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Artículos de revistas sobre el tema "Romani Folk art"

Autor: Grafiati

Publicado: 25 de julio de 2024

Última modificación: 31 de julio de 2025

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1

Apostol, Snejana. "Some characteristics of the development of choreographic art in Romania and the Republic of Moldova: the values and educational framework." Studia Universitatis Moldaviae. Seria Științe ale Educației, no. 5(165) (July 2023): 190–95. http://dx.doi.org/10.59295/sum5(165)2023_31.

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The given article presents an analytical approach to the evolution of choreographic art in Romania and the Re-public of Moldova. Emphasis is placed on analyzing the evolution of classical stage dance as well as folk dance. It should be noted that the development of choreographic art in Romania was strongly influenced by European choreography. The 19th and 20th centuries were the most significant for the development of Romanian ballet. The most famous classical ballets were staged: Zâna păpușilor, Lacul lebedelor, Priculiciul etc. The fame of Romanian ballet was brought by: Anton Romanowski, Fl

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2

Weatherhead, Fran. "Wooden churches and their paintings in the Maramureş region of Romania: a preliminary study." Antiquity 67, no. 255 (1993): 369–77. http://dx.doi.org/10.1017/s0003598x00045439.

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In Europe the tradition of building in wood, which has roots reaching back into antiquity, is now mostly lost. Wooden architecture does, however, survive in parts of Eastern Europe, particularly in Romania. In addition to their architectural interest, the buildings contain a rich legacy of folk-art.

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3

Toșa, Ioan, and Gabriela Rădoiu Leș. "Colecțiile Muzeului Etnografic al Transilvaniei, mesagere ale artei populare românești peste hotare (1924-1954)." Anuarul Muzeului Etnograif al Transilvaniei 32 (December 20, 2018): 266–300. http://dx.doi.org/10.47802/amet.2018.32.16.

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The authors aim to present to the interested public some moments of the valorification activity of the folk heritage by organising some exhibitions abroad in the period 1924-1956. From Brussels to Prague, from London to Vienna, Frankfurt or Geneva, from Paris to Sweden, the collections and artefacts of the Romanian folk culture have crossed and impressed the world. In addition, the article contains brief presentations of the events to which the Transylvanian Museum of Ethnography contributed with artefacts of its collections, and also part of the papers, correspondence, briefly minutes, the wa

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4

Constantiniu, Theodor. "Folklore and Dialectical Materialism. A Case Study of Ethnomusicological Research in Communist Romania." Studia Universitatis Babeş-Bolyai Musica 65, no. 2 (2020): 259–75. http://dx.doi.org/10.24193/subbmusica.2020.2.17.

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"Romanian ethnomusicology has a series of less discussed and, implicitly, less understood topics. One of them is the relatively vast literature that addresses the new folklore that appeared after the installation of the communist regime and the folk music of artistic ensembles performed on stage. Most of the texts written on these subjects display a strong political and ideological pressure. Consequently, they are either forgotten or superficially perceived as evidence of a repressive regime, adding to the general belief that the communist regime turned peasant art into an instrument of propag

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5

Scheianu, Marius Adrian. "Despre ultimul haiduc şi o piesă de pictură decorativă." Banatica 1, no. 34 (2024): 709–20. https://doi.org/10.56177/banatica.34.2024.art.35.

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Starting from the end of the Middle Ages, the myth of the heroic haiduc became widely spread in the Romanian space, as well as in other parts of Europe. As an inherently positive character, the haiduc was glorified in legends and folk songs, where the bold actions of these heroes were evoked as part of national folklore. In the dawn of the contemporary era, at the beginning of the 20th century, the myth remained alive in villages and semi-rural areas, even though modern Romania was very different from the era of national and social oppression in which the most well-known haiducs had fought. A

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6

Stelmashchuk, Halyna. "Prince Vsevolod Karmazyn-Kakovsky scientist, teacher, artist." Vìsnik Harkìvsʹkoi deržavnoi akademìi dizajnu ì mistectv 2022, no. 1 (2022): 137–52. http://dx.doi.org/10.33625/visnik2022.01.137.

