Artículos de revistas: "Sugimoto, Hiroshi"

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Petitto, Joshua. "The Oceanic Vision of Sugimoto Hiroshi". History of Photography 40, n.º 2 (2 de abril de 2016): 107–28. http://dx.doi.org/10.1080/03087298.2016.1151623.

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2

Riordan, Kevin. "Hiroshi Sugimoto and the photography of theatre". Performance Research 20, n.º 2 (4 de marzo de 2015): 102–11. http://dx.doi.org/10.1080/13528165.2015.1026740.

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3

Almeida, Angela Prada de. "Portraits de Hiroshi Sugimoto: sobre realismo e retratos". Discursos Fotograficos 8, n.º 13 (19 de agosto de 2012): 93–108. http://dx.doi.org/10.5433/1984-7939.2012v8n13p93.

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4

Almeida, Angela Prada de. "Realismo e fotografia: Dioramas de Hiroshi Sugimoto do Museu de História Natural de Nova Iorque". Museologia & Interdisciplinaridade 1, n.º 2 (28 de noviembre de 2012): 114. http://dx.doi.org/10.26512/museologia.v1i2.12659.

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Este texto tem como objetivo analisar a representação dos Dioramas nos Museus de História Natural, tendo como ponto de partida o olhar do fotógrafo japonês Hiroshi Sugimoto. Sugimoto fotografou estes cenários artificiais, colocando em questão o discurso do realismo da imagem fotográfica. O olhar do fotógrafo envolve estruturas de cognição. A visão monocular e a representação do espaço em perspectiva implicam na tradição de conceber o que é visto como “realidade”. Paradigmas do discurso fotográfico e características próprias da fotografia inter-relacionam-se com particularidades da cultura japonesa. As fotografias e ideias imagéticas criadas por Sugimoto sugerem conceitos teóricos e suscitam análises sobre construções culturais: maneiras de conceber a visualidade que nos cerca, a partir do olhar do fotógrafo.

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5

Krieger, Peter. "La estética del mar y otros minimalismos de Hiroshi Sugimoto". Anales del Instituto de Investigaciones Estéticas 32, n.º 96 (7 de agosto de 2012): 133. http://dx.doi.org/10.22201/iie.18703062e.2010.96.2304.

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6

Santoyo, Susana. "Tiempo y mirada en la obra de Hiroshi Sugimoto y Wolfgang Tillmans". Acta Poética 34, n.º 1 (enero de 2013): 61–70. http://dx.doi.org/10.1016/s0185-3082(13)72393-9.

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7

Mortimer, Junia. "CONSTRUÇÃO E ATUALIZAÇÃO: DUAS PREMISSAS PARA UMA ABORDAGEM DA FOTOGRAFIA DO ESPAÇO CONSTRUÍDO". Cadernos de Arquitetura e Urbanismo 21, n.º 29 (11 de octubre de 2016): 8. http://dx.doi.org/10.5752/p.2316-1752.2014v21n29p8.

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Com base em análises de obras fotográficas de Abelardo Morell, Hiroshi Sugimoto e David Hockney, este artigo propõe discutir duas premissas essenciais para compreender a fotografia do espaço construído segundo uma abordagem que busca evidenciar o potencial desses trabalhos artísticos em lançar questões concernentes à arquitetura e ao imaginário espacial. Essas premissas referem-se à concepção de fotografia como construção, a partir de Walter Benjamin (1931), e como atualização, a partir de Maurice Merleau-Ponty (1968) e André Rouillé (2009).

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8

Tekin, Nezaket. "The Photographs of Dead Animals". Instinct, Vol. 4, no. 1 (2019): 76–81. http://dx.doi.org/10.47659/m6.076.art.

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“Why look at animals?” asks art critic John Berger. I would like to address this question by paraprashing it and asking instead, “why look at dead animals?” Extinct or rare animals are the most interesting objects of the camera of curiosities and natural history museums. Hiroshi Sugimoto focuses on the dioramas where animals are shown in their habitats. Lynn Savarese revitalizes taxidermied animals as heroes of a story. Humans and animals have equal value in Michael Ackerman’s photographs. Nobuyoshi Araki’s visual diaries contain stories on life and death. Nezaket Tekin creates utopist scenes using insects. Her other work also involves documenting dead animals. Keywords: dead animals, dead people, photographs of dead animals, post-mortem photography, spirit photography

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9

Kondo, Masaki. "Unfolding the In-between Image: The Emergence of an Incipient Image at the Intersection of Still and Moving Images". Contemporaneity: Historical Presence in Visual Culture 3 (5 de junio de 2014): 50–61. http://dx.doi.org/10.5195/contemp.2014.80.

