Bibliografías temáticas / Sydney Royal Botanic Gardens

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Literatura académica sobre el tema "Sydney Royal Botanic Gardens"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 4 de marzo de 2023

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Artículos de revistas sobre el tema "Sydney Royal Botanic Gardens"

Green, P. S. y Lionel Gilbert. "The Royal Botanic Gardens, Sydney. A History 1816-1985". Kew Bulletin 43, n.º 2 (1988): 362. http://dx.doi.org/10.2307/4113748.

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McCracken, Donal P. y Lionel Gilbert. "The Royal Botanic Gardens, Sydney: A History 1816-1985". Garden History 16, n.º 1 (1988): 107. http://dx.doi.org/10.2307/1586911.

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LUCAS, A. M. "Disposing of John Lindley's library and herbarium: the offer to Australia". Archives of Natural History 35, n.º 1 (abril de 2008): 15–70. http://dx.doi.org/10.3366/e0260954108000053.

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Shortly before he died, John Lindley decided to dispose of his herbarium and botanical library. He sold his orchid herbarium to the United Kingdom government for deposit at the Royal Botanic Gardens, Kew, and then offered his library and the remainder of his herbarium to Ferdinand Mueller in Melbourne. On his behalf, Joseph Hooker had earlier unsuccessfully offered the library and remnant herbarium to the University of Sydney, using the good offices of Sir Charles Nicholson. Although neither the University of Sydney nor Mueller was able to raise the necessary funds to purchase either collection, the correspondence allows a reconstruction of a catalogue of Lindley's library, and poses some questions about Joseph Hooker's motives in attempting to dispose of Lindley's material outside the United Kingdom. The final disposal of the herbarium to Cambridge and previous analyses of the purchase of his Library for the Royal Horticultural Society are discussed. A list of the works from Lindley's library offered for sale to Australia is appended.

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Smith, Janine. "Winner of the Margaret Flockton Award for Excellence in Scientific Botanical Illustration Announced at the Royal Botanic Gardens and Domain Trust, Sydney". Taxon 62, n.º 4 (21 de agosto de 2013): 851–52. http://dx.doi.org/10.12705/624.25.

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Fulton, Graham R. "Museum: The Macleays, Their Collections and the Search for Order." Pacific Conservation Biology 17, n.º 2 (2011): 162. http://dx.doi.org/10.1071/pc110162.

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STACEY and Hay have previously collaborated on the volume Herbarium (Stacey and Hay 2004) regarding collections held in the herbarium of the Royal Botanic Gardens, Sydney. Ashley Hay has published two books of narrative non-fiction. Her essays, short stories and journalism have appeared in various periodicals including The Bulletin where she was a literary editor. Robyn Stacey is a Senior Lecturer in the School of Communication and Arts at the University of Western Sydney. She is an acclaimed photographer, in Australia, with her photography shown in Australia and internationally. This book is about the history, collectors and collections of The Macleay Museum at The University of Sydney. Its aim is to bring the reader closer to the collectors and collections by breathing life into the characters and selected specimens in the collection; according to the dust-jacket’s hyperbole, to throw open the doors of the museum and its rich collections. The authors develop the book with their individual skills, one of writing and one of photography. The second is facilitated through its aesthetic appeal, its folio size and large photographic reproductions of strikingly coloured specimens. The whole is a coffee-table-style-book with a text that digs deeper developing the background to the personalities and collections, intertwining them with the history of early systematists/collectors, which provides the backbone of the text.

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Moritz, Craig. "A theme issue on landscape ecology". Pacific Conservation Biology 1, n.º 3 (1994): 157. http://dx.doi.org/10.1071/pc940157.

