Bibliografías temáticas / Sphinx (Mythology)

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Literatura académica sobre el tema "Sphinx (Mythology)"

Autor: Grafiati
Publicado: 28 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Sphinx (Mythology)"

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Krstić, Predrag M. "NASLEĐE EDIPOVE SFINGE: UDES SAMOIDENTIFIKOVANjA." Nasledje Kragujevac XX, no. 55 (2023): 167–81. http://dx.doi.org/10.46793/naskg2355.167k.

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The paper seeks to signalize the history of human self-understanding through the changes that the mythical encounter between Oedipus and the Sphinx underwent. First, a pattern is detected according to which the modern in Oedipus recognizes and celebrates the triumph of man over nature and his corresponding elevation into a sovereign subject. The central part of the paper offers an overview of contemporary (re)interpretations that restore the right to the Sphinx and suggest the desirability or necessity of a “new mythology”. The central part of the paper offers an overview of those contemporary
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2

Shashneva, Ekaterina Nikolaevna, Svetlana Ivanovna Val'kevich, Viktor Georgievich Maslov, et al. "Oriental motifs and images in the works of K.D. Balmont: a cultural aspect." Человек и культура, no. 6 (June 2023): 164–76. http://dx.doi.org/10.25136/2409-8744.2023.6.69360.

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The article examines oriental motifs and images in the work of the poet of the Silver Age K.D. Balmont. The cultural significance of K.D. Balmont's work is undoubtedly for the ideas of the Silver Age. The purpose of the study is to analyze the work of K.D. Balmont and identify oriental images and motifs such as: the Enlightened Buddha, the desert, the Sphinx, the Koran, Allah, the Merciful. The object and material of the study were the poetic texts of K. Balmont: "Boro-Budur" from the collection "Burning Buildings", "Sphinx" from the collection "Silence", "Merciful" from the collection "Pearl
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3

O'Neill, Morna. "PANDORA'S BOX: WALTER CRANE, “OUR SPHINX-RIDDLE,” AND THE POLITICS OF DECORATION." Victorian Literature and Culture 35, no. 1 (2007): 309–26. http://dx.doi.org/10.1017/s1060150307051534.

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WITH WALTER CRANE, marginality is a question of medium. For his contemporaries, Crane's artistic practice embodied the ethos of Arts and Crafts eclecticism, apparent in this view of his studio from 1885 (Figure 15): watercolor, oil painting, tempera, sculpture, design, and illustration vie for our attention. As the painter Sir William Rothenstein recalled, “Crane could do anything he wanted, or anyone else wanted” (292). As an artist, designer, and – crucially – a socialist, Crane disregarded the traditional distinctions between high art and popular culture. With a history of art constructed a
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4

Banovska, Daria. "Etymological-semantic features of mitonyms (on the example of Dara Korniy's novels)." IVAN OHIIENKO AND CONTEMPORARY SCIENCE AND EDUCATION 20 (December 25, 2023): 7–16. http://dx.doi.org/10.32626/2309-7086.2023-20.7-16.

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The article singles out mitonyms in the texts of Dara Korniy, defi nes their se-mantics and etymology, and attempts to classify and systematize the linguistic units under study.One of the mental features of the Ukrainian people is the syncretism of paganism and Christianity, which is refl ected in the worldview, beliefs, traditions, beliefs and mythology. Mitonyms are an important part of the mythological system of the Ukrainian language.Ivan Ohiienko was one of the fi rst to thoroughly analyze, systematize and comprehensively describe ancient Ukrainian mitonyms. Modern scientists actively con
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5

Datan, Nancy. "The Oedipus Cycle: Developmental Mythology, Greek Tragedy, and the Sociology of Knowledge." International Journal of Aging and Human Development 27, no. 1 (1988): 1–10. http://dx.doi.org/10.2190/xap9-uqp1-rnmw-v7r8.

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The Oedipus complex of Freud is based on the inevitability of the tragic fate of a man who fled his home to escape the prophecy of parricide. Thus, he fulfilled it by killing a stranger who proved to be his father. As Freud does, this consideration of the tragedy of Oedipus takes as its point of departure the inevitability of the confrontation between father and son. Where Freud looks to the son, however, I look to the father, who set the tragedy in motion by attempting to murder his infant son. Themes ignored in developmental theory but axiomatic in gerontology are considered in this study of
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6

Schwarz, Markus L. R. "Ödipus, ein traumatologisch - orthopädischer Fall?" Zeitschrift für Orthopädie und Unfallchirurgie 160, no. 04 (2022): 369–76. http://dx.doi.org/10.1055/a-1844-5446.

