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Artículos de revistas sobre el tema "St John the Baptist Church"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 28 de julio de 2025

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1

Besmonte, Edgardo, Imelda Asuncion Barce, Cristina Militante, and Jed Villanueva. "St. John the Baptist Church through the Years: Demystifying Albay’s Icon of Faith and Heritage." Journal of Education, Management and Development Studies 2, no. 1 (2022): 25–34. http://dx.doi.org/10.52631/jemds.v2i1.63.

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This paper profiled the St. John the Baptist Church in Camalig, Albay, and Tabaco City, Philippines. It assessed the church’s cultural significance as well as the threats, issues, and constraints. This qualitative research adopted the cultural mapping approach of the National Commission for Culture and the Arts (NCCA). It employed ethnography, historiography, and participant observation as methods in cultural mapping. Braun and Clarke’s phases of thematic analysis were applied to reveal the inherent cultural significance. Further, the assessment of cultural significance was based on the Four F

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2

Komárek, Karel. "Patrocinia - typologie a vývojové tendence." Acta onomastica 65, no. 2 (2024): 343–59. https://doi.org/10.58756/a2654086.

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The study deals with patronages, i.e. with titles or dedications of Catholic sacred buildings (or objects). In the study the author comes with his own typology of patronages that reflects the naming structure of individual church titles. The typology is based on the following differences: single name and multiple name patronages (St. Jacob vs. St. Jacob and Philip); naming of the building after a person / an event / a symbol (St. Jacob vs. Resurrection of the Lord vs. Holy Cross); direct vs. indirect naming of a person (St. Jacob vs. The Holy Family); overall vs. partial naming of a person (Je

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3

VUJIČIĆ, Rajko. "ON ST. MIHAILO'S CHURCH IN STON." Lingua Montenegrina 4, no. 2 (2009): 455–67. https://doi.org/10.46584/lm.v4i2.119.

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Since the traces from the earliest periods of Montenegrin cultural past are very rare, St. Mihailo’s church in Ston, the pious endowment of Mihailo, the King of Doclea, presents a precious heritage from this epoch in terms of its architecture, decorations and preserved frescoes. The author shows that church, in terms of its architecture, belongs to a type of one-nave cupola churches of the South-Dalmatian and Montenegrin monuments from the Preromanic period. In terms of fresco-painting, the church is an extraordinary monument. Based on the frescoes, it is assumed that the author of the frescoe

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4

Gausová Zörnerová, Markéta. "Vznik a zánik narativu na příkladu putování jedné svatojánské sochy." Lidé města 25, no. 3 (2023): 305–23. http://dx.doi.org/10.14712/12128112.3961.

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Using the example of the statue of St John of Nepomuk outside Saint John the Baptist Church (Na Prádle) in Prague’s Lesser Town, the author presents a reflection on the wide range of ideas upon which the narrative of a historical monument located in the city’s landscape depends on. This sculpture is especially admired as an example of Baroque art. The location of this statue in front of Saint John the Baptist Church is one of the factors that creates the impression of a picturesque and visually attractive spot. At the same time, however, this statue is known to have been originally located on

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5

Ječný, Hubert. "The church of st. John the Baptist in Dolní Chabry." Staletá Praha 27, no. 2 (2011): 5–13. http://dx.doi.org/10.56112/sp.2011.2.02.

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6

Tadic, Milutin, and Aleksandar Petrovic. "Mathematical-geographical intention in orienting mediaeval churches of the Serbian monastery Gradac." Glasnik Srpskog geografskog drustva 91, no. 4 (2011): 141–58. http://dx.doi.org/10.2298/gsgd1104141t.

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The subject of the paper is an exact analysis of the orientation of the Serbian monastery churches: the Church of the Virgin Mary (13th century), St. Nicholas' Church (13th century), and an early Christian church (6th century). The paper determines the azimuth of parallel axes in churches, and then the aberrations of those axes from the equinoctial east are interpreted. Under assumption that the axes were directed towards the rising sun, it was surmised that the early Christian church's patron saint could be St. John the Baptist, that the Church of the Virgin Mary was founded on Annunciation d

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7

Minczew, Georgi. "John the Water-Bearer (Ивань Водоносьць). Once Again on Dualism in the Bosnian Church". Studia Ceranea 10 (23 грудня 2020): 415–24. http://dx.doi.org/10.18778/2084-140x.10.20.

