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Artículos de revistas sobre el tema "Self-realization in women – Poetry"

Autor: Grafiati

Publicado: 26 de julio de 2024

Última modificación: 31 de julio de 2025

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1

Li, Xiaorong. "Woman Writing about Women: Li Shuyi's (1817-?) Project on One Hundred Beauties in Chinese History." NAN NÜ 13, no. 1 (2011): 52–110. http://dx.doi.org/10.1163/156852611x559349.

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AbstractThis article examines the woman poet Li Shuyi's (1817-?) poetry collection Shuyinglou mingshu baiyong (One hundred poems on famous women from Shying Tower). Through a reconstruction of Li Shuyi's life, a reading of her self-preface, and an analysis of her poems, this study aims to demonstrate how a woman author's perception of her own ill fate leads to her becoming a conscious writing subject, and how this self-realization motivates her to produce a gendered writing project. It argues that Li Shuyi articulates in her project her intervention into representations of women's images from

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2

Sajad, Anum, Dr. Fasih Ur Rehman, and Maham Nawaz. "A Feminist Stylistic Analysis of Umm-e-Rumman Syed's Selected Poems in Beautiful Inadequacies." Regional Tribune 3, no. 1 (2024): 141–55. https://doi.org/10.63062/trt/V24.030.

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This research attempts to analyze Umm-e-Rumman Syed's Poetry collection from a feminist stylistic perspective to investigate various stylistic elements used for male and female characters. This anthology of poetry book Beautiful Inadequacies is written by an emerging Pakistani poetess, Umm-e-Rumman Syed, and was published in August 2020. This collection of poetry is divided into two parts, "Reminiscence of Adolescence" and "Reminiscence of Adolescence and Beyond," which portray life from age 13 to 17 and from 17 to 20, respectively, in a total of 130 poems (35-95). The present study aims to ex

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3

Krivokapić, Marija. "Reclaiming Home in Indigenous Women Poetry of North America." American Studies in Scandinavia 53, no. 1 (2021): 65–94. http://dx.doi.org/10.22439/asca.v53i1.6226.

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The tendency of reclaiming home in Indigenous women poetry of North America is seen as a part of a multilayered decolonizing project, which aims at disclosing, reconstructing, and removing the effects of the colonial policy for self-determination and betterment of the Indigenous peoples. A precondition of reclaiming home is resurrecting tribal knowledge of belonging which situates the Indigenous subject within family and tribe and close connection to natural surroundings. This paper extends the boundaries of the concept of home from a physical space, such as house and homeland, to a representa

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4

Sajad, Anum, Fasih Ur Rehman, and Maham Nawaz. "A Feminist Stylistic Analysis of Umm-e-Rumman Syed’s Selected Poems in Beautiful Inadequacies." Regional Tribune 3, no. 1 (2024): 141–55. http://dx.doi.org/10.63062/trt/v24.030.

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This research attempts to analyze Umm-e-Rumman Syed's Poetry collection from a feminist stylistic perspective to investigate various stylistic elements used for male and female characters. This anthology of poetry book Beautiful Inadequacies is written by an emerging Pakistani poetess, Umm-e-Rumman Syed, and was published in August 2020. This collection of poetry is divided into two parts, "Reminiscence of Adolescence" and "Reminiscence of Adolescence and Beyond," which portray life from age 13 to 17 and from 17 to 20, respectively, in a total of 130 poems (35-95). The present study aims to ex

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5

Sandler, Stephanie. "Scared into Selfhood: The Poetry of Inna Lisnianskaia, Elena Shvarts, Ol´ga Sedakova." Slavic Review 60, no. 3 (2001): 473–90. http://dx.doi.org/10.2307/2696811.

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Sandler analyzes the poetry of three contemporary Russian women poets, focusing on one poem by each poet from the late Soviet period. Using psychoanalytical theory and philosophical theories of the sublime, she assesses how fear creates a sense of self for each poet. In all the texts examined, the poet's self is shattered in order to be built up again. Poetic identity means a writer's identity, particularly to Sedakova and Lisnianskaia, and all three poets find a sense of self by resisting some conventional notions of the woman poet.

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6

Sahrish, Fatima, and Dr Amna Shamim. "In Her Own Voice: Charmayne D'Souza." SMART MOVES JOURNAL IJELLH 8, no. 2 (2020): 11. http://dx.doi.org/10.24113/ijellh.v8i2.10401.

