Bibliografías temáticas / Sarabanda

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Literatura académica sobre el tema "Sarabanda"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 18 de febrero de 2022

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Artículos de revistas sobre el tema "Sarabanda"

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Pruiksma, Rose. "Of Dancing Girls and Sarabandes." Journal of Musicology 35, no. 2 (2018): 145–82. http://dx.doi.org/10.1525/jm.2018.35.2.145.

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The French sarabande is typically characterized as one of the most serious and noble baroque dances in the instrumental suite. New research synthesizing eyewitness accounts, literary sources, and musical analysis reveals the sarabande’s rich history as a theatrical dance regularly performed by female dancers in French court ballets. The groups of girls and solo young women who danced it between 1651 and 1669 invite us to reshape our narrative of the sarabande in France. Both literary references and the theatrical context reveal how the sarabande resonated with layers of culturally inscribed me
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Ford, Stephanie. "Sarabande." Iowa Review 42, no. 2 (2012): 92. http://dx.doi.org/10.17077/0021-065x.7168.

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Warren, J. D. "Prelude and Sarabande." Journal of the Royal Society of Medicine 98, no. 5 (2005): 213–14. http://dx.doi.org/10.1177/014107680509800512.

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Warren, J. D. "Prelude and sarabande." Journal of the Royal Society of Medicine 98, no. 5 (2005): 213–14. http://dx.doi.org/10.1258/jrsm.98.5.213.

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Sáez-González, Jesús Miguel. "Saraband (Ingmar Bergman)." Vivat Academia, no. 91 (December 15, 2007): 21. http://dx.doi.org/10.15178/va.2007.91.21-22.

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Walsdorf, Hanna. "Die Domestizierung der Sarabande." troja. Jahrbuch für Renaissancemusik 14 (October 13, 2020): 69–93. http://dx.doi.org/10.25371/troja.v20152594.

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Amorim Melo Alvim, Luiza Beatriz. "As angústias da escolha." ALCEU 21, no. 42 (2020): 153–58. http://dx.doi.org/10.46391/alceu.v21.ed42.2020.188.

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O livro Rostos de Bergman: vida e morte em um plano é constituído de textos de diversos autores em torno de sete filmes (Morangos silvestres, O sétimo selo, Gritos e sussurros, A hora do Lobo, Persona, Sonata de outono e Saraband). Após um primeiro texto sobre Morangos silvestres, o livro está organizado em três blocos de duplas de filmes, como os duetos do último filme de Bergman, Saraband. Entre textos de apresentação e textos analíticos, de vieses filosóficos, psicanalíticos e outros, a coletânea nos traz rostos imagéticos e sonoros da vida e da morte, duo fundamental na obra do diretor sue
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Lakolak, Karl. "La Sarabande des beautés interlopes." Corps 3, no. 2 (2007): 79. http://dx.doi.org/10.3917/corp.003.0079.

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Wilson, Sandra B., and Gary W. Knox. "Landscape Performance, Flowering, and Seed Viability of 15 Japanese Silver Grass Cultivars Grown in Northern and Southern Florida." HortTechnology 16, no. 4 (2006): 686–93. http://dx.doi.org/10.21273/horttech.16.4.0686.

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Japanese silver grass (Miscanthus sinensis) and 14 cultivars were transplanted in northern and southern Florida and evaluated for landscape performance, flowering, growth, and seed viability. All plants survived the 84-week study at both locations with the exception of `Morning Light', where 22% to 33% of the plants died. In northern and southern Florida, `Arabesque', `Adagio', `Cosmopolitan', and `Gracillimus' received the highest visual quality ratings on average throughout the entire study, yet other cultivars such as `Central Park' and `Silberfeder' performed well but had much narrower win
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Thomson, Andrew. "Sarabande sur le nom d'Erik Satie." Musical Times 134, no. 1800 (1993): 84. http://dx.doi.org/10.2307/1002412.

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Tesis sobre el tema "Sarabanda"

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Barretto, Eleonora Frenkel. "A Paisagem da sarabanda infernal águas-fortes goyescas de R. Arlt." reponame:Repositório Institucional da UFSC, 2012. http://repositorio.ufsc.br/xmlui/handle/123456789/94911.

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Tese (doutorado)- Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2011<br>Made available in DSpace on 2012-10-25T17:55:00Z (GMT). No. of bitstreams: 1 290073.pdf: 2721831 bytes, checksum: de902ac8f4a78697eec17e8804ab0a92 (MD5)<br>Roberto Arlt escreveu suas crônicas em El Mundo (Buenos Aires) entre os anos de 1928 e 1942. O título que as consagrou, aguafuertes porteñas, remete a uma técnica de gravura que se realiza pela inscrição sobre uma placa de metal e pela submersão dessa placa em ácido nítrico. Um dos pont
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Todd, Richard. "The Sarabandes from J. S. Bach's Six Suites for Solo Cello: An Analysis and Interpretive Guide for the Modern Guitarist." Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc3606/.