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This issue introduces a new feature of Pacific Conservation Biology ? a theme issue. In this case the theme is "Landscape Ecology", a developing field in conservation biology which is strong in Australia and which, as these papers indicate, has considerable application to practical conservation. The papers are of high quality ? all were subject to critical review and revision ? and demonstrate the breadth of disciplines contributing to Landscape Ecology. A particularly pleasing feature is the range of organizations from which the authors come; Universities, CSIRO, State conservation agencies and the Royal Botanic Gardens in Sydney. This approaches the ideal we have set for the journal. The papers were submitted subsequent to a symposium on the topic at the 1993 meeting of the Ecological Society of Australia and were edited by Richard Hobbs; my thanks to him for the original suggestion and his extraordinary efficiency! I expect that we will have more such theme issues in the future, perhaps one a year, and I would welcome suggestions.

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Millar, Alan J. K. y D. Wilson Freshwater. "Morphology and molecular phylogeny of the marine algal order Gelidiales (Rhodophyta) from New South Wales, including Lord Howe and Norfolk Islands". Australian Systematic Botany 18, n.º 3 (2005): 215. http://dx.doi.org/10.1071/sb04041.

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Fifteen species in seven genera of the marine benthic red algal order Gelidiales are reported from the New South Wales coast including Lord Howe Island and Norfolk Island. Critical sampling, a re-examination of herbarium specimens filed in the Royal Botanic Gardens Sydney and the University of Melbourne, and molecular sequencing of most of the species has determined that many of the previous identifications from this region of the Pacific were incorrect. Gelidium pusillum (Stackhouse) Le Jolis, once widely reported from this coast, is shown not to occur here and the specimens on which these misidentifications were made have proved to represent either new species or previously described species. Similarly, records of Gelidium australe J. Agardh have been found to represent misidentification of the formerly New Zealand endemic Gelidium allanii V.J.Chapman, and specimens identified as Gelidium caulacantheum J. Agardh actually represent the new species Gelidium hommersandii sp. nov. Previously recorded species verified in this study are Capreolia implexa Guiry & Womersley, Gelidiella acerosa (Forsskål) Feldmann & G.Hamel, Gelidium maidenii Lucas, Pterocladia lucida (Turner) J. Agardh, Pterocladiella caerulescens (Kützing) Santelices & Hommersand [as Pterocladia caerulescens (Kützing) Santelices], Pterocladiella capillacea (Gmelin) Santelices & Hommersand [as Pterocladia capillacea (Gmelin) Bornet], and Ptilophora pectinata (A. & E.S. Gepp) R.E.Norris. These species are described and illustrated in detail along with previously unreported reproductive structures. Three species are newly recorded for the New South Wales mainland [Parviphycus antipae Celan, Gelidium crinale (Turner) Gaillon, and Pterocladiella caloglossoides (Howe) Santelices], and two species (Gelidium isabelae W.R.Taylor and Gelidium allanii V.J.Chapman) represent new records for the Australian continent. In addition, three new species are described: Gelidium bernabei sp. nov., Gelidium declerckii sp. nov., and Gelidium hommersandii sp. nov.

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Robertson, Emma. "A sense of coherence: Drawing for the mind". Drawing: Research, Theory, Practice 5, n.º 2 (1 de diciembre de 2020): 333–50. http://dx.doi.org/10.1386/drtp_00042_1.

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As part of the award-winning Big Anxiety Festival in Australia, an exhibition of mixed-media drawings of plants and seeds was displayed at the University of Sydney, at the same time as two public drawing workshops in the Royal Botanic Garden Sydney. This paper describes and summarizes the various drawing techniques used in these workshops, and discusses the feedback from participants, who self-identified as having anxiety. Drawing using different types of approaches allowed workshop participants to mediate their tacit knowledge of the symptoms and solutions of living with anxiety, and to transition to a lived experience of proactively using drawings to improve their individual cognition, mindsets and mental health. Utilizing the platform afforded by the promotion of Mental Health Month in New South Wales, allowed the drawing exhibitions and workshops to be understood more broadly within an interdisciplinary context, which embedded their impact on other fields of research, including ecopsychology and biophilia, in a salutogenic model of practice. Specific to this approach, a ‘sense of coherence’ was deliberately embedded in both of the workshops’ sequential drawing exercises, which were observational and objective in intent. The exhibitions in 2017 and 2019 also consciously deployed a ‘sense of coherence’ in their design. Documentation drawings have recently been used as a tool to alleviate anxiety and promote wellness in medical staff working in a UK Emergency Department during the COVID-19 pandemic. This demonstrated the widespread potential applications for drawings to provide an antidote and a method of communication to proactively and positively assist mental health. Further research and exploration of the role that drawing plants and nature can play in the construction of learning in the context of individuals struggling with anxiety may offer routes to new knowledge and better understanding and potentially enhance connections between art and health researchers and institutions globally.