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The present paper aims to study Charmayne D'Souza's one and only volume of poetry, A Spelling Guide to Woman. Her poetry shows texture of western feminism where she expresses the radical self of a reformist kind with the strong belief of an iconoclast. Poetry is a two-way process for D'Souza. She uses poetry for not only verbalizing 'personal as political' but also for making the public as personal and as a medium to resist codification of patriarchal discourses. Simone de Beauvoir in The Second Sex has stated that each consciousness defines itself as subject by defining the other consciousnes

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7

Dr., Arvind Kumar. "PASSION FOR INDIVIDUALITY AND SELF-IDENTITY IN THE POETRY OF MAMTA KALIA." PASSION FOR INDIVIDUALITY AND SELF-IDENTITY IN THE POETRY OF MAMTA KALIA 2, no. 3 (2024): 41–46. https://doi.org/10.53413/IJTELL.2021.2207.

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Indian writers in English, during pre andpost-independence periods, have ever beenextremely rich in their unique ways ofpresenting human emotions. Literaturebeing the best medium to express emotionsand advocate ideas has a unique power oftranscending all barriers of time andspace. The manner in which it treats aparticular theme and invests it with auniversal meaning, binds the strangest ofthe people and remotest of the places. Itdelineates the inner-life and subtleimpersonal relationships of the charactersin a subtle and sensible way. The modernIndian women poets boldly shared theirvision and

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8

А., Г. Козлова. "ОСОБЕННОСТИ ВОПЛОЩЕНИЯ ТЕМЫ ЛЮБВИ В ПОЗДНЕЙ ЛИРИКЕ ЕВГЕНИЯ ЕВТУШЕНКО". Російська філологія. Вісник Харківського національного педагогічного університету імені Г.С. Сковороди, № 3(59) (8 листопада 2016): 38–43. https://doi.org/10.5281/zenodo.165458.

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The article analyzes the peculiarities of realization of love theme in Yevgeny Yevtushenko’s poetry of the beginning of the XXI century. It is noted that as one of “the Sixtiers” Yevgeny Yevtushenko has brought an erotic component and corporality cult into Soviet poetry starting the discussion about the most intimate parts of human relationships. Love theme is one of the prevailing themes of his works. It is actively used in his poems of latest decades. The article specially mentions the book of poetry “Poems of the XXI century” and its series “Female people” in particular. The analysis of poe

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9

Oumlil, Kenza. "Alternative media, self-representation and Arab-American women." Journal of Alternative & Community Media 1, no. 1 (2016): 41–55. http://dx.doi.org/10.1386/joacm_00017_1.

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Arab-American women often find themselves represented in the mainstream media as oppressed victims in need of saving, but what sometimes gets less attention are the ways in which Arab-American women themselves are adding to the media landscape, through poetry, film and other forms. This article offers a textual analysis of artistic interventions circulated by Arab-American women in the media sphere, and supplements the analysis of the content and context of these interventions with individual interviews with the artists involved. It focuses on the poetry of Suheir Hammad and the cinematic inte

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10

வெ., வளர்மதி /. V. Valarmathi. "கவிஞர் சக்திஜோதி படைப்புகளில் கலாச்சாரம் மற்றும் பெண்ணியம் / Culture and Feminism in the Works of the Poet Sakthi Jothi". IJTLLS 7, SPL 1 (2024): 429–46. https://doi.org/10.5281/zenodo.15129794.

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<em>In the twentieth century, many types of literature flourished in Tamil. Many poets emerged in the field of literature and wrote numerous poems. Literature originally began with poetry and is considered the mother of all literature. Poetry is a unique art form that arises when imagination and emotion are expressed in a particular form.</em><em> During this period, poetry flourished, starting with Bharathi and dominating the modern Tamil literary scenario. Then, modern poetry gradually shifted into the hands of women poets. Today, more than a hundred female poets are recognized in the realm

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11

Mwai, Wangari, Margaret Mwenje, and John Kirimi M’Raiji. "The Construction of Feminine Psychology in Swahili Women’s Nuptial Poetry-Unyago." Journal of Educational and Developmental Psychology 7, no. 1 (2017): 241. http://dx.doi.org/10.5539/jedp.v7n1p241.

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This article examines the construction of feminine psychology in Swahili women nuptial poetry-unyago. Unyago poetry is composed and performed by Swahili women. Swahili is a community located along the coastal region of Kenya. This article, therefore, focuses on intersections between psychology and poetry in analyzing and describing how unyago poetry reveals the mindsets and emotions of Swahili women. Data for analysis in article is derived from research carried out among women of Swahili decent living at Kisumu using observation and in-depth interviews as data collection methods. Unyago poetry

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12

முனைவர், நா. குமாரி /. Dr. N. Kumari. "கவிதைகளில் பெண்ணியச் சிந்தனைகள் / Feminist Thoughts in Poetry". பாண்டியன் மகளிர் ஆய்வு இதழ் / Pandian Journal of Women's Studies Volume 2, Issue 1 (2022): 11–20. https://doi.org/10.5281/zenodo.7809976.