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The article examines the debate as to the direct influence of Bulgarian and Byzantine Bogomilism upon the doctrine of the Bosnian Church. The author traces some scholarly views pro et contra the presence, in the Bosnian-Slavic sources, of traces of neo-Manichean views on the Church, the Patristic tradition, and the sacraments. In analyzing two marginal glosses in the so-called Srećković Gospel in the context of some anti-Bogomil Slavic and Byzantine texts, the article attempts to establish the importance of Bulgarian and Byzantine Bogomilism for the formation of certain dogmatic and ecclesiolo

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8

Society of St. Sophia, Press service. "Thank God for the gift of the unity of the Church." Ukrainian Religious Studies, no. 81-82 (December 13, 2016): 4–5. http://dx.doi.org/10.32420/2017.81-82.736.

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On December 15, 2016, in the Pontifical Lutheran Cathedral of St. John the Baptist in Rome, His Beatitude Sviatoslav, the Head of the UGCC, headed the thanksgiving to the Bishops' Divine Liturgy on the occasion of the 420th anniversary of the Union of Brest. Along with numerous faithful and clergy, the Head of the UGCC thanked God for the "unity of the Church".

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9

Kostanjšek Brglez, Simona, and Boštjan Roškar. "Baroque furnishings in the Church of St. John the Baptist in Ljutomer." Kronika 70, no. 3 (2022): 783–98. http://dx.doi.org/10.56420/kronika.70.3.10.

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The contribution discusses the Baroque furnishings the parish Church of St. John the Baptist in Ljutomer. Rather than the same period, the sculptural furnishings were produced between the end of the seventeenth and the end of the eighteenth centuries, with the current main altar built the last as the oeuvre of the Maribor-native sculptor Jožef Holzinger. Another known sculptor commissioned for the church in Ljutomer was Franz Abraham Schackhar from Leibnitz (Slo.: Lipnica), whose workshop constructed the Altar of the Holy Cross. An important written source for conducting research on the furnis

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10

Kostanjšek Brglez, Simona, and Boštjan Roškar. "Baroque furnishings in the Church of St. John the Baptist in Ljutomer." Kronika 70, no. 3 (2022): 783–98. http://dx.doi.org/10.56420/https://doi.org/10.56420/kronika.70.3.10.

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The contribution discusses the Baroque furnishings the parish Church of St. John the Baptist in Ljutomer. Rather than the same period, the sculptural furnishings were produced between the end of the seventeenth and the end of the eighteenth centuries, with the current main altar built the last as the oeuvre of the Maribor-native sculptor Jožef Holzinger. Another known sculptor commissioned for the church in Ljutomer was Franz Abraham Schackhar from Leibnitz (Slo.: Lipnica), whose workshop constructed the Altar of the Holy Cross. An important written source for conducting research on the furnis

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11

Plamen, Sabev, and Goranchev Veselin. "UNKNOWN DEESIS MURAL PAINTING FROM ST. DIMITAR CHURCH IN ARBANASSI." Proceedings of Regional Museum of History - Veliko Tarnovo, 2019 Volume 34 (November 12, 2019): 225–42. https://doi.org/10.5281/zenodo.4917476.

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In 2012, in the Regional Museum of History – Veliko Tarnovo, a Deesis mural painting was found, which was on one of the walls in St. George’s Chapel in St. Dimitar’s Church in the village of Arbanassi. This image, along with part of the plaster base, was removed from a masonry wall to protect the painting from the moisture in the natural environment. Only small fragments with the images of St. John the Baptist and of the Blessed Virgin have survived. In fact, the frescoes in St. George’s Chapel are still in a very problematic condition to be analysed. They have, indeed,

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12

Jakubek-Raczkowska, Monika, and Juliusz Raczkowski. "The So-called Copernicus’ Chapel: a Jubilee Creation in the Gothic St John’s Cathedral in Toruń." Ikonotheka, no. 31 (September 20, 2022): 83–111. http://dx.doi.org/10.31338/2657-6015ik.31.4.

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The article is devoted to the history of transformation and re-arrangement of the first from the West chapel on the South side of the Gothic parish church of the Old Town in Toruń, at present the Toruń Cathedral of St John the Baptist and St John the Evangelist. The former merchants’ chapel dedicated to St Nicholas over its history had changed its furnishing and patrocinium twice (St Michael the Archangel/ The Guardian Angels), which had been dictated by religious needs. In the 19th century it had also assumed the function of baptismal chapel and in 1973 – the Copernicus Jubilee Year – gained

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13

Popovic, Danica. "The Siena relic of St John the Baptist’s right arm." Zograf, no. 41 (2017): 77–94. http://dx.doi.org/10.2298/zog1741077p.

