Bibliografías temáticas / Roland Penrose

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Literatura académica sobre el tema "Roland Penrose"

Autor: Grafiati
Publicado: 10 de marzo de 2023
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Roland Penrose"

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FREEMAN, JULIAN. "VISITING PICASSO THE NOTEBOOKS AND LETTERS OF ROLAND PENROSE BY ELIZABETH COWLING." Art Book 13, no. 4 (2006): 33–34. http://dx.doi.org/10.1111/j.1467-8357.2006.00725.x.

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FREEMAN, ALANNA. "THE GREEN MEMORIES OF DESIRE: LEE MILLER, ROLAND PENROSE BY KATHERINE SLUSHER." Art Book 15, no. 2 (2008): 73–74. http://dx.doi.org/10.1111/j.1467-8357.2008.00966_1.x.

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Golia, Maria. "Surrealism and Photography in Egypt." Nka Journal of Contemporary African Art 2021, no. 49 (2021): 144–62. http://dx.doi.org/10.1215/10757163-9435751.

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Over the course of three years researching thousands of old photographs for her 2010 book Photography and Egypt (Reaktion Books), the author came across few examples of what might be termed “surrealist photography” in Egypt and little evidence for the exhibitions organized by Art and Liberty, a group of Egyptian artists and writers who resisted the Nazi and fascist risings before and after World War II. Anchored by Samir Gharib’s Surrealism in Egypt and Plastic Arts; correspondence between photographer Lee Miller, living in Cairo in the 1940s, and British artist and poet Roland Penrose; and Do
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Laura, Franco. "Primeras incursiones de Pablo Picasso en las nuevas Tecnologías de principios del siglo XX. El cinematógrafo de Barcelona como paradigma." ASRI. Arte y Sociedad. Revista de Investigación en Arte y Humanidades Digitales, no. 20 (December 22, 2021): 36–51. https://doi.org/10.5281/zenodo.7644542.

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A lo largo de este artículo nos acercaremos a las primeras incursiones de Pablo Picasso en las nuevas tecnologías de principios del siglo XX. Como ejemplo representativo de estos nuevos métodos tecnológicos de la época, analizaremos la relación que se estableció entre Pablo Picasso y el cine, a través del estudio concreto de los vínculos que se instauraron entre el artista y Cinematógrafo Napoleón de Barcelona, durante su juventud. A partir de aquí, valoraremos qué grado de influencia ejerció el c
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Reverseau, Anne. "The blend of poetry and document in the photographical artist’s book The Road is Wider than Long by Roland Penrose (1939)." Interfaces, no. 43 (July 15, 2020): 125–41. http://dx.doi.org/10.4000/interfaces.810.

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conekin, becky e. "““Another Form of Her Genius””: Lee Miller in the Kitchen." Gastronomica 10, no. 1 (2010): 50–60. http://dx.doi.org/10.1525/gfc.2010.10.1.50.

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Lee Miller was a Vogue cover girl in New York in the mid-to-late 1920s. In the early thirties she was Man Ray's muse, student, and lover in Paris, where she also worked as both photographer and model for Paris Vogue, as well as for numerous courtiers, including Patou and Scheperelli. The mid-thirties found her with her own successful photographic studio back in Manhattan. In WWII she served as British Vogue's official war correspondent and was one of the first photographers to enter liberated Dachau and Buchenwald. In 1957 Miller passed the Cordon Bleu course at their Paris school. Generally o
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"Visiting Picasso: the notebooks and letters of Roland Penrose." Choice Reviews Online 44, no. 03 (2006): 44–1332. http://dx.doi.org/10.5860/choice.44-1332.

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Garcés García, María Pilar. "Edouard Mesens, a Belgian forefather of the surreal movement in London 1936." Thélème. Revista Complutense de Estudios Franceses 34, no. 1 (2019). http://dx.doi.org/10.5209/thel.61063.

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The article presents the birth and the origins of English surrealism. Hardly studied from its beginnings, its incipient manifestations began with the exhibitions and manifestations organized in London by the Belgian gallerist and writer Édouard Mesens, acquiring afterwards, insular and specific connotations through the work of surrealist English and Welsh artists and writers in the interwar period. Roland Penrose, Eileen Agar, Paul Nash, David Gascoyne, Humphrey Jennings, among others, consider that Paris is the cradle of the highest and most revolutionary manifestations of art in all its form
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Tesis sobre el tema "Roland Penrose"

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Lang, Sabine [Verfasser], and Sergiusz [Akademischer Betreuer] Michalski. "Studien zu Roland Penrose, dem Englischen Surrealismus und der Farley Farm als Künstlerhaus und Repräsentantin des künstlerischen Werkes / Sabine Lang ; Betreuer: Sergiusz Michalski." Tübingen : Universitätsbibliothek Tübingen, 2016. http://d-nb.info/1164018299/34.

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caterina, caputo. "Collezionare, esporre, vendere. Strategie di mercato e diffusione dell'arte surrealista tra il 1938 e il 1950: il caso della London Gallery." Doctoral thesis, 2018. http://hdl.handle.net/2158/1128889.

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La tesi analizza le strategie di mercato e la diffusione del surrealismo relative alle attività dell'unica galleria ufficialmente surrealista in Gran Bretagna, aperta a Londra dall'artista surrealista belga E.L.T. Mesens e dall'inglese Roland Penrose, e rimasta in attività dal 1938 al 1950. Nel corso della trattazione viene posta una particolare attenzione sia al mercato dell'arte che al collezionismo surrealista del periodo tra le due guerre e dell'immediato dopo guerra, non solo in ambito britannico ma anche internazionale. Lo studio, inoltre, ambisce a ricontestualizzare quel processo di in
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Libros sobre el tema "Roland Penrose"

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Timothy, Baum, and Mayor Gallery, eds. Two old pals: Man Ray & Roland Penrose. Mayor Gallery, 1990.