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<em>Women are the eyes of the country. Feminism was created to create awareness for women who are enslaved and denied their rights. Women are now realizing their individualities, specialties, preferences, strengths and beliefs. The contribution of women in artistic and literary works is very remarkable. Especially in poems they take their problems, self-interests and beliefs. Repressive patterns in the patriarchal social system also poetically depict female suffering. The purpose of this article is to explore the feminist ideas permeated through such poems.</em>

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13

Syeed, Syed Aamir, and Master Showkat Ali. "Feminine Angst in the Poetry of Sylvia Plath." Journal of English Language and Literature 4, no. 2 (2015): 386–89. http://dx.doi.org/10.17722/jell.v4i2.108.

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 Women have been struggling to liberate themselves from subjugation by their male counterparts from times immemorial. The various factors responsible for their suppression were misogyny, romantic glorification and patriarchy. Illogically romanticized, they are not permitted to play a significant role as independent, self-assured individuals and this was compounded by other unfair social, political and biological factors. As a result, they did not enjoy a contented position in society. History inclined to link man to wisdom and biological dominance and women were associated with confined

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14

Gong, Heng Xing. "Li Qingzhao and A. P. Bunina: difficult fates of women’s poetry." Litera, no. 8 (August 2021): 81–96. http://dx.doi.org/10.25136/2409-8698.2021.8.36313.

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Despite the fact that Li Qingzhao and Anna Petrovna Bunina were bound by neither geographical affiliation or time, their contemporaries called them the Chinese and Russian Sappho. This is substantiated by the consonance of their poems with the lyrics of the Ancient Greek poetess, sensuality of their poems, as well as their independent position atypical for the women of their eras. This article draws parallels between the biographies of the two prominent poetesses, each of whom is considered the founder of women's poetry in their homeland. Although both poetesses are widely known and considered

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15

Park, Seonah. "Muriel Rukeyser’s Motherhood Poetry: Lyric Poetry and Publicness." Institute of British and American Studies 58 (June 30, 2023): 3–26. http://dx.doi.org/10.25093/ibas.2023.58.3.

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This paper attempts to redefine motherhood as a female experience through the motherhood poetry of a modernist American poet, Muriel Rukeyser. In contemporary terms, motherhood tends to be defined as a feminine experience in which the relationship between mother and child is created, whereas Rukeyser's motherhood poetry emphasizes the intersection of such motherhood with the public values of society and the expansiveness of lyric poetry. Living in a time of upheaval and chaos in the war-driven world order, Rukeyser needed to keep a keen eye on the world as the space in which she and her child

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16

Jesintha Joselin, C., and K. Premkumar. "Echoes from the Forest: The Unbreakable Spirit of Adivasi Women in Nirmala Putul’s Poetry." Shanlax International Journal of Arts, Science and Humanities 12, S3-Apr (2025): 53–56. https://doi.org/10.34293/sijash.v12is3-apr.9052.

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Tribal literature remains an underexplored vital part of Indian literary discourse, reflecting the struggles, resilience, and identity of indigenous communities. Nirmala Putul, a celebrated Santhali poet, captures these themes in What Am I To You?and Adivasi Woman, both of which dismantle the stereotypes of tribal women as submissive or passive. Instead, Putul presents them as self-reliant, laboring figures deeply connected to their land and cultural traditions. This study employs a feminist and postcolonial analytical framework to explore how Putul’s poetry critiques gender-based oppression a

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17

Bonasera, Carmen. "Bodies and self-disclosure in American female confessional poetry." European Journal of Life Writing 10 (July 9, 2021): SV33—SV56. http://dx.doi.org/10.21827/ejlw.10.37638.

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Far from being a mere thematic device, the body plays a crucial role in poetry, especially for modern women poets. The inward turn to an intimate autobiographical dimension, which is commonly seen as characteristic of female writing, usually complies with the requests of feminist theorists, urging writers to reconquer their identity through the assertion of their bodies. However, inscribing the body in verse is often problematic, since it frequently emerges from a complicated interaction between positive self-redefinition, life writing, and the confession of trauma. This is especially true for

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18

Seeta, Tandan, and Manisha Dwivedi Dr. "The Voice of Indian Women's in the Poetry of Kamala Das." RESEARCH REVIEW International Journal of Multidisciplinary 03, no. 06 (2018): 460–63. https://doi.org/10.5281/zenodo.1296818.