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The paper takes a systematic approach to the hitherto unpublished relic of St John the Baptist?s right arm which is kept in a cache in Siena cathedral. It includes the available historical information about the relic?s journey from Serbia until its arrival in Siena (1464) and the circumstances in which it came into the possession of pope Pius II. It provides a detailed description both of the relic and of the reliquary, an exquisite piece of medieval goldsmithing and filigree work with few direct analogies. Particular attention is devoted to the inscription on the reliquary lid: ?Right arm of

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14

Frolova, Elena Vladimirovna. "September 11 — All-Russian Day of Sobriety." Spravočnik vrača obŝej praktiki (Journal of Family Medicine), no. 8 (August 22, 2023): 62–64. http://dx.doi.org/10.33920/med-10-2308-08.

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In 1913 in Russia, at the insistence of the ministers of the Russian Orthodox Church, it was decided to celebrate the All-Russian Day of Sobriety for the first time, and this was done in St. Petersburg with the participation of a group of public people. This date coincided with the day of strict fasting, when the Orthodox world celebrates a great church holiday — the Beheading of St. John the Baptist: according to the new calendar, this day falls on September 11th. Legend has it that being in a drunken stupor, Herod Antipas cut off the head of the holy Prophet during a feast. In all the Orthod

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15

Plamen, Sabev Vesselin Goranchev. "НЕИЗВЕСТЕН СТЕНОПИС "ДЕЙСИС" ОТ ЦЪРКВАТА "СВ. ДИМИТЪР" В АРБАНАСИ / UNKNOWN DEESIS MURAL PAINTING FROM ST. DIMITAR CHURCH IN ARBANASSI". ИЗВЕСТИЯ на Регионален исторически музей - Велико Търново/ Proceedings of Regional Museum of History - Veliko Tarnovo XXXIV/2019, ISSN 1313-6690 (2022): 225–39. https://doi.org/10.5281/zenodo.6509918.

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In 2012, in the Regional Museum of History Veliko Tarnovo, a Deesis mural painting was found, which was on one of the walls in St. George's Chapel in St. Dimitar's Church in the village of Arbanassi. This image, along with part of the plaster base, was removed from a masonry wall to protect the painting from the moisture in the natural environment. Only small fragments with the images of St. John the Baptist and of the Blessed Virgin have survived. In fact, the frescoes in St. George's Chapel are still in a very problematic condition to be analyse

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16

MARASOVIĆ-ALUJEVIĆ, Marina. "TWO OR MORE PATRONS OF EARLY MEDIEVAL CHURCHES IN THE CORPUS OF SAINTS’ NAMES IN DALMATIA." Lingua Montenegrina 28, no. 2 (2021): 43–53. https://doi.org/10.46584/lm.v28i2.866.

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Within the program of linguistic research of hagioforic names, the author has encountered several churches where two or more saints’ names appeared as patrons in the early medieval period along the Dalmatian coast and hinterland. Analyzing inscriptions and historic sources, as well as published bi-bliography, the author emphasized several churches consecrated to a pair of patrons common in the Christian hagiography such as saints Peter and Paul or Cosma and Damian. Within this group particularly have been examined the cases where two different patron names for a single church appeared in diffe

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17

Burganova, Maria A. "Sculptures of the Head of Beheaded John the Baptist." Scientific and analytical journal Burganov House. The space of culture 18, no. 3 (2022): 32–46. http://dx.doi.org/10.36340/2071-6818-2022-18-3-32-46.

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The article examines the emergence and spread of the iconography of the plot "The Head of Beheaded John the Baptist" in church sculpture. The author touches upon the history of the development of the artistic image in the context of images of the holy head-bearers on the example of the statues of St. Firmin, holding his head, which seems amazingly alive and thus, making a great emotional impression, the statues of Victoricus and Fustian of St. Denis and others. However, the author emphasises that contrary to the tradition established in European art of this period to depict the holy head-beare

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18

Мазуров, А. Б. "К вопросу об интерпретации белокаменного резного блока со «зверем» из храма Иоанна Предтечи в Городищах под Коломной". Architectural archeology, № 5 (11 червня 2025): 172–84. https://doi.org/10.25681/iaras.2023.978-5-94375-411-1.172-184.

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В статье рассмотрены вопросы интерпретации одного из известных памятников декоративно-монументальной пластики XIV в. — резного блока со «зверем» из храма Иоанна Предтечи в Городищах под Коломной. Три четверти века господствовало ошибочное понимание изображения как единорога. Однако обращение к предметному миру древнерусской культуры (привески, накладки, монеты, перстни-печатки, печати и др.) позволило выявить широкий круг аналогий и даже указать возможные конкретные прототипы (монетовидные привески со зверем и наклад- ку домонгольского времени). Более корректно определение изображения как синк

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19

Rychkov, Petro, and Olga Smolińska. "Renovation of the wooden St. John The Baptist Church in Zaborol village near Rivne in the context of neo-vernacular trends." Budownictwo i Architektura 14, no. 3 (2015): 225–34. http://dx.doi.org/10.35784/bud-arch.1631.

