Bibliografías temáticas / Sexual orientation – Drama

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Literatura académica sobre el tema "Sexual orientation – Drama"

Autor: Grafiati
Publicado: 25 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Sexual orientation – Drama"

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Tauzia Harari, Ati Kusmawati, Nabila Ayu Dzuhri Rahmah, and Febriyani Mufidatul Adha. "Eksistensi Perilaku Lgbt Akibat Penayangan Drama Boys Love Dalam Sudut Pandang Teori Psikoseksual." Observasi : Jurnal Publikasi Ilmu Psikologi 2, no. 1 (2024): 97–106. http://dx.doi.org/10.61132/observasi.v2i1.161.

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One of the most powerful weapons from the LGBT group today is the drama - drama and film - film they produce, this research is to provide a new view, of how the boys love play can affect the existence of the LGBT group in our midst - and how psychosexual theory views the phenomenon, whether it becomes a basis for a person's sexual orientation to be lesbian, Gay or bisexual. The methods used were qualitative research and literary studies. This approach was chosen because researchers want to explain or describe in detail the phenomena occurring in society, in this case the thought structure expe
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2

Thakurdesai, Sanika Kunjavihari. "Freedom behind the bars: Exploring queer narratives in the films Aligarh and Great Freedom." Studies in South Asian Film & Media 16, no. 2 (2024): 239–51. https://doi.org/10.1386/safm_00092_1.

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Films are important for representing social issues and their consequences, such as the laws criminalizing a particular sexual orientation and its effects on the individuals concerned. The representation of queer stories in films brings to light the challenges faced by this group and the resilience shown by them to create and expand spaces and communities around this law. This article analyses two films, Aligarh and Great Freedom, showing how a law can destroy lives and affect a whole generation. Aligarh, a courtroom drama, and Great Freedom, a prison drama, portray hard-hitting stories of two
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3

Shi, Fangyuan, and Jianghua Qi. "Research on "Gender Cross-linking" in Film and Television Works from the Perspective of Queer Theory." Philosophy and Social Science 1, no. 3 (2024): 84–90. http://dx.doi.org/10.62381/p243313.

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Queer theory is a cultural theory of sexuality and gender that holds that gender identity and sexual orientation are not innate, but are formed through social and cultural processes. From the perspective of queer theory, this paper makes an in-depth study of the phenomenon of "gender cross-linking" in film and television drama works. Gender cross-linking, as a unique artistic expression technique, plays an important role in film and television drama works. By analyzing the historical origin, forms of expression and social and cultural significance of gender cross-linking, this paper discusses
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4

Berger, Anne E. "Sujet du désir/ sujet du féminisme. Notes sur la division du sujet de #MeToo." Romanica Cracoviensia 24, no. 2 (2024): 247–58. https://doi.org/10.4467/20843917rc.24.023.20416.

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#MeToo hails the comeback of the decried “subject of feminism”: if not women as unified subjects, at least women subjects united across class, race, and even sexual orientation dividing lines, through the common experience of sexual violence at the hands of men. It warns us, then, it seems, against taking too quick a break from feminism. The outcry, and its repeated occasions, sound like a vindication of Catharine Mackinnon’s understanding of sexuality as a universal apparatus of male domination. Yet, a closer look at some of the scenes leading up to the drama that now goes by this name, compl
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5

Moniz, Tracy. "Stepping Out: Representations of Female Sexuality in the Canadian Television Series Bomb Girls." Canadian Journal of Media Studies 15, no. 1 (2017): 1–31. http://dx.doi.org/10.18192/cjmsrcem.v15i1.6467.

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This paper analyzes representations of female sexuality in the Canadian prime-time television series Bomb Girls (2012-2013), which depicts the lives of women working at a munitions factory in Toronto during the Second World War. The historical drama takes place in a period of simultaneous restraint and liberation around female gender and sexuality. This paper contends that Bomb Girls (re)constructs a narrative about female sexuality that breaks from a traditionally gendered and heteronormative story. Bomb Girls challenges dominant discourse on representations of gender in media, instead captur
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6

Andrusiak, I. "Domestic violence of representatives of the LGBT and queer communities." Analytical and Comparative Jurisprudence, no. 1 (March 20, 2024): 17–22. http://dx.doi.org/10.24144/2788-6018.2024.01.1.

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The article is devoted to the analysis of the problem of domestic violence in the lives of persons with a special sexual identity. The article is based on the study of expert and analytical reports, international monitoring and positions of foreign scientists of various socio-humanitarian and legal schools.
 It is indicated that violence against LGBT people can be considered as a hidden disharmony in societal relations, where the discovery of sexual orientation or gender identity causes a negative resonance, the problem encapsulates a deeper feeling of non­recognition and attacks the basi
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7

Peerbaye, Soraya. "A Subtle Politic." Canadian Theatre Review 94 (March 1998): 5–9. http://dx.doi.org/10.3138/ctr.94.001.