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Kamala Das is one of the major poets in contemporary Indian English literature mainly known because of her fiery voice in her poems. In her poems feminine sensibilities find its best The Voice of a Rebel Woman against Patriarchy: A Study of Kamala Das"s Poems expression. Though her works are generally labeled as autobiographical and confessional, her open treatment of female sexuality and guileless guiltless frankness in writing make her a rebel icon among the Indian poets. Unlike other poets her poetry is free from “19th century diction, sentiment and romanticized love”. Her poems

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19

Malakhevich, Daria E. "Feminine Imagery in Chinese Lyrics of the Six Dynasties." RUDN Journal of Studies in Literature and Journalism 27, no. 1 (2022): 86–93. http://dx.doi.org/10.22363/2312-9220-2022-27-1-86-93.

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This article deals with the specifics of female imagery in Chinese poetry of the Six Dynasties period ( Liuchao ). The aim is to characterize female imagery in the works of the poets of this period and find out what changes these images underwent in comparison with previous epochs, and how the structure of these images differs in female and male poetry. The aim is to analyze the women topic in the works of the leading poets of the Six Dynasties period. The conclusion is made that in mens poetry of the mentioned period the female image remains idealized, unified and narcissistic. Male poets use

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20

Sonya, Feby, Slamet Triyadi, and Imam Muhtarom. "Citra Perempuan dalam Antologi Puisi Rahi(i)m Karya Kedung Darma Romansha serta Implikasinya terhadap Pembelajaran Bahasa Indonesia di Sekolah." Jurnal Kajian Bahasa, Sastra dan Pengajaran (KIBASP) 5, no. 1 (2021): 30–50. http://dx.doi.org/10.31539/kibasp.v5i1.2523.

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This study aims to describe the image of women in the poems of the writer Kedung Darma Romansha and describe the results of the description of the meaning of the image of women by learning the Indonesian language, namely the subject of poetry appreciation in high school class X. The research method used is a descriptive qualitative method in the form of paradigms in word descriptions. -words to describe and analyze facts naturally and then interpret them appropriately. The results showed that: (1) the image of women, consisting of self-image and social image; 2) the image of women in the antho

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Gorelov, Oleg. "The structure of revolutionary feminist surrealism in the poetic practice of Galina Rymbu." Litera, no. 5 (May 2021): 152–64. http://dx.doi.org/10.25136/2409-8698.2021.5.32797.

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The object of this research is the surrealistic code of Russian contemporary poetry. The subject of this research is the authorial version of revolutionary surrealism and the techniques of its realization in the poetry of Galina Rymbu. The article examines such aspects of the topic as female optics, feminist writing, gender issues, as well as the interaction of aesthetic and political, imagery and empirical, subjective and objective. Special attention is given to the consequences of the divergence of surrealistic development trends &ndash; aesthetic and revolutionary surrealism in the poet

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22

Dr., Prashant Connodgia, and Azmat Ara Dr. "Unveiling the Self: Voices of Resistance in the Poetry of Ranu Uniyal." Criterion: An International Journal in English 15, no. 2 (2024): 162–70. https://doi.org/10.5281/zenodo.11103659.

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Ranu Uniyal is a prominent figure.  Her openness and wide range of themes are admirable. Uniyal is one of the female poets who actively resist and averse to the dominance of patriarchy. She embodies the dissatisfaction and discontent of Kamala Das, the bold and outspoken spirit of Maya Angelou, the lyrical loveliness of Christina Rossetti, and, most importantly, like Whitman, she is a poet of the 'Self'. The poetry of Ranu Uniyal explores a wide range of human emotions, including friendship, philosophy, women's psychology, relationships between men and women, maternal love, anguish, suffe

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23

Armalina, Armalina, and Yenni Hayati. "Gambaran Biologi Perempuan dalam Kumpulan Puisi Catatan-Catatan dari Bulan Karya Rieke Saraswati." Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya 5, no. 2 (2022): 489–510. http://dx.doi.org/10.30872/diglosia.v5i2.422.

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This study aims to describe the biological aspects of women contained in the poetry collection of "Catatan-Catatan dari Bulan" by Rieke Saraswati. This study uses a qualitative approach with a gynocritic approach that produces descriptive data in the form of written words. The author uses this biological aspect in his poetry to convey the mindset of resistance, dissatisfaction, and suppression experienced by women in society regardless of age. Based on the data analysis, 34 data about the biological aspects of women were found in the poetry collection of "Catatan-Catatan dari Bulan" by Rieke S

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24

C, Gautam, and Sahana R. "Exploration of Power Dynamics in Meena Kandasamy’s Poetry." Shanlax International Journal of Arts, Science and Humanities 12, S4.May (2025): 44–48. https://doi.org/10.34293/sijash.v12is4.may.9150.

