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Artículos de revistas sobre el tema "Same-sex marriage – Fiction"

Autor: Grafiati

Publicado: 28 de julio de 2024

Última modificación: 31 de julio de 2025

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1

Meyer, John R. "Human Rights, Fact or Fiction?: ‘Human Rights and “the Risk of Freedom”’." Scottish Journal of Theology 52, no. 1 (1999): 47–81. http://dx.doi.org/10.1017/s0036930600053485.

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Before the General Assembly of the United Nations Pope John Paul II declared that the quest for freedom points to the existence of ‘natural rights’ that reflect the objective and inviolable demands of a universal moral law. While this assertion was well received by those in attendance, an important question remains: how are we to reconcile this universal vision of human rights with the current plethora of disputable legislated rights? Ernest Fortin claims the problem is rooted in the fact that modern ‘rights talk’ emphasizes individual subjective rights over the objective reality of human natu

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2

Spieralska, Beata. "SEKS I PRZEMOC MAŁŻEŃSTWO W TRAGEDIACH EURYPIDESA." Colloquia Litteraria 8, no. 1/2 (2009): 13. http://dx.doi.org/10.21697/cl.2010.1.02.

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Sex and violence. Marriage in Euripides’ tragedies In ancient Athens, marriage was an event which from today’s perspective is linked with the notion of violence, even if the then living people would not have defined it in this way. From their perspective, it was obvious that the woman who was getting married was not the subject of the marital contract. Euripides tragedies, far from being a manifesto in the defence of women’s fate (it would be a complete anachronism to ascribe such motivations to the dramatist) show very frequently, however, women as victims of male disloyalty. Such heroines as

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3

Sohr-Preston, Sara L., Holly Kliebert, Olivia Moreno, Timothy Dugas, and Dylan Zepeda. "Expectations of Male and Female Adoptive Parents of Different Marital Status and Sexual Orientation." International Journal of Psychological Studies 9, no. 3 (2017): 92. http://dx.doi.org/10.5539/ijps.v9n3p92.

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Adults in the U.S. (undergraduate college students and adults recruited online) read vignettes about a fictional individual seeking to adopt an infant. Based on random assignment, participants read versions in which the prospective adoptive parent described was either an implied male or female and single, married to someone of the opposite sex, or married to someone of the same sex. After reading the vignettes, participants rated their expectations of the prospective parent’s ability to parent and their perceptions of the prospective parent’s personal characteristics. Female participants repor

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4

Opeyemi, Ajibola. "When it no longer matters whom you love: the politics of love and identity in Nigerian migrant fiction." Inkanyiso 13, no. 1 (2021): 13. http://dx.doi.org/10.4102/ink.v13i1.13.

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A number of creative texts by Nigerian migrant writers recreate migrant characters’ experiences of love, intimacy and connected identity politics in the diaspora. However, there is a paucity of scholarly engagements with Nigerian migrant writers’ representation of the complexities that attend the formation and reconfiguration of migrant characters’ identity and love relationships outside the motherland. This study, therefore, examines the intersection of love, place and identity in three purposively selected texts – Segun Afolabi’s Goodbye Lucille, Chimamanda Adichie’s Americanah and Unoma Azu

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5

HESTER, D. MICAH. "Reproductive Technologies as Instruments of Meaningful Parenting: Ethics in the Age of ARTs." Cambridge Quarterly of Healthcare Ethics 11, no. 4 (2002): 401–10. http://dx.doi.org/10.1017/s0963180102114149.

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Since the decade of the 1970s, and particularly since the first successful test-tube baby in 1978, the development and use of assisted reproductive technologies (ARTs) have grown exponentially. Would-be parents—including those in so-called traditional male-female marriages, unmarried adults, postmenopausal women, and same-sex partnerships—who just over 20 years ago had no recourse for their (in)fertility issues can now pursue their desires to have children with at least a partial, if not, total, genetic and/or biological relationship. Ovulation-stimulating medications, artificial insemination

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6

Zachariasiewicz, Maciej. "Spadek po Emilii: studium przypadku z zakresu międzynarodowego prawa spadkowego i przepływu dokumentów w Unii Europejskiej." Problemy Prawa Prywatnego Międzynarodowego 30 (June 12, 2022): 173–202. http://dx.doi.org/10.31261/pppm.2022.30.07.

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The presented case study builds upon a fictious factual scenario involving transnational succession. It tells a story of Emilia — a national of a Member State who emigrates to another Member State, establishes a successful business and marries a national of that other State — also a women. She dies during COVID-19 pandemic and leaves an estate comprising immovables and other assets located in a number of states. The case study touches upon various legal questions arising under Regulation 650/2012, Regulation 2016/1191, and the Hague Apostille Convention. It invites the trainers and students to

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7

Stetz, Margaret D. "“BALLADS IN PROSE”: GENRE CROSSING IN LATE-VICTORIAN WOMEN'S WRITING." Victorian Literature and Culture 34, no. 2 (2006): 619–29. http://dx.doi.org/10.1017/s1060150306051345.