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Ray, Man. Two old pals: Man Ray & Roland Penrose. Mayor Gallery, 1990.

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3

Sir, Penrose Roland, Miller Lee 1907-1977, Scottish National Gallery of Modern Art., and Dean Gallery (Edinburgh Scotland), eds. Roland Penrose, Lee Miller: The surrealist and the photographer. Trustees of the National Galleries of Scotland, 2001.

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Sir, Penrose Roland, ed. Visiting Picasso: The notebooks and letters of Roland Penrose. Thames & Hudson, 2006.

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Katherine, Slusher, Fundación Pablo Ruiz Picasso, and TEA Tenerife Espacio de las Artes, eds. Roland Penrose y el surrealismo: Mirar de reojo = My windows look sideways. Fundación Pablo Ruiz Picasso, 2008.

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Alen, MacWeeney, ed. The home of the surrealists: Lee Miller, Roland Penrose, and their circle at Farley Farm. Frances Lincoln, 2001.

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King, James. Roland Penrose. Edinburgh University Press, 2016. http://dx.doi.org/10.1515/9781474414517.

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Penrose, Antony. Roland Penrose: The Friendly Surrealist. Unicorn Publishing Group, 2019.

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James, King. Roland Penrose: The Life of a Surrealist. Edinburgh University Press, 2016.

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Two old pals: Man Ray & Roland Penrose. Mayor Gallery, 1990.

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Capítulos de libros sobre el tema "Roland Penrose"

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King, James. "The Uninvited Guest (1966–1984)." In Roland Penrose. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474414500.003.0015.

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This chapter details events in Roland Penrose's life from 1966 to 1984. By the mid-1960s, Roland used his Sussex home as a refuge from his lecture tours, meetings at the Institute of Contemporary Arts (ICA) and other London-based activities. As a result, he paid more attention to the garden and filled it with sculptures. Although he kept in touch with the ICA, Roland had lost touch with its day-to-day activities during his Picasso years. He had expected Herbert Read to carry on in his place, but when Read died in 1968 Roland felt duty-bound to rekindle his formerly close relationship with the
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King, James. "A Heretic in Training (1919–1922)." In Roland Penrose. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474414500.003.0003.

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This chapter details events in Roland Penrose's life from 1919 to 1922. On 18 January 1919, a mere ten days after returning to England from the war, Roland enrolled at Queen's College, Cambridge. Roland's creativity was stimulated in his new environment but the effects of the war lingered on. Although he labelled the large charcoal drawings of men and monsters he had begun to draw as expressive of ‘romantic yearnings’, they really ‘came struggling out of darkness, symbolic but with that urgent yet forbidden aspect of sex, still too incomprehensible and dangerous for me to admit except in naïve
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King, James. "‘This Fascinating Horror’ (1914–1918)." In Roland Penrose. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474414500.003.0002.

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This chapter details events in Roland Penrose's life from 1914–1918. In 1914, at the age of fourteen, Roland was sent to Leighton Park School near Reading, referred to at the time as ‘the Quaker Eton’, where he was further schooled in a fundamental aspect of his parents' religion: self-reliance. While the first fourteen years of Roland's life had been lived during peace, England would be changed forevermore by the Great War. Back home, his family was thrown into a state of quiet despondency because of Quakerism's strong adherence to pacifism. In March 1916, when the Military Service Act became
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King, James. "Insoluble Questions (1932–1935)." In Roland Penrose. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474414500.003.0005.

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This chapter details events in Roland Penrose's life from 1932 to 1935. In an attempt to sort out the problems in their marriage, Roland and Valentine travelled to India at the end of 1932, where their friend, Cuban-born archaeologist Vicente-Marcelino-Julio Galarza Pérez Castañeda had taken up a professorship in Arabic philosophy at the University of Calcutta. Although they were largely sheltered from them, the Penroses nevertheless felt themselves assaulted on a daily basis by the harsh realities of everyday life in India. Roland's sense of natural justice was further battered when he witnes
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King, James. "‘Let’s Do Something’ (1935–1936)." In Roland Penrose. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474414500.003.0006.

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This chapter details events in Roland Penrose's life from 1935 to 1936. In Paris, in June 1935, Roland and Paul Éluard chanced upon precocious, intense nineteen-year-old David Gascoyne, who had recently completed his Short Survey of Surrealism. Éluard introduced the two Englishmen, who ‘got talking’ about the fact that in London, little is known about the excitement going on in Paris [in contemporary art, especially surrealism]. They then decided to organise the International Surrealist Exhibition, which marked a decisive turn in Roland's life, in that he began to allow his role as an apostle
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"Index." In Roland Penrose. Edinburgh University Press, 2016. http://dx.doi.org/10.1515/9781474414517-021.

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"6. ‘Let’s Do Something’ (1935–1936)." In Roland Penrose. Edinburgh University Press, 2016. http://dx.doi.org/10.1515/9781474414517-009.

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"Preface: The Inner Light." In Roland Penrose. Edinburgh University Press, 2016. http://dx.doi.org/10.1515/9781474414517-002.

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"15. The Uninvited Guest (1966–1984)." In Roland Penrose. Edinburgh University Press, 2016. http://dx.doi.org/10.1515/9781474414517-018.

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"10. Grim Glory (1939–1945)." In Roland Penrose. Edinburgh University Press, 2016. http://dx.doi.org/10.1515/9781474414517-013.

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