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The article is devoted to the creative work of the Ukrainian Diaspora scientist, teacher, historian of art, architect and graphic artist, Prince Vsevolod Karmazyn-Kakovsky (1898–1988), about whom there is very little information in Ukraine. The study emphasizes his Ukrainian roots. The publication is based on materials from the home archive of Ph.D., sculptor and artist Kristina Kishakevich-Kachaluba from Switzerland. Prince Vsevolod Karmazyn-Kakovsky studied and lived in Ukraine until 1944. In 1944 he left Ukraine for permanent residence in Romania. As a teacher he organized faculties of land

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7

Theodorescu, Ana. "Theodor Vasilescu – The Dancer Who Took the Romanian Folklore all over the World." History of Communism in Europe 11 (2020): 215–31. http://dx.doi.org/10.5840/hce20201110.

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The main theme of the proposed paper concerns the professional training and artistic activity of Theodor Vasilescu, choreographer and dancer, specialized in folk dance, with a rich international activity during the communist regime. The analysis will focus on illustrating how the artist’s biography was influenced by a new trend in the satellite states of the U.R.S.S., namely that of transforming traditional dance into art with a political substratum. Also, the main thread of the article will consist in revealing the specific type of relationship between the artist and the regime, dominated by

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8

Koteterova-Dobreva, Binka. "THE BULGARIAN FOLKLORE SONG - MODERNITY, TRANSFORMATION AND VIEW TO THE FUTURE." KNOWLEDGE INTERNATIONAL JOURNAL 31, no. 6 (2019): 1803–9. http://dx.doi.org/10.35120/kij31061803k.

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The last decades are time of dynamic changes in folk music, which is a part of contemporary Bulgarian musical culture. Singer's performing art related to Bulgarian musical folklore is the part of Bulgarian culture that makes it recognizable and valued in the world. Thus, the Bulgarian folk song presented by its contemporary performers is perceived simultaneously as one of the oldest and most local manifestations of art in the cultural world, and as well as an artefact and a value, one of the most modern and global manifestations of the shared cultural heritage of humanity. The Bulgarian folklo

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9

Babin, Yuliana. "Folk Theater from Moldova and Ukraine in the context of valorization of the common ethno-cultural heritage." Revista de Etnologie şi Culturologie XXVI (December 15, 2019): 112–18. https://doi.org/10.5281/zenodo.3595162.

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A special component of Moldovan art and intangible cultural heritage is the folk Theatre. Several scientific researchers from the three countries (Moldova, Romania and Ukraine) are dealing with the analysis of this cultural phenomenon. In the XIX–XX centuries the phenomenon of folk Theatre is mentioned by K. Negruzi, V. Alexandri, T. Burada, G. Botezatu, P. Dulfu, G. Spataru, G. Bostan, N. Bayeshu and others. The complex of traditions and rites of Malanka on the Moldovan-Ukrainian border is represented by modern researchers: А. Kozholyanko, O. Kharchishin from Ukraine, E. Kozhuhari, V. K

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10

Watts, Dorothy J. "Circular Lead Tanks and their Significance for Romano-British Christianity." Antiquaries Journal 68, no. 2 (1988): 210–22. http://dx.doi.org/10.1017/s0003581500069341.

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SummaryAt least sixteen whole or partial circular lead tanks have been found in Roman Britain, several of them decorated with Christian symbols. Over the past fifty years different uses have been ascribed to these vessels, some secular, some religious. The objective of this paper is two-fold: to examine the motifs used in the decoration of the tanks and to attempt to discover the purpose of the vessels. It is proposed that the tanks are all Christian objects and that they were used in the baptismal ceremony for the footwashing rite, a practice carried out in various parts of the Christian worl

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11

HÎRȚESCU, Diana Petronela, and Nicolae SILISTRARU. "Formation of children’s ethnoartistic culture in the perspective of popular music and dance." Univers Pedagogic 86, no. 2 (2025): 75–80. https://doi.org/10.52387/1811-5470.2025.2.10.