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As digital technology has transformed various aspects of our screen culture over the past few decades, we have been witnessing a disappearing boundary between photographic still images and cinematic moving images. An emerging in-between image has become increasingly prominent in this new image culture, which attempts to negotiate the grey area between stillness and movement. This in-between image, manifest in a variety of formats and media, points to an increasingly solid middle ground between the traditional divisions of still and moving images. This paper builds a conceptual framework for analysing this new type of image and explores both the roots of this emergent category before focusing on its contemporary trajectory as exemplified by the work of Adad Hannah, Hiroshi Sugimoto, Jeff Wall, and James Nares.

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10

Fried, Michael, Deborah Alice Bruel Gemin y Juliana Gisi Martins de Almeida. "Thomas Demand e suas alegorias da intenção; "exclusão" em Candida Höfer, Hiroshi Sugimoto, e Thomas Struth". ARS (São Paulo) 14, n.º 28 (28 de diciembre de 2016): 313. http://dx.doi.org/10.11606/issn.2178-0447.ars.2016.122442.

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Em 2008, com a publicação de Why Photography Matters as Art as Never Before, Michael Fried retoma as discussões iniciadas em “Arte e Objetidade”, ensaio de 1967, em especial a ideia de "absorção" ou antiteatralidade da arte, suposta característica da arte modernista em contraposição à minimalista/ literalista. Fried debate a questão da "presença", argumentando em prol da antiteatralidade, considerando a "absorção" como a principal qualidade nos trabalhos fotográficos de Thomas Struth, Thomas Demand, Cândida Höfer entre outros, sobretudo no capítulo 9, aqui traduzido. A partir de uma minuciosa descrição e da análise formal das imagens, Fried encontra parâmetros para consolidar seu principal argumento: a capacidade de "absorção" da fotografias.

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11

Costantini, Giovanna L. "Hiroshi Sugimoto: Memories of Origin directed by Yuko Nakamura. 85 min. In English and Japanese. Sales and distribution: WOWOW, Inc., Japan, 2012". Leonardo 46, n.º 3 (junio de 2013): 294–96. http://dx.doi.org/10.1162/leon_r_00582.

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12

Kim, Kyung-Jin. "Concerning Mediality from the Perspective of the Chronotope Concept - Focusing on Perception and Memory in the Works of Olafur Eliasson, Anishi Kapoor and Hiroshi Sugimoto -". Journal of the Korean Institute of Interior Design 28, n.º 5 (31 de octubre de 2019): 134–41. http://dx.doi.org/10.14774/jkiid.2019.28.5.134.

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13

Bertelsen, Lars Kiel. "Hiroshi Sugimotos havbilleder". Magasin fra Det Kongelige Bibliotek 11, n.º 3 (1 de diciembre de 1996): 60–66. http://dx.doi.org/10.7146/mag.v11i3.66437.

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14

Reynolds, Jonathan M. "Twice Infinity: Sugimoto Hiroshi’s Architecture Series". Review of Japanese Culture and Society 31, n.º 1 (2019): 63–80. http://dx.doi.org/10.1353/roj.2019.0005.

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15

Ahn, Seongmo. "Architectural Manifestation of Hiroshi Sugimoto's Photographic Infinity". Korean Institute of Interior Design Journal 24, n.º 5 (31 de octubre de 2015): 31–41. http://dx.doi.org/10.14774/jkiid.2015.24.5.031.

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16

Chau, Amelia Kit-Yiu. "Allusive Variation: Hiroshi Sugimoto's Hall of Thirty-Three Bays". Bulletin of the Detroit Institute of Arts 84, n.º 1-4 (marzo de 2010): 42–49. http://dx.doi.org/10.1086/dia23183247.

