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Artículos de revistas sobre el tema "Sherrie Levine"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 19 de febrero de 2023

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1

Singerman, Howard. "Sherrie Levine: On Painting." Res: Anthropology and aesthetics 46 (September 2004): 202–20. http://dx.doi.org/10.1086/resv46n1ms20167647.

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Levine, Sherrie. "For Douglas Crimp." October 171 (March 2020): 150–51. http://dx.doi.org/10.1162/octo_a_00384.

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3

Trespeuch, Hélène. "Sherrie Levine : de l’appropriationnisme au simulationnisme." Marges, no. 17 (November 1, 2013): 44–53. http://dx.doi.org/10.4000/marges.127.

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4

Charles, Bertrand. "Sherrie Levine et l'appropriation : imposture ou acte créateur ?" Sociétés & Représentations 33, no. 1 (2012): 129. http://dx.doi.org/10.3917/sr.033.0129.

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5

TRODD, TAMARA. "THOMAS DEMAND, JEFF WALL AND SHERRIE LEVINE: DEFORMING ‘PICTURES’." Art History 32, no. 5 (November 12, 2009): 954–76. http://dx.doi.org/10.1111/j.1467-8365.2009.00713.x.

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6

Buskirk, Martha, Sherrie Levine, Louise Lawler, and Fred Wilson. "Interviews with Sherrie Levine, Louise Lawler, and Fred Wilson." October 70 (1994): 98. http://dx.doi.org/10.2307/779055.

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7

Schwartz, Stephanie. "Revolution and After." October 158 (October 2016): 126–54. http://dx.doi.org/10.1162/octo_a_00274.

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In 1988, the Cuban collective ABTV engaged in its first of several acts of art-historical homage. ABTV (Tanya Angulo, Juan Pablo Ballester, José Ángel Toirac, and Illeana Villazón) photocopied reproductions of Sherrie Levine's After Series, the now canonical work of postmodernism in which Levine rephotographed reproductions of selection of photographs by America's white male modernist masters. This essay takes ABTV's homage as the starting point for an inquiry into the relationship between postmodernism and postcolonialism. How, it asks, has an obsession with “ends” shaped our histories of pho
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8

Fabris, Annateresa. "Reivindicação de nadar a sherrie levine: autoria e direitos autorais na fotografia." ARS (São Paulo) 1, no. 1 (2003): 59–64. http://dx.doi.org/10.1590/s1678-53202003000100006.

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9

Elkins, James. "La Persistance du "tempérament artistique" comme modèle : Rosso Fiorentino, Barbara Kruger, Sherrie Levine." Ligeia N°17-18, no. 1 (1995): 19. http://dx.doi.org/10.3917/lige.017.0019.

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10

Coëllier, Sylvie. "De la peinture aux « concepts visuels » : les appropriations de Sherrie Levine et d’André Raffray." Ligeia N°25-28, no. 1 (1998): 13. http://dx.doi.org/10.3917/lige.025.0013.

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11

MAGADA-WARD, MARY. "On Wanting to Write This as Rose Selavy: Reflections on Sherrie Levine and Peircian Semiotic." Journal of Speculative Philosophy 23, no. 1 (January 1, 2009): 28–39. http://dx.doi.org/10.2307/20721541.

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12

Mary Magada-Ward. "On Wanting to Write This as Rose Selavy: Reflections on Sherrie Levine and Peircian Semiotic." Journal of Speculative Philosophy 23, no. 1 (2009): 28–39. http://dx.doi.org/10.1353/jsp.0.0061.

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13

Hopkins, D. "The Politics of Equivocation: Sherrie Levine, Duchamp's 'Compensation Portrait', and Surrealism in the USA 1942-45." Oxford Art Journal 26, no. 1 (January 1, 2003): 45–68. http://dx.doi.org/10.1093/oxartj/26.1.45.

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14

Burton, Johanna. "Pictures of You." October 171 (March 2020): 155–58. http://dx.doi.org/10.1162/octo_a_00386.

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In the wake of Douglas Crimp's passing in July 2019, Johanna Burton reflects on her still-evolving intellectual and personal relationship with this figure so crucial to histories of art, activism, and critical writing. Briefly tracing the various areas of thinking with which Crimp was associated over his decades-long career, Burton argues that the sum of Crimp's trajectory of thought is much greater than any of its formidable parts. Crimp has perhaps been most often associated with the onset of a particular tenet of postmodernism, namely the formation of the “Pictures Generation,” (including a
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15

ARAL, Nur. "YENİYİ ARARKEN: BİR YİRMİNCİ YÜZYIL FENOMENİ OLARAK SANATTA KENDİNE MAL ETME EYLEMİNİ FOTOĞRAF VE SHERRİE LEVİNE ÜZERİNDEN OKUMAK." Social Sciences Studies Journal 4, no. 19 (January 1, 2018): 1958–66. http://dx.doi.org/10.26449/sssj.579.

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16

Lipiński, Filip. "Anatomy of Appropriation. Postmodernism, Allegorical Procedures and the Myth." Tekstualia 2, no. 49 (June 12, 2017): 21–46. http://dx.doi.org/10.5604/01.3001.0013.3113.

