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Artículos de revistas sobre el tema "Social realism in literature"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 27 de julio de 2024

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1

Karam Ahmadova, Latifa. "REALISM IN NINETEENTH-CENTURY ENGLISH LITERATURE." SCIENTIFIC WORK 61, no. 12 (December 25, 2020): 117–20. http://dx.doi.org/10.36719/2663-4619/61/117-120.

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In England, realism was formed very quickly, because it appeared immediately after the Enlightenment, and its formation occurred almost simultaneously with the development of Romanticism, which did not hinder the success of the new literary movement. The peculiarity of English literature is that in it romanticism and realism coexisted and enriched each other. Examples include the works of two writers, Elizabeth Gaskell and Charlotte Bronte. However, the discovery and confirmation of realism in English literature is primarily associated with the legacy of Charles Dickens (1812-1870) and William

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2

Ananyeva, S. V., and A. K. Kalieva. "From Social Realism to Magic Realism." Contemporary Issues of Literary Studies - International Symposium Proceedings 16 (December 11, 2023): 51–56. http://dx.doi.org/10.62119/cils.16.2023.7521.

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Entire layers of fiction in retrospective light might escape the attention of modern literary criticism. Russian speaking writers and poets living in Kazakhstan introduce elements of Kazakh culture into their work: these are details of Kazakh life, song culture, and the bright imagery inherent in Kazakh literature and its unique artistic flavor. Regional Russian literature, connected by roots with Slavic literature, contributed to the development and mutual enrichment of literary ties between Kazakhstan and Russia. Already by the beginning of the 1920s, two directions in the approach to the Ka

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3

Susilawati, Elis, Ismah Rahayu, Akifah Humaira Salsabila, and Ahmad Bahtiar. "Realisme Sosial dalam Potret Seorang Komunis Karya Sabar Anantaguna." Stilistika: Jurnal Pendidikan Bahasa dan Sastra 15, no. 1 (January 31, 2022): 122. http://dx.doi.org/10.30651/st.v15i1.8706.

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Social Realism in Potret Seorang Komunis by Sabar Anantaguna ABSTRAKPuisi Potret Seorang Komunis karya Sabar Anantaguna telah mendapatkan bentuk dan pengucapan yang tepat sehingga menjadi prestasi yang bagus dalam sastra realisme sosialis karena tidak terlepas dari latar belakang dan ideologi pengarang yang merupakan bagian dari Lekra. Penelitian ini bertujuan untuk membahas prinsip realisme sosial yang menjadi pandangan para pengarang Lekra. Metode analisis yang digunakan dalam penelitian ini adalah metode penelitian deskriptif kualitatif dan teknik interpretatif. Dalam pengolahan data dilaku

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4

LILI, Tong. "Theory of social realism in modern Chinese literature history: practice and development." Bulletin of Taras Shevchenko National University of Kyiv. Oriental Languages and Literatures, no. 26 (2020): 70–75. http://dx.doi.org/10.17721/1728-242x.2020.26.70-75.

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The aim of this paper is to show a way of development of the theory of social realism in China and to reveal an extent of influence of soviet theory of social realism to the literary process in this country in XX century. The article is descriptive by its plan. The object of study is the theory of social realism, and the subject of study is transformations of this theory in Chinese context. The research is based on the next model of periodization of the process of development of the mentioned theory in China: 1) 1933 – 1953 years, when the theory of realism was borrowed and started to gain gro

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5

Manhas, Sumedha. "Realism through 21st Century Eyes." International Journal of English Literature and Social Sciences 8, no. 4 (2023): 282–89. http://dx.doi.org/10.22161/ijels.84.46.

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Since the mid-19th century, a new form of literature took birth that rejected artificiality and presented the conventional in fresh yet insightful ways. Realist writers took inspiration from works of artists such as Gustave Courbet who approached the present realities of contemporary society and its social, economic, and political aspects. They aimed to portray their characters and circumstances that could be relatable to the reader, rather than relying on romanticized portrayals. This shift in literary representation aligned with Courbet's belief in presenting the unvarnished truth, devoid of

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6

Potolsky, Matthew. "Decadence and Realism." Victorian Literature and Culture 49, no. 4 (2021): 563–82. http://dx.doi.org/10.1017/s1060150320000248.

