Bibliografías temáticas / Seventeen magazine

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Literatura académica sobre el tema "Seventeen magazine"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 1 de febrero de 2022

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Artículos de revistas sobre el tema "Seventeen magazine"

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Mazey-Richardson, Tessa. "From private to public? Changing perceptions of young women in Seventeen magazine, 1955–1965". Global Studies of Childhood 8, n.º 3 (16 de agosto de 2018): 292–303. http://dx.doi.org/10.1177/2043610618792335.

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As a form of popular culture, magazines provide a lens through which historians can examine the dominant attitudes and values of a society. This article examines the portrayal of young American women in the popular teen magazine, Seventeen magazine, during the period 1955–1965. The study documents and analyses the messages conveyed within the magazine regarding ideals concerning feminine behaviour and appearance. Seventeen provides an opportunity to investigate both the production and reception of the cultural ideals for young American women as the decade of the 1950s ends and that of the 1960s begins. I argue that the letters-to-the-editor represented a public platform in which readers could voice opinions, express identities, engage in debates and communicate with each other. In this way, it is possible to see a change in the framing of women’s roles over time; a change that occurred not via a purely ‘top-down’ processes, but via and exchange relationship between Editors, writers and readers, and indeed between the readers themselves.
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Leake, David B. "After Seventeen Years and 70 Issues ..." AI Magazine 37, n.º 2 (4 de julio de 2016): 3–4. http://dx.doi.org/10.1609/aimag.v37i2.2666.

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Goel, Ashok K. "Rethinking AI Magazine". AI Magazine 37, n.º 4 (17 de enero de 2017): 3–4. http://dx.doi.org/10.1609/aimag.v37i4.2696.

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Since its inception in 1980, AI Magazine has played an important role, both for AAAI and the AI community as a whole. It has also, during the 36 years of its illustrious history, undergone several transformations. Now the magazine is going through another such transition. After seventeen years of distinguished service, David Leake has decided to step down as editor-in-chief — although fortunately he will continue to advise us as our new editor emeritus. I am honored and delighted to follow David.
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Moore, Carley. "Invasion of the Everygirl: Seventeen Magazine, “Traumarama!” and the Girl Writer". Journal of Popular Culture 44, n.º 6 (diciembre de 2011): 1248–67. http://dx.doi.org/10.1111/j.1540-5931.2011.00899.x.

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Ballentine, L. W. "The Making and Unmaking of Body Problems in Seventeen Magazine, 1992-2003". Family and Consumer Sciences Research Journal 33, n.º 4 (1 de junio de 2005): 281–307. http://dx.doi.org/10.1177/1077727x04274114.

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Peirce, Kate. "A feminist theoretical perspective on the socialization of teenage girls through Seventeen magazine". Sex Roles 23, n.º 9-10 (noviembre de 1990): 491–500. http://dx.doi.org/10.1007/bf00289764.

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Massoni, Kelley. ""Teena Goes to Market": Seventeen Magazine and the Early Construction of the Teen Girl (As) Consumer". Journal of American Culture 29, n.º 1 (marzo de 2006): 31–42. http://dx.doi.org/10.1111/j.1542-734x.2006.00273.x.

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Kapilabh Anula. "Mavis Gallant: A Canadian Short Story Legend". Creative Launcher 6, n.º 1 (30 de abril de 2021): 193–200. http://dx.doi.org/10.53032/tcl.2021.6.1.22.

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Mavis Gallant was a Canadian short story writer. She had faced a very difficult childhood after her father’s demise and her mother’s early remarriage. She was raised as an orphan and had attended seventeen different schools to complete her education. Mavis Gallant later on started writing stories in Canada, and publishing them in Preview, The Standard Magazine, and Northern Review. Some of them were rejected as well but, she was determined to write stories as a full time writer, and therefore she courageously decided to depart from Canada, and settled in Paris until her last breath. This paper is an attempt to show light on her life, the struggles she came across, her writing style and moreover the issues that she cover in her fictional stories for the readers to think and act accordingly in the present times.
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Shulman, Ernest. "Edgar Allan Poe: Drawing the Line between Self-Destructive Life Style and Actual Suicide". OMEGA - Journal of Death and Dying 34, n.º 1 (1 de enero de 1996): 29–69. http://dx.doi.org/10.2190/3c77-7240-wndc-bbke.