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The purpose of this dissertation is to present a comparative analysis of the sarabandes from the six cello suites. Six individual analyses each address the following elements: harmonic reduction, the relationship between the large-scale harmonic and metrical structures, the melodic elaboration of the harmonic-metrical structure, and the type and prevalence of sarabande rhythm. A summary at the end of each analysis provides a cumulative comparison of the results. Knowledge gained from this exercise will provide insight into Bach's conception of the genre by identifying both those features that
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Barboza, Naylini Sobral. "“Saraband” : o habitus sueco no filme de Ingmar Bergman." Universidade Federal de Sergipe, 2015. https://ri.ufs.br/handle/riufs/3189.

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This research analyzes the construction process of the Swedish habitus that Ingmar Bergman seized and showed in his film work, particularly in the movie "Saraband" (2003). To perform this analysis, that is anchored in a ethnographic methodology, which i raise and analyze certain patterns of behavior, languages and beliefs of the Swedish people, to map the socio-cultural setting in which Bergman was immersed. Thus, my theoretical and methodological support, to the dialogue between the Swedish society and the filmmaker, through the film "Saraband", are the concepts of Norbert Elias (1993.1994, 1
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Todd, Richard. "The sarabandes from J.S. Bach's Six suites for solo cello an analysis and interpretive guide for the modern guitarist /." connect to online resource, 2007. http://digital.library.unt.edu/permalink/meta-dc-3606.

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Thesis (D.M.A.)--University of North Texas, 2007.<br>System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Oct. 25, 2004, Feb. 14, 2005, Apr. 25, 2005, and Nov. 30, 2006. Includes bibliographical references (p. 56-57).
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Burdick, Adam David. "The influence of French Baroque dance on the cantatas of Johann Sebastian Bach /." Thesis, Connect to this title online; UW restricted, 2007. http://hdl.handle.net/1773/11389.

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Nilsson, Alice. "J.S Bach Partita no. 2 : Min tolkning och interpretation." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3589.

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Yang, Shu-Pei, and 楊書霈. "GENDER AND CLASS IN MUSIC LEARNING: SARABAND AND TOGETHER." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/u8qn2d.

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碩士<br>國立交通大學<br>音樂研究所<br>106<br>This research focuses on Saraband (2003) by Ingmar Bergman and Together (2002) by Kaige Chen, attempting to explore the issues of gender and class between the characters from the use of music in the films. The dark Sarabande from J. S. Bach’s suite for unaccompanied cello no. 5 appears throughout Saraband; indeed, the film was named after this passionate dance to symbolize the emotional entanglements between the three generations in a family. Karin, a cello student, her father (and teacher) and her grandfather’s ex-wife were all accompanied by the Sarabande, whi
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Čižinská, Klára. "Tradice a současnost hudebních souborů v Rychnově nad Kněžnou." Master's thesis, 2019. http://www.nusl.cz/ntk/nusl-396962.

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The base theme of diploma thesis is the musical life with a focus on musical ensembles in Rychnov nad Kněžnou. At first the history of the town and its musical evolution is presented. In the next part of the thesis the active musical ensembles in Rychnov nad Kněžnou are discussed. They are for example the Rychnov Children's Choir of Carmina, Praus Choir and the X-tet and the Rychnov Temple Choir. There are also instrumental ensembles working at the ZUŠ of Rychnov nad Kněžnou: Sarabanda Flute ensemble, Orecchie grandi String Orchestra, Orecchie piccole String Orchestra, Nona Band, I flauti Matt
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"The Sarabandes of J.S. Bach: Freedom of Ornamentation and Melodic Manipulation." Doctoral diss., 2013. http://hdl.handle.net/2286/R.I.17869.

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abstract: This document is intended to show the various kinds of stylistically appropriate melodic and rhythmic ornamentation that can be used in the improvisation of the Sarabandes by J.S. Bach. Traditional editions of Bach's and other Baroque-era keyboard works have reflected evolving historical trends. The historical performance movement and other attempts to "clean up" pre-1950s romanticized performances have greatly limited the freedom and experimentation that was the original intention of these dances. Prior to this study, few ornamented editions of these works have been published. Altho
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Wu, Hui-fang, and 吳慧芳. "A Study of J. S. Bach′s French Suites for Keyboard, BWV812-817:The Examples of Allemande、Courante、Sarabande and Gigue." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/20750426246998669969.

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碩士<br>國立臺南大學<br>音樂教育學系碩士班<br>93<br>French Suites is one of the three major keyboard suites of J. S. Bach. The diverse dance style, streamlined and simple structure and skills makes it valuble in teaching. The core dances of Bach’s keyboard works include allemande, courante, sarabande and gigue. These also played a significant role in the German suites of the Baroque era. The author at-tempts to discusses the historical origin and development of the four core dances in Baroque era in this study while exploring the interpretation of performance in the view of being a per-former. Therefore,
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Libros sobre el tema "Sarabanda"

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Moravia, Carmen Llera. Sarabanda. 2nd ed. Bompiani, 1997.