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ZusammenfassungDas Essay deutet die Gestalt des Ödipus und sein Schicksal nach modernen medizinisch-wissenschaftlichen Kriterien. Die Misshandlungen, die das Kleinkind erlitt, bekommen dabei als auslösender Faktor einen besonders Stellenwert. Der Name „Ödipus“, üblicherweise mit „Schwellfuß“ übersetzt, wird hinsichtlich seines etymologischen Ursprungs untersucht, sodass verschiedene Schlüsse aus dem Namen gezogen werden können, auch die, dass es dem Heroen leicht gefallen sein muss, das Rätsel der Sphinx zu lösen, da es mit der Funktion der Füße eine orthopädische Kernaussage hatte. Es können
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Soltani, G. A. "SYMBOLS OF SECRET SOCIETIES IN THE SOCHI "DENDRARIY"." LANDSCAPE ARCHITECTURE IN THE GLOBALIZATION ERA, no. 3 (2022): 48–60. http://dx.doi.org/10.37770/2712-7656-2022-3-48-60.

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Sochi "Dendrariy" is a well-known tourist site, an example of landscape art, a scientific center for the introduction of subtropical plants on the Black Sea coast of the Caucasus. The park was founded in 1892 and is famous for its arboretum collection. The symbolism of the historical part of the "Dendrariy" is also interesting. The park was created as a private property, and showed the interests, views and preferences of its founder. It was not intended for the general public. The founder of the park, S.N. Khudekov, was a versatile person, an expert in gardening, choreographic and fine arts. H
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8

Daragan, Marina, and Sergey Polin. "Golden Jewellery of the Vodoslavka Scythian Burial-Ground of the Second and Third Quarters of the 4th Century BC." Ancient Civilizations from Scythia to Siberia 28, no. 1 (2022): 23–109. http://dx.doi.org/10.1163/15700577-20221400.

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Abstract The Scythian barrows investigated near Vodoslavka in the Sivash region form a tribal burial-ground for one of the groups of the steppe population dating from the second and third quarters of the 4th century BC. In several barrows of this Scythian burial-ground, which contained burials of representatives of the local élite, a spectacular and most unusual set of gold items was discovered. These items served as decorations on the clothes and headdresses of the men and women buried there. The comparison of materials from Vodoslavka with finds from other élite Scythian kurgans of that time
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9

Boltryk, Yu V., and O. V. Shelekhan. "SCYTHIAN BARROWS BETWEEN CHMYREVA MOHYLA AND HAIMANOVA MOHYLA (northern steppe periphery of Velyka Bilozerka)." Archaeology and Early History of Ukraine 34, no. 1 (2020): 80–113. http://dx.doi.org/10.37445/adiu.2020.01.06.

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In 1970 and 1972 four Scythian Age barrows near Velyka Bilozerka village, Zaporizhia Oblast, were excavared.
 Barrow 2/1970. Two graves were discovered. One of them was totally looted. Another one was the tomb of the «archer» dated to the first half of the 4th century BC. It is notable due to the full quiver set where bronze, bone, and wooden arrowheads were combined.
 Barrow 1/1972. All Scythian Age graves were looted. Despite this fact, the barrow is interesting due to the dog burial in the ditch. Supposedly this dog had the role of the guard or guide between the worlds.
 Barr
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10

Woodford, Susan. "(G.) Ahlberg-Cornell Herakles and the seamonster in Attic Black-Figure vase-painting. (Skrifter utgivna av Svenska Institutet i Athen, 4°, 33.) Göteborg: Åström. 1984. Pp. 172 [50] plates. Sw. kr. 280.(C.) Weiss Griechische Flussgottheiten in vorhellenistischer Zeit: Ikonographie und Bedeutung. (Beiträge zur Archäologie, 17.) Würzburg: Triltsch. 1984. Pp. 256, 16 plates. Price not stated.(J.-M.) Moret Oedipe, la sphinx et les Thébains: essai de mythologie iconographique. Text and plates. (Bibliotheca Helvetica Romana, 23.) Geneva: Institut Suisse de Rome. 1984. Pp. ix + 254, 9 text figs.; pp. xii, 96 plates. Price not stated." Journal of Hellenic Studies 106 (November 1986): 259–61. http://dx.doi.org/10.2307/629732.