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Edgar Allan Poe, an alcoholic from age seventeen onward, died at age forty. Besides his alcoholism, he was self-destructive in various other ways. He was constantly in debt, lived often in abject poverty, could not hold a job, feuded with the literary establishment and most other writers, lied and plagiarized, and usually changed residences at least once a year. Nevertheless, his ability to win the love and devotion of many women, especially his wife and mother-in-law, provided the basis of his great achievements as writer, magazine editor, and literary critic, and his total commitment to American literature. Poe's history of bereavement, beginning with his mother's death when he was three, and his longing to join loved ones in the next world, help to support an interpretation of his death as neither disguised suicide nor an accident, but as death with a suicidal element.
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BOON, TIMOTHY. "‘The televising of science is a process of television’: establishing Horizon, 1962–1967". British Journal for the History of Science 48, n.º 1 (6 de mayo de 2014): 87–121. http://dx.doi.org/10.1017/s0007087414000405.

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AbstractBBC Television's Horizon series, fifty years old on 2 May 2014, despite its significance to the history of the public culture of science, has been little studied. This microhistorical account follows the gestation and early years of the programme, demonstrating how it established a social and cultural account of science. This was a result of televisual factors, notably the determination to follow the format of the successful arts television programme Monitor. It illuminates how the processes of television production, with a handful of key participants – Aubrey Singer, Gerald Leach, Philip Daly, Gordon Rattray Taylor, Ramsay Short, Michael Peacock and Robert Reid – established the format of the programme. This occurred over seventeen months of prior preparation followed by three troubled years of seeking to establish a stable form. This was finally achieved in 1967 when the programme adopted a film documentary approach after extended attempts at making it as a studio-based magazine programme. The story has implications for understanding the social accounts of science that were circulating in the key decade of the 1960s.
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Tesis sobre el tema "Seventeen magazine"

1

Vreeland, Amy N. ""Seventeen" Magazine as a Manual for "Doing Gender"". W&M ScholarWorks, 1996. https://scholarworks.wm.edu/etd/1539624404.

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De, Villiers Emma. "Negotiating femininity: SA teenage girls’ interpretation of teen magazine discourse constructed around Seventeen". Thesis, Stellenbosch : University of Stellenbosch, 2009. http://hdl.handle.net/10019.1/2102.

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Thesis (MPhil (Journalism))--University of Stellenbosch, 2009.
Adolescent girls’ passage to womanhood is frequently exposed to a vast array of media products. Mass communication products have become educational devices, guiding young women towards an understanding of femininity and all its accompanying intricacies. We are taught gender lessons throughout our lives, but our teen years are of special significance in this regard. In a society that is becoming all the more media saturated, advertisers are capitalising on different desires and ideals that are being constructed in the media. Initially, only adult women were targeted, but these days a number of mass media products aimed specifically at young women have opened up a whole new market. Until a few years ago, South African teenage girls had only women’s magazines aimed at adult women to refer to. These days, however, a number of teen magazine titles exist locally. The aim of this study was to look at teen magazines as an example of texts that are aimed specifically at adolescent women. More specifically, the study looked at the discourse on femininity within the pages of the text – what is the magazine in essence saying about womanhood? To take the research one step further, it was decided to look at how readers of the magazine engaged and negotiated with the text in order to inform their own understanding of femininity. The goal of the study was to determine how the discourse on femininity played out between the text and the reader. Combining quantitative and qualitative elements, the study was located within a cultural studies framework and referred to Stuart Hall’s encoding/decoding model as a representation of the communication process. It was found that the magazine under scrutiny had twelve specific thematic categories that were most prominent. It was found that the femininity encoded in these texts revolved around consumerism, fashion and boys. The study found that the readers taking part in focus group research possessed a sufficient amount of educational “cultural capital” to be able to resist the dominant messages encoded in the texts, yet they seemingly chose not to. This study also indicated that the femininity that was constructed in the studied text did not take the greater South African context into account, and that it served to entertain readers from higher LSM groups rather than all South African girls.
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Troyer, Margaret E. ""Stuff You Really Want to Read:" Pleasure and Negotiation in Teen Magazine Reading". Oberlin College Honors Theses / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1411379673.

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Sands, Victoria. "Neoliberalism, Postfeminism, and Ideal Girls: A Semiotic Discourse Analysis of Successful Girlhood in Seventeen Magazine". Thèse, Université d'Ottawa / University of Ottawa, 2012. http://hdl.handle.net/10393/23354.

