Bibliografías temáticas / Spanish Erotic literature

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Literatura académica sobre el tema "Spanish Erotic literature"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 27 de julio de 2025

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Artículos de revistas sobre el tema "Spanish Erotic literature"

1

Kuffner, Emily. "Eros in the Apiary: Bees and Beehives in Early Modern Spanish Erotic Literature." Revista Canadiense de Estudios Hispánicos 44, no. 3 (2022): 641–65. http://dx.doi.org/10.18192/rceh.v44i3.6360.

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In early modern Spain, bees inspired admiration for their exemplary sexual life since their supposedly asexual spontaneous generation made them models of chastity within the hive, an idealized masculine commune led by a king bee. However, bee imagery frequently appears in erotic literature and an astonishing number of Spanish texts on prostitution, including two of the most iconic, La Celestina (1499) and La Lozana andaluza (1528), which apply apiary metaphors to a female procuress. This article examines this seeming contradiction to argue that apiary metaphors applied to prostitution dehumani
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Ortiz-Salamovich, Alejandra. "‘whether she did or no, judge you’: Engaging readers in the translations of Spanish romance." Cahiers Élisabéthains: A Journal of English Renaissance Studies 104, no. 1 (2021): 23–41. http://dx.doi.org/10.1177/0184767820980658.

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This article explores how the reader is addressed in the sexual scenes of the Spanish, French, and English versions of Amadis de Gaule. Anthony Munday’s translation ( c. 1590) follows closely Nicolas Herberay des Essarts’s French text (1540), which he had translated from the Spanish Amadís de Gaula (1508) by Garci Rodríguez de Montalvo. It analyses how the narrator’s appeals to the reader change in the course of translation, transforming the omission of erotic details into a device to connect with the readers. The new versions make the sexual scenes more provocative and highlight a shared comp
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3

Gilkison, Jean. "From Taboos to Transgressions: Textual Strategies in Woman-Authored Spanish Erotic Fiction." Modern Language Review 94, no. 3 (1999): 718. http://dx.doi.org/10.2307/3736997.

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Pérez-Romero, Antonio, and Antonio Perez-Romero. "The "Carajicomedia": The Erotic Urge and the Deconstruction of Idealist Language in the Spanish Renaissance." Hispanic Review 71, no. 1 (2003): 67. http://dx.doi.org/10.2307/3246999.

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SMUSHCHYNSKA, Iryna, and Iryna TSYRKUNOVA. "MODERN DETECTIVE NOVEL: FORMATION STAGES (BASED ON FRENCH AND SPANISH LITERATURE)." Linguistic and Conceptual Views of the World, no. 78 (2) (2025): 106–27. https://doi.org/10.17721/2520-6397.2025.2.06.

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The article is devoted to a special genre of modern fiction – the detective novel. The analysis is made on the material of French and Spanish prose. The stages of formation of this genre in France and Spain, from its origin in the middle of the nineteenth century, are studied. Special attention is paid to its general features as a genre, as well as to linguistic and cultural features in the countries of the Romance world. The transitivity of forms and methods is analyzed. The main stages of the development and formation of the detective novel are highlighted with an analysis of the contributio
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6

Fanlo, Isaias. "El teatro palpable: estrategias queer de resistencia contra la toponormatividad." Acotaciones. Revista de Investigación y Creación Teatral 1, no. 50 (2023): 73–98. http://dx.doi.org/10.32621/acotaciones.2023.50.03.

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This article departs from a critical approach to what I call the antierotic turn within Queer Studies —which, in the last years, seems to have left aside debates addressing eroticism, physicality and desire to focus on a different set of questions that go beyond sexuality. The text offers a conciliation between these post-erotic debates and the original physical approach of queer epistemologies through the analysis of theatrical and performative events that have recently taken place in non-conventional spaces in several Spanish cities, as a response to the economic crisis that the country has
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7

Weber, Alison. "Golden Age or Early Modern: What's in a Name?" PMLA/Publications of the Modern Language Association of America 126, no. 1 (2011): 225–32. http://dx.doi.org/10.1632/pmla.2011.126.1.225.

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As few hispanists have failed to notice, early modern Spain is more often appearing as an alternative term for what we used to call the Spanish Golden Age. University catalogs still advertise courses on Golden Age poetry, but lectures are more apt to bear titles such as “The Crisis of the Gift in Early Modern Spain.” Although some recent books—Inventing the Sacred: Imposture, Inquisition, and the Boundaries of the Supernatural in Golden Age Spain (Keitt), Honor and Violence in Golden Age Spain (Taylor), and An Erotic Philology of Golden Age Spain (Martín)—display Golden Age in their titles, th
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8

L. Rappa, Antonio. "Magical Realism and Romance in Asia: Avenues for Understanding?" BOHR International Journal of Social Science and Humanities Research 2, no. 1 (2023): 13–23. http://dx.doi.org/10.54646/bijsshr.019.

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The classical Greeks believed that Eros was about erotic love. When we forsake the object of our love, it becomes relegated to the dustbin of memories, which makes it difficult to recover or retrieve. This article discusses how romantic love has been celebrated in works of magical realism in Asia that have evolved to include a range of emotions, political resistance (and questioning state authority and authoritarian personalities), fantasy, delusion, illusion, and fiction. One of the most pronouncedly celebrated works on magical realism was Gabriel Garca Márquez’s Love in the Time of Cholera (
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9

Rappa, Antonio L. "Magical realism and romance in Asia: Avenuesfor understanding?" BOHR International Journal of Social Science and Humanities Research 2, no. 1 (2023): 13–23. http://dx.doi.org/10.54646/bijsshr.2023.19.