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This essay proposes a new understanding of the widely recognized disdain for realism and the realist novel among decadent writers, a disdain most critics have interpreted as a protomodernist celebration of artifice. Focusing on Oscar Wilde's dialogue “The Decay of Lying,” the essay argues instead that decadent antirealism is antimodern, embodying a repudiation of contemporary society. Decadent writers regard realism not as hidebound and traditional, as twentieth-century theorists would have it, but as terrifyingly modern. Wilde looks back to neoclassical theories of mimesis and classical Repub

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7

Garagyezova, Elnara. "Literature Movements in Modern Azerbaijani Literature: After Socialist Realism." Contemporary Issues of Literary Studies - International Symposium Proceedings 16 (December 11, 2023): 287–90. http://dx.doi.org/10.62119/cils.16.2023.7560.

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Social realism entered literary studies as a trend distinguished by its spatial limitation and political-authoritarian origin among the literary trends of the 20th century. The political authoritarian origin has led to the trend becoming one of the main attributes of the ideology of a certain, closed political regime and being associated with that regime. However, since the movement of social realism originated from a political source, not a literary one, it was created on the basis of a plan, in the form of a project, and the end of the regime resulted in the sudden deletion of the movement f

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8

Randall Knoper. "Literature for Social Change: From Realism to Modernism." MFS Modern Fiction Studies 54, no. 2 (2008): 413–22. http://dx.doi.org/10.1353/mfs.0.0001.

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9

Andalas, Maharani Intan. "NARASI REALISME MAGIS DALAM PUISI “GONG” KARYA NIRWAN DEWANTO." GENTA BAHTERA: Jurnal Ilmiah Kebahasaan dan Kesastraan 3, no. 2 (December 1, 2017): 147–59. http://dx.doi.org/10.47269/gb.v3i2.12.

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AbstrakPengaruh kesusastraan global berupa realisme magis ditemukan dalam sastra Indonesia, baik dalam prosa maupun puisi. Salah satu indikasi karya realisme magis adalah dihadirkannya mitos dalam konteks masa kini. Masalah yang dibahas dalam penelitian ini adalah bagaimana yang magis dan yang nyata dinarasikan berdasarkan elemen-elemen yang menjadi karakteristik realisme magis dalam puisi “Gong” serta hubungan antarelemen dan kadar realisme magis di dalamnya. Penelitian ini menggunakan teori naratif realisme magis Wendy B. Faris. Metode penelitian didasarkan pada teori berupa penentuan data d

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10

Kendra, Milan. "LITERARY REALISM IN THE SHAPING OF SLOVAK CULTURE." Journal of Education Culture and Society 12, no. 2 (September 25, 2021): 455–68. http://dx.doi.org/10.15503/jecs2021.2.455.468.

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Aim. The aim of the study is to clarify the internal complexity of the Slovak literary realist discourse and its diverse relations to the heterogeneous artistic, cultural and ideological discourses of the last third of the 19th century. Attention is focused on the appropriation and adaptation of stimuli from other social systems, as well as on the specific literary operations that modify literary realism as an artistic discourse constructing an intelligible world in a cultural sense. Methods. As a theoretical concept, realism is defined as a type of representation or representation technique a

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11

Abdul Aziz, Sohaimi, and Rohaya Md Ali. "Adaptation of Hikayat Hang Tuah in Children's Literature." Malay Literature 25, no. 2 (December 8, 2012): 261–85. http://dx.doi.org/10.37052/ml.25(2)no6.

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Hang Tuah is a character in the epic Hikayat Hang Tuah which has become the pride of Malay Literature. The epic, and especially the protagonist of the epic, Hang Tuah, have been much discussed. This is also the case where children’s literature is concerned, as the Hikayat Hang Tuah has attracted the attention of Malaysian authors to produce adaptations of stories from this epic. The stories linked to the character of Hang Tuah contain many elements of fantasy which makes them suitable for adaptation as children’s literature. Establishing what types of adaptations have been made of these storie

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12

Howard, June, and Amy Kaplan. "The Social Construction of American Realism." American Literature 62, no. 1 (March 1990): 123. http://dx.doi.org/10.2307/2926799.