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Meena Kandasamy is one of the prominent and most celebrated authors of the contemporary world. Through her writing, Meena explores the narrative techniques of resistance to reclaim the voice of marginalized people against the hegemonic practices constructed in society by upper-class people. Thus, this paper explores the voice of the marginalized as a powerful tool for shaping the self to define the power dynamics portrayed in the form of Dalit politics through Kandasamy’s notable poetical works. At the same time, the paper also explores the plight of women who experience, struggles through the

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25

YoungMin Park. "Chinese poetry of women writers, the intense sexuality and self-conscious." DONG-BANG KOREAN CHINESE LIEARATURE ll, no. 33 (2007): 165–96. http://dx.doi.org/10.17293/dbkcls.2007..33.165.

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Kwon, sung hun. "The Ontological Significance of Self-Portraits in Korean Women"s Poetry." Literary Criticism 93 (September 30, 2024): 7–32. http://dx.doi.org/10.31313/lc.2024.09.93.7.

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Dr, Priya Adwani, and Hitesh D. Raviya Dr. "Diasporic Sensibility and Consciousness in Poetry of Sujata Bhatt." RESEARCH REVIEW International Journal of Multidisciplinary 03, no. 06 (2018): 10–13. https://doi.org/10.5281/zenodo.1258080.

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Diasporic Sensibility and Consciousness in Poetry of Sujata Bhatt reveal the three very commonly used terms—"self, &bdquo;personality" and &bdquo;identity". These terms were constantly under investigation in the present paper &bdquo;. The purport of this paper is to study inclinations of Bhatt on various themes like feminism which demonstrated the state of a middleclass Indian Woman; who is crushed up, battered and not taken care at all and macro level revolutions. The paper has a study which demonstrates the hatred of Hindu religion and its preplanned commandments in opposition to women

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28

Wu, Yuxuan. "Identity Construction through Images of Clothing in Fleur Adcock’s Poetry." Eger Journal of English Studies 23 (2024): 39–50. https://doi.org/10.33035/egerjes.2024.23.39.

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This study examines how Fleur Adcock, a New Zealand-born British poet, establishes identities through images of clothing in three of her poems. Adcock’s acute observations of clothing reflect the close link between dress and the construction of the self and our place in society. In “The Soho Hospital for Women,” Adcock portrays clothing as a crucial aspect of personal identity, while in “Londoner” clothing reflects the conflict of the divided self. “Witnesses” reconstructs female identity under patriarchy by emphasising the different functions of clothing for men and women in the courtroom.

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KUMYSHEVA, L. Ch, and Z. A. KUCHUKOVA. "WOMEN-DZHIGITS OR GENDER DIMENSION OF FAUSAT BALKAROVA’S POETRY." Kavkazologiya, no. 1 (2021): 208–27. http://dx.doi.org/10.31143/2542-212x-2021-1-208-227.

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On the basis of lyric and epic works, the authors of the article investigate the specific features of the gender picture of the world of the classic of Kabardian literature Fousat Balkarova. The structuring of the holistic material into 5 interrelated sections allows the authors to consistently, close-up consider the thematic, personal, linguistic, chronological and conflict-prone aspects of the poetess' ethnogender consciousness. The historically conditioned process of transformation of social constructs «masculine» and «feminine» of the Adyghe patriarchal society under the pressure of factor

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Hagaman, Sarah, and Jay Clayton. "Race, Gender, and Genetic Privacy in Kay Redfield Jamison's An Unquiet Mind and Meri Nana-Ama Danquah's Willow Weep for Me." Literature and Medicine 42, no. 2 (2024): 438–58. https://doi.org/10.1353/lm.2024.a951027.

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Abstract: This essay analyzes two 1990s memoirs of women struggling with hereditary mental illness, who express anxiety about revealing their conditions and about whether their revelations will violate the privacy of their close relations. Midcentury confessional poetry influences the modes of self-disclosure in Kay Redfield Jamison's An Unquiet Mind (1995) and Meri Nana-Ama Danquah's Willow Weep for Me (1998), though the memoirs feature concerns about genetics and biological psychiatry absent from the 1960s confessional poetry. As we show, the language surrounding mental illness structures wo

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31

Al – Rubaie, Dr Taghreed Adnan Mahmoud. "Women in the poetry of Farazdak (an analytical reading of his poetic introductions)." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 226, no. 1 (2018): 45–72. http://dx.doi.org/10.36473/ujhss.v226i1.186.

