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Tesis sobre el tema "Singing"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 25 de julio de 2025

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1

Curtis, Sandra L. "Singing subversion, singing soul, women's voices in feminist music therapy." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ44871.pdf.

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2

Raffoul, Bernadette. "Go down singing." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ52644.pdf.

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3

Stanley, Denise. "English Gypsy singing." Thesis, City University London, 1989. http://openaccess.city.ac.uk/7672/.

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This thesis presents a study of English Gypsy Singing in the broader context of contemporary English folksong research and previous English Gypsy song studies. It describes and illustrates Gypsy singers and their respective song performances in the five detail ed case studies of formal and informal contexts. It examines communal engagement in singing and observes that there are three different Singing roles: the Novice, the Participating singer and the Specialist which it considers in relationship to other roles activated during song performances. It gives an account of the way in which Gypsy

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4

Parupudi, Aarti. "Singing wine glasses." Kansas State University, 2015. http://hdl.handle.net/2097/19706.

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Master of Science<br>Computing and Information Sciences<br>Daniel A. Andresen<br>One among the many inventions of Benjamin Franklin is the Glass Armonica, a musical instrument whose sound source was a series of resonating glass vessels. However, the Irish musician Richard Pockrich is typically credited as the first to play an instrument composed of glass vessels, called the Glass Harp in 1741, by rubbing his fingers around the rims. In this project “Singing Wine Glasses”, the principle of Franklin’s glass armonica is demonstrated with a wine glass. One hand is used to hold the glass steady a

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5

Mann, Susan 1967. "One tongue singing." Master's thesis, University of Cape Town, 2002. http://hdl.handle.net/11427/11534.

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Also available online.<br>one tongue singing is a novel which unfolds in two time-frames. In the first, a young unmarried French nurse comes to South Africa with her father and her small daughter during the closing years of apartheid. The family settles amongst a small wine-growing community in the Western Cape where they become involved in the lives of victims of the System. In the second frame, the daughter, now about nineteen years old, is a talented artist who enrols at the exclusive Art School of a womanising painter. The man walks a tightrope between popular success and a deep-seated fea

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6

BARNHART, MICHAEL ROBERT. "THE SINGING BRIDGE." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1195667467.

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7

Kim, Yu-Jin. "How to prepare for foreign art songs : an innovative method for beginning singers /." Thesis, Connect to this title online; UW restricted, 2007. http://hdl.handle.net/1773/11221.

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8

Hale, Connie Lou. "Primary students' attitudes towards their singing voice and the possible relationship to gender, singing skill and participation in singing activities /." Search for this dissertation online, 2006. http://wwwlib.umi.com/cr/ksu/main.

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9

Kleinberger, Rébecca (Rébecca Henrietta Marie Franca). "Singing about singing : using the voice as a tool for self-reflection." Thesis, Massachusetts Institute of Technology, 2014. http://hdl.handle.net/1721.1/95607.

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Thesis: S.M., Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2014.<br>Cataloged from PDF version of thesis.<br>Includes bibliographical references (pages [93]-106).<br>Our voice is an important part of our individuality. From the voice of others, we are able to understand a wealth of non-linguistic information, such as identity, social-cultural clues and emotional state. But the relationship we have with our own voice is less obvious. We don't hear it the same way others do, and our brain treats it differently from any other soun

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10

Krige, Willie. "An HMM-based automatic singing transcription platform for a sight-singing tutor." Thesis, Stellenbosch : Stellenbosch University, 2008. http://hdl.handle.net/10019.1/2687.

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Thesis (MScEng (Electrical and Electronic Engineering))--Stellenbosch University, 2008.<br>A singing transcription system transforming acoustic input into MIDI note sequences is presented. The transcription system is incorporated into a pronunciation-independent sight-singing tutor system, which provides note-level feedback on the accuracy with which each note in a sequence has been sung. Notes are individually modeled with hidden Markov models (HMMs) using untuned pitch and delta-pitch as feature vectors. A database consisting of annotated passages sung by 26 soprano subjects was compil

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11

Krige, W. A. "An HMM-based automatic singing transcription platform for a sight-singing tutor /." Link to the online version, 2008. http://hdl.handle.net/10019/863.

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12

Harris, Ronald T. "Entering Zion with singing." Theological Research Exchange Network (TREN), 1986. http://www.tren.com.

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13

Kowalzig, Barbara. "Singing for the gods." Thesis, University of Oxford, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.270429.