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In Volhynian architectural heritage the prominent place belongs to wooden churches which are outstanding examples of old vernacular building culture. At the same time a modern renovation of such churches tends to replacing of original exterior wooden planking with PVC siding. This problematic phenomenon can be characterized as neo-venacular trend. It actualizes the problem of preserving the authenticity of such architectural monuments. The example of the St. John the Baptist Church in the Zaborol village near Rivne demonstrates the negative consequences of such renovating work. The need to pre

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20

Todic, Branislav. "The iconostasis in Decani: the original painted programme and subsequent changes." Zograf, no. 36 (2012): 115–29. http://dx.doi.org/10.2298/zog1236115t.

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The history of the iconostasis in the central nave of the church in Decani can be divided into two periods. The icons of Christ, the Mother of God, John the Baptist and St. Nicholas on the original altar screen, painted around 1343, were related to the relics of King Stefan Decanski and with the wall painting in the church space in front of the altar. The removal of those icons at the end of the sixteenth century and their replacement with new ones explains the strengthening cult of St. Stefan Decanski. In 1577 an icon of St. Stephen was placed over the king?s portrait depicted in the fourteen

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Etinhof, Olga E. "New murals in pre-mongolian Novgorod: frescoes of the st. John’s Church in Opoki." Rossijskaâ arheologiâ, no. 3 (November 1, 2024): 153–61. https://doi.org/10.31857/s0869606324030119.

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The article publishes for the first time fragments of frescoes from the earliest church of St. John the Baptist on Petryatin Dvorishche (otherwise, in Opoki) located in Trading district of Novgorod. The first church was founded there by Prince Vsevolod (Gabriel) Mstislavich and rebuilt, according to the chronicle, in 1127–1130. In 2021–2023, excavations in the church were conducted jointly by the Novgorod Museum and the Architectural and Archaeological Expedition of St. Petersburg State University under I.V. Antipov. The results of the excavations have not been published yet. For the first tim

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Dzik, Janina. "Dekoracja okazjonalna (1715) w kościele Jezuitów w Lublinie. Ze studiów nad ikonografią św. Stanisława Kostki." Roczniki Humanistyczne 67, no. 4 (2019): 45. http://dx.doi.org/10.18290/rh.2019.67.4-2.

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Lublin, a city that is the seat of the Crown Tribunal, was one of the centers where St. Stanislaus Kostka was especially venerated. The main center of worship was the former Jesuit church of the St. John the Baptist and St. John the Evangelist (the present cathedral), where the miraculous image of the young man was kept.The discovery of the note in the hand-written chronicle of the Romanum Societatis Jesu Archives reminds us of the occasional decoration of the Jesuit church during ceremonies connected with the announcement of the canonization of Stanislaus Kostka in 1715. The expanded multifac

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Jávor, Anna. "Die "Taufe Christi" im Werk von Johann Lucas Kracker." Opuscula historiae artium, no. 1-2 (2022): 94–105. http://dx.doi.org/10.5817/oha2022-1-2-8.

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In recent years, the set of drawings by Johann Lucas Kracker (1719–1779) has been enlarged with 12 pieces. The sheets preserved in the museum of Debrecen include a sketch showing the baptism of Christ in the Jordan. It is the first variant of the high altar of the Premonstratensian abbey in Jasov. Two exquisite painted oil sketches for the enormous picture of the high altar signed in 1762 (Košice / Jasov, Bratislava, Slovak National Gallery) have long been known. The drawing is a far simpler composition with few figures, reminiscently of Daniel Gran's painting for the high altar of Vienna's ch

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Zivkovic, Valentina. "On the trail of a painting bequeathed to St. George’s abbey on the islet near Perast the testaments of Nycolaus and Johannes Glauacti (as of 1327 and 1336)." Zograf, no. 38 (2014): 113–21. http://dx.doi.org/10.2298/zog1438113z.

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The paper reviews the last will of the Kotor nobleman Nycolaus Marini Glauacti made in 1327 to bequeath to St. George?s church on the small island near Perast a depiction of the Madonna, St. Nicholas and St. John the Baptist. On the one hand, the legacy is analyzed in the context of the compositions involving the three saints in Kotor?s religious medieval art and, on the other, in the context of ad pias causas bequests and the concept of preparing for a good death (ars moriendi). The contents of the testaments of Nycolaus and his brother Johannes Marin Glauacti as of 1336 are contrasted, espec

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Horáková, Tereza. "Krev, slzy a bolest – Imaginace a emocionalita na příkladu polychromovaných barokních plastik ze svatých schodů." AUC PHILOSOPHICA ET HISTORICA 2021, no. 1 (2023): 261–75. http://dx.doi.org/10.14712/24647055.2023.14.

