecture. An examination of Sorte's methods of creating his work, relying on memory and the active recollection
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37

Hannam, Walter. "The Ineuitabile of Honorius Augustodunensis: A Study in the Textures of early Twelfth-Century Augustinianisms." Thesis, Boston College, 2013. http://hdl.handle.net/2345/3048.

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Thesis advisor: Steven F. Brown<br>Despite several centuries of scholarly activity, one of the most outstanding figures of the twelfth-century renaissance, Honorius Augustodunensis, remains an elusive figure. Almost nothing is known of his life--where he was born, where exactly he lived, or where he died. Yet in his own day, Honorius's considerable literary output was extremely popular, was copied in profusion, and housed in libraries across Europe. Unfortunately, most studies of Honorius's works have consisted of very general surveys that oversimplify his thought and present Honorius himself
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38

Reed, Laurel Elizabeth. "Approaches to fifteenth- and early sixteenth-century painting in Dalmatia." Diss., [La Jolla] : University of California, San Diego, 2009. http://wwwlib.umi.com/cr/ucsd/fullcit?p3355597.

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Thesis (Ph. D.)--University of California, San Diego, 2009.<br>Title from first page of PDF file (viewed July 7, 2009). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 378-402).
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39

Oraibi, Ali. "Shīʻī renaissance : a case study of the theosophical school of Bahrain in the 7th13th century". Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39571.

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In the wake of the abolition of the Caliphate in the Islamic world with the advent of the Mongols in the 13th century, Islamic scholarship paradoxically flourished, especially in the Shi'i milieu. This era marked a renaissance which has influenced the course of Shii thought ever since. Through its major thinkers, i.e. Ibn Sa'ada, 'Ali ibn Sulayman and Maytham, the school of Bahrain contributed vigorously to this renaissance by integrating philosophy and mysticism into Shi'ism. Yet, the writings of this school are barely known to modern scholarship and many are still in manuscript form. Drawing
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40

Morrall, Rupert Andrew. "Jorg Breu the elder (c.1475-1537) : Renaissance and Reformation in early sixteenth century Ausburg." Thesis, Courtauld Institute of Art (University of London), 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.361220.

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41

Maxson, Brian J. "The Myth of the Renaissance Bubble: International Culture and Regional Politics in Fifteenth-Century Florence." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/etsu-works/7763.

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Book Summary: Florence in the Early Modern World offers new perspectives on this important city by exploring the broader global context of the fifteenth and sixteenth centuries, within which the experience of Florence remains unique. By exploring the city’s relationship to its close and distant neighbours, this collection of interdisciplinary essays reveals the transnational history of Florence. The chapters orient the lenses of the most recent historiographical turns perfected in studies on Venice, Rome, Bologna, Naples, and elsewhere towards Florence. New techniques, such as digital mapping,
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42

Dodds, Sarah Jane. "The significance of the Italian style in German Lutheran music of the early seventeenth century : a study of Johann Hermann Schein's 'Opella nova' (1618, 1626)." Thesis, University of Bristol, 2000. http://hdl.handle.net/1983/aa724e9f-842f-4887-a352-0d8b6350c64c.

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The title page of Schein's Opella nova I (1618) advertises `Geistliche Concerten.a. uff jetzo gebreuchliche italiänische Invention'. A mixture of Latin, Gothic and Italic script styles gives an immediate visual impression of mingling styles. From this starting point, the genre and purpose of the two publications of the Opella nova (1618,1626) are discussed. Examination of the collections published in between these volumes reveals that Schein deliberately published sacred and secular music alternately, positively advertising and applying the same Italian genres and styles in each category. The
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43

Baker, Nicholas Scott, and Brian Maxson. "Florence in the Early Modern World: New Perspectives and millions of other books are available for Amazon Kindle. Learn more Florence in the Early Modern World: New Perspectives." Digital Commons @ East Tennessee State University, 2019. https://www.amzn.com/1138313319.

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Florence in the Early Modern World offers new perspectives on this important city by exploring the broader global context of the fifteenth and sixteenth centuries, within which the experience of Florence remains unique. By exploring the city’s relationship to its close and distant neighbours, this collection of interdisciplinary essays reveals the transnational history of Florence. The chapters orient the lenses of the most recent historiographical turns perfected in studies on Venice, Rome, Bologna, Naples, and elsewhere towards Florence. New techniques, such as digital mapping, alongside new
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44

Fang, Ming-Jian. "Notational systems and practices for the lute, vihuela and guitar from the Renaissance to the present day." Virtual Press, 1988. http://liblink.bsu.edu/uhtbin/catkey/558361.

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Discussion in this dissertation is directed toward the lute, vihuela and guitar's notational systems and practices: chapters two, three, four, and five are concerned with the stylistic changes in the notations. The history of the tablatures is presented in a paralled fashion with that of the four-course and five-course guitars. An attempt is made to eliminate the guitarist's lack of knowledge about most practices and about subtle differences in performance. This is accomplished by presenting the development of these notations from the Renaissance to the present day.This study is concerned with
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45

Temme, Diane. "Orlando di Lasso's psalm settings : an examination of genre in late sixteenth-century psalm motets and German Leider." Thesis, Bangor University, 2019. https://research.bangor.ac.uk/portal/en/theses/orlando-di-lassos-psalm-settings(734d892f-f377-4279-bda2-2b6315cbb6a1).html.

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Lasso was considered the greatest composer of his generation with undisputable mastery of all sixteenth-century genres. The dynamism of the late sixteenth century saw the most sophisticated compositions in the continuation of the psalm motet tradition. However, more flexible applications for the psalms in the form of meditations, vernacular translations, and paraphrases opened the door for new and diverse interpretations. This dissertation is a study of Lasso's engagement with established musical traditions and new trends in psalmody. This study unfolds in two parts. First in the discussion of
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46

Kanerva, Liisa. "Defining the architect in fifteenth-century Italy : exemplary architect in L. B. Alberti's De Re aedificatoria /." Helsinki : Academia scientiarum fennica, 1998. http://catalogue.bnf.fr/ark:/12148/cb391068384.

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47

Perysinakis, Reem Maria. "Shifting targets in Reformation allegory : five case studies, 1515-1575." Thesis, University of Sussex, 2016. http://sro.sussex.ac.uk/id/eprint/60799/.

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This thesis explores the shifting targets of evil in English Reformation allegory during particularly turbulent social and religious changes, between 1534 and 1575, when the notion of evil was used as a polemical weapon by authors with a progressive reformist agenda. I examine how the concept of evil, as delineated by the philosophy of ‘moral absolutism', and its associated theological theories, although remained static (good and evil are defined in a diametrically opposed construct, and determined by a deity), the nature of evil (whether evil is something we all have within us or is an extern
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48

Munn, Albert Christopher. "Medieval and renaissance prescriptions regarding text underlay and their application to music of the fifteenth century /." Full-text version available from OU Domain via ProQuest Digital Dissertations, 1991.

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Fandrich, David John. "The birthing process select anthems of Samuel Sebastian Wesley and the nineteenth-century English musical renaissance /." 24-page ProQuest preview, 2008. http://proquest.umi.com/pqdweb?did=1507552661&sid=1&Fmt=2&clientId=10355&RQT=309&VName=PQD.

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Sim, Susan. "Memory's wizard pencil : the perpetuation of an ethos in early nineteenth-century representations of Renaissance drama." Thesis, University of Stirling, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.306868.

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