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13

Elder-Vass, Dave. "Of Babies and Bathwater. A Review of Tuukka Kaidesoja Naturalizing Critical Realist Social Ontology." Journal of Social Ontology 1, no. 2 (September 1, 2015): 327–31. http://dx.doi.org/10.1515/jso-2014-0029.

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AbstractTuukka Kaidesoja’s new book is a welcome addition to the literature on critical realism. He shows good judgement in defending Roy Bhaskar’s argument for causal powers while criticising its framing as a transcendental argument. In criticising Bhaskar’s concept of a real-but-not-actual ontological domain, however, he discards an essential element of a realist ontology, even a naturalised one: a recognition of the transfactual aspect of causal power.

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14

Galgani, Jaime. "Recepción de la narrativa social europea en Chile (1880-1920)." Literatura y Lingüística, no. 22 (May 27, 2015): 15. http://dx.doi.org/10.29344/0717621x.22.120.

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ResumenDurante la década 1880-1890, se dieron fenómenos importantes que impulsaron el cambio de paradigma en el mercado del consumo literario y en la producción narrativa. Uno de ellos fue la llegada, lectura y recepción –en revistas y cenáculos– de la obra de escritores europeos vinculados al realismo y al naturalismo principalmente. Dichas escuelas, creadoras de una estética narrativa propia, son apropiadas en Chile de tal manera que generaron un fenómeno único de producción literaria que tiene su motivación fundamental en la cuestión social como motor del relato.Palabras clave: novela socia

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15

Huang, Huayi. "Reflections from Research Practice." Exchanges: The Interdisciplinary Research Journal 10, no. 1 (October 27, 2022): 57–93. http://dx.doi.org/10.31273/eirj.v10i1.815.

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Scientific and Critical Realism attracts increasing attention as a new paradigm of explanation, for many empirical knowledge disciplines. This new approach to explaining our social and material worlds is underpinned by its ‘depth ontology’, encompassing the reality of our senses to the more meta-physical. In this article we introduce and explore this ‘depth ontology’, through rich illustration of these alternative ideas about reality in context of our everyday and early career research experiences. We explain and clarify the realist compromise - between its positivist and constructivist ancest

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16

Rodríguez Chávez, Iván. "El tungsteno como novela antiimperialista." Archivo Vallejo 1, no. 1 (November 29, 2018): 33. http://dx.doi.org/10.34092/av.v1i1.18.

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En este artículo se estudia El tungsteno como literatura política analizando su coherencia entre la intención de denuncia y propaganda con la estructura y lenguaje que le imprimen una entidad estética autónoma en relación con toda la producción de Vallejo y que puede ser ubicada dentro de las clasificaciones convencionales como una novela de tesis, con características del realismo social. Representa su capacidad expresiva y comunicativa, diseñando una diversidad de estilos que se inscriben dentro de sus ideales de libertad creativa y compromiso como escritor.ABSTRACTThis paper explores El tung

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17

Chilton, Myles. "Authenticity and Atwood’s ‘Scientific Turn’." Humanities 11, no. 6 (October 29, 2022): 134. http://dx.doi.org/10.3390/h11060134.

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Margaret Atwood’s science/speculative dystopian MaddAddam trilogy—Oryx and Crake (2003), The Year of the Flood (2009), and MaddAddam (2013)—opens up questions about how genre-mixing indexes and probes interrelated notions of authenticity. This focus is prompted by the simple question of why Atwood, having established worldwide renown for realist novels of socio-historical authenticity, switched to blending realism with science/speculative fiction. Through analyzing how the trilogy departs from realism, while never truly embracing SF, the paper argues that while the realist novel may offer the

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18

Hwang, Hyeryung. "Revisiting the Realism/Modernism Debate: Marxist Thought and the Ethics of Representation." Criticism and Theory Society of Korea 29, no. 1 (February 29, 2024): 293–315. http://dx.doi.org/10.19116/theory.2024.29.1.293.