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17

Kobayashi, Ichiro. "Special Issue on Language-Based Human Intelligence and Personalization". Journal of Advanced Computational Intelligence and Intelligent Informatics 10, n.º 6 (20 de noviembre de 2006): 771–72. http://dx.doi.org/10.20965/jaciii.2006.p0771.

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At the annual conference of the Japan Society for Artificial Intelligence (JSAI), a special survival session called "Challenge for Realizing Early Profits (CREP)" is organized to support and promote excellent ideas in new AI technologies expected to be realized and contributed to society within five years. Every year at the session, researchers propose their ideas and compete in being evaluated by conference participants. The Everyday Language Computing (ELC) project, started in 2000 at the Brain Science Institute, RIKEN, and ended in 2005, participated in the CREP program in 2001 to have their project evaluated by third parties and held an organized session every year in which those interested in language-based intelligence and personalization participate. They competed with other candidates, survived the session, and achieved the session's final goal to survive for five years. Papers in this special issue selected for presentation at the session include the following: The first article, "Everyday-Language Computing Project Overview," by Ichiro Kobayashi et al., gives an overview and the basic technologies of the ELC Project. The second to sixth papers are related to the ELC Project. The second article, "Computational Models of Language Within Context and Context-Sensitive Language Understanding," by Noriko Ito et al., proposes a new database, called the "semiotic base," that compiles linguistic resources with contextual information and an algorithm for achieving natural language understanding with the semiotic base. The third article, "Systemic-Functional Context-Sensitive Text Generation in the Framework of Everyday Language Computing," by Yusuke Takahashi et al., proposes an algorithm to generate texts with the semiotic base. The fourth article, "Natural Language-Mediated Software Agentification," by Michiaki Iwazume et al., proposes a method for agentifying and verbalizing existing software applications, together with a scheme for operating/running them. The fifth article, "Smart Help for Novice Users Based on Application Software Manuals," by Shino Iwashita et al., proposes a new framework for reusing electronic software manuals equipped with application software to provide tailor-made operation instructions to users. The sixth article, "Programming in Everyday Language: A Case for Email Management," by Toru Sugimoto et al., making a computer program written in natural language. Rhetorical structure analysis is used to translate the natural language command structure into the program structure. The seventh article, "Application of Paraphrasing to Programming with Linguistic Expressions," by Nozomu Kaneko et al., proposes a method for translating natural language commands into a computer program through a natural language paraphrasing mechanism. The eighth article, "A Human Interface Based on Linguistic Metaphor and Intention Reasoning," by Koichi Yamada et al., proposes a new human interface paradigm called Push Like Talking (PLT), which enables people to operate machines as they talk. The ninth article, "Automatic Metadata Annotation Based on User Preference Evaluation Patterns," by Mari Saito proposes effective automatic metadata annotation for content recommendations matched to user preference. The tenth article, "Dynamic Sense Representation Using Conceptual Fuzzy Sets," by Hiroshi Sekiya et al., proposes a method to represent word senses, which vary dynamically depending on context, using conceptual fuzzy sets. The eleventh article, "Common Sense from the Web? Naturalness of Everyday Knowledge Retrieved from WWW," by Rafal Rzepka et al., is a challenging work to acquire common-sense knowledge from information on the Web. The twelfth article, "Semantic Representation for Understanding Meaning Based on Correspondence Between Meanings," by Akira Takagi et al., proposes a new semantic representation to deal with Japanese language in natural language processing. I thank the reviewers and contributors for their time and effort in making this special issue possible, and I wish to thank the JACIII editorial board, especially Professors Kaoru Hirota and Toshio Fukuda, the Editors-in-Chief, for inviting me to serve as Guest Editor of this Journal. Thanks also go to Kazuki Ohmori and Kenta Uchino of Fuji Technology Press for their sincere support.

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18

Yoshida, Y., T. Sugimoto, H. Kohno, H. Watanabe, S. Mokuda, S. Hirata y E. Sugiyama. "AB0452 PREDICTIVE FACTORS FOR INSUFFICIENT RESPONSE TO INITIAL TREATMENT OR RECURRENCE IN PATIENTS WITH LUPUS ENTERITIS". Annals of the Rheumatic Diseases 79, Suppl 1 (junio de 2020): 1524.1–1525. http://dx.doi.org/10.1136/annrheumdis-2020-eular.1596.