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What is the difference between the pain of Christ and the Virgin Mary? How is pain reflected in sculptures of the Baroque period in Bohemia and Moravia? And how did contemporary pious spectators react to these impulses? Baroque spirituality of the 18th century, particularly the theme of pain, will be demonstrated on the phenomenon of sculpture of the Holy Stairs. These chapels can be found in churches or cloisters, and they are subject to specific liturgy and space arrangements where we can find a particular representation of Christ, as well as the Virgin Mary and St. John the Baptist. Differe

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Facincani, Filip, and Kryštof Loub. "Church in the Desert. The construction history of the Church of St. John the Baptist in Chřešťovice near Písek." Zprávy památkové péče 84, no. 3 (2025): 257–69. https://doi.org/10.56112/zpp.2024.3.02.

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Чистякова, Марина Владимировна. "Архаичные черты в прологах Великого княжества Литовского". Slavistica Vilnensis 56, № 2 (2011): 23–34. http://dx.doi.org/10.15388/slavviln.2011.2.1454.

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Marina ChistiakovaArchaic Features in the Synaxaria of the Grand Duchy of Lithuania The article discusses some archaic features of Old Church Slavonic Synaxarion preserved in the relatively recent copies (15th–17th cc.) created and used in the Grand Duchy of Lithuania (University Library of the Catholic University of Lublin, nr. 198, 1584; Library of the Russian Academy of Sciences, 13.8.2, second half of the 16th c.; Vernadsky National Scientific Library of Ukraine, Kiev’s St. Sophia Cathedral collection, 273c/131, 1480’s; St. Michael’s Golden-Domed Monastery collection, nr. 529, 1480’s –1490

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Giorda, Maria Chiara, and Ioan Cozma. "Beyond Gender: Reflections on a Contemporary Case of Double Monastery in Orthodox Monasticism—St. John the Baptist Monastery of Essex in England." Religions 10, no. 8 (2019): 453. http://dx.doi.org/10.3390/rel10080453.

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This paper focuses on the contemporary controversy in the Orthodox Church regarding the non-existence of the monasteries, where monks and nuns cohabit (so-called “double-monasteries”), which were prohibited by the Byzantine legislation and the Seventh Ecumenical Council (Nicea 787). The article attempts to demonstrate that, in spite of the centuries-old prohibition, the Orthodox Monastery of St. John the Baptist is an exceptional contemporary case of such cohabitation: monks and nuns live under the roof of the same monastery, sharing common places and certain activities. Furthermore, the paper

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Stopka, Krzysztof. "Jeszcze o losach "Ewangeliarza ze Skewry"." Lehahayer 6 (December 31, 2019): 329–34. http://dx.doi.org/10.12797/lh.06.2019.06.08.

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Some More Insight into the Fate of the "Skevra Evangeliary" The colophons of the Armenian manuscripts from Crimea that were recently published by Tatevik E. Sargsyan make it possible to put forward a thesis that the 12th-century evangeliary created in Skevra (Cilician Armenia), which is now held in the National Library in Warsaw, was kept in Crimea during the 15th century. At the time it belonged to Simeon, a monk from the hermitage of St. Gregory the Illuminator, next to Saint John the Baptist Church in Otuz, and was later sold in 1422 to its next owner known under the name of Khutlupek

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Kocój, Ewa, and Lucyna Borczuch. "The Church of St. John the Baptist in the Vlach Village of Orawka (the 17th century) – Identification of Tangible and Intangible Cultural Heritage Assets." Res Historica 57 (October 22, 2024): 1509–48. https://doi.org/10.17951/rh.2024.57.1509-1548.

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The church of St. John the Baptist in Orawka, located close to the present-day Polish-Slovak border, is one the most valuable monuments of wood architecture. It is considered the oldest wooden monument in Orawa and a symbol of the region’s complicated history. Its heritage is a testament to the interacting cultures of different nations and ethnicities, among others: Vlach, Ruthenian, Hungarian, Slovak and Polish. This article’s objective is a new attempt at identification of assets of cultural heritage found in the church in Orawka. We present historical objects of art, as well as the iconogra

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Hopkins, Portia D. "Finding Place in the Archive: A Case Study of St. John [Colored] Missionary Baptist Church, 1866–1900." History 107, no. 375 (2022): 337–55. http://dx.doi.org/10.1111/1468-229x.13270.

