Bibliografías temáticas / Shy heroine

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Literatura académica sobre el tema "Shy heroine"

Autor: Grafiati
Publicado: 26 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Shy heroine"

1

Wong, Bethany. "Cloaked Actress in Evelina and The Wanderer." Burney Journal 16 (December 31, 2019): 30–51. https://doi.org/10.26443/tbj.v16i.492.

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This essay revisits the apparent opposition between theater and the novel as well as the public actress and private heroine to identify what I call “virtuous theatricality” in Frances Burney’s conception of authorship. This term celebrates her complex appreciation for, and appropriation of, the theater and role playing in her novels. Building on recent work about celebrity actresses by Laura Engel, Felicity Nussbaum, Gill Perry, and others, I argue that Burney’s construction of authorial identity recalls the professional actress’s skillful negotiation between her public and private personas. F
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Ruengruglikit, Cholada. "The Meanings of the Horse-Faced Mask in the Story of Kaeo Na Ma." MANUSYA 8, no. 4 (2005): 63–77. http://dx.doi.org/10.1163/26659077-00804005.

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This paper aims to study the meanings of the heroine’s horse-faced mask in the story of Kaeo Na Ma. The two versions investigated here are the version composed by Prince Phuwanetnarinrit and that of the Ratcharoen written by Nai But and influenced by the former version. Since Prince Phuwanetnarinrit’s version firstly indicates that the heroine’s horse face can be removed, it is considered as a mask in this paper. Like other masks in Khon or masked drama, the horse face controls the behavior and personality of the wearer. This horse face not only signifies the heroine’s tomboyish manners as sta
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-, Fuza Churil Khurotul Aini, Khusnul Khotimah, and Wahyu Indah Mala Rohmana. "Traumatic Experience in the Novel "The Perks of Being a Wallflower." Channing: Journal of English Language Education and Literature 8, no. 1 (2023): 5–10. http://dx.doi.org/10.30599/channing.v8i1.1974.

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This research investigates an experience of past trauma experienced by the main character in the novel The Perks of Being a Wallflower by Stephen Chbosky's. Charlie as the heroine, a 17-year-old boy, has just entered high school. . He is the youngest of a family of three, two boys, one girl He is a very quiet and shy child who makes him have no friends. Her strangeness made friends at her school bully her. The researchers' goal is to investigate the main symptoms of trauma and describe the trauma experiences in this novel. The researcher's method is descriptive qualitative. Supporting data sou
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He, Min. "Imaging and Inventing Self: Constructing Heroines Through Translation in Late Qing China." Journal of Contemporary Educational Research 6, no. 10 (2022): 115–25. http://dx.doi.org/10.26689/jcer.v6i10.4419.

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A fad for female heroism emerged in the late Qing China as women were urgently mobilized to undertake the mission of ‘strengthening the nation and preserving the race.’ However, women reaching the modern standards of heroines were almost absent in China. Western heroines were then introduced into China as exemplars for Chinese women to emulate. The story of Madame Roland, the most prestigious Western heroine at that time, was appropriated to the political ends. The male-coded virtues of her were highlighted in conformity to the standards of heroines in late Qing China: hero-worship, patriotism
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Davis, P. J. "‘A Simple Girl’? Medea in Ovid Heroides 12." Ramus 41, no. 1-2 (2012): 33–48. http://dx.doi.org/10.1017/s0048671x00000242.

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For Homer's Circe the story of Argo's voyage was already well known. Although we cannot be sure that the Odyssey's first audience was aware of Medea's role in Jason's story, we do know that by the time that Ovid came to write Heroides, she had already appeared in numerous Greek and Latin texts, in epic and lyric poetry and on the tragic stage. Given her complex textual and dramatic history, it seems hardly likely that any Ovidian Medea could actually be ‘a simple girl'. And yet precisely this charge of ‘simplicity’ has been levelled against Heroides 12 and its Active author. I propose to argue
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Tolstosheeva, Daria B. "CROSSING THE MORAL BOUNDARY AS A PLOT-FORMING FACTOR IN “HARASSMENT” BY K. YARMYSH." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 10 (2024): 159–68. https://doi.org/10.28995/2686-7249-2024-10-159-168.

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The article studies how the principle of plot construction, based on the hero’s violation of moral norms, is implemented in practice. The portrayal of contradictory characters who make difficult moral choices, often wrong ones, is one of the main features of the novel genre. The plot is a chain of events, and an event is the character’s crossing of a certain boundary one way or another, and therefore the chronotope of the threshold (and perhaps not literally realized) becomes more important in the novel. The heroine of the novel “Harassment” constantly finds herself on the threshold of a moral
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Jatuthasri, Thaneerat. "Unakan: A Combination of the Images of Thai Hero and Heroine." MANUSYA 9, no. 2 (2006): 81–94. http://dx.doi.org/10.1163/26659077-00902005.