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The classical Greeks believed that Eros was about erotic love. When we forsake the object of our love, it becomes relegated to the dustbin of memories, which makes it difficult to recover or retrieve. This article discusses how romantic love has been celebrated in works of magical realism in Asia that have evolved to include a range of emotions, political resistance (and questioning state authority and authoritarian personalities), fantasy, delusion, illusion, and fiction. One of the most pronouncedly celebrated works on magical realism was Gabriel GarcaMárquez’sLove in the Time of Cholera(198
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10

Vangshardt, Rasmus. "Hård sentimentalisme og seksualiseret middelalder i Tom Kristensens En Kavaler i Spanien." European Journal of Scandinavian Studies 50, no. 1 (2020): 66–82. http://dx.doi.org/10.1515/ejss-2020-0004.

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AbstractTom Kristensen’s travel book En Kavaler i Spanien (1926) was the result of a stay at the Danish explorer Knud Rasmussen’s house, where Kristensen not only met his physical and psychological superior, he also began his artistic development and personal breakdown towards the novel Hærværk (1930). The article argues that with a departure from this context, En Kavaler i Spanien can be read as an original and complex subgenre of the sentimental novel and it suggests that the work might best be categorized as ‘hard sentimentalism’. This subgenre of the travel novel can be identified in the i
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Tesis sobre el tema "Spanish Erotic literature"

1

Medina, Puerta Carmen. "El erotismo en la primera producción literaria de Ana Rossetti (1980-1991)." Doctoral thesis, Universitat de Lleida, 2022. http://hdl.handle.net/10803/674043.

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La present tesi doctoral estudia la representació de l'erotisme en la producció d'Ana Rossetti (San Fernando, 1950). Concretament, se centra en el corpus format pels Los devaneos de Erato (1980), Indicios vehementes (1985), Devocionario (1986), Plumas de España (1988), Yesterday (1988) i Alevosías (1991). Aquesta delimitació ve imposada per la decisió d'estudiar un fenomen molt concret: l'auge del gènere eròtic que es va produir després de la fi del règim dictatorial. No obstant això, com demostra la producció rossettiana, a l'apogeu de les manifestacions eròtiques i sicalíptiques de les dècad
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Colón, Jennifer A. Cappuccio Brenda L. "Mothers and sons in hispanic short fiction by women a quarter century of erotic, destructive maternal love /." 2003. http://etd.lib.fsu.edu/theses/available/etd-11172003-045012/.

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Thesis (Ph. D.)--Florida State University, 2003.<br>Advisor: Dr. Brenda L. Cappuccio, Florida State University, College of Arts and Sciences, Dept. of Modern Languages and Linguistics. Title and description from dissertation home page (viewed Mar. 1, 2004). Includes bibliographical references.
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Libros sobre el tema "Spanish Erotic literature"

1

Andrea, Alonso. M3naje a truá. Julieta Cartonera, 2014.

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2

Frei, Irene González. Tu nombre escrito en el agua. Tusquets, 1995.

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3

Janet, Pérez, and Pérez Genaro J, eds. Hispanic marginal literatures: The erotic, the comics, novela rosa. Monographic Review, 1991.

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4

Gimeno, Beatriz. Sex. Egales Editorial, 2008.

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5

Martín, Adrienne Laskier. An erotic philology of Golden Age Spain. Vanderbilt University Press, 2007.

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6

Marra, Nelson. Cenicienta antes del parto. Roger Editor, 1998.

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7

Marra, Nelson. Cenicienta antes del parto. Yoea Editorial, 1993.

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8

Germán, Santana Henríquez, and Universidad de Las Palmas de Gran Canaria., eds. La palabra y el deseo: Estudios de literatura erótica. Universidad de Las Palmas de Gran Canaria, 2002.

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9

ed, Díez J. Ignacio, and Martín Adrienne L. ed, eds. Venus venerada: Tradiciones eróticas de la literatura española. Editorial Complutense, 2006.

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10

Coloquio de Erótica Hispana (1st 1993 Montilla, Spain). Los territorios literarios de la historia del placer. Huerga & Fierro Editores, 1996.

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Capítulos de libros sobre el tema "Spanish Erotic literature"

1

"Interdisciplinary Project on the Representation of Erotic Relations in Spanish and Polish Contemporary Literature and Its Application to Other Disciplines." In Rethinking the Erotic: Eroticism in Literature, Film, Art and Society. BRILL, 2014. http://dx.doi.org/10.1163/9781848883505_005.

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MacConochie, Alex. "Introduction." In Staging Touch in Shakespeare's England. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192857361.003.0001.

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The introduction situates theatrical contact within the period’s burgeoning discourse on manners and interpersonal behavior in conduct literature, arguing that plays do not depict codes and norms of touch. Instead, the drama participates in the construction of new ideas about conduct, civility, rudeness, and decorum. This argument, as the introduction details, necessitates a sociology or social semiotics of touch in action, rather than a phenomenology of contact. Likewise, the scope is different from other studies: erotic contact is treated as a subset of touch practices in a variety of contex
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