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“Oh, it is indeed a burning shame that there would be one law for men and another law for women. I think that there should be no law for anybody” (Beckson, I Can Resist 100). So said Oscar Wilde to a journalist interviewing him in January 1895. And for the first five years of the 1890s, it looked as though the British literary and publishing worlds, at least, were increasingly in accord with this Wildean perspective. Texts challenging the double standard of heterosexual conduct proliferated, even as bold articulations of same-sex desire appeared. At the same time, laws of all sorts that govern

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8

Lilienthal, Gary. "Legislating for Same-Sex Marriage: Sophistical Effectiveness in Australian Law." Issues in Legal Scholarship 15, no. 1 (2017). http://dx.doi.org/10.1515/ils-2016-0260.

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AbstractThis paper by-passes the various public tropes, such as “marriage equality”, and concentrates on determining whether or not a same-sex marriage law would be sophistically effective in Australia. It revives the ancient Greek sophistical rhetorical skill of proposing a law, and applies it as a critical context to the topic of legislating for same-sex marriage. The objective is to assess whether or not a same-sex marriage law will be effective in its legislative objects. It proposes to discuss whether the parliament could introduce such a law so that the law’s objects were achieved effect

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9

Langbein, Laura, Brandon Ranallo-Benavidez, and Jane E. Palmer. "The Anti-Social Effects of Legalizing Same-Sex Marriage: Fact or Fiction?" Sexuality Research and Social Policy, November 7, 2020. http://dx.doi.org/10.1007/s13178-020-00509-y.

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10

Zheng, Yayu. "Queer Taiwan and the construction of a Taiwanese queer identity." East Asian Journal of Popular Culture, February 28, 2025. https://doi.org/10.1386/eapc_00149_1.

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This article examines Queer Taiwan, a docu-series focusing on LGBTQ topics in Taiwan. Among the very first original content commissioned by GagaOOLala, Asia’s first LGBTQ streaming platform, Queer Taiwan is imbued with messages of social import while tracing the history and recording the current fight for LGBTQ rights. By adopting a participatory approach, Queer Taiwan sparked conversation on hotly debated topics among different social groups with the goal of enhancing mutual understanding and shedding light on common misconceptions. This article explores how these conversations reflect the ch

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11

Lowes, Elanna Herbert. "Transgressive Women, Transworld Women." M/C Journal 8, no. 1 (2005). http://dx.doi.org/10.5204/mcj.2319.

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   This paper will discuss the way in which the creative component of my thesis Hannah’s Place uses a style of neo-historical fiction to find ‘good’ narratives in (once) ‘bad’ women, keeping with the theme, here paraphrased as:  The work of any researcher in the humanities is to…challenge what is simply thought of as bad or good, to complicate essentialist categories and question passively accepted thinking.    As a way of expanding this statement, I would like to begin by considering the following quote from Barthes on the nature of research. I

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12

Amodu, Abideen David. "Literature and Notions of Black Lesbian Solidarity in Chinelo Okparanta’s Under the Udala Trees." Gender Questions 11, no. 1 (2023). http://dx.doi.org/10.25159/2412-8457/11826.

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Frances M. Beal (1968) explains that being Black and female is double jeopardy; however, being Black, female, and lesbian is triple jeopardy. Many countries in Africa have criminalised same-sex marriages and sexual relationships. In Nigeria, a sentence of up to 14 years’ imprisonment is likely for people caught in consensual same-sex intercourse. By the same token, 12 northern states of Nigeria’s 36 states have the death penalty for same-sex intercourse. Lesbians in Nigeria and across Africa have continued to suffer structural and non-structural forms of castigation and criticism from various

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13

Baird, Barbara. "Before the Bride Really Wore Pink." M/C Journal 15, no. 6 (2012). http://dx.doi.org/10.5204/mcj.584.

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Introduction For some time now there has been a strong critical framework that identifies a significant shift in the politics of homosexuality in the Anglo-oriented West over the last fifteen to twenty years. In this article I draw on this framework to describe the current moment in the Australian cultural politics of homosexuality. I focus on the issue of same-sex marriage as a key indicator of the currently emerging era. I then turn to two Australian texts about marriage that were produced in “the period before” this time, with the aim of recovering what has been partially lost from current

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14

Hackett, Lisa J., and Jo Coghlan. "The History Bubble." M/C Journal 24, no. 1 (2021). http://dx.doi.org/10.5204/mcj.2752.