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Background:Lupus enteritis (LE) is a rare but well-known complication of systemic lupus erythematosus (SLE). However, little knowledge about risk factors for insufficient response to initial treatment or recurrence have been reported.Objectives:To identify prognostic factors associated with poor response in patients with LE.Methods:Patients diagnosed as having LE at our hospital were consecutively registered from January 2009 to October 2019. The diagnosis of LE was made according to the criteria of BILAG 2004 which is defined as either vasculitis or inflammation of small or large bowel with supportive imaging and/or biopsy findings. Poor response was defined as insufficient response to initial therapy or relapse. We retrospectively compared clinical characteristics collected from medical records of the patients with good vs. poor response, using a non-parametric Wilcoxon signed-rank test for numerical variables and Fisher’s exact test for categorical variables.Results:A total of 12 patients (16 episodes) diagnosed with LE were reviewed. The median age was 44.5 years and 11 were females. Six patients had a history of SLE (median disease duration; 3.0 years), of which 4 had a history of LE prior to the study period. And in the remaining 6 patients, LE was the primary symptom (Table 1). The comorbidities were 4 lupus cystitis, 1 biopsy-proven lupus nephritis, 1 pseudo-obstruction and 1 protein-losing enteropathy. Computed Tomography (CT) imaging of all 16 episodes showed small bowel wall thickening. Dilatation of intestine was observed in 81.3%, ascites in 81.3%, comb sign in 80.0% and target sign in 62.5%. When comparing clinical characteristics between the groups revealed that CT findings were similar in both groups, however serum CH50 levels (median (interquartile ranges (IQR)) 37.2 (25.3-46.9) U/mL vs 17.6 (7.1-21.4) U/mL, p=0.0095) were significantly lower in poor response group. Furthermore, patients who initiated glucocorticoids (GCs) at a lower dose (less than or equal to 0.6mg/kg prednisolone equivalent dose (PEQ)) was significantly more frequent in poor response group (Table 2).Table 1.Baseline demographics and outcomes of LE patientsVariablesN=12DemographicsFemale (%)91.7Age (yrs), median (IQR)44.5 (34.0-47.5)SLE duration (yrs), median (IQR)3.0 (0-9.0)Baseline therapyPrednisolone (mg), median (IQR)7.0 (0-10.5)Cyclosporine (%)16.7Azathioprine (%)8.3Mycophenolate mofetil (%)8.3Tacrolimus (%)8.3OutcomesFollow-up period (yrs), median (IQR)4.0 (1.9-5.0)Poor response to initial therapy (%)33.3Recurrence (%)33.3Need for surgical intervention (%)8.3Death (%)0Table 2.Comparison of baseline characteristics and initial treatment between LE patients with good vs. poor responseVariablesGood response(N=10)Poor response(N=6)p valueComorbiditiesLupus cystitis (%)30.033.31.0Lupus nephritis (%)016.70.38CT findingsMaximum external diameterof small intestine (mm), median (IQR)30.8 (22.2-37.9)25.3 (19.4-29.0)0.083Colon involvement (%)30.066.70.30Dilatation of intestine (%)90.066.70.52Ascites (%)90.066.70.52Comb sign (%)90.066.70.52Target sign (%)70.050.00.61Laboratoryfindingsanti-dsDNA Ab (IU/mL), median (IQR)5.4 (1.6-12.6)10.1 (3.8-111.5)0.17CH50 (U/mL), median (IQR)37.2 (25.3-46.9)17.6 (7.1-21.4)0.0095C4 (mg/dL), median (IQR)16.0 (10.5-27.3)10.0 (10.0-13.8)0.11C3 (mg/dL), median (IQR)66.0 (56.8-79.8)46.5 (33.0-58.3)0.10Initial treatmentLess than or equal to 0.6mg/kg PEQ (%)10.066.70.036Intravenous cyclophosphamide10.016.71.0Conclusion:Lower level of CH50 and initial treatment with GCs at a lower dose were identified as prognostic factors associated with poor response to initial therapy or recurrence in LE.Disclosure of Interests: :Yusuke Yoshida Grant/research support from: Astellas, Paid instructor for: Astellas, Tanabe Mitsubishi, Sanofi, Novartis, GlaxoSmithKline, Eli Lilly, Bristol-Myers Squibb, Chugai, Asahikasei, Eisai, Janssen, Speakers bureau: Astellas, Tanabe Mitsubishi, Sanofi, Novartis, GlaxoSmithKline, Eli Lilly, Bristol-Myers Squibb, Chugai, Asahikasei, Tomohiro Sugimoto: None declared, Hiroki Kohno: None declared, Hirofumi Watanabe: None declared, Sho Mokuda: None declared, Shintaro Hirata Grant/research support from: Eli Lilly, Consultant of: Bristol-Myers Squibb, UCB, Paid instructor for: AbbVie, Eisai, Tanabe-Mitsubishi, Speakers bureau: AbbVie, Eisai, Tanabe-Mitsubishi, Astellas, Ayumi, Bristol-Myers Squibb, UCB, Chugai, Eli Lilly, Janssen, Kissei, Sanofi, Takeda, Eiji Sugiyama Grant/research support from: AbbVie, Astellas, Ayumi, Kissei, Pfizer, Sanofi, Takeda, Tanabe-Mitsubishi, Bristol-Myers Squibb, Chugai, Eisai, Eli Lilly, Speakers bureau: AbbVie, Astellas, Ayumi, Kissei, Pfizer, Sanofi, Takeda, Tanabe-Mitsubishi, Bristol-Myers Squibb, Chugai, Eisai, Eli Lilly, Actelion