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Bartoš, Ladislav. "Windows of the apse of the church of the Beheading of St. John the Baptist in Hostivař." Staletá Praha 30, no. 2 (2014): 111–20. http://dx.doi.org/10.56112/sp.2014.2.06.

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Serebryakov, Nikolay. "“Now the voice of Isaiah the prophet…”: on the unusual attribution of Old Testament prophecy in Ancient Church hymnography." St. Tikhons' University Review 114 (August 30, 2024): 9–26. http://dx.doi.org/10.15382/sturi2024114.9-26.

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The article considers an unusual case of "incorrect" attribution of the words of the prophet Malachi to the prophet Isaiah on the example of two hymns of the service of the Nativity of St. John the Baptist (24 June), written by St. John of Damascus (7th – 8th centuries) and St. Kassia (9th century). According to the author, this attribution is due to the fact that the hymnographers did not directly use the text of the prophetic book, but quoted this prophecy in the transmission of Mark 1. 2. The form of the quoted Gospel text corresponded to the Alexandrian text-type of New Testament manuscrip

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Bielak, Włodzimierz. "Early books in the library of the parish of St John the Baptist in Bychawa." Z Badań nad Książką i Księgozbiorami Historycznymi 17, no. 3 (2023): 337–55. http://dx.doi.org/10.33077/uw.25448730.zbkh.2023.801.

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Although the parish of St John the Baptist in Bychawa is one of the oldest in the Lublin diocese, because its origins date back at least to the beginning of the 14th century, its library in the Old Polish period was very modest. This was caused by the following unfavourable historical conditions: the takeover of the church by Calvinists in the 16th century, difficulties with the restoration of the seized property, Cossack invasions, etc. For these reasons, until the end of the 17th century, the parish owned only necessary liturgical books, with the possible exception of those that had been don

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Pignotti, Caterina. "Religious Places and Cultural Heritage: The Greek Orthodox Church in the Historic Center of Turin." Religions 16, no. 4 (2025): 499. https://doi.org/10.3390/rel16040499.

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Religious places represent one of the most significant categories of protected heritage. In Italy, however, places of worship belonging to minority communities often remain inconspicuous and are not legally recognized as part of the nation’s cultural heritage. Consequently, the histories of these communities face challenges in securing a space within the collective memory. This contribution, through a spatial approach and an interdisciplinary methodology, highlights the richness of the hidden heritage—both tangible and intangible—of the Greek Orthodox Church of the Nativity of St. John the Bap

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Díaz Recaséns, ontserrat. "HALLAZGOS EN LA TORRE DE SAN JUAN BAUTISTA DE ÉCIJA (SEVILLA) LA RECUPERACIÓN DE UN EDIFICIO." Proyecto, Progreso, Arquitectura, no. 4 (2011): 122–37. http://dx.doi.org/10.12795/ppa.2011.i4.08.

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Czyżewski, Bogdan. "Teologiczny i antropologiczny wymiar obrzędów chrzcielnych w Kościele IV wieku." Vox Patrum 63 (July 15, 2015): 113–27. http://dx.doi.org/10.31743/vp.3552.

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The Holy Baptism in Church in period of the first centuries was considered as an extra ordinary and important event, both in life of the baptized person, as well as in the entire Church community. Almost exact information on baptism in Church of the 4th century is available in existing documents of empathetical discourses on baptism by four great Fathers of the Church: St. Cyril of Jerusalem, St. John Chrysostom, St. Ambrose of Milan, and Theodor, bishop of Mopsuestia. Thus in this paper I have decided to present only the Baptismal Rites and their theological and anthropological significance.

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Van Eck, Xander. "Wouter Pietersz. Crabeth II en de parochie St. Johannes de Doper in Gouda." Oud Holland - Quarterly for Dutch Art History 101, no. 1 (1987): 35–49. http://dx.doi.org/10.1163/187501787x00024.

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AbstractAfter the Reformation of 1572 Catholic life only began to flourish again in Gouda on the advent of the priest Petrus Purmerent (1587-1663) , who was sent there in 1614 by the apostolic vicar Philippus Rovenius (Notes 1, 2) . He founded a parish dedicated to St. John the Baptist, as the old church had been, which grew so rapidly (from around 500 in 1612 to around 6,000 in 1657, Notes 5-7) that he moved to larger premises on the Gouwe in 1630. The regard in which he and his twin brother Suibertus, who was equally active in Delft, were held is apparent from their portraits painted in 1631

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Zherdiev, Vitalii V. "A.YE. BEIDEMAN’S MURALS IN ST. ALEXANDER NEVSKY CATHEDRAL IN PARIS IN CONNECTION WITH THE CRIMEAN PERIOD OF THE ARTIST’S OEUVRE." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 41 (2021): 149–62. http://dx.doi.org/10.17223/22220836/41/12.

