Bibliografías temáticas / Schumann, Robert, 1810-1856 Criticism and interpretation

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Literatura académica sobre el tema "Schumann, Robert, 1810-1856 Criticism and interpretation"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 19 de febrero de 2022

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Tesis sobre el tema "Schumann, Robert, 1810-1856 Criticism and interpretation"

1

Moon, Geoffrey. "The inner musical workings of Robert Schumann, 1828-1840 : in two volumes." Title page, contents and abstract only, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phm817.pdf.

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A thesis which examines Schumann's secret musical language and the development of that language into a highly complex system of extra-musical meanings expressed in tones, special motifs, harmonic progressions and keys. This study traces the development of Schumann's procedures by first analysing the songs of 1840 to see which repeated musical devices connected with texts. Once they have been identified, the application of these devices is then examined, retrospectively, in selected works for solo piano. Relying heavily on Schumann's diaries and letters, as well as a detailed analysis of selected works for voice and solo piano, this study shows the extra-musical meaning to be ultimately concerned with Schumann's wish to marry Clara Wieck and her father's unyeilding opposition to the idea.
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2

Hellner, Jean Marie. "Robert Schumann's Symphony in D Minor, Op. 120: A Critical Study of Interpretation in the Nineteenth-Century German Symphony." Thesis, connect to online resource, 2003. http://www.library.unt.edu/theses/open/20031/hellner%5Fjean%5Fmarie/index.htm.

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chaing, ching-i. Fan, and 范姜晶怡. "The Analysis Interpretation and Discussion of Märchenbilder: Vier Stücke für Klavier und Viola, Op. 113 by Robert Schumann (1810-1856)/Viola Music Recital." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/75870619962521288581.

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碩士<br>東吳大學<br>音樂學系<br>98<br>Abstract Viola da gamba is the earliest one of the Plucked-String Instruments. Although Viola was dispensable before the 20 century, its performance technique has been elevated recently. Viola makes a strong impression on people that it doesn’t play an accompaniment role any more. Therefore, the compositions for viola which created by the composers have been increasing largely. This Märchenbilder: Vier Stücke für Klavier und Viola, Op. 113 by Robert Schumann (1810-1856) is one of the vital work of Romanticism. It is filled with the composer’s romantic emotion, and it’s melody is beautiful. This thesis is divided into four chapters to introduce this work. First of all, I will introduce Schumann’ life events, style, background of her creation . Second, I will analyze and explain the four pieces, from the chord structure , material, and harmony structure to analyze and take musical contexts for practical examples. Third, I will conclude what performance Technique is necessary, and interpret from my objective viewpoints. Finally, I hope that via this thesis, people who enjoy viola music and the it’s players will understand and appreciate the music characteristics of Schumann more. Viola Music Recital 1.Johann Sebastian Bach (1685-1750) Viola da Gamba Sonata No.2 in D 2.Johann Nepomuk Hummel(1778-1837) FANTAISIE pour ALTO et ORCHESTRE à CORDES 3.Jean Baptiste Charles Dancla(1817-1907) Carnival of Venice 4.Rebecca Helferich Clarke(1886-1979) Sonata For Viola and Piano
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Libros sobre el tema "Schumann, Robert, 1810-1856 Criticism and interpretation"

1

Todd, R. Larry. Schumann and his world. Princeton, New Jersey: Princeton University Press, 2014.

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2

Rethinking Schumann. New York: Oxford University Press, 2011.

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3

Robert Schumann and the piano concerto. New York: Routledge, 2005.

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4

Krebs, Harald. Fantasy pieces: Metrical dissonance in the music of Robert Schumann. New York: Oxford University Press, 1999.

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5

Heinrich Heines Lyrisches Intermezzo in Vertonungen von Robert Schumann und Robert Franz. Frankfurt am Main: Peter Lang, 2002.

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6

Vanishing sensibilities: Schubert, Beethoven, Schumann. New York: Oxford University Press, 2012.

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7

Robert Schumann und Richard Wagner im geschichtsphilosophischen Urteil von Franz Brendel. Frankfurt am Main: P. Lang, 1991.

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8

1904-, Abraham Gerald, and Searle Humphrey, eds. The new Grove early romantic masters 1: Chopin, Schumann, Liszt. New York: Norton, 1985.

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9

Nicholas, Temperley. The New Grove early romantic masters 1: Chopin, Schumann, Liszt. London: Macmillan, 1985.

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10

A, Hoffmann E. T. E.T.A. Hoffmann's musical writings: Kreisleriana, The poet and the composer, music criticism. Cambridge: Cambridge University Press, 1989.

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