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19

Sugimoto, T., S. Hirata, H. Kohno, H. Watanabe, Y. Yoshida, S. Mokuda y E. Sugiyama. "AB0612 SHORT-TERM REVERSIBLE IMPROVEMENT IN EARLY-PHASE ELEMENTS OF NAILFOLD CAPILLARY ABNORMALITIES IN PATIENTS WITH SYSTEMIC SCLEROSIS BY INTRAVENOUS CYCLOPHOSPHAMIDE (IVCY)". Annals of the Rheumatic Diseases 79, Suppl 1 (junio de 2020): 1602.1–1602. http://dx.doi.org/10.1136/annrheumdis-2020-eular.1010.

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Background:Nailfold capillary abnormalities are one of representative signs in systemic sclerosis (SSc). However, previous reports about changes in nailfold capillary by immunosuppressive therapy have been limited. Especially, there have been no reports about short-term changes in nailfold capillary abnormalities.Objectives:To clarify whether intravenous cyclophosphamide (IVCY) treatment for SSc patients can improve nailfold capillary abnormalities in half a year.Methods:Among patients diagnosed as having SSc according to the 2013 ACR/EULAR classification criteria at our hospital from May 2018 to December 2019, those who treated with IVCY for interstitial lung disease (ILD) were consecutively registered. All patients received IVCY six times. Nailfold capillary abnormalities on eight fingers including both second to the fifth fingers were observed with a nailfold videocapillaroscopy (NVC). Each finger was evaluated for enlarged capillary, giant capillaries, hemorrhage, loss of capillary, disorganization of the vascular array, and capillary ramification. Quantitative scoring was performed on a scale of 0 to 3 in accordance with the ratio of each of them. NVC tests were evaluated before IVCY treatment intervention and after IVCY. In all cases, the evaluation of NVC after IVCY treatment was performed 6 months after the administration day. Skin changes were evaluated by modified Rodnan’s total skin thickness score (mRSS) at performing NVC. Anti-centromere antibodies, anti-Scl-70 antibodies, anti-RNA polymerase III, and anti-RNP antibodies were measured. Pulmonary function tests (PFTs) including forced vital capacity (FVC) and diffusing capacity of the lung carbon monoxide (DLCO) were performed before and after IVCY. The statistical significance of the differences between means of two groups was evaluated by paired t-test. A p level of 0.05 or less was considered statistically significant.Results:Five patients were included. The mean age was 59 years and 4 patients were female (80%). High dose corticosteroids were used in 2 patients (40%). Anti-RNA polymerase III was positive in 2 patients (40%), anti-Scl-70 antibody was positive in 1 (20%), and negative test for any specific antibodies was in 2 (40%). Changes in NVC scores, which were total scores of 8 fingers, were as follows: Enlarged; 13.2±4.8 to 6.4±5.9 (p=0.018), Giant; 7.0±5.7 to 1.6±1.1 (p=0.0314), Hemorrhage; 