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14

Kim, Youngmoo E. "Singing voice analysis/synthesis." Thesis, Massachusetts Institute of Technology, 2003. http://hdl.handle.net/1721.1/62044.

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Thesis (Ph. D.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2003.<br>Includes bibliographical references (p. 109-115).<br>The singing voice is the oldest and most variable of musical instruments. By combining music, lyrics, and expression, the voice is able to affect us in ways that no other instrument can. As listeners, we are innately drawn to the sound of the human voice, and when present it is almost always the focal point of a musical piece. But the acoustic flexibility of the voice in intimating words, shaping phrases,

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15

Chua, Grace (Grace W. J. ). "Singing the Brain Electric." Thesis, Massachusetts Institute of Technology, 2008. http://hdl.handle.net/1721.1/45342.

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Thesis (S.M. in Science Writing)--Massachusetts Institute of Technology, Dept. of Humanities, Graduate Program in Science Writing, 2008.<br>Includes bibliographical references (p. [36]-[38]).<br>Singing the Brain Electric Brain pacemakers, scientists have found, can treat depression by correcting neural circuitry gone haywire. This thesis examines how such technology - a technique known as deep-brain stimulation, in which electrodes are implanted within the brain - was developed and how it works. We are introduced to a patient who received deep-brain stimulation for her refractory depression,

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16

Trichon, Vincent. "A Singing Drone Choir." Thesis, KTH, Robotik, perception och lärande, RPL, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-228612.

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Drones have a new emerging use case: performing in shows and live events. This master thesis has been driven by an artistic project invited to take part in a full-scale operatic performance in the Croatian National Theatre Ivan Zajc in Rijeka, Croatia, in 2019. This project merges technological research with ancient theatrical and operatic traditions by using drones as an opera choir. After describing the process of designing and building a fleet of quadrotors equipped with speakers, we present a reacting and interacting motion planning strategy based on potential fields. We analyse and evalua

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17

Lopez, Thomas Matthew. "MAss : singing without gravity /." Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p9992738.

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18

Mullally, Andrew. "Singing saw : final thrum." Thesis, University of Iowa, 2018. https://ir.uiowa.edu/etd/6226.

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Humanity has entered a new geologic age wherein our actions have become the dominant influence steering both climate and environment, now having entered a new era of mass extinction. Some scientist allege that half of the extant animal species have disappeared in the last forty years, while other scientific studies project that the remaining nine million species will again halve by the end of the century. Although extinction cycles are no stranger to this planet, this sixth iteration is unique in that is being driven primarily by human consumption. It has been claimed that in order to sustain

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19

Patteson, Ann. "Singing a woman's life, how singing lessons transformed the lives of nine women." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape3/PQDD_0001/MQ45292.pdf.

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20

Baird, Maureen Jaymin. "Perceived benefits of choral singing : social, intellectual, and emotional aspects of group singing." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=112325.

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This research sought to explore the meaningfulness of belonging to a choir. Members of 14 Canadian choirs (N=404) responded to 18 statements concerning the perceived benefits of choral singing. Choristers ranked six aspects of choral singing in the following order of importance (from greatest to least): musical, intellectual, emotional, physical, social, and spiritual. An in-depth analysis of three central areas of the choral experience (social, intellectual, and emotional) was done and six sample populations were compared: paid vs. volunteer choristers, choristers living in different areas (u

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21

Guastaferro, D. Domenic. "The coup de glotte in vocal technique and pedagogy /." Access Digital Full Text version, 1989. http://pocketknowledge.tc.columbia.edu/home.php/bybib/10857862.

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Thesis (Ed.D.) -- Teachers College, Columbia University, 1989.<br>Sponsor: Harold Abeles. Dissertation Committee: Lenore Pogonowski. Typescript; issued also on microfilm. Bibliography: leaves 117-121.

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22

Bevan, Ronald Verle. "Belting and chest voice : perceptual differences and spectral correlates /." Access Digital Full Text version, 1989. http://pocketknowledge.tc.columbia.edu/home.php/bybib/10858453.

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Thesis (Ed.D.) -- Teachers College, Columbia University, 1989.<br>Typescript; issued also on microfilm. Sponsor: Ronald J. Baken. Dissertation Committee: Harold F. Abeles. Bibliography: leaves 98-103.

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23

Smith, Muriel Louise. "Singing in 'The Peg' : the dynamics of Winnipeg singing cultures during the 20th century." Thesis, University of York, 2015. http://etheses.whiterose.ac.uk/12353/.