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The article is an extensive analysis of the postmodern phenomenon of appropriation art in its practical and theoretical context. It focuses on the historical period of the late 1970s and 1980s and the New York Scene of American artists, collectively called the Pictures Generation. It was a moment when artistic practice merged with an insightful critical refl ection inspired by diverse sources such as Walter Benjamin’s theory of allegory, Roland Barthes’s analysis of myth and the idea of „the death of the author” as well as Jacques Derrida’s deconstruction. In the fi rst part of the article I a
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17

Cutler, Anthony. "Richard Brilliant and Dale Kinney, Reuse Value: Spolia and Appropriation in Art and Architecture from Constantine to Sherrie Levine. Farnham, Surrey, UK, and Burlington, VT: Ashgate, 2011. Pp. 284; 39 black-and-white figures. $119.95. ISBN: 978-1-4094-2422-2." Speculum 89, no. 4 (October 2014): 1114–16. http://dx.doi.org/10.1017/s0038713414001791.

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18

Falcão, Grécia. "+Walker Evans +Sherie Levine. Considerações sobre arte, ausência e memória." Revista Contracampo 35, no. 3 (December 29, 2016): 233. http://dx.doi.org/10.22409/contracampo.v35i3.871.

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Seguindo o projeto benjaminiano, este artigo busca romper com a representação histórica que aprisiona os sentidos dos arquivos. Olharemos as obras de artistas contemporâneos que se apropriam de documentos fotográficos para discutir sua veracidade. Expressões artísticas que falam, justamente, da dupla vigência da fotografia - meio que cria aparências em busca de uma verdade histórica permanente e comum, ao passo que denota uma existência múltipla e efêmera, efeito das irregularidades que, no presente, legitimam o que é representado como fato verídico ou não. Com isso, esta análise trata da prod
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19

Falcão, Grécia. "+Walker Evans +Sherie Levine. Considerações sobre arte, ausência e memória." Revista Contracampo 35, no. 3 (December 29, 2016): 233. http://dx.doi.org/10.20505/contracampo.v35i3.871.

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Seguindo o projeto benjaminiano, este artigo busca romper com a representação histórica que aprisiona os sentidos dos arquivos. Olharemos as obras de artistas contemporâneos que se apropriam de documentos fotográficos para discutir sua veracidade. Expressões artísticas que falam, justamente, da dupla vigência da fotografia - meio que cria aparências em busca de uma verdade histórica permanente e comum, ao passo que denota uma existência múltipla e efêmera, efeito das irregularidades que, no presente, legitimam o que é representado como fato verídico ou não. Com isso, esta análise trata da prod
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20

Dillon, S. R., L. S. Evans, K. E. Lewis, J. Yang, M. W. Rixon, J. Kuijper, D. Demonte, et al. "OP0039 ALPN-303, AN ENHANCED, POTENT DUAL BAFF/APRIL ANTAGONIST ENGINEERED BY DIRECTED EVOLUTION FOR THE TREATMENT OF SYSTEMIC LUPUS ERYTHEMATOSUS (SLE) AND OTHER B CELL-RELATED AUTOIMMUNE DISEASES." Annals of the Rheumatic Diseases 80, Suppl 1 (May 19, 2021): 21.2–21. http://dx.doi.org/10.1136/annrheumdis-2021-eular.727.

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Background:BAFF and APRIL are TNF superfamily members that form homo- and heteromultimers that bind TACI and BCMA on B cells; BAFF also binds BAFF-R. BAFF and APRIL support B cell development, differentiation, and survival, particularly for plasmablasts and plasma cells, and play critical roles in the pathogenesis of B cell-related autoimmune diseases. In nonclinical models, inhibition of either BAFF or APRIL alone mediates relatively modest effects, whereas their co-neutralization dramatically reduces B cell function, including antibody production. Fc fusions of wild-type (WT) TACI (e.g. atac
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21

Dillon, S. R., L. S. Evans, M. W. Rixon, J. Kuijper, D. Demonte, K. E. Lewis, S. Levin, et al. "THU0222 B CELL MODULATORY VARIANT TNF RECEPTOR DOMAINS (VTDS) IDENTIFIED BY DIRECTED EVOLUTION TO INHIBIT BAFF AND APRIL, ALONE OR COMBINED WITH VARIANT IG DOMAINS (VIGD™) THAT INHIBIT T CELL COSTIMULATION, FOR THE TREATMENT OF SEVERE AUTOIMMUNE AND/OR INFLAMMATORY DISEASE." Annals of the Rheumatic Diseases 79, Suppl 1 (June 2020): 338.1–338. http://dx.doi.org/10.1136/annrheumdis-2020-eular.1545.