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The text analyzes the formation of children’s ethno-artistic culture from the perspective of folk music and dance, highlighting their fundamental role in preserving cultural identity and transmitting traditional values. The study explores the diversity of Romanian folk dances, the geographical and historical influences on choreographic styles and the impact of music on the dynamics and expressiveness of movements. The rhythmic structure, tempo and instrumental accompaniment are also analyzed, as well as the importance of shouts as essential elements of the folk performance. These perspectives

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12

Anderson, Martin. "London, Cadogan Hall and King's Place: Second London Festival of Bulgarian Culture." Tempo 67, no. 265 (2013): 81–83. http://dx.doi.org/10.1017/s0040298213000557.

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One of the most enjoyable characteristics of London musical life is that it is peopled by a generous number of foreigners who, every so often, take it upon themselves to enlighten the rest of us as to the music we are missing from back home. These can, of course, be hit-and-miss occasions, but it's in the nature of exploring unknown music of any age that you will happily put up with a handful of duds if you come away with a real discovery ringing in your ears. The Second London Festival of Bulgarian Culture (I seem to have missed the First) ran in various venues over the course of November 201

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13

Glebov, Ana. "5. Historical and Theoretical Foundations of the Development of Vocal and Choral Culture in Moldova." Review of Artistic Education 21, no. 1 (2021): 31–34. http://dx.doi.org/10.2478/rae-2021-0005.

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Abstract The origins of the national choral art are based on Church singing, which has been widely developed since the founding of the Putnyansky and Nyametsky monasteries. In the further development of the centuries, Church singing intertwined with folk choral singing, which was reflected in the works of such conductors and composers as G. Muzichesku, M. Berezovsky, A. Kristya, M. Byrke, V. Popovich. Special attention is paid to the creative and conducting activities of Gavriil Muzichesku, all of whose initiatives were innovative and progressive, later becoming the leading ones in the nationa

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14

Drăgănescu, Anca Cristina, Victor Daniel Miron, Oana Săndulescu, et al. "Omicron in Infants—Respiratory or Digestive Disease?" Diagnostics 13, no. 3 (2023): 421. http://dx.doi.org/10.3390/diagnostics13030421.

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The Omicron variant of SARS-CoV-2 has caused a large number of cases and hospitalizations in the pediatric population. Infants due to their age are susceptible to viral infections that may have a worse prognosis. Therefore, the aim of the current study has been to characterize the clinical features and the outcome of infants hospitalized with confirmed SARS-CoV-2 infection during the Omicron wave. We conducted a retrospective study of all consecutive infants hospitalized with symptomatic COVID-19 and no other co-infections, from January to September 2022 in one of the largest infectious diseas

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15

Naie, Lăcrămioara. "4. Project “Easter Triptych”." Review of Artistic Education 1, no. 23 (2022): 34–39. http://dx.doi.org/10.2478/rae-2022-0004.

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Abstract The “Easter Triptych” project was conducted in six annual editions (except for 2020 and 2021 – the years of the Coronavirus Pandemic). It was conceived and achieved in the name and in the spirit of the three important moments in the history of our humanity: Birth, Passion and Joy of the Resurrection of our Savior Jesus Christ. This great religious cultural project was attended by important personalities of Iaşi and not only, such as lyrical artists from the Romanian National Opera Iaşi, church persons from the Metropolitan Church of Moldavia and Bukovina, university professors, ethnog

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16

Boitсova, Aleksandra Aleksandrovna. "The dynasty of iconographers Rogachevsky-Nikita in the context of the history of the Old Believer Romanian rural localities Zhurilovka and Sarikei." Культура и искусство, no. 12 (December 2020): 116–23. http://dx.doi.org/10.7256/2454-0625.2020.12.34713.

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This article examines the iconographic heritage of the Old Believer Lipovan Rogachevsky-Nikita family in the context of history of Romanian rural localities. Based on the expedition material, analysis is conducted on the peculiarities of folk icon and local traditions that established in the Old Believer center of Romania. The reviewed documentary sourced were acquired in the course of expeditions and further personal contact with the family. The collected material contains history of the family of iconographers, their lifestyle and customs, conditions for fulfilling the orders that are closel

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17

Lehmann, Karsten. "Shifting Boundaries Between the Religious and the Secular: Religious Organizations in Global Public Space." Journal of Religion in Europe 6, no. 2 (2013): 201–28. http://dx.doi.org/10.1163/18748929-00602004.