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The research begins by establishing Winnipeg, as a city comprised of many different European immigrant communities where the dominant British-Canadian culture reflected the Canadian national consciousness of the early 20th century. After an outline of early musical life in the city, four case studies demonstrate how the solo vocal and choral culture in Winnipeg represents a realization of the constitutive, continuously forming and mutable relationships between peoples of differing identities. In all of these case studies, I investigate how this culture has been shaped by social and political a

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24

Agenbag, Gustel. "Musical expressivity in choral singing." Thesis, Nelson Mandela University, 2017. http://hdl.handle.net/10948/13614.

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This qualitative mini-treatise explores Musical expressivity in choral singing with reference to three High School choirs in the Port Elizabeth area. Singing with emotions is not only a facial expression of some sort. There are so many more aspects which could be applied in order for the choral performance to be of an outstanding nature and not merely a performance. The researcher questioned the possibility of introducing expressiveness into rehearsals and performance through the application of more expressive conducting techniques, more detailed musical aspects and a general sense of unity wi

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25

Monks, Susan J. "Perceptions of the singing voice." Thesis, University of Sheffield, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.580649.

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26

Bohrer, Joceli Cirilo Soares. "Intonational strategies in ensemble singing." Thesis, City University London, 2002. http://openaccess.city.ac.uk/7645/.

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The aim of the research was to find out about intonational strategies in the performance situation. The singing voice was chosen as the appropriate subject for experimental work, due to its superior capability to define pitch as compared to other musical instruments. Ensemble singing was also required, as harmonic context may be important in the clarification of the issue, Chapter One, as an introduction to the subject, considers tuning systems and temperaments and briefly reviews the experimental literature on the subject. It also states the aim of the research. Chapter Two focuses on the the

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27

White, Brian David. "Singing techniques and vocal pedagogy." Thesis, University of Surrey, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.371900.

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28

Evans, Michelle. "Vocal qualities in female singing." Thesis, University of York, 1995. http://etheses.whiterose.ac.uk/10857/.

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29

Bohrer, Jocelei Cirilo Soares. "Intonational strategies in ensemble singing." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2002. http://hdl.handle.net/10183/15619.

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The aim of the research was to find out about intonational strategies in the performance situation. The singing voice was chosen as the appropriate subject for experimental work, due to its superior capability to define pitch as compared to other musical instruments. Ensemble singing was also required, as harmonic context may be important in the clarification of the issue. Chapter One, as an introduction to the subject, considers tuning systems and temperaments and briefly reviews the experimental literature on the subject. It also states the aim of the research. Chapter Two focuses on the the

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30

Beisswenger, Donald. "Singing Schools in Southcentral Kentucky." TopSCHOLAR®, 1985. https://digitalcommons.wku.edu/theses/2128.

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Singing school teachers, who teach rural church congregations to sing from shape-note gospel songbooks, are still working in southcentral Kentucky, but the demand for them is smaller than it was in the first half of the twentieth century. The interdependence network in which singing school teachers, songbook publishers, and community singing events were key parts began to weaken in the 1940s as a result of the growth in popularity of professional gospel quartet concerts and gospel record albums. Many gospel music enthusiasts who once looked to songbooks as a major source for new material and f

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31

Detwiler, Gwendolyn Coleman. "Solo Singing Technique & Choral Singing Technique in Undergraduate Vocal Performance Majors: A Pedagogical Discussion." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1226948715.

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32

Sheridan, Megan Maureen. "Singing is Elementary: Teachers' Use of Singing in Three Kodaly-Based Elementary General Music Classrooms." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1429743952.

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33

Detwiler, Gwendolyn Coleman. "Solo singing technique & choral singing technique in undergraduate vocal performance majors a pedagogical discussion /." Cincinnati, Ohio : University of Cincinnati, 2009. http://www.ohiolink.edu/etd/view.cgi?acc_num=ucin1226948715.

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Thesis (Dr. of Musical Arts)--University of Cincinnati, 2009.<br>Advisors: Barbara Honn M.M. (Committee Chair), Barbara Paver M.M. (Committee Member), Brett Scott D.M.A. (Committee Member). Title from electronic thesis title page (viewed April 25, 2009). Includes abstract. Keywords: voice; choral; choir; vocal; pedagogy; vocal pedagogy; choral pedagogy; music; music education; undergraduate. Includes bibliographical references.

