Bibliografías temáticas / Secret (Motion picture)

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Literatura académica sobre el tema "Secret (Motion picture)"

Autor: Grafiati
Publicado: 26 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Secret (Motion picture)"

1

Blatt, J. J. "Preserving Patent and Trade Secret Rights for Motion-Picture Special Effects." SMPTE Motion Imaging Journal 104, no. 8 (1995): 519–21. http://dx.doi.org/10.5594/j17684.

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Ohipeni, Edwin Angmor Kofi. "A Survey of Video Steganography Algorithms." Advances in Multidisciplinary and scientific Research Journal Publication 10, no. 4 (2022): 61–64. http://dx.doi.org/10.22624/aims/digital/v10n4p8.

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The need for data encryption has become more important than ever since the appearance of the covid-19 virus which has led to the rate at which cybercrimes are committed to triple. Data is generally in the form of text, audio, video, and image. Over the years researchers have found a way to hide specific information to intended destinations in these data forms. The is called steganography and hiding secret information in video is known as video steganography. In this paper, a survey on some video steganography algorithms have been presented. Recommendations and direction for future works are al
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3

Pallín López, Carolina. "African-american female stereotyping in The Secret Life of Bees." Epos : Revista de filología, no. 29 (January 1, 2013): 327. http://dx.doi.org/10.5944/epos.29.2013.15198.

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The film that is being analyzed in this article, The Secret Life of Bees, offers a unique piece to work on. This motion picture is based on Sue Monk Kidd’s novel with the same title published in 2003, and was directed by one of the very few African-American women directors, Gina Prince-Bythewood. This story puts forth an unusual depiction of the way African-American women have traditionally been portrayed. One of the key elements that contributes to this rare representation is the «Magical Negro» character in the movie, which has a tradition of being represented by men.The aim of this article
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Ahuja, Rakesh, and Dr Sarabjeet Singh Bedi. "Video Watermarking Scheme Based on Candidates I-frames for Copyright Protection." Indonesian Journal of Electrical Engineering and Computer Science 5, no. 2 (2017): 391. http://dx.doi.org/10.11591/ijeecs.v5.i2.pp391-400.

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<p>This paper focuses on moving picture expert group ( MPEG) based digital video watermarking scheme for copyright protection services. The present work implemented the video watermarking technique in which discrete cosine transform (DCT) intermediate frequency coefficients from instantaneous decoder refresh (IDR) frames are utilized. The subset of IDR frames as candidate frames are chosen to reduces the probability of temporal synchronization attacks to achieve better robustness and high visual perceptual quality. A secret key based cryptographic technique is used to enhance the securit
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5

Bagirokova, Irina G. "Verbs of hiding and their combinability with locative affixes in Adyghe." Voprosy Jazykoznanija, no. 4 (2022): 95. http://dx.doi.org/10.31857/0373-658x.2022.4.95-114.

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This paper investigates the semantics of hiding in Adyghe from a typological perspective. There are four verb stems: ʁebəλə- ‘to hide’, wəχʷəme- ‘to protect, to cover up’, wəŝefə- ‘to conceal’, and xeḳʷ ečʼ̣ e- ‘to mix, to blend in’. The central verb of the field, ʁebəλə- ‘to hide’, describes situations where the object is put somewhere to be out of sight (e.g. ‘to hide money into the safe’). It combines with the same locative affixes as standard verbs of motion do. In current usage, the verb wəχʷəme- stands for ‘to protect’, whereas the locative prefix čẹ - ‘under’ changes its meaning to ‘to
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Newman, William R. "Newton the Alchemist: Science, Enigma, and the Quest for Nature's "Secret Fire"." Perspectives on Science and Christian Faith 73, no. 1 (2021): 46–47. http://dx.doi.org/10.56315/pscf3-21newman.

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NEWTON THE ALCHEMIST: Science, Enigma, and the Quest for Nature's "Secret Fire" by William R. Newman. Princeton, NJ: Princeton University Press, 2019. xx + 537 pages, including four appendices and an index. Hardcover; $39.95. ISBN: 9780691174877. *If there is one person associated with developments in the physical sciences, it is Isaac Newton (1642-1727). For many, he represents the culmination of the seventeenth-century Scientific Revolution: its point of convergence and simultaneously the point from which science began to exercise its full influence on society. His work is often considered a
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Meng, Yifei, Ke Niu, Yingnan Zhang, Yucheng Liang, and Fangmeng Hu. "Robust Reversible Watermarking Scheme in Video Compression Domain Based on Multi-Layer Embedding." Electronics 13, no. 18 (2024): 3734. http://dx.doi.org/10.3390/electronics13183734.

