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Artículos de revistas sobre el tema "Stratfor"

Autor: Grafiati

Publicado: 27 de julio de 2024

Última modificación: 31 de julio de 2025

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1

Berghel, Hal. "Stratfor or Stratagainst." Computer 45, no. 11 (2012): 82–85. http://dx.doi.org/10.1109/mc.2012.384.

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2

Wahl Gonçalves de Araújo Jorge, Bernardo. "DESDOBRAMENTOS RECENTES DA SEGURANÇA CIBERNÉTICA E AS SUAS IMPLICAÇÕES PARA AS RELAÇÕES INTERNACIONAIS: STRATFOR VERSUS ANONYMOUS." Conjuntura Austral 3, no. 12 (2012): 4. http://dx.doi.org/10.22456/2178-8839.27577.

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O presente escrito abordará um episódio na área da segurança cibernética, o incidente envolvendo a empresa Stratfor e o grupo hacker Anonymous, tendo como objetivo fazer reflexões mais aprofundadas sobre as implicações do espaço cibernético para as relações internacionais.

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3

V. Surguladze. "Geopolitical Forecasting and "Flashpoints" of Self-Awareness: World Development Trends as Seen by the Founder of Stratfor." International Affairs 63, no. 003 (2017): 297–306. http://dx.doi.org/10.21557/iaf.48992159.

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4

Baghdasaryan, V. E. "The Concept of the «Global State» in the US Strategic Documents: Target Designs of Modern Expansionism." Bulletin of the State University of Education. Series: History and Political Sciences, no. 3 (July 24, 2023): 7–25. https://doi.org/10.18384/2310-676x-2023-3-7-25.

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Aim. To disclose the strategic plans of the political leadership of the United States of America to change the system of the global world order, to design the future.Metodology. The study is based on the US National Security Strategy 2022, the US National Intelligence Council Global Trends Report 2021, and forecasts from US private intelligence company Stratfor. The key research methods are historical-genetic, used to identify the evolution of American strategies, and futurological, used to describe the vision of the future in the developments of US analysts.Results. The analysis carried out a

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5

Ahmed, Masood. "Asia’s Cauldron: The South China Sea and the end of a stable Pacific, 18‘ edition. By Robert D. Kaplan. Random House, New York. 2014. ISBN 978-0-8129-9906-8. 225pp. Paperback, $18." JISR management and social sciences & economics 12, no. 2 (2014): 103–4. http://dx.doi.org/10.31384/jisrmsse/2014.12.2.9.

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The ascending power of China has precipitated a glut of books on the role of China in the 21st Century among which Asia’s Cauldron by Robert D. Kaplan looks at the changing realities of the 21S' century as China rises after decades of slumber and the centre stage of the world moves towards the East. Robert D. Kaplan was chief geopolitical analysts for Stratfor, a private global intelligence firm. till December 2014. Presently, he is a Senior Fellow at the Center for New American Security in Washington D. C. In 2011 and 2012, he was named by Foreign Policy magazine as one of the world's top 100

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6

Sharma, Buddhi Prasad, and Raunab Singh Khatri. "The Politics of Soft Power:Belt and Road Initiative (BRI) as Charm Influence in South Asia." China and the World 02, no. 01 (2019): 1950002. http://dx.doi.org/10.1142/s2591729319500020.

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Over the last three and half decades, China’s rapid advancement in development efforts has been accompanied by a conscious effort in projecting itself as a major frontrunner in the economy. Despite being a developing country (Huang, 2015), Chinese President Xi Jinping’s announcement in World Economic Forum (WEF) (Bruce-Lockhart, 2017) had hinted China’s growing interest in the development of trade and network among countries. The Belt and Road Initiative (BRI) is also one such development put forward to institutionalize China’s soft power presence in the world and create harmony with rest of t

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7

Berry, Ralph. "Stratford, Ontario and Stratford-upon-Avon Holy and Deadly Theatre." Canadian Theatre Review 54 (March 1988): 85–87. http://dx.doi.org/10.3138/ctr.54.011.