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Rüsche, Ana. Sarabanda. Editora Patuá, 2013.

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Oliva Arena, Felipe José, author, ed. Sarabanda no perdona. Editora Política, 2014.

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Sarabanda: Oratorio in tre tempi per voce sola. Feltrinelli, 2011.

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Morel, Solange. Sarabande. la pensee universelle, 1987.

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Redana, Bre. Sarabande. Bentang Budaya, 2002.

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Saraband. Virago, 1986.

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Bergman, Ingmar. Saraband. Norstedt, 2003.

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Braudeau, Michel. Sarabande: Roman. Gallimard, 2006.

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Sarabande: Roman. Editions Québec/Amérique, 1992.

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Capítulos de libros sobre el tema "Sarabanda"

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Debussy, Claude. "“Sarabande,” from Pour le Piano (1894–1901)." In Anthology of Post-Tonal Music, 2nd ed. Routledge, 2021. http://dx.doi.org/10.4324/9780429340147-3.

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Fallaize, Elizabeth. "A Saraband of Imagery: The Uses of Biological Science in Le deuxième sexe." In The Existential Phenomenology of Simone de Beauvoir. Springer Netherlands, 2001. http://dx.doi.org/10.1007/978-94-015-9753-1_5.

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Reiter, Walter S. "Corelli: Sonata, op. 5, no. 7." In The Baroque Violin & Viola. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190922696.003.0017.

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This lesson contains detailed observations about the remaining movements of the Corelli sonata, the Corrente, Sarabanda, and Giga, all of whose origins are discussed. The student learns how to perceive and express polyphony within a single line; the characteristics of tonalities as seen by contemporary composers are discussed, and an exercise entitled “Cheating the Metronome” shows how to practice being rhythmically flexible within a steady pulse. There are more tips on shifting, as students learn to infuse more bounce into the stroke of the Giga. The lesson also investigates a mysterious phenomenon, the “silent crescendo.” In Corelli’s day, string-crossing patterns were a cherished resource of infinite fascination; staying in the first position, rather than being a symptom of technical primitivism, enabled that resource to be exploited while assuring the maximum resonance of the violin.
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"Sarabande." In L’Évangile selon Bergman. Presses de l'Université Laval, 2019. http://dx.doi.org/10.2307/j.ctv1h0p3vm.6.

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Reiter, Walter S. "In the Footsteps of Corelli." In The Baroque Violin & Viola. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190922696.003.0020.

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Technical information on the basic bow stroke of the giga and dynamic variation within it are the subject of two exercises. The sarabanda is contrasted with that of Corelli (Lesson Seventeen) and the student encouraged to realize the figured bass of this and other movements. Rhythm contains emotional information just as harmony does: altering the rhythms of a melody line by Pergolesi and comparing their impact demonstrates this point. Vivaldi uses syncopations, hemiolas, and ambiguities of time signature, and he tussles with the bass to give his corrente rhythmic interest, so maximizing the rhythmic impact is the purpose of Exercise 87. Last, the student is encouraged to read the by now familiar sonata from the original 1709 edition as a preparation to reading seventeenth-century notation in upcoming lessons. As usual, the lesson is packed with detailed observations of the text and technical and musical information.
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Reiter, Walter S. "Nurturing Spontaneity Ornamentation, Module One." In The Baroque Violin & Viola. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190922696.003.0021.

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The lesson begins with a brief overview of the importance of improvisation and ornamentation in Baroque music, acknowledging that past writers maintained that so practical a skill cannot be learned merely by reading about it. If an ornament can be defined as anything that is not essential, then the composers themselves can be said to have written ornaments into their music: an exercise strips a melody by Handel down to its essentials, and the implication of playing such ‘written ornaments’ is discussed. The lesson asks why many musicians today find it difficult to play what is not written down or to play even simple melodies by ear, and students are encouraged to spend more practice time doing this. The difference between French and Italian ornamentation is outlined. Simple ways of ornamenting Corelli’s Sarabanda are shown, and a contemporary version by Dubourg illustrates how complex such ornamentations can be.
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Pascall, Robert. "The Sarabande and Gavotte." In Brahms Beyond Mastery. Routledge, 2017. http://dx.doi.org/10.4324/9781315096155-1.

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Losco-Lena, Mireille. "Sarabandes autour du traumatisme : le théâtre de l’ex-Yougoslavie et la guerre." In Ecritures théâtrales du traumatisme. Presses universitaires de Rennes, 2012. http://dx.doi.org/10.4000/books.pur.78015.

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Actas de conferencias sobre el tema "Sarabanda"

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Duff. "Backpropagation and Bach's 5th cello suite (Sarabande)." In International Joint Conference on Neural Networks. IEEE, 1989. http://dx.doi.org/10.1109/ijcnn.1989.118317.

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