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Introduction Many people’s knowledge of history is gleaned through popular culture. As a result there is likely a blurring of history with myth. This is one of the criticisms of historical romance novels, which blur historical details with fictional representations. As a result of this the genre is often dismissed from serious academic scholarship. The other reason for its disregard may be that it is largely seen as women’s fiction. As ‘women’s fiction’ it is largely relegated to that of ‘low culture’ and considered to have little literary value. Yet the romance genre remains popular and lucra

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15

Heise, Franka. ""I’m a Modern Bride": On the Relationship between Marital Hegemony, Bridal Fictions, and Postfeminism." M/C Journal 15, no. 6 (2012). http://dx.doi.org/10.5204/mcj.573.

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Introduction This article aims to explore some of the ideological discourses that reinforce marriage as a central social and cultural institution in US-American society. Andrew Cherlin argues that despite social secularisation, rising divorce rates and the emergence of other, alternative forms of love and living, marriage “remains the most highly valued form of family life in American culture, the most prestigious way to live your life” (9). Indeed, marriage in the US has become an ideological and political battlefield, with charged debates about who is entitled to this form of state-sanctione

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16

Shiloh, Ilana. "A Vision of Complex Symmetry." M/C Journal 10, no. 3 (2007). http://dx.doi.org/10.5204/mcj.2674.

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   The labyrinth is probably the most universal trope of complexity. Deriving from pre-Greek labyrinthos, a word denoting “maze, large building with intricate underground passages”, and possibly related to Lydian labrys, which signifies “double-edged axe,” symbol of royal power, the notion of the labyrinth primarily evokes the Minoan Palace in Crete and the myth of the Minotaur. According to this myth, the Minotaur, a monster with the body of a man and the head of a bull, was born to Pesiphae, king Minos’s wife, who mated with a bull when the king of Crete was besieging Athen

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17

Gildersleeve, Jessica. "“Weird Melancholy” and the Modern Television Outback: Rage, Shame, and Violence in Wake in Fright and Mystery Road." M/C Journal 22, no. 1 (2019). http://dx.doi.org/10.5204/mcj.1500.

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In the middle of the nineteenth century, Marcus Clarke famously described the Australian outback as displaying a “Weird Melancholy” (qtd. in Gelder 116). The strange sights, sounds, and experiences of Australia’s rural locations made them ripe for the development of the European genre of the Gothic in a new location, a mutation which has continued over the past two centuries. But what does it mean for Australia’s Gothic landscapes to be associated with the affective qualities of the melancholy? And more particularly, how and why does this Gothic effect (and affect) appear in the most accessibl

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18

Coull, Kim. "Secret Fatalities and Liminalities: Translating the Pre-Verbal Trauma and Cellular Memory of Late Discovery Adoptee Illegitimacy." M/C Journal 17, no. 5 (2014). http://dx.doi.org/10.5204/mcj.892.

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I was born illegitimate. Born on an existential precipice. My unwed mother was 36 years old when she relinquished me. I was the fourth baby she was required to give away. After I emerged blood stained and blue tinged – abject, liminal – not only did the nurses refuse me my mother’s touch, I also lost the sound of her voice. Her smell. Her heart beat. Her taste. Her gaze. The silence was multi-sensory. When they told her I was dead, I also lost, within her memory and imagination, my life. I was adopted soon after but not told for over four decades. It was too shameful for even me to know. Impri

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19

Hawkins, Katharine. "Monsters in the Attic: Women’s Rage and the Gothic." M/C Journal 22, no. 1 (2019). http://dx.doi.org/10.5204/mcj.1499.

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The Gothic is not always suited to women’s emancipation, but it is very well suited to women’s anger, and all other instances of what Barbara Creed (3) would refer to as ‘abject’ femininity: excessive, uncanny and uncontained instances that disturb patriarchal norms of womanhood. This article asserts that the conventions of the Gothic genre are well suited to expressions of women’s rage; invoking Sarah Ahmed’s work on the discomforting presence of the kill-joy in order to explore how the often-alienating processes of uncensored female anger coincide with contemporary notions of the Monstrous F

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20

Kaur, Jasleen. "Allure of the Abroad: Tiffany & Co., Its Cultural Influence, and Consumers." M/C Journal 19, no. 5 (2016). http://dx.doi.org/10.5204/mcj.1153.

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Introduction Tiffany and Co. is an American luxury jewellery and specialty retailer with its headquarters in New York City. Each piece of jewellery, symbolically packaged in a blue box and tied with a white bow, encapsulates the brand’s unique diamond pieces, symbolic origin story, branded historical contributions and representations in culture. Cultural brands are those that live and thrive in the minds of consumers (Holt). Their brand promise inspires loyalty and trust. These brands offer experiences, products, and personalities and spark emotional connotations within consumers (Arvidsson).

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