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The aim of the article is to add a religious studies perspective to the recent debates on the establishment of religion in public space. In light of this background, it highlights the global dimension of the corresponding processes by analyzing the early developments of religious non-governmental organizations formally accredited to the United Nations organization (UN). Based upon three case analyses—the Commission of the Churches on International Affairs, Pax Romana, and the Friends World Committee for Consultation—the article presents a two-fold argument. On the one hand, it makes the point

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18

Roi, Yevhenii, and Svitlana Pashkova. "Genre and Style Diversity of Ihor Shamo's Music and Its Manifestation in the Artistic and Cultural Space of Ukraine (the 1950s – 1980s)." Bulletin of KNUKiM. Series in Arts, no. 42 (July 14, 2020): 131–40. https://doi.org/10.31866/2410-1176.42.2020.207642.

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The purpose of the article is determined by an urgent need to comprehend the creative work of I. Shamo as a phenomenon of national cultural scale by identifying and comparing genre and style dominants and characteristics of national and style determinants of the Ukrainian composer’s art. The research methodology is a combination of analysis, synthesis, historical and chronological, culturological and musicological methods used to create a holistic picture of the phenomenon of the diverse musical heritage of the Ukrainian composer I. Shamo. The scientific novelty consists in building an e

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19

HWANG, TSUNG-I. "Exploring Ruist Influences of Moral Self-Cultivation on the Mandarin Union Version of the Chinese Bible (CUV)." Journal of the Royal Asiatic Society 30, no. 1 (2020): 41–55. http://dx.doi.org/10.1017/s1356186319000397.

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AbstractThe influences of Chinese traditional culture, especially the traditional Three Teachings and folk religion, on the Mandarin Union Version of the Chinese Bible (first edition, 1919) and the resulting complications are explicit in some contexts but implicit and subtle in other contexts. Some influences are helpful for Chinese people's proper understanding of biblical truth and theology in a Chinese context, but other influences can be misleading. In this paper, I will examine three translated Chinese phrases in the Mandarin Union Version that show evidence of Ruist influences: (1) “xūxī

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20

Berest, Roman, and Oleksandr Plakhotniuk. "Choreographic Phenomenon of Roma Pryima-Bohachevska." Dance Studies 7, no. 1 (2024): 8–18. https://doi.org/10.31866/2616-7646.7.1.2024.306998.

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<strong>The purpose of the article </strong>is to identify the main factors influencing the formation of Roma Pryima’s creative personality and to highlight the most important stages of her artistic and educational activities. <strong>The research methodology </strong>is based on an integrated approach that combines cultural and typological, historical and comparative, descriptive methods and elements of cultural, educational, and socio-political retrospective reconstruction. <strong>The scientific novelty </strong>lies in highlighting the little-known pages of R

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21

Stan, Oana Mara, and Mina Fanea-Ivanovici. "Time to act: discourse on time in crowdfunding for social entrepreneurship project." Proceedings of the International Conference on Business Excellence 13, no. 1 (2019): 1162–72. http://dx.doi.org/10.2478/picbe-2019-0102.

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Abstract The context of public governance outsourcing social services and constantly downshifting its role creates the premises for increasing impact of crowdsourced social entrepreneurship and grassroots mobilization. The study envisions the innovative concept of social entrepreneurship by crowdfunding through a sports event, with Swimathon as study case, where most of Romanian NGOs are active to promote their calls for fundraising. Swimmer-participants are fundraisers who take on a challenge (e.g. swimming a target distance) with the aim to raise funds, in teams, for the causes they support.

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22

Okyay, Damla. "Slum tradition introduced in Latife Tekin’s novel called “Berji Kristin Tales” from garbage hillsLatife Tekin’in “Berci Kristin Çöp Masalları” adlı romanında ortaya konan gecekondu âdetleri." Journal of Human Sciences 14, no. 2 (2017): 2178. http://dx.doi.org/10.14687/jhs.v14i2.4690.