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The article is about the little-known murals in St. Alexander Nevsky Cathedral in Paris (1859– 1861, architect R.I. Kuzmin), painted by Alexander Yegorovich Beideman (1826–1869). The scientific novelty of the results obtained is in the fact that for the first time A. Beideman’s religious works from the Parisian cycle are introduced and placed into scientific circulation. This cycle is master’s most significant preserved religious work and unique in the Orthodox ecclesiastical art of Western Europe of the second half of the 19th century. Although such brilliant masters as E.S. Sorokin, P.S. Sor

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Skrzypek, Miłosz. "Skuteczność systemu ochrony zabytków sakralnych w XIX i XX w. na przykładzie losów kościoła pod wezwaniem św. Jana Chrzciciela w Komorowicach." Textus et Studia, no. 3(39) (January 27, 2025): 145–68. https://doi.org/10.15633/tes.10306.

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The construction and maintenance of churches have always been an important aspect of parish life, both in the past and in the present. This process, while reflecting the development of the local community and vibrant religious life, presents a number of challenges, particularly of a financial and organizational nature. Additional difficulties arise when it is necessary to find a new use for an existing church, especially if it is a listed monument.The Parish of St. John the Baptist in Komorowice faced similar issues for nearly a century. The fate of its historic church, described in the articl

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Dimitrova, Elizabeta. "On the donors' composition and the new dating of the fresco painting of the Church of the Holy Virgin in Mateic." Zograf, no. 29 (2002): 181–90. http://dx.doi.org/10.2298/zog0329181d.

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The painted decoration of the Church of the Holy Virgin in Mateic, the second largest fresco ensemble from the 14th century in the Balkans' region comprises one of the most interesting donors' compositions of the Late-Byzantine period. The figures comprised by the donors' composition are united by the conception of the Deesis scene, composed by the image of Christ in the lunette of the southern wall, the representation of the Virgin Hodegetria above the entrance to the diaconicon and the figure of John the Baptist, depicted in the southern part of the eastern wall of the naos. The broader cont

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Chiaralazzo, Monica Innanda, Emmeria Tarihoran, and Darianto Darianto. "IRINGAN ORGANIS DAN PENGHAYATAN IMAN UMAT DALAM PERAYAAN EKARISTI." JPAK: Jurnal Pendidikan Agama Katolik 24, no. 1 (2024): 51–58. http://dx.doi.org/10.34150/jpak.v24i1.499.

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This study aims to demonstrate the significance of the organist's role in enhancing the faith experience of the congregation during the celebration of the Eucharist. The research was conducted at the Church of St. John the Baptist in Malang using a quantitative approach. Data collection used a research instrument in the form of a questionnaire whose validity had been tested using Aiken's V and was declared reliable based on the Alpha Cronbach formula. Data collection techniques are carried out by utilizing the Google Form. The research respondents were 307 Catholics. Data were analyzed using p

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Christian, Stefanus Lumen, and Christina Esti. "Analisis Pertumbuhan Iman Katakumen Dewasa Stasi St. Yohanes Gabriel Perboyre Surabaya Angkatan Tahun 2023-2024 (Tinjauan Manajemen Operasional)." Felicitas 4, no. 2 (2024): 89–113. https://doi.org/10.57079/feli.v4i2.130.

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Every people have the free will to hold certain beliefs. If someone wants to become a Catholic, he must become a catechumen firstly till he receive the Sacrament of Baptism. A catechumen will learn about the teachings of the Catholic Church through the catechumenate process. This process also grows faith when he begins to practice it in every life. In addition, the faith growth of catechumen is related to the results of a comprehensive interaction between inputs; process; and output, namely through the pre-catechumenate, catechumenate, and the Sacrament of Baptism. In operational management, t

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Friedrich, Jacek. "Ikonografia witraży Wiktora Ostrzołka w gdańskim kościele Mariackim (1977–1980)." Porta Aurea, no. 20 (December 21, 2021): 206–17. http://dx.doi.org/10.26881/porta.2021.20.09.

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In 1966, a commemorative decoration appeared inside St Mary’s Church in Gdansk: its main component was the painting showing Poland’s Baptism placed in the chancel. Meanwhile, a pillar by the Priests’ Chapel was decorated with a standard bearing striped concentration camp uniform cloth with numbers of priests -prisoners in Nazi camps. This referred directly to the décor of the Priests’ Chapel created not long before, and in which Polish priests murdered during WW II had been commemorated in 1965. Thus the millennial decoration of the chancel clearly associated the history of the Polish state wi

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Buzykina, Yulia. "Aesthetic judgments of Vasily Grigorovich-Barsky on the example of descriptions of architecture." St. Tikhons' University Review. Series V. Christian Art 46 (June 30, 2022): 59–73. http://dx.doi.org/10.15382/sturv202246.59-73.