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Rae, David. "The Value of Living Collection Catalogues and Catalogues Produced From the Royal Botanic Garden Edinburgh". Sibbaldia: the International Journal of Botanic Garden Horticulture, n.º 6 (31 de octubre de 2008): 115–31. http://dx.doi.org/10.24823/sibbaldia.2008.38.

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Many botanic gardens produce catalogues of plants growing in their gardens on either a regular or ad hoc basis. These catalogues are useful for reference and archive purposes and their production has added benefits such as the necessity to stocktake the collection and clarify nomenclature prior to publication. Many now also contain interesting introductory material such as collection statistics, histories of the gardens and information about significant plants in the collection. This paper describes the value of producing catalogues, reviews four diverse approaches to catalogues (from the Arnold Arboretum, Ness Botanic Gardens, Oxford Botanic Garden and Utrecht Botanic Garden) and then describes the catalogues produced by the Royal Botanic Garden Edinburgh, before culminating in a description of Edinburgh’s 2006 Catalogue.

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Ives, Julian. "Biological controls in botanic gardens". Sibbaldia: the International Journal of Botanic Garden Horticulture, n.º 18 (21 de febrero de 2020): 117–25. http://dx.doi.org/10.24823/sibbaldia.2020.292.

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Biological control of insect pests in horticulture is evolving rapidly but use in botanic gardens can be difficult due to the variety and extent of the plant collections held at these gardens. This paper describes examples of successful biological control of mealybug species at the Cambridge University Botanic Garden and Royal Botanic Garden Edinburgh and looks at some of the challenges to extending the use of such controls in all environments.

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Tesis sobre el tema "Sydney Royal Botanic Gardens"

Morrow, Lorna Helen. "Geographies of botanical knowledge : the work of John Hutton Balfour, 1845-1879". Thesis, University of Edinburgh, 2018. http://hdl.handle.net/1842/33248.

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This thesis forms a contribution to the historical geography of botanical knowledge. It examines the writings, teaching and public engagement in botany of John Hutton Balfour (1808-1884), Regius Professor of Botany and Medicine at the University of Edinburgh and Regius Keeper of the Royal Botanic Garden Edinburgh (RBGE) between 1845 and 1879. The thesis explores the methods and approaches used by Balfour to promote botany. It pays specific attention to his scientific correspondence, publications, teaching and pedagogical practices (including fieldwork) and to his role in promoting the Botanical Society of Edinburgh. The curriculum Balfour constructed covered the major aspects of nineteenth-century botanical knowledge: plant structure, morphology and classification as well as aspects then 'on the fringes' of becoming popular - plant physiology. In order to teach this curriculum, Balfour meticulously shaped scientific, pedagogic and social spaces into places of scientific production and discovery. Study of his published work, classroom, field sites and involvement with the public sphere together form the principal elements of this thesis. These are the central places and productive sites in which his botany was made. Balfour's published work allowed him to develop theoretical aspects in his view of botany. For Balfour, writing was an occupation about which he cared deeply both in terms of its role in knowledge circulation but also from a personal perspective. His publication of texts suitable for several distinct audiences (while financially rewarding,) was also an excellent method of circulating botanical and religious knowledge, two topics he was passionate to promote. The classroom provided the setting for Balfour to teach through practical instruction. He employed sensory stimulating objects in order to encourage students to learn the skill of botanical identification and observation. The 'field', like the classroom, was also a site of practical instruction. Balfour's construction of 'the field' was careful and deliberate. It was based on familiarity of location, experience of working in the field, and an extensive knowledge of the geographical distribution of plants in Scotland. Balfour's engagement with the public was evident in his involvement with the Botanical Society of Edinburgh (BSE), and by lectures delivered to groups with the object of moral improvement through botany. The thesis situates Balfour's work within recent literature on the historical geography of scientific knowledge, with particular attention to the importance of place and the sites of science's making. In this way, Balfour's work is illustrative of wider elements of the situated production, and variable dissemination, of scientific (botanical) knowledge.