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The Farzdaq is a unique phenomenon in Arab poetry that we rarely find a counterpart, a self-righteous personality enveloped by so Childesh, Shomokh, Fathers and glory. The woman had a privileged position, and he employed her in his poetic creations, as she was an artistic curator of the beginning of his poems as textual values. These introductions create a balance that enters the heart of the poetic industry, because they are the first to encounter the reader, and reach the ears of the listener, and the reader is located on it. These introductions to their diversity and sometimes their brevity

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32

Al – Rubaie, Dr Taghreed Adnan Mahmoud. "Women in the poetry of Farazdak (an analytical reading of his poetic introductions)." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES, no. 226(1) (September 1, 2018): 45–72. http://dx.doi.org/10.36473/ujhss.v0i226(1).186.

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The Farzdaq is a unique phenomenon in Arab poetry that we rarely find a counterpart, a self-righteous personality enveloped by so Childesh, Shomokh, Fathers and glory. The woman had a privileged position, and he employed her in his poetic creations, as she was an artistic curator of the beginning of his poems as textual values. These introductions create a balance that enters the heart of the poetic industry, because they are the first to encounter the reader, and reach the ears of the listener, and the reader is located on it. These introductions to their diversity and sometimes their brevity

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33

Li, Mengting. "Analysis of the Multiplicity of Female Consciousness in Lee Chang-dong’s Film Poetry." International Journal of Education and Humanities 15, no. 1 (2024): 250–54. http://dx.doi.org/10.54097/xjd3th42.

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Korean director Lee Tsang dong, who comes from a writer background, is skilled in depicting marginalized individuals at the bottom of society and using them as the main subject to examine Korean society and culture with critical realism techniques. As a creator of critical realism style, Li Cangdong discusses human nature and society from a female perspective in many of his works. Starting from “Miyang”, Li Cangdong attempts to discuss women’s self redemption. The emergence of Poetry further affirms the power of women. Zhao Nanzhu said, “In a male centered and patriarchal society, even women c

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Aspany, Nur Fitriyanti, and Siti Nurlaeli Lutviani Murni. "Insta-Poetry as a Popular Product: A Case Study on Rupi Kaur Milk & Honey." Poetika 12, no. 1 (2024): 10. http://dx.doi.org/10.22146/poetika.v12i1.96334.

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In 2014, Rupi Kaur published Milk & Honey, a collection of poetry and prose exploring the female experience that originally appeared on social media, to widespread success. Insta-poetry, poetry disseminated through the social media platform Instagram, has since become a highly popular modern literary form, continuing to gain popularity since the day it was first published in book form. This research examined the phenomenon of Insta-poetry as a popular product with a case study of Milk & Honey, exploring the reasons Kaur's first self-published work was so popular and the contestations t

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Anjum, Dr Tasneem. "The Confltct between Self and Society." SMART MOVES JOURNAL IJELLH 7, no. 11 (2019): 10. http://dx.doi.org/10.24113/ijellh.v7i11.10145.

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Sylvia Plath’s attractive personality, academic achievements and rigid mental makeup did not allow her to compromise and take failures. Self imposed restraint, both in her life and in poetry as well leads to despair. The wonderful years of her life with Ted which she writes and tells her mother, could not find a place in any of her poems. This camouflage forces her to lead double role in life, psychologically, a split personality. In art, this can lead to silence but in real life to suicide. She comes to stage where death and birth mean one and the same. She wanted to go back to the womb in ex

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Amal, Robancy. "Feministic Approach in Kamala Das’s My Story." Shanlax International Journal of English 9, no. 3 (2021): 54–56. http://dx.doi.org/10.34293/english.v9i3.3882.

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The role of the readers in reading a novel or a poem is to look through the eye of the author and to enjoy the beauty of the literary works. Kamala Das’s poetry, novels and short stories have always carried self-transformation and women empowerment asserting her rights freedom and desire to liberate her from the clutches of traditions and cultures which suppress women in the Indian society. This paper tries to analyze the outspoken and controversial autobiography and an unheard cry for freedom of many Indian women and depicts how revealing the inner self of a woman free her from the oppression

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Gul, Marya. "Slamming Narratives: A Critical Analysis of Suhaiymah Manzoor-Khan’s Slam Poetry." NUML journal of critical inquiry 23, no. I (2025): 54–64. https://doi.org/10.52015/numljci.v23ii.292.

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Some popular literary feminist discourses have reduced Muslim woman’s identity to a homogenous monolithic entity devoid of her subjectivity and agency. Resultantly, Muslim women seem to be reduced to a stereotypical image of an oriental, marginalized entity, as these narratives are often employed to rationalize the violence in the third world. Over the years, slam poetry has become a popular medium of counterdiscourse against such problematic framing of Muslim women. This paper examines the slam poetry of Suhaiymah Manzoor-Khan as a site of resistance against monolithic representations of Musl

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Al-mobaideen, Nadeem Yousef Mohammed. "Literary Elements in the Poetry of Estrangement by Warrior’s Poets of the Pre-Islamic Era: An Analytical Study." Journal of Lifestyle and SDGs Review 5, no. 3 (2025): e04232. https://doi.org/10.47172/2965-730x.sdgsreview.v5.n03.pe04232.