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This thesis looks at how a contemporary notion of successful girlhood is negotiated in the social text of Seventeen magazine. Moreover, it demonstrates the ways in which Seventeen’s representations of successful and ideal girls reflect and mediate timely values of postfeminism and neoliberalism. This thesis will also make visible how race, class, ability, and sexuality are negotiated within Seventeen’s “success” framework, in order to illuminate intersectional issues implicit in conceptualizing ideal girlhood. The method for this research is a semiotic discourse analysis, looking at the visual and linguistic signs within the text in order to connect them with broader ideologies and themes surrounding contemporary ideal girlhood. Drawing on girls’ studies and feminist cultural studies literature, the discourse of ideal girlhood is situated in a so-called “postfeminist” moment, in which girls, as popular, highly visible subjects in contemporary society, are perceived to be poised for achievement and social ascension, all while being closely surveilled. These expectations of postfeminism intersect with current neoliberal principles of individualized success; analysis is therefore connected with and contextualized by discussion of late modern principles of neoliberalism and its economic, social, and political logic.
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DeLong, Ellen Elizabeth. "Advertising Domesticity: A Content Analysis of Traditional Messages in Seventeen Magazine, 1946-1948". University of Akron / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=akron1216912746.

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Hetrick, Laura J. "Representations of the Changing Face of the US: A Critical Interpretation of Multiracial Advertisements in Seventeen Magazine". The Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392108905.

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Martinez, Charlotte M. "Representations of Femininity: A Content Analysis of the Adolescent Christian Magazines Brio and Brio and Beyond and Their Mainstream Counterpart Seventeen". Ohio University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1344049647.

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Budgeon, Shelley J. "Fashion magazine advertising: the constructions of 'Femininity’ in Seventeen". Thesis, 1993. http://hdl.handle.net/2429/2590.

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Examining the ways in which 'femininity' is defined and reproduced via cultural representations has become an important part of feminist critical practice. By addressing the power that images of women have to define the feminine in specific ways, this work has contributed to our understanding of 'femininity' as ascribed and not as an intrinsic female quality. Advertisements in fashion magazines, however, seek to define and naturalize a particular version of femininity while ideologically masking the fact that this definition is an arbitrary construction. These images are one of the sources of information which organize the ways in which the social category 'femininity' is understood in our culture. Thus, advertising images directed to an adolescent audience are particularly significant given that adolescence is a peak period of gender differentiation. While much research has focused upon the content of advertising images of women, this work has not given insight into how the text works to construct the meaning of femininity. The purpose of this research is to examine current definitions of femininity in Seventeen, an adolescent fashion magazine. Quantitative content analysis is used to obtain a systematic description of the manifest content of the representations of femininity. Through the development of asemiotic method further textual analysis addresses the ways in which the text works to construct the meaning of femininity. It was found that despite the incorporation of non-traditional liberation themes into current constructions of femininity, advertisements operate to reproduce traditional definitions of femininity through ideological processes. These processes included the appropriation and reformulation of cultural knowledge, the naturalization of constructed meanings, and the management of contradictions via the appearance of choice and difference. The implications that these constructions have for women's empowerment and struggle for equality are discussed.
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Shelver, Donna-Jade. "An exploration of how the content and advertising in "Seventeen" magazine influences the lives of teenage girls : a Pietermaritzburg classroom case study". Thesis, 2010. http://hdl.handle.net/10413/3624.

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This study explores the role that Seventeen magazine plays in the lives of its readers. More specifically, it investigates how the content and advertising in Seventeen influences the behaviour and identity development of Black, South African, teenage girls. This research focuses on three primary areas of study: • The role of the reader in message interpretation • The media’s role in identity development and behaviour • The socio-cultural influence of readers’ backgrounds on message interpretation and acceptance The research methodology of this study is primarily of a qualitative nature, using different methods of qualitative research to gather information. The data collected as part of the ethnographic research was linked to existing theoretical research regarding Reception Theories – including the ‘Hypodermic Needle’ model; ‘Uses and Gratifications’; and the ‘Active Audience’.
Thesis (M.A.)-University of KwaZulu-Natal, Pietermaritzburg, 2010.
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NEUBAUEROVÁ, Erika. "Les composés dans la publicité de la presse magazine (dans les années 70 et 2000)". Master's thesis, 2009. http://www.nusl.cz/ntk/nusl-51243.

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This master´s dissertation deals with the French compound words in ad text in the age of 70 years and after 2000. Dissertation is divided into two parts. The theoretical part describes the function of language in advertising, the levels of language, theories of advertising communication. Then, we defined the main elements of the magazine and compound words.In the second part, we continue with the analysis of lexemes stripped of Elle magazine, designed for both the period and taking into account promotional incentives for different types of compounds.
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Libros sobre el tema "Seventeen magazine"

1

Fashioning teenagers: A cultural history of Seventeen magazine. Walnut Creek, Calif: Left Coast Press, 2010.