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Focusing on Unakan, the heroine in male disguise in Bot lakhon nai reung Inao, this paper aims at studying the roles and significance of her character that reflect the outstanding image of a heroine in Thai literature. In the story, Butsaba, the heroine, is disguised by her divine ancestor, Patarakala, as a young man named Unakan. The study reveals that Unakan possesses the characteristics of both hero and heroine. By portraying the roles as parallel to Inao, the hero of the story, Unakan is a great warrior and a dignified hero who has irresistible charm to women. She also searches for the los
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Shevchuk, Yulia V. "SEMANTICS OF THE MOTION IN ANNA AKHMATOVA’S LYRICS IN THE FIRST HALF OF THE 1910s." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 58 (2020): 189–202. http://dx.doi.org/10.37816/2073-9567-2020-58-189-202.

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The paper suggests new interpretations of the meaning and structure of Anna Akhmatova’s early lyrics, in which “the moment of truth” for the heroine comes as if beyond consciousness, during movement and direct contemplation of the world. Free moving of a lyrical “self” by land and water either precedes the romance or provides a specific signal of a heroine’s spiritual rebirth afterwards. Thus, Akhmatova literally “goes beyond” usual woman’s poetic experience of love and separation: the heroine feels guilty about her earthly love; at the moment of a breakup she learns more about the pains of cr
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Leigh, Matthew. "Ovid, Heroides 6.1–2." Classical Quarterly 47, no. 2 (1997): 605–7. http://dx.doi.org/10.1093/cq/47.2.605.

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It is a characteristic of Ovid's Heroides for each epistle implicitly to establish the dramatic time, context and motive for its composition by the particular heroine to whom it is attributed. In this way the poet is able to exploit the tension between the heroine's inevitably circumscribed awareness of the development of her story and the superior information which can be deployed by a reader acquainted with the mythical tradition or master-text which dictates what is actually going to follow: Penelope hands over a letter to a man whom the reader familiar with Homer can identify as Ulysses ev
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Zuseva-Ozkan, Veronika B. "Yevgeny Zamyatin’s “hypertext” about the female warrior. Article II." Tekst. Kniga. Knigoizdanie, no. 28 (2022): 22–39. http://dx.doi.org/10.17223/23062061/28/2.

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The second article of the two-part cycle considers the most important element of Zamyatin’s “hypertext” about the female warrior, i.e., the tragedy Atilla. The author offers the genealogy of the play’s heroine, Il’degonda, from Brynhildr of the Poetic Edda and Wagner’s Brunnhilde to Ibsen’s Hjordis (The Vikings at Helgeland) and N. Gumilyov’s Lera (Gondla). The common elements of Atilla and variations of the story of the Nibelungs are analyzed in detail: the association with the Burgundian locus, the parallels between the main characters and wolves, the connection of the heroine to the mytholo
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Tesis sobre el tema "Shy heroine"

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Green, Caroline Ann. ""She has to be controlled" : exploring the action heroine in contemporary science fiction cinema." Thesis, University of Exeter, 2010. http://hdl.handle.net/10036/3052.

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In this dissertation I explore a number of contemporary science fiction franchises in order to ascertain how the figure of the action heroine has evolved throughout her recent history. There has been a tendency in film criticism to view these strong women as ‘figuratively male’ and therefore not ‘really’ women, which, I argue, is largely due to a reliance on the psychoanalytic paradigms that have dominated feminist film theory since its beginnings. Building on Elisabeth Hills’s work on the character of Ellen Ripley of the Alien series, I explore how notions of ‘becoming’ and the ‘Body without
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Zuniga, Milton. "Alienated Selfhood and Heroism: A Poststructuralist Reading of John le Carré’s Spy Fiction Novels." FIU Digital Commons, 2014. http://digitalcommons.fiu.edu/etd/1541.

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John le Carré’s novels “The Spy Who Came in From the Cold” (1963), “Tinker, Tailor, Soldier, Spy” (1974), and “The Tailor of Panama” (1997), focus on how the main characters reflect the somber reality of working in the British intelligence service. Through a broad post-structuralist analysis, I will identify the dichotomies - good/evil in “The Spy Who Came in From the Cold,” past/future in “Tinker, Tailor, Soldier, Spy,” and institution/individual in “The Tailor of Panama” - that frame the role of the protagonists. Each character is defined by his ambiguity and swinging moral compass, transfor
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Libros sobre el tema "Shy heroine"

1

Douglas, Penelope. Falling away: A Fall Away novel. NAL, New American Library, 2015.