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34

Michaud, Brian G. "Male music teachers and singing fathers: effects on and correlations with kindergarten children's singing abilities." Thesis, Boston University, 2014. https://hdl.handle.net/2144/11146.

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Thesis (D.M.A.)--Boston University<br>The purpose of this study was to discover the effects, if any, of baritone and falsetto singing models on kindergarten children's singing range development and pitchmatching abilities. An additional purpose was to determine if there is a relationship between the amount of singing that fathers do with and to their children in the home and those children's singing range development and pitch-matching abilities. I investigated the following questions: (a) What effect, if any, does a male music teacher's use/nonuse of falsetto have on kindergarten children's s

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35

Pettersen, Viggo. "From Muscles to Singing - The activity of accessory breathing muscles and thorax movement in classical singing." Doctoral thesis, Norwegian University of Science and Technology, Faculty of Social Sciences and Technology Management, 2005. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-560.

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<p>The overall aim of the present studies was, in selected muscles, to investigate muscle activation levels and muscular patterns in classical singers. Further was these muscles’ relation to thorax movement investigated.</p><p>Loading levels and respiratory phasing of TR, STM and SC was investigated in vocalization tasks with high and moderate expiration. Further, PN activity was investigated in inhalation and phonation and finally, TR, INT, OBL and RC muscle loading in student and professional singers was examined.</p><p>Muscle activity was recorded by use of an ambulatory four-channel monito

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36

Addo, Christian. "Singing in Fishing: A culturally-centred exploration of the meanings and functions of singing to sailors." Thesis, Norges teknisk-naturvitenskapelige universitet, Psykologisk institutt, 2013. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-25249.

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The present study explores the meanings sailors make with their songs and the functions that are culturally pursued by sailors through singing. The study presents a model of functions of singing based on a qualitative approach which was developed after participatory, one-on-one and focus group interviews with 10 child sailors and 14 adult sailors. The model covers social, cultural and personal experiences with singing. Five main functions of singing were identified; singing for: intra-personal, inter-personal, spiritual, social and emotional functions. Some of the functions identified include

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37

Loscos, Àlex. "Spectral processing of the singing voice." Doctoral thesis, Universitat Pompeu Fabra, 2007. http://hdl.handle.net/10803/7542.

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Aquesta tesi doctoral versa sobre el processament digital de la veu cantada, més concretament, sobre l'anàlisi, transformació i síntesi d'aquets tipus de veu en el domini espectral, amb especial èmfasi en aquelles tècniques rellevants per al desenvolupament d'aplicacions musicals.<br/><br/>La tesi presenta nous procediments i formulacions per a la descripció i transformació d'aquells atributs específicament vocals de la veu cantada. La tesis inclou, entre d'altres, algorismes per l'anàlisi i la generació de desordres vocals como ara rugositat, ronquera, o veu aspirada, detecció i modificació

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38

Janer, Mestres Jordi. "Singing-driven interfaces for sound synthesizers." Doctoral thesis, Universitat Pompeu Fabra, 2008. http://hdl.handle.net/10803/7550.

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Els instruments musicals digitals es descomponen usualment en dues parts: la interfície d'usuari i el motor de síntesi. Tradicionalment la interfície d'usuari pren el nom de controlador musical. L'objectiu d'aquesta tesi és el disseny d'un interfície que permeti el control de la síntesi de sons instrumentals a partir de la veu cantada.<br/><br/>Amb la present recerca, intentem relacionar la veu amb el so dels instruments musicals, tenint en compte tan la descripció del senyal de veu, com les corresponents estratègies de mapeig per un control adequat del sintetitzador.<br/>Proposem dos enfocame

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39

Sofianos, Stratis. "Singing voice extraction from stereophonic recordings." Thesis, University of Hertfordshire, 2013. http://hdl.handle.net/2299/10054.

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Singing voice separation (SVS) can be defined as the process of extracting the vocal element from a given song recording. The impetus for research in this area is mainly that of facilitating certain important applications of music information retrieval (MIR) such as lyrics recognition, singer identification, and melody extraction. To date, the research in the field of SVS has been relatively limited, and mainly focused on the extraction of vocals from monophonic sources. The general approach in this scenario has been one of considering SVS as a blind source separation (BSS) problem. Given the

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40

Mukherjee, Aryesh. "Studies in Hydroelastodynamics: Singing and Swimming." Thesis, Harvard University, 2011. http://dissertations.umi.com/gsas.harvard:10242.