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Stratford-upon-Avon, July: I sat through a Julius Caesar which played to a full house. At the end I was surrounded by cheering Japanese tourists; it looked like a success. The experience was distinctly unreal, for the production (by Terry Hands) was terminally undercast and contemptuously underdirected. Two weeks later I attended a preview of Othello in Stratford, Ontario. Again to a full house, the Festival Stage offered a hollow and mechanical formula for a great play. I did not then know that the lead, Howard Rollins, was suffering from viral pneumonia, and that there was some doubt as to w

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8

Mehta, Xerxes. "Stratford on Stratford: The Rsc's The Dillen." Theater 16, no. 2 (1985): 38–46. http://dx.doi.org/10.1215/01610775-16-2-38.

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9

Hornby, Richard. "The Other Stratford." Hudson Review 49, no. 3 (1996): 468. http://dx.doi.org/10.2307/3852523.

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10

Weil, Herbert S. "Stratford Festival Canada." Shakespeare Quarterly 37, no. 2 (1986): 245. http://dx.doi.org/10.2307/2869966.

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11

Berry, Ralph. "Stratford Festival Canada." Shakespeare Quarterly 36, no. 1 (1985): 87. http://dx.doi.org/10.2307/2870087.

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12

Sparkes, Russell. "Remembering Stratford Caldecott." Chesterton Review 50, no. 3 (2024): 359–71. https://doi.org/10.5840/chesterton2024503/456.

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13

McKague, Cathleen. "The Stratford Festival." Cahiers Élisabéthains: A Journal of English Renaissance Studies 95, no. 1 (2018): 80–90. http://dx.doi.org/10.1177/0184767817750526.

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14

Sturdee, D. "Stratford 2010 relived." Menopause International 16, no. 3 (2010): 98–99. http://dx.doi.org/10.1258/mi.2010.010025.

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15

Hartman, Hattie. "Olympic Park, Stratford." Architectural Design 82, no. 1 (2012): 60–65. http://dx.doi.org/10.1002/ad.1350.

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16

O'Connell, Frank D. "Eugene S. Stratford." American Journal of Pharmaceutical Education 51, no. 3 (1987): 346. http://dx.doi.org/10.1016/s0002-9459(24)01219-1.

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17

GAREBIAN, KEITH. "The 1984 Stratford Festival." Journal of Canadian Studies 19, no. 4 (1985): 136–43. http://dx.doi.org/10.3138/jcs.19.4.136.

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18

Hernandez, Anna. "City Profile: Stratford, Ontario." World Literature Today 91, no. 3 (2017): 5. http://dx.doi.org/10.1353/wlt.2017.0034.

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19

Anna Hernandez. "City Profile: Stratford, Ontario." World Literature Today 91, no. 3-4 (2017): 5. http://dx.doi.org/10.7588/worllitetoda.91.3-4.0005.

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20

Smallwood, Robert. "Richard III at Stratford." Shakespeare Quarterly 47, no. 3 (1996): 326. http://dx.doi.org/10.2307/2871382.

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21

Ponting, M. "The Fenny Stratford Hoard." Papers from the Institute of Archaeology 3 (November 15, 1992): 52. http://dx.doi.org/10.5334/pia.31.

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22

Baxter, Donald, and Peter Richardson. "Joe Stratford (1923-2007)." Canadian Journal of Neurological Sciences / Journal Canadien des Sciences Neurologiques 34, no. 4 (2007): 497. http://dx.doi.org/10.1017/s0317167100007460.

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23

Evans, A. G. (Tony). "Stratford Caldecott (1953-2014)." Chesterton Review 40, no. 3 (2014): 503–4. http://dx.doi.org/10.5840/chesterton2014403/486.

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24

Aune, M. G. "The Stratford Festival 2013." Shakespeare 10, no. 2 (2014): 188–96. http://dx.doi.org/10.1080/17450918.2014.898684.

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25

Mestel, Leon. "From Stratford to Cambridge." Astronomy & Geophysics 53, no. 5 (2012): 5.16–5.18. http://dx.doi.org/10.1111/j.1468-4004.2012.53516_1.x.

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26

Brady, Owen Edward. "The 1999 Stratford Festival, Stratford, Ontario, Canada, 20-22 July 1999 (review)." Theatre Journal 52, no. 2 (2000): 269–72. http://dx.doi.org/10.1353/tj.2000.0036.