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2

Vreenland, Amy. ILL - Seventeen magazine as a manual. 2004.

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3

Slater, Yvonne M. C. An exploratory analysis of "Just seventeen" magazine. Bradford, 1987.

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4

1937-, Baggenæs Roland, ed. Jazz dialogues: Seventeen candid interviews from Coda magazine. Lanham, Md: Scarecrow Press, 2008.

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5

The Golden Age of Magazine Illustration: The Sixties and Seventies. Vilo International, 1999.

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Beatitude magazine & the 1970s San Francisco renaissance: --a panegyric to the poets, pally and place-- : a photographic history. 2014.

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Jones, Gwyneth. Joanna Russ. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042638.001.0001.

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Joanna Russ (1937-2011) was an outstanding writer, critic, and theorist of science fiction at a time when female writers were marginal to the genre, and very few women, perhaps only Judith Merril and Joanna herself, had significant influence on the field. In her university teaching and in her writing she championed the integration of new social models and higher literary standards into genre works. In her review columns for the Magazine of Fantasy and Science Fiction she dissected the masters of the New Wave with appreciation, wit, and incisive intelligence. Her experimental novel The Female Man (1975) is an essential seventies Feminist text, still relevant today; her groundbreaking academic articles are recognized as foundation studies in feminist and science fiction literary scholarship. Drawing on Jeanne Cortiel’s lesbian feminist appraisal of Russ, Demand My Writing (1999), Farah Mendelsohn’s essay collection On Joanna Russ (2009), and a wide range of contemporary sources, this book aims to give context to her career in the America of her times, from the Cold War domestic revival through the 1960s decade of protest and the Second Wave feminism of the 1970s and 1980s, into the twenty-first century, examining her novels, her remarkable short fiction, her critical and autobiographical works, her role in the science fiction community, and her contributions to feminist debate.
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Capítulos de libros sobre el tema "Seventeen magazine"

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McRobbie, Angela. "Jackie and Just Seventeen: Girls’ Comics and Magazines in the 1980s". En Feminism and Youth Culture, 135–88. London: Macmillan Education UK, 1991. http://dx.doi.org/10.1007/978-1-349-21168-5_6.

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Haveman, Heather A. "The History of American Magazines, 1741–1860". En Magazines and the Making of America. Princeton University Press, 2015. http://dx.doi.org/10.23943/princeton/9780691164403.003.0002.

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This chapter looks at the history of American magazines during the period 1741–1860. It first traces the origins of magazines in Europe, where magazine publishing began in the late seventeenth century as printing presses became widespread. Among the early English-language magazines in this period were the Philosophical Transactions, A Review of the Affairs of France and of all Europe, and Gentleman's Magazine. The chapter proceeds by discussing the growth of the magazine industry in America from 1741 to 1860 as well as the evolving nature of magazine distribution in terms of audience, content, format, and genre variety, as well as publishing and readership geography. The chapter highlights the sharp distinction between the short-lived, small-circulation magazines of the mid-eighteenth century and the often long-lived, mass-circulation periodicals of the mid-nineteenth century.
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Goldsmith, Jack y Tim Wu. "Consequences of Borders". En Who Controls the Internet? Oxford University Press, 2006. http://dx.doi.org/10.1093/oso/9780195152661.003.0015.