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In this thesis we describe two instances of the nonlinear interaction between a fluid and an elastic solid to mimic or explain some phenomenon seen in nature. We focus on the phenomena of singing of small song birds and swimming of small fish. Song birds show a versatile range of tones and compositions that have highly complex spectral structure, while fish cut through water with amazing ease. The complexity of the Navier Stokes Equations that describe the fluid coupled with large deformation elasticity equations, makes analytic attempts intractable. Hence experiments were carried out with sim

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41

Grize, Justin Newcomb. "Singing beasts : opera and the animal." Thesis, University of Sussex, 2017. http://sro.sussex.ac.uk/id/eprint/70890/.

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This practice-led project examines opera in light of the current critical attention to animals, both real and metaphorical, and their often hidden or overlooked presences in human culture. Despite their near ubiquity in our lives, animals have only recently become the subjects of serious intellectual inquiry, and the field of animal studies is a rapidly-evolving discipline, with scholars like Keith Thomas and Harriet Ritvo considering animals as active participants in human lives and histories. Opera as a form has always concerned itself with meetings between the human and the not-human; Orphe

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42

Hayward, Guy Daniel. "Singing as one : community in synchrony." Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708494.

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43

Poulet, James Francis Alexander. "Sound processing in the Singing Cricket." Thesis, University of Cambridge, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.619560.

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44

Hofman, Michael Joseph. "The birds are singing in Greek." The Ohio State University, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=osu1314212618.

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45

Coetzee, Jacques. "Singing through : a collection of poems." Master's thesis, University of Cape Town, 2002. http://hdl.handle.net/11427/7917.

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46

Ioan, Cristina. "Developing the flute tone through singing." Master's thesis, Universidade de Aveiro, 2007. http://hdl.handle.net/10773/1140.

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Mestrado em Música<br>Este estudo pretende propor um método alternativo para melhorar o som na execução da flauta utilizanto elementos da técnica vocal. É uma pesquisa interdisciplinar que consiste em desenvolver, experimentar e analisar exercícios e métodos para estudar flauta através do canto. ABSTRACT: This music study whants to propose an alternative method for developing the flute tone by using singing techniques. It is a piece of interdisciplinary reasearch consisting in developing, experimenting, and analyzing exercises and methods for practicing flute through singing.

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47

Hughes, D. "Teaching singing in Sydney government schools." View thesis, 2007. http://handle.uws.edu.au:8081/1959.7/36654.

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Thesis (Ph.D) -- University of Western Sydney, 2007.<br>A thesis submitted to the University of Western Sydney, College of Arts, School of Communication Arts, in fulfillment of the requirements for the degree of Doctor of Philosophy. Includes bibliographical references.

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48

Kruger, Candace. "Yarrabil Girrebbah Singing Indigenous Language Alive." Thesis, Griffith University, 2022. http://hdl.handle.net/10072/418662.

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Yarrabil Girrebbah Singing Indigenous Language Alive answers the call to yarrabil girrebbah (sing awake) Yugambeh language songs of the Gold Coast, Logan and Scenic Rim regions of South-East Queensland, Australia. The response is a narrative of Gannga.lehla, Muwa.lehla, Baribunma.lehla Thinking, Gathering and Dreaming, a Songwoman’s journey for Kombumerri/Ngugi of Yugambeh/Quandamooka, Goori [Aboriginal] woman Candace Kruger. This doctoral investigation is underpinned by the following research question: How can Aboriginal methodologies challenge ethnomusicological understandings of Aboriginal

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49

Barrier, Julie Tacker. "The development of criteria for the selection of age-appropriate literature for the senescent voice." Diss., The University of Arizona, 1993. http://hdl.handle.net/10150/186178.

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The intent of this study is to attempt to create new scientific criteria for the evaluation of choral literature for senescent singers, The first criterion developed for selection of age-appropriate choral literature was a measurement for voice quality registration called phonetography. Phonetography is the registration of the dynamic range of a voice as a function of fundamental frequency. Manual phonetograms on twenty young adult singers and twenty senescent singers were developed to determine individual frequency-by-intensity relationships of the senescent voice. The graph that was created

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50

Tan, Haidee Lynn C. "Register Unification in Light of Twentieth-Century Vocal Pedagogy." Thesis, connect to online resource. Access restricted to the University of North Texas campus, 2003. http://www.library.unt.edu/theses/open/20032/tan%5Fhaidee/index.htm.

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