Bibliografías temáticas / Soft sculpture – california – exhibitions

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Literatura académica sobre el tema "Soft sculpture – california – exhibitions"

Autor: Grafiati
Publicado: 26 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Soft sculpture – california – exhibitions"

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Macken, Marian. "And Then We Moved In." M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2687.

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 Working drawings are produced, when a house is designed, to envisage an imagined building. They are a tangible representation of an object that has no tangible existence. These working drawings act as a manual for constructing the house; they represent that which is to be built. The house comes into being, therefore, via this set of drawings. This is known as documentation. However, these drawings record the house at an ideal moment in time; they capture the house in stasis. They do not represent the future life of the house, the changes and traces the inhabitants make upo
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Rosner, Daniela. "Bias Cuts and Data Dumps." M/C Journal 26, no. 6 (2023). http://dx.doi.org/10.5204/mcj.2938.

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Introduction “Patterns are everywhere”, design researcher Anuradha Reddy told her virtual audience at the 2023 speaker series hosted by Brilliant Labs, a Canadian non-profit focussed on experiential digital learning and coding (Brilliant Labs / Labos Créatifs). Like other technology fora, this public-facing series offered designers an opportunity to highlight the accessibility of code. But unlike many such fora, Reddy’s code was worn on the body. Sitting at the now-standard webinar lectern, Reddy shared a flurry of images and contexts as she introduced a garment she called b00b, a bra that she
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Libros sobre el tema "Soft sculpture – california – exhibitions"

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Elizabeth A. Sackler Center for Feminist Art and Brooklyn Museum, eds. Judith Scott: Bound & unbound. Brooklyn Museum, 2014.

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Grey Art Gallery & Study Center., ed. Robert Morris--the felt works. Grey Art Gallery and Study Center, New York University, 1989.

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Rhodes, Daniel. Daniel Rhodes: The California years. Esther Saks Gallery, 1987.

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Walter, Kathryn. Felt: A project. Museum for Textiles, 2000.

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Matranga, Mélanie. Mélanie Matranga. Palais de Tokyo, 2015.

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Kamp, Patricia, Janaina Barros, and Wagner Leite Viana. Sonia Gomes: I rise : I'm a black ocean, leaping and wide. Edited by Gomes Sonia 1948-, Stiftung Frieder Burda, Museum Frieder Burda - Salon Berlin, and Sammlung Frieder Burda (Museum). Museum Frieder Burda, 2020.

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Semmes, Beverly. Beverly Semmes. Camden Arts Centre, 1994.

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Semmes, Beverly. Beverly Semmes: Exhibition Camden Art Centre. City Art Gallery, 1994.

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Maitz, Petra. Petra Maitz: Lady Musgrave Reef. Walther König, 2007.

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Peter, Allegaert, Bury Bill, Carter Ann, et al., eds. From the studio: Recent painting and sculpture by 20 California artists. Oakland Museum, 1992.

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Capítulos de libros sobre el tema "Soft sculpture – california – exhibitions"

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Miller, Virginia E. "The Disembodied Eye in Maya Art and Ritual Practice." In Making “Meaning”: Precolumbian Archaeology, Art History, and the Legacy of Terence Grieder. University of Houston Libraries, 2022. http://dx.doi.org/10.52713/zadg2991.

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The ritual use and display of skulls, digits, and femurs is well documented for the Maya and other Mesoamerican groups. But except for the heart, few sources describe how organs and soft body tissues were curated during the brief time they could have been viable for manipulation or display. Nevertheless, there is rich corpus of art demonstrating that such exhibitions must have taken place. Extruded eyeballs, often with the optic nerve still attached, form part of the iconographic complex of death and the underworld, although rarely on a monumental scale during the Classic period. From the Term
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