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Most of the existing research on video watermarking schemes focus on improving the robustness of watermarking. However, in application scenarios such as judicial forensics and telemedicine, the distortion caused by watermark embedding on the original video is unacceptable. To solve this problem, this paper proposes a robust reversible watermarking (RRW)scheme based on multi-layer embedding in the video compression domain. Firstly, the watermarking data are divided into several sub-secrets by using Shamir’s (t, n)-threshold secret sharing. After that, the chroma sub-block with more complex text
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Hansen, Jesper. "Offertradition og religion i ældre jernalder i Sydskandinavien – med særlig henblik på bebyggelsesofringer." Kuml 55, no. 55 (2006): 117–75. http://dx.doi.org/10.7146/kuml.v55i55.24692.

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Sacrificial Tradition and Religion during the Early Iron Age in South Scandinavia – with Special Reference to Settlement SacrificesSacrificial customs and religion during the Early Iron Age (500 BC–400 AD) has occupied archaeologists from the infancy of archaeology. Most would probably agree that the religion was primarily fertility related, originating as it was in the existing peasant society. The literature does not reflect any disagreement about the religion of the Early Iron Age being polytheistic and consequently concerned a variety of gods. However, it is still unknown how the religion
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McCall, Bradford. "The God of Chance and Purpose: Divine Involvement in a Secular Evolutionary World." Perspectives on Science and Christian Faith 75, no. 2 (2023): 123–25. http://dx.doi.org/10.56315/pscf9-23mccall.

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THE GOD OF CHANCE AND PURPOSE: Divine Involvement in a Secular Evolutionary World by Bradford McCall. Eugene, OR: Wipf & Stock, 2022. 156 pages. Paperback; $24.00. ISBN: 9781725283831. *Bradford McCall is a young but prolific scholar, having completed his PhD in 2022 at the Claremont School of Theology, yet having published five books and about fifty articles. In this slim volume of six chapters, McCall proposes the elements of a complementary relationship between science, particularly evolutionary biology, and Christian faith. His proposal is rooted in a panentheistic theology of God that
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Nur Ulfah, Rena Al Asyifa, and Resti Afrilia. "AN ANALYSIS OF FLOUTING MAXIM IN “THE B.F.G” MOVIE." PROJECT (Professional Journal of English Education) 1, no. 5 (2018): 687. http://dx.doi.org/10.22460/project.v1i5.p687-695.

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This research studies about flouting maxim in The B.F.G movie. The research concerns on finding the flouting maxims in The B.F.G movie. This research employed mainly descriptive qualitative method to support in interpreting and analysing the data. The data of this research were utterances produced by Sophie and BFG as main characters in The B.F.G movie. The context of the research was the dialogues of the movie. The data sources of this research were The B.F.G and its script. Meanwhile, the primary instrument of this research was the researcher ourselves. The data were collected by downloading
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Tesis sobre el tema "Secret (Motion picture)"

1

McConnell, Sarah E. "The Key to Unlocking the Secret Window." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc33226/.

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David Koepp's Secret Window was released by Columbia Pictures in 2004. The film's score was written by Philip Glass and Geoff Zanelli. This thesis analyzes transcriptions from six scenes within the film in conjunction with movie stills from those scenes in an attempt to explain how the film score functions.
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Liang, Yun-Hsiang, and 梁蘊翔. "A STUDY OF NON-EXPANSIBLE AND MOTION PICTURE VISUAL SECRET SHARING SCHEMES." Thesis, 2001. http://ndltd.ncl.edu.tw/handle/80554288936137676018.

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碩士<br>國立東華大學<br>資訊工程學系<br>89<br>Visual Secret Sharing (VSS) scheme provides a perfect secure encoding method to protect a shared secret as an image. In a (k, n) VSS scheme, the secret image is encoded into n different shadow images such that any k or more participants can recover the shared secret by stacking their shadows, but k-1 or fewer participants can get no information about the secret image. In the scheme, the decoder is the human visual system, so that users can recover the shared secret by stacking their shadows without any knowledge in cryptography and require no cryptographic compu
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Finch, Brian Thomas. "Children's film viewing practices : a qualitative investigation into engagement with a feature film : a thesis presented in partial fulfilment of the requirements for the degree of Doctor of Education at Massey University, New Zealand." 2008. http://hdl.handle.net/10179/732.

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This study investigates the ways that children engage with a repeatedly viewed film in domestic settings. The research questions focus on the children's language, their multimodal behaviours while viewing and the understandings they form about a film. The study aims to provide insights for educators by demonstrating the range and nature of the educationally significant understandings, about film, that children construct. An initial survey of 9 and 10 year olds produced 17 children who nominated Harry Potter and the Chamber of Secrets (Columbus, 2002) as a favourite film that they had viewed at
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Libros sobre el tema "Secret (Motion picture)"

1

Claude, Miller, and Valletoux Thierry Photogr, eds. Les secrets d'un secret. Verlhac, 2007.

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2

Ehrenstein, David. Open secret: Gay Hollywood, 1928-1998. William Morrow and Co., 1998.

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Ehrenstein, David. Open secret: Gay Hollywood, 1928-2000. Perennial, 2000.