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Describing his wanderings in famous travelogue, Vassiliy Grigorovich-Barskiy was paying special attention to architecture. As time went on, the descriptions became more specific, which makes it possible to articulate his aesthetic views. In the beginning of his wanderings, he just says that Italian architecture of palaces and churches is beautiful. Then, in Venice, he describes with piety the cathedral of St Marco, which was, to his mind, initially an Orthodox church. Thus, the confessional belonging, although in the past, could be a reason for Barskiy to pay it more attention. The similar sit

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Plamen, Sabev. "ICONPAINTING WORKSHOP IN ARBANASSI FROM THE FIRST HALF OF THE 18th C." Proceedings Regional Museum of History - Veliko Tarnovo 35 (December 12, 2020): 163–85. https://doi.org/10.5281/zenodo.4916083.

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The research data collected over the years shows that there was a workshop in Arbanassi, which played a significant role in the decoration of churches and monasteries. The works from this workshop are easy recognize by the specific mannerism, the calligraphy of the inscriptions, the structure and details of the compositions. Furthermore, the representatives of this workshop apply the same type of technical methods in their works for the church. Artists from this workshop made mostly icons (painted and probably carved on wood) as early as the late 17th century and early decades of the 18th cent

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Quinito, Daryl I., and Marilou D. Tino. "Unfolding the History of the Quadricentennial Roman Catholic Churches in the Province of Camarines Norte." International Journal of Research and Innovation in Social Science VIII, no. II (2024): 2261–75. http://dx.doi.org/10.47772/ijriss.2024.802161.

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Faith and religion are inseparable elements that shape one’s being and personhood. The foundation of history in any place in the world and even in the remotest area of a small province has its roots in the early civilization of the local folks’ culture, traditions, beliefs, and ethnography. As a devoted Roman Catholic who was born and raised in the same faith by equally devoted parents, the researcher took a heartfelt fascination on how religion influenced, shaped, and reshaped the Province of Camarines Norte. As cited by Noel Alegre (2010) in his study of the Masonic symbols on the façade of

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Pereira Santos, Marisa. "El espacio sagrado en construcción: el estudio del caso de la Iglesia de San Juan Bautista de Foz do Douro." Laboratorio de Arte, no. 36 (2024): 213–33. http://dx.doi.org/10.12795/la.2024.i36.09.

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Por lo general, los edificios religiosos se constituyen como realidades orgánicas donde el paso de los siglos se percibe tanto en su estructura arquitectónica como en su configuración urbana dentro de un territorio concreto. Unas transformaciones que, paulatinamente, se presentan desde la superposición de estructuras y la reutilización de materiales hasta el desgaste propio de la naturaleza o la propia actuación humana. Con estas premisas, el presente artículo pretende hacer un análisis del desarrollo arquitectónico de la iglesia parroquial de São João Batista da Foz do Douro, analizando aquel

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Makhota, Olena Olehivna. "Main characteristics of 11th -15th centuries bricks from monumental buildings of the Pechersk monastery in Kyiv." Slavia Antiqua. Rocznik poświęcony starożytnościom słowiańskim, no. 64 (December 13, 2023): 305–33. http://dx.doi.org/10.14746/sa.2023.64.11.

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The relevance of the proposed work lies in the fact that the powerful collection of building materials has been assembled in the scientific funds of the National Preserve „Kyiv-Pechersk Lavra” over a 100-year history of archaeological research into architectural monuments from the 11th-15thcenturies (the Dormition Cathedral, chapel of St. John the Baptist, Trinity Gatech church, a brick refectory, and a stonewall from the 12thcentury). It consists of bricks (plinthois), ceramic tiles and stone floor slabs, roof tiles, glass hutters, frescoes, mosaics, samples of stones and solutions, marble de

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Hunt, John. "A figure sculpture at Upton Bishop, Herefordshire: continuity and revival in early medieval sculpture." Antiquaries Journal 89 (August 3, 2009): 179–214. http://dx.doi.org/10.1017/s0003581509990047.

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AbstractIn the nineteenth century, a red sandstone figural carving was located in the south-facing chancel wall of the church of St John the Baptist, Upton Bishop, near Ross-on-Wye in Herefordshire. In 2005, following the removal of the stone for recording and conservation, the author was invited to examine and report on the sculpture, and particularly to review the proposal that the sculpture, rather than being of Roman date as had traditionally been supposed, was more probably a Romanesque carving of the twelfth century. The characteristics of the Upton Bishop carving are here examined and t

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