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Background:BAFF and APRIL are TNF superfamily members that bind both TACI and BCMA on B cells; BAFF also binds BAFF-R. Together, BAFF and APRIL support B cell development, differentiation, and survival. Their co-neutralization dramatically reduces B cell function, including antibody production, whereas inhibition of either BAFF or APRIL alone mediates relatively modest effects.Objectives:While CTLA-4-based therapeutics that block T cell costimulation provide safe and moderately effective T cell inhibition in many disease settings, and while B cell targeting therapies have demonstrated promisin
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22

Dorff, Elliot N. "Eugene B. Borowitz and Frances Weinman Schwartz. The Jewish Moral Virtues. Philadelphia: JPS, 1999. xxii, 360 pp.; Aaron Levine. Case Studies in Jewish Business Ethics. The Library of Jewish Law and Ethics, Volume XXII. Hoboken: KTAV and New York: Yeshiva University Press, 2000. xviii, 419 pp.; Byron Sherwin. Jewish Ethics for the Twenty-First Century: Living in the Image of God. Syracuse: Syracuse University Press, 2000. xxvi, 203 pp." AJS Review 26, no. 01 (April 2002): 198–202. http://dx.doi.org/10.1017/s0364009402570045.

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23

"Art history, after Sherrie Levine." Choice Reviews Online 49, no. 11 (July 1, 2012): 49–6071. http://dx.doi.org/10.5860/choice.49-6071.

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24

Bulduk, Bulent. "NEW CONCEPTUALISM: JEFF KOONS, DAMIEN HIRST, SHERRIE LEVINE, CINDY SHERMAN." Ulakbilge Dergisi 5, no. 18 (November 30, 2017). http://dx.doi.org/10.7816/ulakbilge-05-18-01.

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25

Garcia, Lindsay. "Review of After Art by David Joselit (Princeton)." Lateral 6, no. 1 (May 2017). http://dx.doi.org/10.25158/l6.1.22.

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David Joselit’s slim volume "After Art" offers multiple intriguing frameworks to analyze art in the present-day globalized art world. After Art backs away from the traditional approach of artist intent and production and looks at what happens to images once they are attached to the networks that circulate them. Instead of proselytizing individual or even original artworks, Joselit champions images that are constantly reproduced and remediated by artists and architects such as Tania Bruguera, Ai Weiwei, Sherrie Levine, Matthew Barney, Le Corbusier, and Rem Koolhaus.
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26

"Reuse value: spolia and appropriation in art and architecture from Constantine to Sherrie Levine." Choice Reviews Online 49, no. 11 (July 1, 2012): 49–6068. http://dx.doi.org/10.5860/choice.49-6068.

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27

Bloom, Jonathan. "Jonathan M. Bloom. Review of "Reuse Value: Spolia and Appropriation in Art and Architecture from Constantine to Sherrie Levine" by Richard Brilliant and Dale Kinney." caa.reviews, January 31, 2013. http://dx.doi.org/10.3202/caa.reviews.2013.15.

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28

"International Stroke Conference 2013 Abstract Graders." Stroke 44, suppl_1 (February 2013). http://dx.doi.org/10.1161/str.44.suppl_1.aisc2013.

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Alex Abou-Chebl, MD Michael Abraham, MD Joseph E. Acker, III, EMT-P, MPH Robert Adams, MD, MS, FAHA Eric Adelman, MD Opeolu Adeoye, MD DeAnna L. Adkins, PhD Maria Aguilar, MD Absar Ahmed, MD Naveed Akhtar, MD Rufus Akinyemi, MBBS, MSc, MWACP, FMCP(Nig) Karen C. Albright, DO, MPH Felipe Albuquerque, MD Andrei V. Alexandrov, MD Abdulnasser Alhajeri, MD Latisha Ali, MD Nabil J. Alkayed, MD, PhD, FAHA Amer Alshekhlee, MD, MSc Irfan Altafullah, MD Arun Paul Amar, MD Pierre Amarenco, MD, FAHA, FAAN Sepideh Amin-Hanjani, MD, FAANS, FACS, FAHA Catherine Amlie-Lefond, MD Aaron M. Anderson, MD David C.
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29

Brunetto, Juliana Lujan, Marcio Campaner, Caroline de Freitas Jorge, Letícia Cerri Mazza, Sandro Basso Bitencourt, Adriane Boaventura Chiorlin, Ricardo Shibayama, and Aldiéris Alves Pesqueira. "Reabilitação estética anterior associando prótese metalocerâmica e prótese fixa metal-free: relato de caso." ARCHIVES OF HEALTH INVESTIGATION 8, no. 1 (April 22, 2019). http://dx.doi.org/10.21270/archi.v8i1.3249.

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Devido a evolução dos sistemas cerâmicos, atualmente, são permitidas inúmeras associações de materiais restauradores. Entretanto, mimetizar as características visuais das próteses livres de metal com próteses metalocerâmica permanece um desafio. Assim, o objetivo deste trabalho foi relatar o caso clínico de substituição de próteses desadaptadas, homogeneizando próteses parciais fixas livres de metal e metalocerâmicas dento e implantossuportadas, após cirurgia periodontal. O paciente de 55 anos, gênero masculino, compareceu à Clínica de Prótese Parcial Fixa, da Faculdade de Odontologia de Araça
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