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Rapid depopulation of rural areas caused overpopulation in urban areas. This led to cultural changes and made it inevitably necessary to define the new folk and folklore by the folklorists. The fact that Alan Dundes defines the public as "any group of people whatsoever who share at least one common factor" has enabled the folklorists to examine the cultural products that have emerged in cities as a result of the developments and changes in regard to migration and urbanization.Latife Tekin, one of the prominent authors in Turkish literature after 1980, published her second book called Berji Kri

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23

Romanova, O. V. "NATIONAL FEATURES OF TRADITIONAL RESIDENTIAL ARCHITECTURE IN THE BUDJAK REGION." Problems of theory and history of architecture of Ukraine, no. 20 (May 12, 2020): 203–10. http://dx.doi.org/10.31650/2519-4208-2020-20-203-210.

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Most of the homes in the Budzhak region are interesting historical and architectural sites and deserve attention. Considering their current state, one can see the manifestation of a number of architectural features: well-established national traditions, authorship of folk craftsmen, the influence of academic art, historical architectural styles (Romanesque, Gothic, Renaissance, Baroque, Classicism, Modernist), as well as the features of serial time. The unifying factor is, on the one hand, the similarity of ideological and creative thoughts and the desire of folk craftsmen to give a compositio

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24

KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 65, no. 1-2 (1991): 67–105. http://dx.doi.org/10.1163/13822373-90002017.

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-A. James Arnold, Michael Gilkes, The literate imagination: essays on the novels of Wilson Harris. London: Macmillan, 1989. xvi + 180 pp.-Jean Besson, John O. Stewart, Drinkers, drummers, and decent folk: ethnographic narratives of village Trinidad. Albany, New York: State University of New York Press, 1989. xviii + 230 pp.-Hymie Rubinstein, Neil Price, Behind the planter's back. London: MacMillan, 1988. xiv + 274 pp.-Robert Dirks, Joseph M. Murphy, Santería: an African religion in America. Boston: Beacon Press, 1988. xi + 189 pp.-A.J.R. Russell-Wood, Joseph C. Miller, Way of Death: merchant c

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25

Christe, Neil. "P. L. Dall'Aglio and I. di Cocco (Eds), Pesaro Romana: archeologia e urbanistica (Studi e scavi, nuova serie 4). Bologna: Ante Quem, 2004. Pp. 180, 11 col. pls, 99 illus, 1 fold-out plan. ISBN 88-900972-8-0. €21.00." Journal of Roman Studies 96 (November 2006): 286–87. http://dx.doi.org/10.1017/s0075435800001441.

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26

Грищенко, О. "ЕКСКЛЮЗИВНІ ВИДАННЯ НА ОСНОВІ ПРОЕКТІВ «КНИГИ ХУДОЖНИКА» В УКРАЇНІ". Традиції та новації у вищій архітектурно-художній освіті, № 4 (30 листопада 2018): 49–54. https://doi.org/10.5281/zenodo.1756697.

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The article addresses and analyzes the topic of artist’s book projects that became the basis for the polygraphic editions produced together with the leading Ukrainian publishing houses. It traces the path from an original book as a work of art to its implementation as a fullfl edge polygraphic product intended for a general audience. It analyzes the formative elements of original projects and the ways of their transfer or adaptation in typographic processes. It substantiates the influence of such exclusive artistic projects on the development of the book publishing culture in Ukraine. An

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27

Mardale, Gabriel, Florina Caruntu, Alexandra Mioc, et al. "Integrated In Silico and In Vitro Assessment of the Anticancer Potential of Origanum vulgare L. Essential Oil." Processes 13, no. 6 (2025): 1695. https://doi.org/10.3390/pr13061695.