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Objective: This research examines the concept of chivalry in Pre-Islamic poetry, where physical courage is harmonized with noble morals. It explores how chivalry extends beyond martial prowess to encompass Arab virtues such as generosity, bravery, protecting women and neighbors, and striving for self-realization apart from conflicts. Theoretical Framework: The study investigates the theme of exile and alienation in the poetry of warrior poets. It focuses on how these poets expressed humane and noble values, reflecting their deep aspirations and the collective ideals of Arab society at the time

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Firdous, Shaista, Rizwana Kosar, and Muhammad Saeed Iqbal. "Women’s voices in contemporary Arabic poetry: A stylistic and thematic study." Social Sciences Spectrum 4, no. 1 (2025): 171–85. https://doi.org/10.71085/sss.04.01.211.

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Contemporary Arabic poetry has undergone significant changes, with women’s voices emerging as powerful agents of transformation in the literary landscape. This study explores the stylistic and thematic dimensions of modern Arabic poetry written by women, emphasizing how their poetic expressions challenge traditional literary norms and gendered narratives. Through a qualitative analysis of selected poets, including Nazik Al-Malaika, Fadwa Tuqan, Joumana Haddad, and Salma Khadra Jayyusi, the research examines how diction, syntax, and figurative language shape their works. The study also explores

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Smalls, Kamari. "Embodied Knowledge: Poetry in Motion." Visual Arts Research 47, no. 1 (2021): 73–78. http://dx.doi.org/10.5406/visuartsrese.47.1.0073.

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Abstract This essay explores feelings conjured through the poetic works of June Jordan, Sonia Sanchez, Carolyn M. Rodgers, and Audre Lorde performed through dance. In an effort to stray away from dance as representation, movement in the form of dance manifests the inner feelings and memories that poetry prompts. I argue for vulnerability and the intentional giving of the self that makes this process possible and felt by the viewer. The process entails an embodied knowledge that centers the knowing of Black women, girls, and femmes: a knowing that is experiential and rooted in the body.

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Najar, Esmaeil. "Iraj Mirzā: Women and Their Representation in His Poetry." International Journal of Persian Literature 8 (September 1, 2023): 2–21. http://dx.doi.org/10.5325/intejperslite.8.0002.

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Abstract Iraj Mirzā has a reputation for excessive sexual content in his poetic oeuvre. His “forbidden literature,” so to speak, and to quote Paul Sprachman, has suffered unjustly from charges of frivolity, and while vanity and profanity do indeed feature prominently, these allegations disregard the artistic high-mindedness that is ever-present in the prince’s extensive canon. Recent scholarship has attempted to rehabilitate his reputation by highlighting the formalistic aspects of his poetry as well as by emphasizing the striking intricacies of his particular poetic perspective. In this arti

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Lipenga, Ken Junior, and Asante Lucy Mtenje. "Black Women and Self-Care: A Black Feminist Reading of Upile Chisala’s Poetry." Tulsa Studies in Women's Literature 42, no. 2 (2023): 343–60. http://dx.doi.org/10.1353/tsw.2023.a913029.

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ABSTRACT: This article examines poems of the young Black writer Upile Chisala selected from her three poetry collections, soft magic (2019), nectar (2019), and a fire like you (2020). The poet advances an ethic of self-care—driven by the simultaneous needs for deliberate selfishness and sisterhood—directed at Black women in Africa and the diaspora as the first step towards their mental, physical, and social well-being. Adopting the notion of self-care as advanced by a number of Black feminist scholars, the article examines the way Chisala tackles the topic through a three-pronged trajectory, e

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Wissman, Kelly. "Reading and Becoming Living Authors: Urban Girls Pursuing a Poetry of Self-Definition." English Journal 98, no. 3 (2009): 39–45. http://dx.doi.org/10.58680/ej20086911.

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Havryliuk, Nadiia. "THE IMAGE OF A WOMAN IN MODERN UKRAINIAN POETRY (COLLECTION OF MARIA MASH «TODAY DEFINITELY NOT»)." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 15, no. 26-27 (2022): 39–45. http://dx.doi.org/10.34079/2226-3055-2022-15-26-27-39-45.