8.4±6.2 to 3.2±2.3 (p=0.0274), Loss; 4.0±2.5 to 0.6±1.3 (p=0.0288), Disorganization; 0.6±0.9 to 1.0±1.0 (p=0.7065), Ramification; 0.6±0.9 to 0.8±1.8 (p=0.5730). (Table) After IVCY treatment, mRSS reduced in 4 cases (80%). Changes in mRSS scores were as follows: 18.8±8.3 to 12.4±13.3 (p=0.0677). The cases with improved mRSS and those with improved NVC findings were consistent. The mean FVC before and after IVCY was 2077 ml and 2062 ml, respectively. The mean DLCObefore and after IVCY was 9.88 mL/min/mmHg and 9.58 mL/min/mmHg, respectively.Conclusion:Nailfold capillary abnormalities in patients with SSc could be improved in half a year with IVCY. Especially, early phase elements including enlargement, giant, and hemorrhage were specifically reversible.Table.No.(E)(G)(H)(L)(D)(R)mRSS121→1416→319→70→00→20→014→9212→34→26→14→02→11→015→1314→118→26→27→00→00→410→5410→46→18→34→30→22→025→1259→01→03→35→01→00→030→35mean ± SD13.2±4.87.0±5.78.4±6.24.0±2.50.6±0.90.6±0.918.8±8.36.4±5.91.6±1.13.2±2.30.6±1.31.0±1.00.8±1.812.4±13.3p-value0.0180.03140.02740.02880.70650.57300.0677E: enlarged, G: giant, H: hemorrhage, L: loss, D: disorganization, R: ramification.The table shows the total of eight points for each finding in the NVC test. The previously described values are before treatment and the later values are after treatment.Disclosure of Interests:Tomohiro Sugimoto: None declared, Shintaro Hirata Grant/research support from: Eli Lilly, Consultant of: Bristol-Myers Squibb, UCB, Paid instructor for: AbbVie, Eisai, Tanabe-Mitsubishi, Speakers bureau: AbbVie, Eisai, Tanabe-Mitsubishi, Astellas, Ayumi, Bristol-Myers Squibb, UCB, Chugai, Eli Lilly, Janssen, Kissei, Sanofi, Takeda, Hiroki Kohno: None declared, Hirofumi Watanabe: None declared, Yusuke Yoshida Grant/research support from: Astellas, Paid instructor for: Astellas, Tanabe Mitsubishi, Sanofi, Novartis, GlaxoSmithKline, Eli Lilly, Bristol-Myers Squibb, Chugai, Asahikasei, Eisai, Janssen, Speakers bureau: Astellas, Tanabe Mitsubishi, Sanofi, Novartis, GlaxoSmithKline, Eli Lilly, Bristol-Myers Squibb, Chugai, Asahikasei, Sho Mokuda: None declared, Eiji Sugiyama Grant/research support from: AbbVie, Astellas, Ayumi, Kissei, Pfizer, Sanofi, Takeda, Tanabe-Mitsubishi, Bristol-Myers Squibb, Chugai, Eisai, Eli Lilly, Speakers bureau: AbbVie, Astellas, Ayumi, Kissei, Pfizer, Sanofi, Takeda, Tanabe-Mitsubishi, Bristol-Myers Squibb, Chugai, Eisai, Eli Lilly, Actelion

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Query, Patrick. "Building Pictures: Hiroshi Sugimoto on Visual Culture". Postmodern Culture 16, n.º 2 (2006). http://dx.doi.org/10.1353/pmc.2006.0020.

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Murad, Carlos Alberto. "Linhas estelares e traçados do pensamento criador". PORTO ARTE: Revista de Artes Visuais 17, n.º 29 (1 de noviembre de 2010). http://dx.doi.org/10.22456/2179-8001.23326.