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In Utopian Generations: The Political Horizon of Twentieth-Century Literature (2005), Nicholas Brown remarks on the difference between realism and modernism as one that expresses a conflict between “a responsibility to historical truth” and “a fidelity to the formal energies released by the emergence of a form of subjectivity liberated (or alienated) from historical consciousness” (182). This raises several issues that might be useful for us to develop since, despite the emergence of diverse critical lines of thought since the development of postwar critical theory, realism and modernism have

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19

Jasim, Dr Mohammed N. "A Look at Realism and its Reflection In the poetry of Contemporary Poets in Iran and Iraq." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 58, no. 3 (September 3, 2019): 25–52. http://dx.doi.org/10.36473/ujhss.v58i3.910.

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Realism attempts to discovering and expressing reality and replacing reality by imagination, dreaming, and legends, the realist writer uses his genius and modernity instead of a fictitious one in observing and expressing details. The school of realism is one of the most fundamental art schools that emerged in France in the mid-nineteenth century and expanded rapidly. Avoiding the imagination and inner inspirations of the romantics and addressing the realities of the universe outsidewere the most basic principles of this school that poets, writers and artists adopted and followed. In Iran and I

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20

Tanner, Tony, and Amy Kaplan. "The Social Construction of American Realism." Modern Language Review 86, no. 3 (July 1991): 678. http://dx.doi.org/10.2307/3731031.

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21

Menton, Seymour, and Maria-Elena Angulo. "Magic Realism. Social Context and Discourse." Hispanic Review 65, no. 2 (1997): 256. http://dx.doi.org/10.2307/474423.

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22

Menke, Richard. "Telegraphic Realism: Henry James's In the Cage." PMLA/Publications of the Modern Language Association of America 115, no. 5 (October 2000): 975–90. http://dx.doi.org/10.2307/463265.

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In setting his 1898 tale In the Cage in a telegraph office, Henry James was adapting and investigating a metaphor that earlier novelists had used for the workings of fiction. As invoked by writers such as Elizabeth Gaskell and Charles Dickens, the idealized image of the electric telegraph hints at some of the formal and ideological properties of Victorian realism. With In the Cage James proves to be more alert than such predecessors not only to the social and technological mechanics of telegraphy but also to the significance of mediation—in telegraphy as well as in realist fiction. Analyzing t

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23

Vidal, Fernando. "Accuracy, Authenticity, Fidelity: Aesthetic Realism, the “Deficit Model,” and the Public Understanding of Science." Science in Context 31, no. 1 (March 2018): 129–53. http://dx.doi.org/10.1017/s0269889718000078.

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Argument“Deficit model” designates an outlook on the public understanding and communication of science that emphasizes scientific illiteracy and the need to educate the public. Though criticized, it is still widespread, especially among scientists. Its persistence is due not only to factors ranging from scientists’ training to policy design, but also to the continuance of realism as an aesthetic criterion. This article examines the link between realism and the deficit model through discussions of neurology and psychiatry in fiction film, as well as through debates about historical movies and t

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24

Nabers, Deak. "The Novel and the Police Power." Nineteenth-Century Literature 64, no. 1 (June 1, 2009): 76–107. http://dx.doi.org/10.1525/ncl.2009.64.1.76.

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The realist novel has long been understood in terms of its representation of the diffusion of political agency into social and economic practices. This essay claims that realism, at least as it emerged in the work of late-nineteenth-century American writers such as William Dean Howells, does not record this process of diffusion so much as anatomize it, and that novels like A Hazard of New Fortunes (1890) participated in a widespread and multivalent effort, in American law and literature alike, to specify the proper boundaries of the state's authority in relation other increasingly visible form

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25

Rosiek, Jerry Lee, and Jimmy Snyder. "Narrative Inquiry and New Materialism: Stories as (Not Necessarily Benign) Agents." Qualitative Inquiry 26, no. 10 (August 10, 2018): 1151–62. http://dx.doi.org/10.1177/1077800418784326.