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Dilillo, Robert. Just Say Yes: (Be My Heroin). Writers Club Press, 2002.

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S, Burroughs William. Just say no to drug hysteria. [publisher not identified], 1990.

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ill, Collins Heather, ed. She dared: True stories of heroines, scoundrels, and renegades. Tundra Books, 2005.

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Archibald, Elizabeth. 'Deep clerks she dumbs': The learned heroine in Apollonius of Tyre and Pericles. Comparative drama), 1988.

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Lewis, J. Patrick. Heroes and she-roes: Poems of amazing and everyday heroes. Dial Books for Young Readers, 2005.

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7

King, Stephen. Wu shi yu shui jing qiu: Wizard and glass. Huang guan wen hua chu ban you xian gong si, 2007.

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Pilkey, Dav. Nei ku chao ren yu da zui chu shi. 2nd ed. Nanhai chu ban gong si, 2011.

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King, Stephen. Wu shi yu bo li qiu: Wizard and glass / Stephen King. Shanghai wen yi chu ban she, 2013.

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10

Rowling, J. K. Harī Pottā to shi no hihō: Harry Potter and the Deathly Hallows. Seizansha, 2008.

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Capítulos de libros sobre el tema "Shy heroine"

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Kanavou, Nikoletta. "Chapter 13. Achilles Tatius’ Leucippe as a puella docta." In The Reality of Women in the Universe of the Ancient Novel. John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/ivitra.40.13kan.

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Unlike other heroines of the Greek romantic novels, who are consistently chaste, the heroine of Achilles Tatius’ novel Leucippe and Clitophon displays a (temporary) lack of sexual reticence; she also possesses musical talent. These features are central to her characterization in the novel’s first two books, which, incidentally, bear the distinct influence of Roman love elegy. It is argued here that Leucippe is purposedly fashioned in the early part of the novel as a puella docta, the type of idealised artistic lady with libertine traits that arouses erotic passion in the Augustan love poets. I
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Carnell, Rachel. "Eliza Haywood and the Deluded Heroine Plot." In A Spy on Eliza Haywood. Routledge, 2021. http://dx.doi.org/10.4324/9781003198000-1.

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Paschalis, Michael. "Chapter 10. Narrative aspects of Callirhoe’s tomb." In The Reality of Women in the Universe of the Ancient Novel. John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/ivitra.40.10pas.

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In Chariton’s Callirhoe the heroine’s tomb and burial receive attention unparalleled in ancient Greek novels. As the physical manifestations of apparent death, they point either to death or to (anticipated) “resurrection” or to both, with reference not only to Callirhoe but also to Chaereas. Of the two major reappearances of Callirhoe’s tomb, at Miletus and Syracuse, the former (real) reproduces and the latter (metaphorical) inverts the initial burial. There is a prominent association in the novel beween tomb and ship in terms of identification, reversal, and proximity, as well as an intriguin
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Worthington, Everett L., and Scott T. Allison. "Transformation to heroic humility." In Heroic humility: What the science of humility can say to people raised on self-focus. American Psychological Association, 2018. http://dx.doi.org/10.1037/0000079-010.

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Fisher, Barbara. "5. The Heart of a Maid." In Trix. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0377.05.

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Immediately after a brief honeymoon, Jack was sent to Burma to continue his work on the Great Survey of India. Trix stayed behind in Lahore, where she began work on a novel featuring an unfeeling heroine struggling through the early years of a mis-matched and bitterly unhappy marriage. In January of 1890, after less than six months in Burma, Jack became sick and was granted home leave. Having to remove promptly to England, Trix hastily and harshly concluded her novel. Just two years into her marriage, Trix’s novel, The Heart of a Maid, appeared under the pen name Beatrice Grange. The pen name
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White-Stanley, Debra. "“I Don’t Know How She Lives with This Kitchen the Way It Is”." In Heroism and Gender in War Films. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137360724_10.

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Worthington, Everett L., and Scott T. Allison. "Heroic humility and the hero’s quest." In Heroic humility: What the science of humility can say to people raised on self-focus. American Psychological Association, 2018. http://dx.doi.org/10.1037/0000079-009.

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Dudley, Imogene. "She-Wolf or Feminist Heroine? Representations of Margaret of Anjou in Modern History and Literature." In Remembering Queens and Kings of Early Modern England and France. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-22344-1_11.