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O artigo apresenta uma reflexão poética multidimensional da criação, envolvendo as contaminações dos conceitos filosóficos, as ideações criadoras e poéticas dos artistas. Propõe pensar a presença das instâncias racional e imaginal na ativação e no desenvolvimento das poéticas visuais na contemporaneidade. O pensamento de Gilles Deleuze, Gaston Bachelard, Jorge Luís Borges, Hiroshi Sugimoto, Walter Benjamim, Cecília Meirelles, entre outros, ajudaram-nos nessa travessia.

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22

Santoyo, Susana. "Tiempo y mirada en la obra de Hiroshi Sugimoto y Wolfgang Tillmans". Acta Poética 34, n.º 1 (1 de enero de 2013). http://dx.doi.org/10.19130/iifl.ap.2013.1.410.

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Este texto expone algunas relaciones entre tiempo y técnica en la fotografía, en términos de Walter Benjamin y José Luis Brea, pero también de la misma práctica. A partir de dichas relaciones, el texto propone concepciones de tiempo y mirada en el acto fotográfico que confrontan el mito que lo coloca en el papel de técnica instantánea que guarda el pasado. Hiroshi Sugimoto y Wolfgang Tillmans son ejemplos de estas concepciones propuestas, pues reflexionan en la práctica sobre tiempo y técnica.

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Parente, André. "Entre Cinema e Fotografia". Arteriais - Revista do Programa de Pós-Gradução em Artes 1, n.º 1 (2 de marzo de 2015). http://dx.doi.org/10.18542/arteriais.v1i1.2099.

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Resumo Há quase uma década temos pesquisado o cinema de artista no Brasil por meio da análise de seus autores, filmes, videos e instalações. Ao longo do tempo, notamos que uma das principais tendências do cinema experimental produzido pelos artistas brasileiros está relacionada com o processo de hibridização entre o cinema e a fotografia, um tipo de situação híbrida que rompe com as convençõees das formas hegemônicas do cinema e da fotografia, da imagem em movimento e da imagem fixa. Neste sentido, decidimos desenvolver uma reflexão crítica que tem como objeto a relação entre cinema e fotografia no campo ampliado da arte contemporânea brasileira. Esta pesquisa se faz necessária por três razões: em primeiro lugar, a maioria dos teóricos e críticos da fotografia e do cinema rejeita estas experiências, visto que, para eles, elas escapam às convenções associadas a esses meios. Em segundo lugar, os críticos e teóricos da arte, em cujos circuitos esses trabalhos circulam mais frequentemente, no mais das vezes, não possuem o instrumental conceitual necessário para analisar esses fenômenos e, portanto, o fazem de forma muito superficial. Finalmente, os raros críticos capazes de analisar essa produção híbrida acabam por privilegiar obras estrangeiras consagradas (Andy Warhol, Hollis Frampton, Michael Snow, Cindy Sherman, Hiroshi Sugimoto, Douglas Gordon, David Claerbout, só para citar alguns dos mais conhecidos) que se inserem dentro da problemática – no máximo levam em conta a série “Cosmococas”, de Hélio Oiticica e Neville d’Almeida, já que ela ganhou um status internacional –, deixando de lado, por preguiça ou insegurança, a produção nacional, que é muito extensa e potente. Abstract For almost a decade we have researched film artist in Brazil through analysis of their authors, films, videos and installations. Over time, we noticed that one of the main trends of the experimental film produced by Brazilian artists is related to the process of hybridization between cinema and photography, a kind of hybrid situation that breaks with the conventions of hegemonic forms of cinema and photography , the moving image and still image. In this sense, we decided to develop a critical reflection that focuses the relationship between film and photography in expanded field of contemporary Brazilian art. This research is necessary for three reasons: first, most theorists and critics of photography and film rejects these experiences because, for them, they escape the conventions associated with these means. Secondly, critics and art theorists, whose circuits in these works circulate more frequently, in most cases, lack the conceptual instruments necessary to analyze these phenomena and therefore do a very superficial way. Finally, critics can analyze this rare hybrid production ultimately privileging foreign works devoted (Andy Warhol, Hollis Frampton, Michael Snow, Cindy Sherman, Hiroshi Sugimoto, Douglas Gordon, David Claerbout, just to name a few of the best known) that fall within the problem - maximum take into account the “Cosmococas” series, He?lio Oiticica and Neville d’Almeida, since she gained an international status - leaving aside, for laziness or insecurity, domestic production, which is very extensive and powerful.

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