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Agential realism—the idea that it makes sense to view the world as being composed of various forms of protean nonhuman agency—has been a topic of discussion for many social science scholars in recent years. This increase of interest in agent ontologies can be attributed to the new feminist materialist movement in the philosophy of science literature. However, agent ontologies also are found in Indigenous studies literature and in Peircean pragmatism. These latter sources are also a part of the current methodological conversation about nonhuman agency. This article explores the connections betw

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26

Tan, Li Wen Jessica. "Unfinished Revolutions." Prism 18, no. 2 (October 1, 2021): 479–500. http://dx.doi.org/10.1215/25783491-9290688.

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Abstract This article examines Wei Beihua's modernist works, which have receded into the shadows of Sinophone Malayan (Mahua) literary history, in relation to Indonesian poet Chairil Anwar, to excavate a neglected route of transculturation at the height of Southeast Asia's nationalist movements during the 1950s. Unlike Anwar's modernist poems that thrive in Indonesia, Wei Beihua's works were considered outliers during a period when realist literature was deemed an effective tool for social mobilization in postwar Malaya. Nonetheless, it is critical for us to recognize that Wei Beihua did not r

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27

Smethurst, James Edward. "Rethinking Social Realism: African American Art and Literature, 1930-1953 (review)." MFS Modern Fiction Studies 52, no. 3 (2006): 725–27. http://dx.doi.org/10.1353/mfs.2006.0075.

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28

Syromiatnikov, Oleg. "DOSTOEVSKY’S REALISM: CONTINUATION OF THE DISPUTE." Проблемы исторической поэтики 21, no. 1 (February 2023): 140–61. http://dx.doi.org/10.15393/j9.art.2023.12042.

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The aim of the article is to determine the connection between F. M. Dostoevsky’s creative work with the phenomenon denoted in the modern literary studies by the terms of “spiritual realism,” “Christian realism,” “religious realism,” “symbolic realism,” etc. The writer worked in the genre of realism, he called himself a realist, and it is easy to notice the features of social, psychological, philosophical and even political realism in his works. However, at the same time, there was always something else in them that was more significant and added unique originality to the writer’s works. Many m

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Syromyatnikov, Oleg I. "Orthodox Realism in the Works by Fyodor Dostoevsky." Вестник Пермского университета. Российская и зарубежная филология 15, no. 2 (2023): 131–40. http://dx.doi.org/10.17072/2073-6681-2023-2-131-140.

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The article aims to define the artistic method of F.M. Dostoevsky in the light of new ideas about the ideological content and poetics of the writer’s works. As is known, Dostoevsky worked in the gen-re of realism, he called himself a realist, and it is easy to notice the features of social, psychological, philo-sophical, and even political realism in his writings. At the same time, there was always something else in them, something more significant and adding unique originality to the writer’s works. A number of modern researchers (I.B. Avanesyan, A.A.Alekseev, V.A.Voropaev, M.M.Dunaev, V.N.Za

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Misiri, Laureta. "Myth and Antimyth in the Fictions of Socialist Realism in Albania." European Journal of Language and Literature 2, no. 1 (August 30, 2015): 95. http://dx.doi.org/10.26417/ejls.v2i1.p95-98.

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The process of formation of socialist realism in literary creativity goes hand in hand with the crystallization of social awareness "down", within the psychology of the masses and "up", with the strengthening ideological party institutes of state. Endless discourses among the circles of artists on this plane, so competent is the new artistic unity as "the soc-realistic method" that obtained the status of state doctrine. In 1936 the Soviet government undertook measures to implement the undisputed total soc-realistic method all the arts in the USSR. Socialist realism becomes the dominant term in

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Piekarska, Agnieszka. "Struggle of Masurians with Polish Identity After the Second World War. Socialist Realist Literature Describing the nationality verification and surveying campaign." Prace Literaturoznawcze, no. 7 (February 7, 2020): 185–206. http://dx.doi.org/10.31648/pl.4718.