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27

Tompkins, Joanne. "Canadian Theatre and Monuments." Canadian Theatre Review 115 (June 2003): 5–11. http://dx.doi.org/10.3138/ctr.115.001.

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The representational power that the Stratford Festival holds in the history of contemporary Canadian theatre cannot be overestimated. Stratford has long been a monument of (and to) theatre in Canada, partly because of the distinctive architectural design of the Festival Theatre, and partly – perhaps more likely – because of its manufactured story of origin.1 In Performing Canada: The Nation Enacted in the Imagined Theatre, Alan Filewod explains how Stratford came to be “the template which ... governed the dominant model of professional theatre structures in Canada” (56) and Canadian theatre it

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28

Frances S. Baker, Ph.D. "In Memoriam: Claire Dennery Stratford." Gestalt Review 14, no. 3 (2010): 328. http://dx.doi.org/10.5325/gestaltreview.14.3.0328.

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29

Rothwell, W. "Stratford Atte Bowe and Paris." Modern Language Review 80, no. 1 (1985): 39. http://dx.doi.org/10.2307/3729367.

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30

Rothwell, W. "Chaucer and Stratford atte Bowe." Bulletin of the John Rylands Library 74, no. 1 (1992): 3–28. http://dx.doi.org/10.7227/bjrl.74.1.1.

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31

Hornby, Richard. "The Stratford Festival, Ontario, Canada." Hudson Review 43, no. 4 (1991): 629. http://dx.doi.org/10.2307/3852195.

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32

Leighton, Patricia. "Hard Lessons from Stratford School." Management in Education 6, no. 2 (1992): 21–22. http://dx.doi.org/10.1177/089202069200600208.

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33

Warren, Roger. "Shakespeare at Stratford-upon-Avon." Shakespeare Quarterly 36, no. 1 (1985): 79. http://dx.doi.org/10.2307/2870086.

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34

Brockbank, Philip. "Shakespeare's Stratford and South Africa." Shakespeare Quarterly 38, no. 4 (1987): 479. http://dx.doi.org/10.2307/2870427.

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35

Schoenbaum, S., and Robert Bearman. "Shakespeare in the Stratford Records." Shakespeare Quarterly 46, no. 1 (1995): 111. http://dx.doi.org/10.2307/2871166.

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36

Rothwell, William. "Stratford Atte Bowe Re-Visited." Chaucer Review 36, no. 2 (2001): 184–207. http://dx.doi.org/10.1353/cr.2001.0012.

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37

Jackson, A. "Briefing Paper: South Stratford Canal." Proceedings of the Institution of Civil Engineers - Municipal Engineer 139, no. 4 (2000): 205–10. http://dx.doi.org/10.1680/muen.2000.139.4.205.

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38

Florio, Simona, and Michael Edwards. "Urban Regeneration in Stratford, London." Planning Practice and Research 16, no. 2 (2001): 101–20. http://dx.doi.org/10.1080/02697450120077334.

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39

Jacquez, Manuel Antonio. "Coriolanus by the Stratford Festival." Shakespeare Bulletin 37, no. 1 (2019): 111–15. http://dx.doi.org/10.1353/shb.2019.0005.

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40

Aune, M. G. "The Stratford Shakespeare Festival 2011." Shakespeare 8, no. 3 (2012): 328–37. http://dx.doi.org/10.1080/17450918.2012.696274.

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41

Aune, M. G. "The Stratford Shakespeare Festival 2012." Shakespeare 12, no. 4 (2013): 421–28. http://dx.doi.org/10.1080/17450918.2013.805804.

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42

Lamb, Rebekah. "Stratford Caldecott’s Idea of Education." Religions 13, no. 11 (2022): 1013. http://dx.doi.org/10.3390/rel13111013.

