Literatura académica sobre el tema "St. Stephen's Church (Boston, Mass.)"

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Artículos de revistas sobre el tema "St. Stephen's Church (Boston, Mass.)"

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Brown, Malcolm David. "Doubt as Methodology and Object in the Phenomenology of Religion." M/C Journal 14, no. 1 (2011). http://dx.doi.org/10.5204/mcj.334.

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Photograph by Gonzalo Echeverria (2010)“I must plunge again and again in the water of doubt” (Wittgenstein 1e). The Holy Grail in the phenomenology of religion (and, to a lesser extent, the sociology of religion) is a definition of religion that actually works, but, so far, this seems to have been elusive. Classical definitions of religion—substantive (e.g. Tylor) and functionalist (e.g. Durkheim)—fail, in part because they attempt to be in three places at once, as it were: they attempt to distinguish religion from non-religion; they attempt to capture what religions have in common; and they a
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Libros sobre el tema "St. Stephen's Church (Boston, Mass.)"

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Burkhart, Janice. Marriages of St. Stephen's Catholic Church, Attleboro, MA (Dodgeville), 1880-1986. American French Genealogical Society, 1988.

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St. Paul's Parish (Hingham, Mass.). Celebrating 125 years, 1871-1996: St. Paul Church. St. Paul's Parish, 1996.

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Ahern, Charles F. St. Mary of the Annunciation Church, Melrose, Massachusetts: A parish of the Roman Catholic Archdiocese of Boston : in observance of its centennial year, 1894-1994. The Church, 1994.

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Lennon, Kathryn M. In you the orphan finds mercy: St. Vincent's Orphan Asylum, 1832-1892. 1997.

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'The Beste and Fayrest of al Lincolnshire' The Church of St Botolph, Boston, Lincolnshire, and its Medieval Monuments. British Archaeological Reports, 2012.

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Capítulos de libros sobre el tema "St. Stephen's Church (Boston, Mass.)"

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Heyman, Barbara B. "Searches." In Samuel Barber. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190863739.003.0014.

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In Rome, Barber attended a Gregorian Mass sung by Benedictine monks at St. Anselmo church and was inspired to write a grand-scaled religious work, Prayers of Kierkegaard, for orchestra, mixed chorus, a soprano solo written with Leontyne Price’s voice in mind, and incidental contralto and tenor solos. It was premiered by the Boston Symphony Orchestra under the baton of Charles Munch, with Price as soloist. Barber wrote about the music to his beloved mentor and uncle, Sidney Homer, who at the time was coming toward the end of his life. Homer’s guidance was unwavering, and he encouraged Barber to
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