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Artículos de revistas sobre el tema "Symbolism in folkore"

Autor: Grafiati

Publicado: 25 de julio de 2024

Última modificación: 31 de julio de 2025

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1

Pospelova, Olga S. "The Image of Bluebeard in the Age of Symbolism." Literary Fact, no. 4 (26) (2022): 183–201. http://dx.doi.org/10.22455/2541-8297-2022-26-183-201.

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The article examines the symbolics in the play “Ariana and Bluebeard, or Vain Deliverance” (1896) by the Belgian writer Maurice Maeterlinck and in the libretto “Duke Bluebeard’s Castle” by the Hungarian writer Béla Balazs (1911). There is a transformation of the Bluebeard story from folklore to the field of symbolist and neo-romantic literature, where it undergoes significant changes, being transformed into a “new age myth.”

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2

Mirələm qızı Qasımova, Pərvanə. "Characteristics of folklore." SCIENTIFIC RESEARCH 12, no. 8 (2022): 24–29. http://dx.doi.org/10.36719/2789-6919/12/24-29.

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Folklorun estetik əhəmiyyəti ilk öncə onunla şərtlənir ki, o dil, fikir və bədii düşüncənin əsasında xalqın yaratdığı mükəmməl bir söz sənətidir. Folklor xəyal, təxəyyül, fantaziya və simvolikadan sənətkarlıqla istifadə edərək gerçəkliyi dolayı yolla motivləndirir və onu poetikləşdirir. Bu poetikləşdirmə, sənət yaratma prosesində əsas vəzifəni xalqın bəddi zövqü yerinə yetriri. Yəni, xalqın bədii zövqü folklorun estetik ölçülərini müəyyənləşdirən və modelləşdirən əsas faktor rolunda çıxış edir. Folklor formaları əsrlərlə xalq sənətkarları tərəfindən cilalanıb və estetik ölçülərini sabitləşdiri

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3

Ro’ziyeva, Mohichehra Yoqubovna. "COLOR SYMBOLISM IN UZBEK FOLKLORE." Theoretical & Applied Science 85, no. 05 (2020): 277–84. http://dx.doi.org/10.15863/tas.2020.05.85.55.

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4

Владыкина, Татьяна Григорьевна. "Food Symbolism in Udmurt Folklore." ТРАДИЦИОННАЯ КУЛЬТУРА, no. 3 (November 2, 2020): 132–40. http://dx.doi.org/10.26158/tk.2020.21.3.011.

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Фольклор удмуртов содержит весьма значимый по богатству символики напитков и еды материал. Удмуртский язык и обрядовые традиции до сегодняшнего дня сохранили архаические представления о магической связи праздничной культуры и ритуальных напитков/еды (юондыр - время пития/пиршества). Показательно присутствие в названиях праздников, знаменующих календарно важные периоды зимнего (Вожо-дыр - зимние Святки) и летнего (Инвожо - летние Святки) солнцестояния, номинации хмельного напитка сур (пиво): Толсур - зимнее пиво / зимний праздник; Куарсур - лиственное пиво / летний праздник. Компонент «пиво» в

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5

Hutchings, John. "Folklore and Symbolism of Green." Folklore 108, no. 1-2 (1997): 55–63. http://dx.doi.org/10.1080/0015587x.1997.9715937.

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6

Vavilova, Kseniya Yur'evna. "Symbolism in the English and Russian fairy tale folklore: comparative analysis." Филология: научные исследования, no. 11 (November 2021): 94–106. http://dx.doi.org/10.7256/2454-0749.2021.11.36438.

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The subject of this research is the symbolism in the English and Russian fairytale tradition. The object is the texts of the Russian and English fairy tales. Analysis of the texts reveals the typical functions performed by symbols in both folklore traditions. The author provides the examples of symbols and offers the interpretation of objects-symbols, symbols-zoonyms, color and number symbols, time and space symbols. Comparative study of folklore heritage of non-cognate languages reveals the fundamental commonness of a particular folk genre of different peoples in their perspective upon realit

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7

Oinoshev, V. P., and S. V. Oinosh. "Signs of colour symbolism in traditional Altaian culture." Altaistics, no. 1 (April 5, 2024): 71–78. http://dx.doi.org/10.25587/2782-6627-2024-1-71-78.

