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Artículos de revistas sobre el tema "Saint-Sauveur cathedral of Aix"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 2 de febrero de 2022

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1

Claude, Sandrine. "Aix-en-Provence (Bouches-du-Rhône). Cathédrale Saint-Sauveur." Archéologie médiévale, no. 48 (December 20, 2018): 244. http://dx.doi.org/10.4000/archeomed.16926.

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Claude, Sandrine. "Aix-en-Provence (Bouches-du-Rhône). Cathédrale Saint-Sauveur." Archéologie médiévale, no. 49 (December 20, 2019): 259–60. http://dx.doi.org/10.4000/archeomed.25062.

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Claude, Sandrine, Caroline Zielinski, and Arthur Loutrage. "Aix-en-Provence (Bouches-du-Rhône). Cathédrale Saint-Sauveur." Archéologie médiévale, no. 47 (December 20, 2017): 184–85. http://dx.doi.org/10.4000/archeomed.6923.

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Claude, Sandrine. "Aix-en-Provence (Bouches-du-Rhône). Cathédrale Saint-Sauveur, mur gouttereau nord." Archéologie médiévale, no. 39 (December 1, 2009): 303. http://dx.doi.org/10.4000/archeomed.20481.

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5

Claude, Sandrine. "Aix-en-Provence (Bouches-du-Rhône). Cathédrale Saint-Sauveur, chapelle Saint-Lazare et mur gouttereau nord." Archéologie médiévale, no. 40 (December 1, 2010): 221. http://dx.doi.org/10.4000/archeomed.14764.

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6

Sepp, Tiina. "“The Narrative is Ambiguous and that Location Isn’t the Right Location”: Presenting and Interpreting Medieval Saints Today in Canterbury, Durham and York." Journal of Ethnology and Folkloristics 13, no. 1 (2019): 79–105. http://dx.doi.org/10.2478/jef-2019-0005.

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Abstract Drawing on research for the Pilgrimage and England’s Cathedrals, Past and Present project, this article explores how the project’s medieval case study cathedrals – Canterbury, Durham and York – present their saints and shrines, and how visitors react to and interpret them. While looking at various narratives – predominantly about saints in historical and contemporary contexts – attached to these cathedrals, I also aim to offer some glimpses into how people interact with and relate to space. I argue that beliefs and narratives about saints play a significant role in the pilgrimage cult
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7

Lassalle, Victor. "Un chapiteau retrouvé dans la façade romane de la cathédrale Saint-Sauveur (Aix-en-Provence)." Archéologie du Midi médiéval 18, no. 1 (2000): 191–95. http://dx.doi.org/10.3406/amime.2000.958.

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8

Eriksen, Anne. "Making Facts from Stones: Gerhard Schøning and the Cathedral of Trondheim." Sjuttonhundratal 7 (October 1, 2010): 97. http://dx.doi.org/10.7557/4.2468.

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In 1762, the historian and antiquary Gerhard Schøning published a large work on the Cathedral of Trondheim. Originally the shrine of Norway’s patron saint and christening king, Saint Olav, the building had suffered decay since the Reformation. In the eighteenth century, large parts of the medieval structure lay in ruins. Schøning’s aim was to reveal the ancient glory of the Cathedral — and, implicitly, of the nation. His meticulous work gained him a still lasting scholarly reputation. While antiquarian studies normally were occupied with docu
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9

Tătărușanu, Maria, Gina Ionela Butnaru, Valentin Niță, Angelica-Nicoleta Neculăesei, and Elena Ciortescu. "The Influence of Interpretation through Guiding Tour, Quality of Reception and Relics’ Worship on the Satisfaction of Pilgrims Attending the Iasi Feast." Sustainability 13, no. 12 (2021): 6905. http://dx.doi.org/10.3390/su13126905.

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Recently, in line with the increased attention paid to cultural tourism in general and to religious tourism in particular, researchers and practitioners have become increasingly interested in the analysis of various aspects related to cultural heritage in order to capitalize on its value by means of its interpretation, thus providing beneficial effects both for tourists and for tourism’s sustainable development. The aim of this research is to analyze the extent to which the methods of interpretation of the religious cultural heritage: guiding tours, quality reception, and relic worship influen
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10

Dragić, Marko. "Sveti Marko Evanđelist u kršćanskoj kulturnoj baštini Hrvata." Nova prisutnost XIV, no. 2 (2016): 281. http://dx.doi.org/10.31192/np.14.2.4.