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Australia’s Joseph Gutnick is a billionaire, a diamond and gold miner, a political player, a philanthropist, and a rabbi. On October 20, 2000, Gutnick awoke in Victoria to find himself accused of tax evasion and money laundering by the American business magazine Barron’s. The article, “UnHoly Gains,” suggested that Gutnick had engaged in shady dealings with Nachum Goldberg, a Melbourne money launderer jailed in 2000 for washing AU$42 million in used notes through a bogus Israeli charity. Gutnick read the story, not in the print version of Barron’s but on the online version of its sister publication, “wsj.com,” a website on a server physically located in New Jersey. Gutnick was not the only Australian to read the story. Approximately seventeen hundred Australians subscribed to wsj.com, including many Australian business and finance leaders. An enraged Gutnick vehemently denied the illicit association with Goldberg. To protect his reputation, he sued Dow Jones & Company—the parent company of both Barron’s and the Wall Street Journal—in an Australian court, taking advantage of tough Australian libel laws unleavened by the U.S. First Amendment. The legal arguments in the Gutnick case mirrored those in the Yahoo litigation in France a few years earlier. Dow Jones argued that Australian courts were legally powerless (or “without jurisdiction”) to rule on the legality of information on a computer in the United States, even if it appeared in Australia. The Australian High Court, like the court in France, disagreed. For material published on the Internet, it stated, the place where the person downloads the material “will be the place where the tort of defamation is committed.” Within two years of this decision, Dow Jones agreed to pay Gutnick AU$180,000 in damages and AU$400,000 in legal fees to settle the case. It also issued this retraction: “Barron’s has no reason to believe Mr. Gutnick was ever a customer of Mr. Goldberg, and has no reason to believe that Mr. Gutnick was a money laundering customer of, or had any criminal or other improper relationship with, Mr. Goldberg.”
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Pool, Robert. "Business". En Beyond Engineering. Oxford University Press, 1997. http://dx.doi.org/10.1093/oso/9780195107722.003.0008.

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In January 1975, the magazine Popular Electronics trumpeted the beginnings of a revolution. “Project Breakthrough,” the cover said: “World’s First Minicomputer Kit to Rival Commercial Models.” Inside, a six-page article described the Altair, an unassembled computer that could be ordered from MITS, a company in Albuquerque originally founded to sell radio transmitters for controlling model airplanes. To the uninitiated, it didn’t look like much of a revolution. For $397 plus shipping, a hobbyist or computer buff could get a power supply, a metal case with lights and switches on the front panel, and a set of integrated circuit chips and other components that had to be soldered into place. When everything was assembled, a user gave the computer instructions by flipping the panel’s seventeen switches one at a time in a carefully calculated order; loading a relatively simple program might involve thousands of flips. MITS had promised that the Altair could be hooked up to a Teletype machine for its input, but the circuit boards needed for the hookup wouldn’t be available for a number of months. To read the computer’s output, a user had to interpret the on/off pattern of flashing lights; it would be more than a year before MITS would offer an interface board to transform the output into text or figures on a television screen. And the computer had no software. A user had to write the programs himself in arcane computer code or else borrow the efforts of other enthusiasts. One observer of the early computer industry summed up the experience like this: “You buy the Altair, you have to build it, then you have to build other things to plug into it to make it work. You are a weird-type person. Because only weird-type people sit in kitchens and basements and places all hours of the night, soldering things to boards to make machines go flickety-flock.” But despite its shortcomings, several thousand weird-type people bought the Altair within a few months of its appearance. What inspired and intrigued them was the semiconductor chip at the heart of the computer.
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"Beneath the Surface and Between the Lines: Lesbian Form in Postwar Seventeen". En Women's Magazines in Print and New Media, 125–47. Routledge, 2016. http://dx.doi.org/10.4324/9781315544625-16.

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Kukkonen, Karin. "Lennox: Repertoires of Embodiment". En 4E Cognition and Eighteenth-Century Fiction, 69–106. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190913045.003.0004.

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This chapter begins with a systematic comparison of seventeenth- and eighteenth-century styles of embodied language through versions of the same narrative in French and English. Lennox’s work as a cultural broker and translator aims not only to bring narratives rooted in the seventeenth century into her contemporary literary world but also to extend their repertoires of embodied language. In her translations, she integrates instances of inner and outer bodily perception and grounds direct speech in the characters’ bodies. With Lennox’s literary magazine The Lady’s Museum, it will be shown how the novel and its embodied style are embedded in a larger world of book learning. The relations that Lennox establishes between the serialised novel, short forms like the maxim, and educational treatises document an understanding of the role of the novel that differs from the indices and abridgements around Samuel Richardson’s Pamela and Clarissa.
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Freedman, Linda. "Sylvia Plath and ‘The Blessed Glossy New Yorker’". En Writing for The New Yorker. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9780748682492.003.0006.

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This chapter examines the making of Sylvia Plath in the context of The New Yorker, as well as her sense of her own materiality, or immateriality, as a writer in that context. In Jacqueline Rose's positioning of Plath in the terrain of contemporary periodicals, The New Yorker figures as the most desirable destination for her writing, even though her work appears more frequently in other periodicals such as the Ladies' Home Journal, Mademoiselle, and Seventeen. Rose points out that Plath published in a range of magazines with quite different markets. She went for highbrow and middlebrow, literary and popular, with exposure as her overriding concern. The New Yorker's initial reluctance to publish Plath made acceptance in its pages all the more attractive.
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