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4

(Firm), Granary Books, and Press Collection (Library of Congress), eds. On Jack Smith's Flaming creatures (and other secret-flix of Cinemaroc). Granary Books/Hips Road, 2001.

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Summers, Anthony. Goddess: The secret lives of Marilyn Monroe. Chivers, 1987.

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Arthur, Robert. The Secret of Skeleton Island. Random House, 1998.

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Kendrick, Sharon. A scandal, a secret, a baby. Harlequin, 2013.

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8

Copyright Paperback Collection (Library of Congress), ed. Hot secret. Diamond Books, 1992.

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9

Byczynski, Stuart J. Audrey Hepburn: A secret life. Brunswick Publishing Corp., 1998.

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Holden, Anthony. Behind the Oscar: The secret history of the Academy Awards. Viking, 1993.

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Capítulos de libros sobre el tema "Secret (Motion picture)"

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Kornhaber, Donna. "5. The secret afterlife of silent film." In Silent Film: A Very Short Introduction. Oxford University Press, 2020. http://dx.doi.org/10.1093/actrade/9780190852528.003.0006.

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The year 1929 is often seen as marking the end of silent film. “The secret afterlife of silent film” questions this date, demonstrating how that year only signaled the end of production in major studios in the United States. Once the technology for synchronization and amplification became available, the transition to sound in the motion picture industry was smoother than is often depicted. Silent film production continued in pockets around the globe until nearly the middle of the century, as did silent film exhibition. Elements of silent film persist even in the early twenty-first century, fro
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Dowbiggin, Ian. "Breakthrough, 1920–1940." In A Merciful End. Oxford University PressNew York, NY, 2003. http://dx.doi.org/10.1093/oso/9780195154436.003.0002.

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Abstract By the 1920s, euthanasia was no longer a secret in America. The popular and medical press had run stories on mercy killing, the first signs of a debate that would mark much of American life for the rest of the century. A motion picture, titled The Black Stork, about withholding surgery from a deformed newborn, had been released and was being shown commercially throughout the country. Clarence Darrow ,Jack London, Eugene Debs, Helen Keller, and the editorial board of the New Republic had spoken out in favor of euthanasia. Popular attitudes toward euthanasia also showed signs of movemen
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Kowalczyk, Marcin. "“Comic Monster” – Soviet Soldiers and the Soviet Union in Colonel Kwiatkowski, Directed by Kazimierz Kutz in the Light of Mikhail Bakhtin’s Theory of Carnivalization." In Studien zur Multikulturalität. Harrassowitz Verlag, 2025. https://doi.org/10.13173/9783447123969.101.

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Colonel Kwiatkowski (Pułkownik Kwiatkowski) tells the story of a medical doctor impersonating an officer of the Department of Security in post-war Poland. The protagonist aptly calls his actions a “carnival”, as the success of the entire masquerade relies on parodying the official culture of Security Service officers. Mikhail Bakhtin’s theory of carnivalization seems an appropriate tool for analysing these representations. The text focuses on the fear of the Soviet soldiers and the Soviet secret police agency (NKVD) filtered through a carnivalesque sensibility. In such optics, the USSR becomes
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"Schubert’s Ihr Bild." In Der Tonwille, edited by Heinrich Schenker and William Drabkin. Oxford University PressNew York, NY, 2004. http://dx.doi.org/10.1093/oso/9780195122374.003.0005.

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Abstract Since it is certainly not possible to detect a motive in these bars, it is a question of what other purpose they fulfill. Do they just simply introduce the key, or do they perhaps prefigure the initial tone of the voice part, or both? Now be that as it may, in any event one would still have to ask why the master strikes the same tone twice when it was also quite possible simply to let it remain sounding during the two bars. In fact, the answer to this second question brings us the solution of the puzzle: repeating that tone in a slow tempo, after a rest no less, amounts to staring at
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Leverenz, David. "The Last Real Man in America: From Natty Bumppo to Batman." In The American Literary History Reader. Oxford University PressNew York, NY, 1995. http://dx.doi.org/10.1093/oso/9780195095043.003.0013.

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Abstract In the summer of 1989, one of the glossiest men’s magazines appeared with a picture of Sean Connery on the cover. Dressed in a creamy ivory tuxedo, standing with arms folded against a beige background, visible only to the waist, he embodied elegance, sensuality, and virility. The caption proclaimed him “The Last Real Man in America.” Why should the Last Real Man in America be a British actor? The taunting ambiguity implies that no American can claim true manliness anymore; to see it at all is to see it vanishing. Only a working-class Scotsman who secured his international image as Jam
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Actas de conferencias sobre el tema "Secret (Motion picture)"

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Tanaka, Kiyoshi, Yasuhiro Nakamura, and Kineo Matsui. "Secret transmission method of character data in motion picture communication." In Visual Communications, '91, Boston, MA, edited by Kou-Hu Tzou and Toshio Koga. SPIE, 1991. http://dx.doi.org/10.1117/12.50295.

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