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This article presents the history of Masuria created by the propaganda of socialist realism. Itsaim is to show how writers presented the nationality-based verification campaign and opinion pollsin the area of former East Prussia. The author attempts to prove that social realist writers describedthe above-mentioned action as “discovering” Polish identity by the inhabitants of Masuria. In orderto do that, four stories included in the anthology Ziemia serdecznie znajoma, published in 1954, areanalysed to show that strong pressure was exerted on the Masurians to confirm their Polish nationality.

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Stepanov, Andrei D. "The transitional era in literature and the term realism (1840–1850s)." Vestnik of Saint Petersburg University. Language and Literature 19, no. 3 (2022): 497–514. http://dx.doi.org/10.21638/spbu09.2022.306.

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The article describes main milestones of the emergence and approval of the literary term realism. The term was filled with new content in French literature and criticism in the 1840s, and in 1849 first appeared in Russia in the article by Pavel Annenkov. The appearance of the term contributed to the transfer to Russian soil of the entire associative halo of the Realistic school, as it was understood in France at that time. The study of lagging autoreflection allows one to put forward the thesis about the atheoretical nature of realism. The means of realistic self-knowledge were not treatises,

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Angelosanto, Matthew. "Legal Realism and the Predictability of Judicial Decisions." Interdisciplinary Studies in Society, Law, and Politics 2, no. 3 (2023): 4–14. http://dx.doi.org/10.61838/kman.isslp.2.3.2.

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This review article explores the profound implications of legal realism on the predictability of judicial decisions, challenging the conventional notion that legal outcomes can be precisely anticipated through the application of statutes and precedents alone. Legal realism, advocating for a more nuanced understanding of the law, emphasizes the significance of external, social, and psychological factors in shaping judicial behavior. Through a comprehensive analysis of the literature, this article explores the origins and development of legal realism, its theoretical underpinnings, and the debat

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C, Keerthana. "Realism in Aagayathuku Adutha Veedu Poem Collection." International Research Journal of Tamil 4, S-7 (July 28, 2022): 126–31. http://dx.doi.org/10.34256/irjt22s719.

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Among the languages that have survived the flood of time, Tamil is a language that is alive and well. There are thousands of literatures and grammar in the Tamil language that deal with humanities. Various works are published in the world of literature from Sangam literature to contemporary literature. Literature of various kinds reflects the life of human society. The creativity and personality of the creators are evident in the work. A community is an area where people live together. The current trend is to highlight the hardships and injustices caused to the people who live and work in soci

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Parker, Ben. "The Order of Forms: Realism, Formalism, and Social Space." Genre 53, no. 3 (December 1, 2020): 265–70. http://dx.doi.org/10.1215/00166928-8847240.

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Jordan, Barry. "At the Margins of Social Realism: The Early Goytisolo." Symposium: A Quarterly Journal in Modern Literatures 44, no. 2 (June 1990): 88–101. http://dx.doi.org/10.1080/00397709.1990.10733702.

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Dalley, Hamish. "The Meaning of Settler Realism: (De)Mystifying Frontiers in the Postcolonial Historical Novel." Novel 51, no. 3 (November 1, 2018): 461–81. http://dx.doi.org/10.1215/00295132-7086499.

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Abstract Dominant theorizations of settler colonialism identify it as a social form characterized by a problem with historical narration: because the existence of settler communities depends on the dispossession of indigenous peoples, settlers find themselves trapped by the need both to confront and to disavow these origins. How might this problem affect the aesthetics of the realist novel? This article argues that the historical novels produced in places like Australia and New Zealand constitute a distinctive variant of literary realism inflected by the ideological tensions of settler colonia

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Widijanto, Tjahjono. "JAGAD ALUS MISTIS JAWA DALAM CERPEN-CERPEN DANARTO DAN FANTASI MAGIS TERNATE DALAM NOVEL CALA IBI KARYA NUKILA AMAL." JENTERA: Jurnal Kajian Sastra 7, no. 1 (June 30, 2018): 102. http://dx.doi.org/10.26499/jentera.v7i1.682.