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Brennan, E. "Heterogeneous cloth : an ethnography of the coming into being of barkcloth artefacts at the Royal Botanic Gardens, Kew, and amongst the Nuaulu of Nua Nea Village, Maluku, Eastern Indonesia". Thesis, University College London (University of London), 2017. http://discovery.ucl.ac.uk/10037521/.

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This thesis uses barkcloth artefacts as a methodological point of entry and fieldsite, to explore their material properties. It argues that the material properties of barkcloth artefacts are indexical of social relations, as it moves between contexts; exploring the nature of properties as inherently diverse or diversely exploited, rather than homogenously embedded. The thesis argues that properties are processual, and uses the operational sequence or chaîne opératoire as a route to beginning to unpack the attribution of these qualities. The thesis follows the material through two distinct contexts; beginning with a collection of barkcloth artefacts in the Economic Botany Collection, at the Royal Botanic Gardens, Kew. Here artefacts illustrate the relationship between people and plants through technical process; and are packed within the botanical episteme and a British history of material relations, exploitation and development. From within the collections store, laboratory, and herbarium at Kew, material origins and structure are foregrounded as inherent to material identity. From Kew, research relocates to Maluku in eastern Indonesia; to a region situated historically as foundational in the exploitation of plant ‘resources’ and botanical exploration. Thematically then, the region is congruous with the Kew context. Nuaulu barkcloth artefacts, as explored in Nua Nea village, on Seram island are efficacious in male life-transformation rituals, and clan constitution. Barkcloth properties are generative and contingent. The efficacy of these artefacts is inseparable from the proximal dynamics as managed through their ongoing coming into being: bodily, temporal and territorial. A processual approach to barkcloth artefacts’ material properties across contexts allows access to the nature and diversity of the relationships between humans and non-humans: in this case, with plants, and trees. This is in what plant materials are able to reflect back at us, as transformed living kinds.

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Fitzpatrick, Peter Gerard Media Arts College of Fine Arts UNSW. "The Doulgas Summerland collection". 2007. http://handle.unsw.edu.au/1959.4/44257.

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The Douglas Summerland Collection is a fictional "monographically based history"1. In essence this research is concerned with the current debates about history recording, authenticity of the photograph, methods of history construction and how the audience digests new 'knowledge'. The narrative for this body of work is drawn from a small album of maritime photographs discovered in 2004 within the archives of the Port Chalmers Regional Maritime Museum in New Zealand. The album contains vernacular images of life onboard several sailing ships from the nineteenth and twentieth centuries, including the DH Sterling and the William Mitchell. Through investigating the'truth' systems promoted by the photograph within the presentations of histories this research draws a link between the development of colonialism and the perception of photography. It also deliberates on how 'truth' perception is still a major part of an audience's knowledge base. 1. Anne-Marie Willis Picturing Australia: A History of Photography, Angus & Robertson Publishers, London. 1988:253

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Libros sobre el tema "Sydney Royal Botanic Gardens"

Wilson, Edwin. Poetry of place: Royal Botanic Gardens, Sydney. [Sydney NSW]: Botanic Gardens Trust, 2004.

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The Royal Botanic Gardens, Sydney: A history, 1816-1985. Melbourne: Oxford University Press, 1986.

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Kenney, Suzanne. Mount Tomah Darug Aboriginal connections. Sydney: Royal Botanic Gardens Sydney, 2002.

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Latreille, Anne. Royal Botanic Gardens Melbourne. 2^a ed. Victoria, Australia: Royal Botanic Gardens Melbourne, 2009.

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Royal Botanic Gardens, Melbourne. Crows Nest, NSW: Allen & Unwin, 2001.