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Oregano essential oil (OEO) has gained attention for its broad pharmacological activities, such as anti-inflammatory, antimicrobial, and anticancer properties. This study aimed to analyze the phytochemical composition and biological activity of OEO obtained from wild-growing Origanum vulgare L. in Romania. Gas chromatography–mass spectrometry (GC–MS) analysis identified p-cymene (43.98%), γ-terpinene (22.16%), and thymol (11.46%) as major constituents, with notable differences from previously reported chemotypes. Antioxidant activity was assessed using the DPPH, ABTS radical scavenging assay,

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28

Khusaynova, G. R. "MAIN CHARACTERS IN TATAR ROMANTIC DASTANS: GENERAL AND INDIVIDUAL QUALITIES." Эпосоведение, no. 1(25) (October 25, 2022): 104–14. http://dx.doi.org/10.25587/p8342-0313-1647-x.

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Издревле у каждой нации были истории про вечных героев, которые передавалась из уст в уста. Если в одних сказаниях они были значимы героическими подвигами, то в других оставили след в истории народа. Среди них есть еще такие герои, которые умели любить и были верны к любимому человеку до конца своей жизни. Народ идеализировал этих героев, обогатил положительными качествами, которыми хотел увидеть в них. История любви этих героев сохранились в устных и рукописных формах. В фольклористике эти сказания или истории имеют определенное название-романический эпос. У тюркских народов, испытавших влиян

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29

Kujundžić Vejzagić, Zilka. "Imperishable light of the Amber from the Japod necropolises in the Una valley." Godišnjak Centra za balkanološka ispitivanja, no. 41 (January 6, 2022): 77–96. http://dx.doi.org/10.5644/godisnjak.cbi.anubih-41.5.

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More than 100 years have elapsed since the discovery of the Japod necropolises in the Una valley, south of Bihać. The Jezerine and Ribić necropolises were excavated in the late 19th century (K. Kovačević, P. Mirković 1890: 330-337; V. Radimsky 1892: 301-310) and another, smaller necropolis in Golubić was systematically excavated in the 1960s (I. Čremošnik 1956: 126-138; B. Raunig 1968: 81-98). The third necropolis is not dealt with here, since the amber artifacts are identical to those from Jezerine. A total of 553 graves were excavated in Jezerine, of which 228 contained skeletons, 298 cinera

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Ангелов, Антон. "ПОГЛЕД ОТВЪН: БЪЛГАРИЯ И ИЗТОЧНА ЕВРОПА НА СТРАНИЦИТЕ НА МУЗИКАЛНОТО СПИСАНИЕ „BILLBOARD“". Терени, № 8 (18 червня 2025): 58–85. https://doi.org/10.60053/ter.2024.8.58-85.

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Списание The Billboard излиза от 1894 г. като седмично издание, насочено към музикалната и развлекателната индустрия и през ХХ век придобива значително влияние в популярната култура на Съединените щати. На страниците си отразява широк спектър от събития, творци, популярни жанрове, класации, реклами, информация за продуценти и управители от развлекателния бранш и т. н. Въпреки че е концентрирано върху капиталистическия начин на производство, разпространение и консумация на музикална продукция, с различна честота в периода на Студената война помества информации и репортажи, касаещи по един или д

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Ferencz-Flatz, Christian. "Estetica vieții cotidiene în filozofia RSR." Transilvania, December 1, 2021, 1–11. http://dx.doi.org/10.51391/trva.2021.11-12.01.

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The present paper analyses the emergence of a novel field of interest in the philosophical aesthetics of the 1960s in Romania: the aesthetics of everyday life. As such, it first starts by drawing out an overview of the aesthetic discussions in 1950s Romania by closely reading several articles from the main philosophical journal of the period: Cercetări filozofice. In this regard, I focus on two main aspects, namely the theory of reflection, which was the guiding principle of Marxist-Leninist aesthetics, and the theory of the social function of art. Further on I will sketch out how these two as

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32

Arosteguy, Agustín. "TERRITORIO Y MÚSICA - UN DIÁLOGO, MÚLTIPLES ECOS: ENTRE TONALIDADES, SONORIDADES, ACÚSTICAS Y BULLICIOS DE LOS ESPACIOS." GEOgraphia 22, no. 49 (2020). http://dx.doi.org/10.22409/geographia2021.v22i49.a29448.