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Abstrak: Artikel ini mengkaji kumpulan cerpen Godlob karya Danarto dan novel Cala Ibi karya Nukila Amal dari sudut pandang realisme magis. Realisme magis dipahami sebagai gaya estetetik yang mengandung unsur-unsur magis bercampur aduk dengan realitas. Dalam realisme magis wilayah mistis dan realitas empiris diperlakukan sejajar karena yang fantasi dan supranatural mengakar pada realitas kultural dan historis. Kajian dalam tulisan ini berdasarkan pandangan bahwa teks sastra pasti akan terpengaruh oleh kultur masyarakat dan pengarangnya. Muatan makna yang terdapat di dalam karya sastra akan dipe

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Zagidullina, Daniya. "Tatar literature at the turn of the XX–XXI centuries: transformation of realism." Przegląd Wschodnioeuropejski 9, no. 1 (June 1, 2018): 309–20. http://dx.doi.org/10.31648/pw.3441.

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The scientific novelty of work consists in the appeal to modern Tatar literary process which remains almost not investigated. The choice for the analysis of works of the Tatar literature has been caused, first of all, by the novelty of their esthetic concept. Relevant texts of the Tatar prose writers in the development plan for national art of literature are considered, the main vectors of the movement of historico-literary process are traced. As a result of the conducted research, the art and esthetic nature of the realism in modern Tatar prose incorporating elements of other art systems is e

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Contea, Bogdan, and Iulia Pietraru. "The Post-Communist Novel of Transition as Realism of Transition. Thematic Precedents in Romanian and East-Central European Literature." Studia Universitatis Babeș-Bolyai Philologia 69, no. 2 (June 27, 2024): 207–28. http://dx.doi.org/10.24193/subbphilo.2024.2.12.

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The Post-Communist Novel of Transition as Realism of Transition. Thematic Precedents in Romanian and East-Central European Literature. The present study aims to analyze how certain narrative formulas circulate within the world literary system – one but unequal (Moretti 2004, WReC 2015) – starting from the case of the novel of post-communist transition, specific to many Eastern European literatures. The Romanian literature abounds in such novels, which take various forms according to the different literary paradigms from which they have emerged. Thus, we consider that post-communist Romanian li

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Corbett, Mary Jean. "The order of forms: realism, formalism, and social space." Nineteenth-Century Contexts 42, no. 3 (May 26, 2020): 369–70. http://dx.doi.org/10.1080/08905495.2020.1775335.

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Lichtblau, Myron I. "Social Realism in the Argentine Narrative de David William Foster." Revista Iberoamericana 53, no. 141 (December 20, 1987): 1053–54. http://dx.doi.org/10.5195/reviberoamer.1987.4415.

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Schiaffini, Patricia, and Phuntshog Tashi. "Realism, Humor, and Social Commitment: An Interview with Phuntshog Tashi." World Literature Today 78, no. 2 (2004): 67. http://dx.doi.org/10.2307/40158417.

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Di Martino, Loredana. "Between “New Realism” and “Weak Thought”: Umberto Eco’s “Negative Realism” and the Discourse of Late Postmodern Impegno." Quaderni d'italianistica 33, no. 2 (February 9, 2013): 189–218. http://dx.doi.org/10.33137/q.i..v33i2.19424.

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The recent theory of a return of realism has sparked a lively and somewhat heated debate among contemporary italian thinkers, generating a split between the supporters of the philosophy of weak thought, and those who argue for an overcoming of postmodernism and the development of a new philosophy of realism. This article explores Umberto Eco’s contribution to this debate, focusing both on Eco’s theory of “negative realism” and on his latest historiographic metafiction. I argue that while Eco’s recent theory further distances the author from the philosophy of weak thought, it does not call, as

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Gong, Huiwen, and Robert Hassink. "Context sensitivity and economic-geographic (re)theorising." Cambridge Journal of Regions, Economy and Society 13, no. 3 (September 15, 2020): 475–90. http://dx.doi.org/10.1093/cjres/rsaa021.