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This essay overviews key aspects of Stratford Caldecott’s idea of liberal arts education, within the Roman Catholic tradition and especially focuses on the centrality of the Eucharist in his thought. It also considers how, according to Caldecott, liberal arts education contains a kind of liturgical affordance or sympathy with the form and nature of worship (within Roman Catholicism). In so doing, this paper offers, to date, the most substantive scholarly introduction to key aspects of Caldecott’s Eucharistic idea of education, within the context of the liberal arts tradition (broadly conceived

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43

Monette, Richard. "Stratford Tribute to Nicholas Pennell." Canadian Theatre Review 83 (June 1995): 75–76. http://dx.doi.org/10.3138/ctr.83.017.

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My dear friend Nicholas Pennell was a much loved Stratford Festival company member for 23 years. His dedication, talent and generosity were an inspiration to us all. To Nicholas the theatre was a vocation, and in a letter he wrote to the acting company, crew and stage management of the 1995 season, which I read aloud to them on the first day of rehearsals, February 20, he spoke of the redemptive power of art:

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44

Pettigrew, John, Jamie Portman, and Ross Stuart. "Stratford: The First Thirty Years." Canadian Theatre Review 50 (March 1987): 85–87. http://dx.doi.org/10.3138/ctr.50.017.

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The authorized history of the Stratford Shakespearean Festival was originally intended to commemorate its 25th anniversary in 1978, when the festival was enjoying critical and fiscal success under Robin Phillips. When the history finally appeared in 1985 it covered thirty seasons. The five-year expansion changed the nature of the Stratford story because those extra five years included the crisis of 1980 and John Hirsch’s initial seasons with their ballooning deficits and declining attendance. Providing sufficient coverage of these recent events necessitated publishing Stratford in two volumes.

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45

Knowles, Richard Paul, and J. Alan B. Somerset. "The Stratford Festival Story: A Catalogue-Index to the Stratford, Ontario Festival, 1953-1990." Theatre Journal 45, no. 1 (1993): 133. http://dx.doi.org/10.2307/3208604.

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46

Dicenzo, Maria, Alan Filewod, Ric Knowles, Harry Lane, and Ann Wilson. "Cultural Tourism at Shaw and Stratford: The Shaw Festival and the Stratford Festival 1999." Canadian Theatre Review 102 (March 2000): 85–88. http://dx.doi.org/10.3138/ctr.102.015.

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Easily the most interesting, inventive and challenging production at the Stratford Festival in 1999 was Richard Rose’s revival of David Young’s Glenn. Rose’s carefully orchestrated and choreographed staging of Young’s sophisticated script about the modernist wish to do away with, transcend or control material mediations between conception and expression might have served as a commentary on the gap between the Festival’s professed and publicized ideals and their playing out on the Festival’s three stages. Certainly no other production in 1999 at Stratford could match this one’s power, impact or

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47

Hayes, Elliott. "The Stratford Festival / 2: The State of the Art vs. The Art of the State." Canadian Theatre Review 45 (December 1985): 19–28. http://dx.doi.org/10.3138/ctr.45.003.

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In 1959, the year the Stratford Globe and Mail playwriting competition started receiving submissions from across the country, the Stratford Festival was already being labelled a disaster area by Antony Ferry of the Toronto Star. Arguing that all hopes for a true Canadian theatre had been buried there, he predicted that the theatre would die when It had done Shakespeare’s major works. While this may have enlivened some cocktail conversations, it was fundamentally incorrect for two important reasons: the first being the newly formed Canada Council, which pulled Stratford out of a deficit season

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48

Watts, Allan. "Discipline Makes Better Art: Michael J. Whitfield Talks about Repertory and Opera Lighting with Allan Watts." Canadian Theatre Review 107 (June 2001): 32–36. http://dx.doi.org/10.3138/ctr.107.006.

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Michael J. Whitfield is a prominent international lighting designer who is currently Head of Lighting Design at the Stratford Festival of Canada. Michael is a member of Associated Designers of Canada. Allan Watts recently talked to him during a rehearsal break at the Stratford Festival.

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49

Schechter, Alan. "Owen Stratton." PS: Political Science & Politics 28, no. 04 (1995): 750. http://dx.doi.org/10.1017/s1049096500059096.

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50

Charnley, John. "Andrew Stratton." Journal of Navigation 48, no. 2 (1995): 317–18. http://dx.doi.org/10.1017/s0373463300012819.

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