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Tesis sobre el tema "Sphinx (Mythology)"

1

Revol-Marzouk, Lise. "Le sphinx, de l'Antiquité au Romantisme : étude sur la constitution d'un mythe poétique." Paris 4, 2003. http://www.theses.fr/2003PA040171.

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Ce travail étudie la constitution, de l'Antiquité au Romantisme, d'un mythe littéraire du sphinx à partir de la convergence formelle et symbolique de deux figures homonymes: le sphinx égyptien, monument sacré, d'une part; la sphinx hellénique, monstre légendaire, d'autre part. Originellement distinctes, ces figures tendent progressivement à se confondre dans une réflexion métapoétique portant sur les conditions de représentation littéraire de l'énigme universelle. Le sphinx, en sa forme syncrétique, se fait ainsi l'emblème d'une conception symbolique de l'univers et du livre, hiéroglyphes offe
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2

Surmonte, Emilia. "Antigone, « la sphinx » d'Henry Bauchau : les enjeux d'une création." Nantes, 2010. http://www.theses.fr/2010NANT3003.

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Henry Bauchau commence son parcours d'écrivain vers la moitié de sa vie et à la suite d'une cure analytique. L'écriture est pour lui le terrain où se joue un combat qui a pour objet le questionnement et le développement de son « moi » et de ses noeuds problématiques. A travers les voies du problème, du théâtre, du roman, du journal intime, qu'il exploite en parallèle, cet écrivain aborde , au fil du temps et par étapes, le thème d'un « moi » divisé à la recherche des modalités d'acceptation d'un féminin intérieur vécu, dès l'enfance, comme une « faute originaire » qui aboutit à la création du
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Libros sobre el tema "Sphinx (Mythology)"

1

Zivie-Coche, Christiane. Sphinx! Sphinx!: Le Père la terreur. Éditions Noêsis, 1997.

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2

Mortensen, Lori. The sphinx. KidHaven Press, 2008.

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3

DiPrimio, Pete. The sphinx. Mitchell Lane Publishers, 2011.

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DiPrimio, Pete. The sphinx. Mitchell Lane Publishers, 2010.

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5

Wilde, Oscar. The Sphinx. Rice University Press, 2010.

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6

Wilde, Oscar. The Sphinx. Rice University Press, 2010.

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7

Wilde, Oscar. The Sphinx. Rice University Press, 2010.

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8

ill, Ibatoulline Bagram, ed. Secrets of the Sphinx. Scholastic Press, 2004.

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9

Eugène, Warmenbol, ed. Sphinx: Les gardiens de l'Egypte. Fonds Mercator, 2006.

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10

Meister, Cari. The prince and the sphinx: A retelling. Picture Window Books, 2012.

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Capítulos de libros sobre el tema "Sphinx (Mythology)"

1

Griffin, Jasper. "Greek Myth and Hesiod." In The Oxford History Of Greece And The Hellenistic World. Oxford University PressNew York, NY, 2001. http://dx.doi.org/10.1093/oso/9780192801371.003.0004.

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Abstract Everyone is familiar with some Greek myths: that Oedipus solved the riddle of the Sphinx and married his mother, that the Argonauts sailed away in search of the Golden Fleece. Many poeple know that there is a large modern literature about mythology, from Sir James Frazer’s Golden Bough and Robert Graves’s Greek Myths to the dense and complex accounts given by Claude Levi-Strauss and the Structuralists. Myth is a very attractive subject, but the immense disagreements of the experts show that it is also a very difficult one. It was a brilliant stroke of George Eliot to show the learned
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2

Quack, Joachim Friedrich. "Neue Fragmente zum Handbuch der Religion und Mythologie des Delta." In Questionner le sphinx. IFAO, 2021. http://dx.doi.org/10.2307/jj.18654606.24.

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Stent, Sabina. "Women Surrealists and Egyptian mythology: Sphinxes, animals and magic." In Ancient Egypt in the Modern Imagination. Bloomsbury Academic, 2020. http://dx.doi.org/10.5040/9781788319164.ch-013.

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