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The article examines the features of the image of a woman in the debut collection of Maria Mash from Lviv, «Today Definitely Not». It was found that this image does not fit into the thematic scheme: a lonely woman / a woman in love / a beloved woman. Because loneliness for the lyrical heroine is not the absence of a loved one, but the lack of understanding with him. Hence the need to find the exact word to describe feelings in order to form a common language of love. The image of a woman in M. Mash's collection is, at first glance, quite traditional (family welfare is in her hands, she rejoice

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Ahluwalia, Gurleen. "Society and the Self: A comparative analysis of the poetry of Kamala Das and Amrita Pritam." Indiana Journal of Arts & Literature 2, no. 5 (2021): 29–33. https://doi.org/10.5281/zenodo.10820141.

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<strong>Abstract: </strong>This research paper presents a comparative analysis of the poetry of two renowned women writers who stood out as iconoclasts in Indian literary landscape: Kamala Das and Amrita Pritam. Although hailed from the distinct socio cultural backgrounds, they offered rich insights into the complexities of womanhood within patriarchal set ups. By questioning the issues of gender identity, sexuality and female subjugation, they made a radical departure from the main-stream literary tradition. This comparative study aims to shed light on the ways in which Das and Pritam challen

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Delgado-Norris, Evelyne. "Voices of Resistance in the Poetry of Kiné Kirama Fall and Coumba N’Dèye Diakhaté." Hawliyat 13 (November 4, 2018): 21–39. http://dx.doi.org/10.31377/haw.v13i0.207.

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The paper aims to highlight the works of two Senegalese women poets as representative of African women 's effort to offer alternative texts inform, language, and ideology to many of the dominant patriarchal texts in vigor. Senegalese women 's poetry presents unique perspectives of female subjects who not only reveal to be agents Of resistance and societal transformation, but also set out to offer different conceptions of self community, nation, and human relations in a genre that continues in many ways women 's oral tradition of the Word.

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Mirza Sibtain Beg. "Feminist Perspectives in the Poetry of Parveen Shakir." Creative Saplings 3, no. 12 (2024): 70–82. https://doi.org/10.56062/gtrs.2024.3.12.823.

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Parveen Shakir has remarkably evolved the cult status in the annals of Modern Urdu poetry. She was a professor, poet, a journalist and a Pakistani beaurocrat. She is an indefatigable poet, who gives vociferously a vent to her own feelings, emotions, life experiences, and her relationship with her husband, and son in general and society in particular through poetry in an ebullient way. Her excellent and spectacular oeuvre includes Khushbu (Fragrance) (1976), Sad Barg (Marigold) (1980), Khud Kalami (Talking to self) (1981), Inkar (Denial)(1994), and Mahe- Tamam (Full Moon) (1980) et al. She left

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Davis, Amira Millicent. "Emancipatory Acts." International Review of Qualitative Research 2, no. 4 (2010): 475–97. http://dx.doi.org/10.1525/irqr.2010.2.4.475.

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Emancipatory Acts is a performance piece that explores the experiences of racialized mothering, social memory and collective agency from my situatedness as a Black woman and mother in the United States. Emancipatory Acts suggests that the historic trauma inflicted upon Africa signifies the rapability and violability of her daughters whose reproductive labors were impressed into the service of Empire. Emancipatory Acts challenges the selectivity of social memory, the mythologizing of iconic figures and the literature of deviance that incarcerates Black female reproduction. It argues that, ultim

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Wang, Yanning. "Qing Women's Poetry on Roaming as a Female Transcendent." NAN NÜ 12, no. 1 (2010): 65–102. http://dx.doi.org/10.1163/156852610x518200.

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AbstractYouxian shi (poetry on roaming as a transcendent) has long been a conventional poetic genre in Chinese literature. It has been the common conception that youxian poetry was most popular from the Wei dynasty (220-265) through the Tang dynasty (618-907), and up until now, scholarly studies on the genre seemed to focus exclusively on Tang and pre-Tang periods. This gives the impression that after the Tang nothing of interest was written in this particular genre. Consequently, very little scholarly attention has been given to the youxian poems composed in post-Tang periods. This article ex

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Rusu, Iris. "Echoes of Sapphic Gods and Goddesses, Immortality, Eros and Thanatos in the Work of Modernist Women Poets." East-West Cultural Passage 20, no. 1 (2020): 84–109. http://dx.doi.org/10.2478/ewcp-2020-0005.

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Abstract In the context of Modernism’s constant return to the past that results in self-knowledge and innovation, certain women writers found Sappho’s writings relevant for their own poetic endeavours. My article will mainly focus on the mythological aspects of both Sappho’s and the modernist women’s poetry. Invocations of and allusions to gods and goddesses and other mythical figures, which involve introspection and expressing certain erotic concerns in stylised ways, will be discussed in order to show how all these women poets innovated. and, in many different ways, significantly enriched th

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