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Resumen: Este artículo busca indagar sobre la relación entre música y espacio. Desea, así, investigar si existe realmente una ligación entre el espacio y la música, y a su vez, pretende comprender cómo los seres humanos se conectan con los espacios mediante la música. A partir del análisis de cuatro obras de diferentes lugares y tiempos, se intenta reflexionar sobre la música en relación al espacio, aspirando a trazar algunas características, aspectos y rasgos distintivos entre ellas. Las obras son las siguientes: 1) álbum ‘Piedra de plata’ del grupo Sincronicidad Astral hecho con sonidos grab

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ALBAYRAK, Hakan. "A STUDY OF OZANTÜRK'S EPIC OF "TURNALAR" IN TERMS OF NATIONALISM THEORIES." Karadeniz Uluslararası Bilimsel Dergi, December 15, 2022. http://dx.doi.org/10.17498/kdeniz.1190167.

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Various theories have emerged as a result of evaluations and studies on nationalism. Among these theories, "primordial theory", "modernist theory" and "ethno-symbolist theory" came to the fore. Primordial theory argues that nations come from the same lineage and share a common religion, language, culture and history. In this theory, there are “naturalistic”, “biological” and “cultural” perspectives. According to modernist theory, nationalism is a social necessity of that period. In this theory, nationalism is evaluated together with the modernization process, which affects social, political an

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"Cercetări efectuate la Băile Figa în anii 2016–2019 și considerații privind deslușirea valențelor unui peisaj salin hibrid / Research carried out at Băile Figa during 2016–2019 Revealing the potential of a hybrid saltscape." ANGVSTIA, December 15, 2019, 9–108. http://dx.doi.org/10.36935/ang.v23.1.

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The article presents the preliminary results of the interdisciplinary research (geological and geospatial studies, archaeological excavations, salt production experiments, and ethnographic survey) carried out during 2016-2019, in the site and hybrid saltscape of Băile Figa, well known for its remarkable environmental, ancient and current salt exploitation evidence. Besides, the article aims to evaluate the contribution of the recent research to a better understanding of the environmental context of the site and ancient salt production technology in the Inner Carpathian region. Also, it focuses

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Masson, Sophie Veronique. "Fairy Tale Transformation: The Pied Piper Theme in Australian Fiction." M/C Journal 19, no. 4 (2016). http://dx.doi.org/10.5204/mcj.1116.

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The traditional German tale of the Pied Piper of Hamelin inhabits an ambiguous narrative borderland, a liminal space between fact and fiction, fantasy and horror, concrete details and elusive mystery. In his study of the Pied Piper in Tradition and Innovation in Folk Literature, Wolfgang Mieder describes how manuscripts and other evidence appear to confirm the historical base of the story. Precise details from a fifteenth-century manuscript, based on earlier sources, specify that in 1284 on the 26th of June, the feast-day of Saints John and Paul, 130 children from Hamelin were led away by a pi

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Tyler, Imogen. "Chav Scum." M/C Journal 9, no. 5 (2006). http://dx.doi.org/10.5204/mcj.2671.

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   In the last three years a new filthy vocabulary of social class has emerged in Britain. The word “chav”, and its various synonyms and regional variations, has become a ubiquitous term of abuse for white working class subjects. An entire slang vocabulary has emerged around chav. Acronyms, such as “Council Housed and Vile” have sprung up to explain the term. Folk etymologies and some scholarly sources suggest that the term chav might derive from a distortion of a Romany word for a child, while others suggests it is a derivative of the term charver, long used in the North Eas

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O'Boyle, Neil. "Plucky Little People on Tour: Depictions of Irish Football Fans at Euro 2016." M/C Journal 20, no. 4 (2017). http://dx.doi.org/10.5204/mcj.1246.

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I called your producer on the way here in the car because I was very excited. I found out … I did one of those genetic testing things and I found out that I'm 63 percent Irish … I had no idea. I had no idea! I thought I was Scottish and Welsh. It turns out my parents are just full of shit, I guess. But now I’m Irish and it just makes so much sense! I'm a really good drinker. I love St. Patrick's Day. Potatoes are delicious. I'm looking forward to meeting all my cousins … [to Conan O’Brien] You and I are probably related! … Now I get to say things like, “It’s in me genes! I love that Conan O’Br

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