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Libros sobre el tema "Seasame Street"

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1

Gorbaty, Norman. At the playground : featuring Jim Henson's Seasame Street Muppets. [S.l.]: Random House/Children's Television Workshop, 1987.

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2

Gorbaty, Norman. At the playground : featuring Jim Henson's Seasame Street Muppets. [S.l.]: Random House/Children's Television Workshop, 1987.

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3

Circular tour: Seaside pleasure riding by tram. Lytham: Rio Vista, 1999.

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4

Semaška, Algimantas. Küste Litauens: Reiseführer Klaipėda, Neringa, Palanga und ihre Umgebungen : Auskunft über die Geschichts-, Architektur- und Naturdenkmäler, Karten, Farbaufnahmen der Hauptobjekte = The seaside of Lithuania : tourist guide : Klaipėda, Neringa, Palanga, and districts : historical places, monuments of architecture, recreations [sic] areas, street maps of cities. Vilnius: Algimantas, 2001.

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5

Stevenson, Jocelyn. Ernie and Bert : Good friends: Seasame street. Penguin, 1992.

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6

Albee, Sarah. Elmo's ABC Book. Random House Childrens Books, 2000.

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7

Street, Sesame. WAIT FOR ME! (Seasame Street Start-to-Read Books). Random House Books for Young Readers, 1987.

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8

Ltd, GM Johnson Associates. North Oregon Coast Cities Astoria Seaside City Street Map. GM Johnson and Associates Ltd, 2003.

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9

GM Johnson & Associates Ltd. Oregon North Coast - Astoria/Seaside/Newport/Lincoln City Street Map. GM Johnson & Associates Ltd., 2005.

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10

Guest, Harriet. A Motley Assembly. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198812425.003.0010.

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This chapter takes a single song, Dibdin’s ‘A Voyage to Margate’, and examines its social resonances. It begins with an account of what the song can tell us about the way the seaside resort of Margate figured in the popular imagination, and then moves into a study of the mutually reinforcing domains of song and visual culture, from slip songs and street ballads, through graphic satire and finely produced drolls, to aspirational mezzotint engravings based on oil paintings by George Morland. The author describes a feedback loop between song culture and visual iconography in which songs borrowed tropes from graphic satires, which were then illustrated across a range of print media, and were later reabsorbed into song culture in further parodies and adaptations.
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11

Arkolaki, Charikleia y Elisavet Arkolaki. Happiness Street: A Children's Book about a Summer Spent by the Seaside with Watercolor, Nostalgia-Soaked Illustrations. Independently Published, 2020.

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12

Macomber, Debbie. Debbie Macomber's Cedar Cove Vol 2: 50 Harbor Street 6 Rainier Drive 74 Seaside Avenue 8 Sandpiper Way. Harlequin Enterprises, Limited, 2014.

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13

Pickford, Tony. What Is It Like Now? At the Seaside / in the Street / on Journeys / at Home / at School (What Is It Like Now?). Heinemann Educational Books - Library Division, 2002.

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14

Macomber, Debbie. Cedar Cove Collection: 74 Seaside Avenue; 8 Sandpiper Way; 92 Pacific Boulevard; 1022 Evergreen Place; 1105 Yakima Street; 1225 Christmas Tree Lane. Harlequin Mills & Boon, Limited, 2014.

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15

Spilsbury, Louise y Richard Spilsbury. What Was It Like in the Past? in the Street / on a Journey / at School / at Home / at the Seaside (What Was It Like in the Past?). Heinemann Educational Books - Library Division, 2002.

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16

Benger Alaluf, Yaara. The Emotional Economy of Holidaymaking. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198866152.001.0001.

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It is often taken for granted that holiday resorts sell intangible commodities such as freedom, enjoyment, pleasure, and relaxation. But how did the desire for a ‘happy holiday’ emerge, how was ‘the right to rest’ legitimized, and how are emotions produced by commercial enterprises? To answer these questions, The Emotional Economy of Holidaymaking explores the rise of popular holidaymaking in late-nineteenth-century Britain. Drawing on a wide range of texts, including medical literature, parliamentary debates, advertisements, travel guides, and personal accounts, the book unravels the role emotions played in British spa and seaside holiday cultures. Introducing the concept of an ‘emotional economy’, Yaara Benger Alaluf traces the overlapping impact that psychological and economic thought had on moral ideals and performative practices of work and leisure. Through a vivid account of changing attitudes toward health, pleasure, social class, and gender in late-Victorian and Edwardian Britain, she explains why the democratization of holidaymaking went hand in hand with its emotionalization. Combining the history of emotions with the sociology of commodification, the book offers an innovative approach to the study of the leisure and entertainment industries and a better understanding of how medicalized conceptions of emotions influenced people’s dispositions, desires, consumption habits, and civil rights. Looking ahead to the central place of tourism in twenty-first-century societies and its relation to stress and burnout, The emotional economy of holidaymaking calls on future research of past and present leisure cultures to take emotions seriously and to rethink notions of rationality, authenticity, and agency.
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