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Martin, Alison E. "Potentially the Noble Creature? Picturing Heroism in Henry Rider Haggard’s She." In Heroes and Heroism in British Fiction Since 1800. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-33557-5_3.

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Levin, Carole. "Queen Margaret in Shakespeare and Chronicles: She-Wolf or Heroic Spirit." In Scholars and Poets Talk about Queens. Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137534903_12.

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Actas de conferencias sobre el tema "Shy heroine"

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Rathnasena, Upeksha. "Austen, Cinderella Complex and beyond: An analysis of Austen’s portrayal of her Heroines in Juxtaposition to the Cinderella Complex." In SLIIT INTERNATIONAL CONFERENCE ON ADVANCEMENTS IN SCIENCES AND HUMANITIES [SICASH]. Faculty of Humanities and Sciences, SLIIT, 2022. http://dx.doi.org/10.54389/vkqs8504.

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Jane Austen is one of the most prominent writers of the 19th century. In terms of chronology, her six novels fall between the 18th-century neoclassical formality and the effusive romanticism after the 19th century. Her novels portray the socio-political and cultural landscape of Regency England even though her prose style, manner, and approach held no resemblance to her contemporaries. Austen seems to operate in a limited landscape and writes about what she is most familiar with birth, love, marriage, death, faith, and judgment. She details the tedious business of living of the gentry in her s
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Dimitrakopoulou, Georgia. "�NOVELLA GRECA.� ?. SERAO�S 19TH CENTURY GREECE. ITS REALITIES AND ITS ANTITHESES." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s10.17.

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In the short story Novella Greca, in her book: Fior di Passione, 1888, the author M. Serao narrates the true story of Calliope Stavro, the heroine (Calliopi Stavrou in Greek), in Leucade - Santa Maura (Lefkada - Agia Mavra in Greek), an island of the Ionian Sea, in 19th century Greece. At that time, the country was just freed from the Turkish occupation, trying to recover from more than 400 years of slavery and subjugation to the Ottoman Empire. Calliope Stavro represents the woman of her time, imprisoned in the small society of her island, suffocated, asphyxiated, disillusioned and unfulfille
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Denkova, Jovanka D. "The Novel “Anika Decided to Play” by Maria Petrovska – School for Life." In The International Scientific Conference "Children, culture, education". University of Kragujevac, Faculty of Education in Užice, Serbia, 2024. http://dx.doi.org/10.46793/dko24.12jd.

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: In this scientific article we will talk about the novel “Anika decided to play” by the young Macedonian author Marija Petrovska. In fact, the novel will only be our starting point to talk about the optimistic-vitalistic character of children's literature. For this purpose, through the character of the heroine – Anika, and her attitude towards life, her determination to achieve some things in life, for example, to learn to play, in which she succeeds, we will try to show the influence of the altruistic and positivist attitude to the world that surrounds the child. Of course, for this purpose,
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Elias, Tony, David Barsoum, Robert Malak, et al. "Infective Endocarditis Secondary to Needle Embolization to The Heart." In 27th Annual Rowan-Virtua Research Day. Rowan University Libraries, 2023. https://doi.org/10.31986/issn.2689-0690_rdw.stratford_research_day.150_2023.

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Needle embolisms in the heart are very rare, even though the number of intravenous drug users (IVDUs) has increased over the past 10 years.Due to varied symptomology-chest pain, dyspnoea, fever, or asymptomatic, this remains a complex and likely underdiagnosed condition. We describe a 31-year-old female with past medical history of IV drug use who presented to the emergency room with heart palpitations and described it as her “heart feels funny” and shortness of breath. She acknowledged intravenous (IV) heroin use and stated that the last time to use IV drugs was 2 days before coming to the ho
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Grigoryuk, Andrew A. "AESTHETICS OF DEATH OF MISHIMA YUKIO IN ANIME BASED ON IKEDA RYOKO’S MANGA “DEAR BROTHER”." In 32nd International Congress on Source Studies and Historiography of Asia and Africa “Russia and the East. Сommemorating 300th anniversary of St. Petersburg State University. St. Petersburg State University, 2024. http://dx.doi.org/10.21638/11701/9785288064135.26.

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Japanese comics creator Ikeda Ryoko and writer Mishima Yukio are far from each other in their views, but some similarities can be found in their works that sometimes exceed the boundary of mere coincidence. These are hardly conscious repetitions, but rather manifestations of deep traditionalism in the works of Japanese culture of the twentieth century. The study of this issue is relevant due to the fact that it allows us to identify the moral bases of the aestheticization of death in the works of Japanese culture. There are quite a lot of similar motifs with Mishima’s aesthetics in the analyze
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