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Saint Mark the Evangelist (Cyrene around 10 AD – Alexandria April 25th 68 AD) was a member of the Jewish tribe o Levi. He is nephew of Saint Barnabas, close associate of Saint Paul and Peter to whom he was secretary. In the New Testament he is mentioned eight times and Mary mother of John called Mark is mentioned for the ninth time. The first Christian community in Jerusalem gathered in his mother Mary’s home. According to some sources Jesus ate his last supper in Mark’s mother Mary’s house. He is worshipped by: The Roman Catholic Church, The Orthodox Church, The Coptic Church, the eastern Cat
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11

Lutsenko, V. A., L. V. Polishchuk, J. Hong, and M. A. Fomina. "Xerotolerant strain of Penicillium chrysogenum MF18_10 isolated from the damaged walls of Saint Sophia’s Cathedral, Kyiv." Faktori eksperimental'noi evolucii organizmiv 25 (August 30, 2019): 14–19. http://dx.doi.org/10.7124/feeo.v25.1132.

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Aim. The aim of this work is to determine the taxonomic position of the fungal strain MF18_10 isolated from the damaged wall with medieval painting of St. Sophia’s Cathedral (Kyiv, Ukraine). Methods. The fungus was isolated on selective medium for xerophilic fungi (70% sucrose Czapek agar). Мacro- and micro-morphological phenotypic characterization was carried out using light and scanning electron microscopy. Molecular-biological identification was performed using nucleotide sequences of the ITS-fragment. Results. On the basis of phenotypical characteristics of the fungal isolate MF18_10, it w
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12

Hills, Helen. "Mapping the early modern city." Urban History 23, no. 2 (1996): 145–70. http://dx.doi.org/10.1017/s0963926800011901.

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This paper analyses in their political context the festival decorations created by Paolo Amato, architect to the Senate of Palermo, in 1686 for the festival of the patron saint of that city. One of these decorations, that of the main altar in the cathedral, is of particular interest in that it represents a map of the city itself. An analysis of this map in relation to other seventeenth- and early eighteenth-century maps of Palermo reveals its political and social aim and biases, but also shows that it was unusually up to date and accurate as a representation of the city at that date. Such a re
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13

Gábor, Gaylhoffer-Kovács. "Johann Ignaz Cimbal „védjegye”, a VSG-monogram." Művészettörténeti Értesítő 69, no. 1 (2020): 57–70. http://dx.doi.org/10.1556/080.2020.00004.

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Next to his signature, Viennese painter Johann Ignaz Cimbal often added a peculiar sign in his frescoes and oils. It is a combination of letters, appearing in a different form in each of the studied cases (Zalaegerszeg, Oberlaa, Zwettl, Peremarton, Tornyiszentmiklós, Nagykároly [ Carei]), which – and the poor state of the works – make the identification of the letters difficult. In most cases the sign reads VSG, so it is not the initials of the painter.In some Cimbal works the three letters also appear with iconographic meaning. On the picture of the King Saint Stephen side altar in the parish
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14

Gábor, Gaylhoffer-Kovács. "Johann Ignaz Cimbal „védjegye”, a VSG-monogram." Művészettörténeti Értesítő 69, no. 1 (2020): 57–70. http://dx.doi.org/10.1556/080.2020.00004.

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Next to his signature, Viennese painter Johann Ignaz Cimbal often added a peculiar sign in his frescoes and oils. It is a combination of letters, appearing in a different form in each of the studied cases (Zalaegerszeg, Oberlaa, Zwettl, Peremarton, Tornyiszentmiklós, Nagykároly [ Carei]), which – and the poor state of the works – make the identification of the letters difficult. In most cases the sign reads VSG, so it is not the initials of the painter.In some Cimbal works the three letters also appear with iconographic meaning. On the picture of the King Saint Stephen side altar in the parish
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15

Morrison, Susan Signe. "Walking as Memorial Ritual: Pilgrimage to the Past." M/C Journal 21, no. 4 (2018). http://dx.doi.org/10.5204/mcj.1437.

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This essay combines life writing with meditations on the significance of walking as integral to the ritual practice of pilgrimage, where the individual improves her soul or health through the act of walking to a shrine containing healing relics of a saint. Braiding together insights from medieval literature, contemporary ecocriticism, and memory studies, I reflect on my own pilgrimage practice as it impacts the land itself. Canterbury, England serves as the central shrine for four pilgrimages over decades: 1966, 1994, 1997, and 2003.The act of memory was not invented in the Anthropocene. Rathe
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