Bibliografías temáticas / St James Massacre

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Literatura académica sobre el tema "St James Massacre"

Autor: Grafiati
Publicado: 27 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "St James Massacre"

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Nicolyna, Enriquez. "Church of St. Pelagia, Ano Viannos, Heraklion, Crete." Database of Religious History, June 27, 2024. https://doi.org/10.5281/zenodo.12573309.

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Located in the village of Ano Viannos, south of the capital city of Heraklion, the Church of St. Pelagia is a single nave chapel with a pointed barrel vault interior and saddle roof exterior. The church is whitewashed except for the stone frame decorating the entrance on the southern wall. A framed pointed-arch niche, also whitewashed, rises above the lintel with traces of painting still visible where the stone meets the whitewash. The door frame and niche are undecorated. A transverse arch divides the interior of the church into two bays while a short modern banister divides the sanctuary fro
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2

Blackwood, Gemma. "X-Rated Indie Film and A24." M/C Journal 27, no. 4 (2024). http://dx.doi.org/10.5204/mcj.3076.

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This article investigates the ways that Ti West’s X horror film series uses the premise of pre-Internet American porno filmmaking as a grimy yet cool marker of American independent cinematic authenticity. The trilogy – composed of X (2022), Pearl (2022), and MaXXXine (2024) – uses the slasher horror genre to examine the porn industry and the history of twentieth-century cinema, with a particular focus on the so-called “golden age” (1969–1984) of 35mm feature film American pornography (Paasonen and Saarenmaa). Arguably, in these films the slasher horror genre reflects conventions previously ass
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Schlotterbeck, Jesse. "Non-Urban Noirs: Rural Space in Moonrise, On Dangerous Ground, Thieves’ Highway, and They Live by Night." M/C Journal 11, no. 5 (2008). http://dx.doi.org/10.5204/mcj.69.

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Despite the now-traditional tendency of noir scholarship to call attention to the retrospective and constructed nature of this genre— James Naremore argues that film noir is best regarded as a “mythology”— one feature that has rarely come under question is its association with the city (2). Despite the existence of numerous rural noirs, the depiction of urban space is associated with this genre more consistently than any other element. Even in critical accounts that attempt to deconstruct the solidity of the noir genre, the city is left as an implicit inclusion, and the country, an implict exc
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Franks, Rachel. "A True Crime Tale: Re-imagining Governor Arthur’s Proclamation to the Aborigines." M/C Journal 18, no. 6 (2016). http://dx.doi.org/10.5204/mcj.1036.

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Special Care Notice This paper discusses trauma and violence inflicted upon the Indigenous peoples of Tasmania through the process of colonisation. Content within this paper may be distressing to some readers. Introduction The decimation of the First Peoples of Van Diemen’s Land (now Tasmania) was systematic and swift. First Contact was an emotionally, intellectually, physically, and spiritually confronting series of encounters for the Indigenous inhabitants. There were, according to some early records, a few examples of peaceful interactions (Morris 84). Yet, the inevitable competition over r
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Chisari, Maria. "Testing Citizenship, Regulating History: The Fatal Impact." M/C Journal 14, no. 6 (2011). http://dx.doi.org/10.5204/mcj.409.

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Introduction In October 2007, the federal Coalition government legislated that all eligible migrants and refugees who want to become Australian citizens must sit and pass the newly designed Australian citizenship test. Prime Minister John Howard stated that by studying the essential knowledge on Australian culture, history and values that his government had defined in official citizenship test resources, migrants seeking the conferral of Australian citizenship would become "integrated" into the broader, "mainstream" community and attain a sense of belonging as new Australian citizens (qtd. in
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Hall, Karen, and Patrick Sutczak. "Boots on the Ground: Site-Based Regionality and Creative Practice in the Tasmanian Midlands." M/C Journal 22, no. 3 (2019). http://dx.doi.org/10.5204/mcj.1537.

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IntroductionRegional identity is a constant construction, in which landscape, human activity and cultural imaginary build a narrative of place. For the Tasmanian Midlands, the interactions between history, ecology and agriculture both define place and present problems in how to recognise, communicate and balance these interactions. In this sense, regionality is defined not so much as a relation of margin to centre, but as a specific accretion of environmental and cultural histories. According weight to more-than-human perspectives, a region can be seen as a constellation of plant, animal and h
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Libros sobre el tema "St James Massacre"

1

Lilian, Winstanley. MacBeth, King Lear & contemporary history: Being a study of the relations of the play of Macbeth to the personal history of James I, the Darnley murder, and the St. Bartholomew Massacre, and also of King Lear as symbolic mythology. Martino Pub., 2004.

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2

The Seed and Harvest: the Story of St. James 1968 – 1998. Positive Image, 1998.

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Lilian, Winstanley. Macbeth, King Lear & Contemporary History: Being a Study of the Relations of the Play of Macbeth to the Personal History of James I, the Darnley Murder, and the St. Bartholomew Massacre, and al. Martino Publishing, 2006.

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Winstanley, Lilian. Macbeth, King Lear & Contemporary History; Being a Study of the Relations of the Play of Macbeth to the Personal History of James I, the Darnley Murder and the St. Bartholomew Massacre and Also of King Lear As Symbolic Mythology. Creative Media Partners, LLC, 2018.

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Winstanley, Lilian B. 1875. Macbeth, King Lear & Contemporary History; Being a Study of the Relations of the Play of Macbeth to the Personal History of James I, the Darnley Murder and the St. Bartholomew Massacre and Also of King Lear As Symbolic Mythology. Creative Media Partners, LLC, 2015.

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