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Abstract Drawing upon critical realism and the literature on theorising in social sciences, this article contributes to the understanding of theorising in economic geography by highlighting the role of context throughout the theory development process. By critically reviewing two key concepts in economic geography—related variety and knowledge bases—from a critical realist theory development perspective, scholars’ sensitivity to local context through the whole theorising process is examined. We argue that the particular strength of economic geography with regard to advancing theory lies in the

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Wonham, Henry B. "Postcritical Howells: American Realism and Liberal Guilt." American Literature 92, no. 2 (June 1, 2020): 229–55. http://dx.doi.org/10.1215/00029831-8267720.

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Abstract This essay explores the concept of liberal guilt in William Dean Howells’s fiction, focusing especially on his 1888 novel Annie Kilburn. Genealogies of liberal guilt rarely mention Howells, and yet no American writer has more painstakingly elaborated the embarrassing predicament of middle-class complicity in social arrangements that entail the widespread suffering of others. I provide a summary of theoretical positions on liberal guilt as a structure of feeling that entails what Richard Rorty calls “doubt about [one’s] own sensitivity to the pain and humiliation of others, doubt that

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Gruber, David R. "Three Forms of Neurorealism: Explaining the Persistence of the “Uncritically Real” in Popular Neuroscience News." Written Communication 34, no. 2 (April 2017): 189–223. http://dx.doi.org/10.1177/0741088317699899.

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Neuro-realism is a widely cited concept describing a textual phenomenon in popular science news wherein brain research uncritically validates or invalidates the “realness” of particular beliefs or practices. Currently, no research on neuro-realism examines the variable rhetorical roles of such statements, that is, how they support specialized arguments or enhance social functions across genres of public communication. This article details the nuances of neuro-realism, arguing that neuro-realism is much more than a singular textual phenomenon but a flexible rhetorical vehicle manifesting in at

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JACQUELIN, ALICE. "Réalismes déclinistes du polar français contemporain : Nicolas Mathieu, Colin Niel, Antonin Varenne." Australian Journal of French Studies 58, no. 2 (July 1, 2021): 137–50. http://dx.doi.org/10.3828/ajfs.2021.12.

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The detective novel has long been described as a form of “authentic” realistic literature (Collovald et Neveu). However, this article analyzes how three contemporary French crime novels—Aux animaux la guerre by Nicolas Mathieu (2014), Seules les bêtes by Colin Niel (2017) and Battues by Antonin Varenne (2015)—challenge and reappropriate conventions of realism. The three country noir novels follow in the lineage of two important traditions of realism, nineteenth-century French classical realism (Dubois) and the social realism of the 1970s and 1980s “néo-polar” (Desnain). Yet rather than anchori

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Cai, Keru. "The Spatiality of Poverty in Modern Chinese Realism." Comparative Literature 75, no. 3 (September 1, 2023): 327–47. http://dx.doi.org/10.1215/00104124-10475445.

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Abstract Early twentieth-century Chinese realist depictions of indoor space, such as the crowded tenement house and the penniless writer’s abode, enabled the portrayal of the physical and psychological exigencies of poverty. This set of narrative concerns arose in a period when Chinese writers were preoccupied with the alleged material and cultural poverty of China in comparison to the West. To remedy this purported backwardness, Chinese writers appropriated from foreign literatures, especially Russian realism, narrative themes and techniques such as the use of metonymy in the depiction of spa

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Woods, Derek. "Genre at Earth Magnitude: A Theory of Climate Fiction." New Literary History 54, no. 2 (March 2023): 1143–67. http://dx.doi.org/10.1353/nlh.2023.a907162.

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Abstract: What critics and publishers now call climate fiction is a growing genre that captures significant critical attention. This essay theorizes the relation between two of the genre's features, one formal and one political, in the scale frame they address: the planetary scale of climate, or what many scientists call the Earth system. The archive that articulates these features consists of a popular, digital discourse about climate fiction, much of which appeared since Hurricane Sandy. Instead of looking at individual works or narrating their history, I read this popular "metagenre" to dra

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