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Palipana, N. B. Royal Botanic Gardens, Peradeniya. [Peradeniya: N.B. Palipana], 2006.

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Clive, Langmead y Payne Michelle MA, eds. Royal Botanic Gardens Kew: Souvenir guide. 4^a ed. [London]: The Gardens, 2010.

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Royal Kew. London: Constable, 1985.

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Royal Botanic Gardens, Kew: A souvenir guide. London: Royal Botanic Gardens, Kew, 2001.

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Hastings, Rupert. The Royal Botanic Gardens Kew: The wildfowl. London: HMSO, 1987.

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Capítulos de libros sobre el tema "Sydney Royal Botanic Gardens"

Richards, G. C. "The development of strategies for management of the flying-fox colony at the Royal Botanic Gardens, Sydney". En Managing the Grey-headed Flying-fox, 196–201. P.O. Box 20, Mosman NSW 2088, Australia: Royal Zoological Society of New South Wales, 2002. http://dx.doi.org/10.7882/fs.2002.052.

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Divljan, Anja, Kerryn Parry-Jones, Mandi Griffith, Joanne Whitney, Neisha Burton, Craig Smith y Glenda M. Wardle. "Practical solutions for capturing and processing Grey-headed Flying-foxes, Pteropus poliocephalus, based on a camp study at the Royal Botanic Gardens, Sydney". En The Biology and Conservation of Australasian Bats, 168–74. P.O. Box 20, Mosman NSW 2088, Australia: Royal Zoological Society of New South Wales, 2011. http://dx.doi.org/10.7882/fs.2011.019.

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Clubbe, Colin. "Communicating the message: a case study from the Royal Botanic Gardens, Kew". En Tropical Rain Forest: A Wider Perspective, 345–66. Dordrecht: Springer Netherlands, 1998. http://dx.doi.org/10.1007/978-94-011-4912-9_12.

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Tucker, Allan y Don Kirkup. "Extracting Predictive Models from Marked-Up Free-Text Documents at the Royal Botanic Gardens, Kew, London". En Advances in Intelligent Data Analysis XIII, 309–20. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-12571-8_27.

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Williams, China. "Rights Over Genetic Resources and Ways of Monitoring the Value Chain. A Case Study from the Royal Botanic Gardens, Kew". En Global Transformations in the Use of Biodiversity for Research and Development, 509–23. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-88711-7_18.

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"Royal Botanic Gardens Kew". En Exploring Boundaries, 59–65. Birkhäuser, 2007. http://dx.doi.org/10.1007/978-3-7643-8307-7_5.

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"The Royal Botanic Gardens, Kew". En The Multifarious Mr. Banks, 176–223. Yale University Press, 2020. http://dx.doi.org/10.2307/j.ctv103xdw5.13.

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Musgrave, Toby. "The Royal Botanic Gardens, Kew". En The Multifarious Mr. Banks, 176–223. Yale University Press, 2020. http://dx.doi.org/10.12987/yale/9780300223835.003.0006.

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This chapter examines the intellectual paradigms and rationales that influenced Joseph Banks in his thinking and actions. It explains his disinterest with architectural and landscape fashions and his dislike of a grandiose neoclassical pile on grounds laid out by the architect Capability Brown. It also analyses Banks as an empiricist for his adaption of the Baconian method of investigative science that forms the basis of the scientific method as a means of observation and induction. The chapter explores Banks' beliefs on the outcomes of science that should be applied knowledge and that theoretical speculation should be moderated by practical observation. It talks about Banks as the Liberal Patron of Science and the Enlightened Cultivator of Natural Knowledge and how he held a deep and ingrained belief in “progress.”

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"CHAPTER 6 The Royal Botanic Gardens, Kew". En The Multifarious Mr. Banks, 176–223. Yale University Press, 2020. http://dx.doi.org/10.12987/9780300252132-009.

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"The Royal Botanic Gardens at Kew and Buckingham Palace". En Masters of their Craft, 96–101. The Lutterworth Press, 2014. http://dx.doi.org/10.2307/j.ctt1cgf05n.16.

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