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At the 1997 Desh Pardesh Festival, five artists from diverse cultural and theatrical backgrounds gathered to discuss theatre as a forum for community building. They were Gloria Eshkibok, former President of the Board of Directors of De-bah-jeh-mu-jig Theatre; Dipti Gupta, President of Teesri Duniya Theatre; Sheila James, independent playwright, director, community activist and former Artistic Co-Director of the Company of Sirens; George Seremba, the Ugandan-born playwright of the acclaimed Come Good Rain; and Sarah Stanley, co-founder of Die in Debt Theatre and currently the Artistic Director
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Cahyono, Puguh Priyo. "Pola Konsumsi Media dan Perilaku Fujoshi dalam Mengapresiasi Boys Love Series Thailand (Studi Kasus di Kota Yogyakarta)." Commsphere: Jurnal Mahasiswa Ilmu Komunikasi 3, no. I (2025): 28–42. https://doi.org/10.37631/commsphere.v3ii.1790.

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This study examines female fans' media consumption patterns and behavior, also known as fujoshi, in appreciating the Thai Boy's Love (BL) series in Yogyakarta City. Romantic relationships between men are depicted in the BL drama genre, which is highly desirable to female audiences. This study used a qualitative method with a case study approach to understand fujoshi's motivation, behavior, and consumption patterns toward BL. Data were collected through in-depth interviews, media content analysis, and direct observation of fujoshi community activities. The results show that fujoshi interpret BL
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9

Tan, Rayner Kay Jin, Wee Ling Koh, Daniel Le, et al. "Effect of a web drama video series on HIV and other sexually transmitted infection testing among gay, bisexual and queer men: study protocol for a community-based, pragmatic randomised controlled trial in Singapore: the People Like Us (PLU) Evaluation Study." BMJ Open 10, no. 4 (2020): e033855. http://dx.doi.org/10.1136/bmjopen-2019-033855.

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IntroductionGay, bisexual and queer (GBQ) men are at disproportionately higher risk of acquiring HIV and other sexually transmitted infections (STI). While HIV/STI testing rates among GBQ men are increasing worldwide, they remain suboptimal in a variety of settings.Methods and analysisThe study is a pragmatic randomised controlled trial designed to evaluate an online video series developed by a community-based organisation in Singapore for GBQ men. A total of 300 HIV-negative GBQ men in Singapore aged 18–29 years old will be recruited for this study. Participants will subsequently be randomise
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10

Şekerci, Ömer. "Culpeper’s Impoliteness Strategies in Neil Simon’s ‘Biloxi Blues’." Baltic Journal of English Language, Literature and Culture 13 (May 15, 2023): 125–41. http://dx.doi.org/10.22364/bjellc.13.2023.09.

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Impoliteness has recently been of interest to scholars as a linguistic study in the field of pragmatics. It has emerged as the opposite orientation to politeness strategy, theory and studies. This paper explores how the impoliteness strategies mapped out by Jonathan Culpeper (1996) are employed in dramatic texts. It examines Culpeper’s impoliteness strategies designed to investigate face in the dramatic text. This paper tests the strategies through Neil Simon’s Biloxi Blues (1985). This dramatic comedy is used for three reasons: (1) as a drama, it is a mirror of life and real-life speech event
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Libros sobre el tema "Sexual orientation – Drama"

1

Butler, Dan. The only thing worse you could have told me--. Dramatists Play Service, 1997.

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2

Bertubin, Ronaldo. Lovebirds. Water Bearer Films, 2010.

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3

Ayres, Tony. The fat boy. Currency Press in association with Playbox Theatre, Melbourne, 2003.

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4

Kushner, Tony. Perestroika. Theatre Communications Group, 1994.

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5

Harvey, Jonathan. Beautiful thing. Methuen Drama, 1994.

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6

Jonathan, Harvey. Beautiful thing. [Bush Theatre?], 1993.

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7

Greenberg, Richard. Take me out. Dramatists Play Service, 2004.

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8

Walter Kerr Theatre (Organization : New York, N.Y.), ed. Angels in America: Perestroika. Playbill Incorporated, 1994.

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9

Neil Simon Theatre (New York, N.Y.), ed. Angels in America: A gay fantasia on national themes : part 1: Millennium approaches ; part 2: Perestroika. Playbill Incorporated, 2018.

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10

Walter Kerr Theatre (Organization : New York, N.Y.), ed. Angels in America: Millennium approaches. Playbill Incorporated, 1993.

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Capítulos de libros sobre el tema "Sexual orientation – Drama"

1

Flickinger, Craig. "Gender identity, sexual identity and sexual orientation in a drama-therapeutic context." In Gender and Difference in the Arts Therapies. Routledge, 2019. http://dx.doi.org/10.4324/9781351105361-14.

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