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The study of the symbolism of traditional culture categories, including the symbolism of colour in folklore studies and toponymic names becomes very relevant due to the revival of many aspects of spiritual culture. Nowadays the symbolism of colour becomes important in the life of a modern person. It accumulates deep meanings. The extent of research done on the topic: In the Altaian folkloristics colour epithets were studied in detail in the research of M. A. Demchinova, V. P. Oinoshev, S. P. Tyukhteneva and others. Up to the present time colour symbolism in the traditional culture of the Altai

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8

Ajibade, George Olusola. "Water Symbolism in Yorùbá Folklore and Culture1." Yoruba Studies Review 4, no. 1 (2021): 1–25. http://dx.doi.org/10.32473/ysr.v4i1.130029.

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Water is not only a physical substance; it is also an intrinsic part of peoples’ identity, cultural perception, religious beliefs and worldviews. Water is a relevant and a significant variable that is also germane to the understanding of Yorùbá peoples’ identity, culture and religion. Hence, this ethnographical and literary study examines the image of water in Yorùbá cosmology using folklore (oral texts) of the people as paradigms. It uses a field investigative method of research to elicit primary data from the people on the uses of water in diverse spheres of life. It supplements oral data wi

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9

Liu, Minjie. "Folklore symbolism of I. Bunin’s short story “The Raven”." Philology. Issues of Theory and Practice 17, no. 1 (2024): 177–83. http://dx.doi.org/10.30853/phil20240026.

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The article is devoted to a poetical analysis of Ivan Bunin’s short story “The Raven” (1944), which is a part of the cycle of short stories about love “Dark Alleys”. The research is undertaken in order to comprehend the role of folklore in the formation of the poetic world of Bunin’s love story, to identify the emotional and aesthetic perspectives of the images, motifs, and the central conflict of the short story, which is contextually conditioned and mediated by folklore symbols. The research is novel in that it is the first to analyze in detail the short story “The Raven”, its character syst

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10

Babali, Anna. "Boules: The carnival of Naousa. Folklore or symbolism?" Bulletin de l'Institut etnographique 60, no. 2 (2012): 229–40. http://dx.doi.org/10.2298/gei1202229b.

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11

Shrivastava, Garima. "Bijji’s Tale from Duvidha to Paheli: Journey of a Folklore." Journal of Communication and Management 2, no. 01 (2023): 19–22. http://dx.doi.org/10.58966/jcm2023213.

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   Padam Shree Vijaydan Detha, popularly known as ‘Bijji’ is a renowned Rajasthani folklore writer, and Rajasthan is the land of colors of folklores, art, and cultural tradition. Every particle of sand tells a story of romance, bravery, and sacrifice. ‘Bijji’ has given voice to this golden sand singing in silence. ‘Duvidha’ is a story of a woman’s respect, loneliness, and desires. When a sensitive film-maker ‘Mani Kaul,’ one of the flag bearers of Indian parallel cinema, translates the story on celluloid, the story becomes a cinematic treat decorated with symbolism. Kaul’s ca

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12

Turdialiyeva, Elnura. "RUSSIAN-UZBEK WEDDINGS: FOLK STUDIES AND TEACHING METHODS." MODERN SCIENCE AND RESEARCH 2, no. 10 (2023): 329–33. https://doi.org/10.5281/zenodo.10073345.

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<i>This article explores Russian-Uzbek wedding traditions, emphasizing their folklore study and teaching methods. Folklore research covers the symbolism, rituals, music, songs and dances associated with weddings, which allows us to understand the underlying values and sociocultural context of the rituals. Teaching methods include interactive lessons, research projects, curriculum integration and intercultural education.</i>

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13

GAIDAMAVICIUTE, Ona. "BIRD SYMBOLISM IN LITHUANIAN (BALTIC) FOLKLORE AND FOLK ART." Ethnology Notebooks 151, no. 1 (2020): 109–16. http://dx.doi.org/10.15407/nz2020.01.109.

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14

Tolkacheva, Svetlana Viktorovna. "Hair symbolism in the Russian wedding folklore of Udmurtia." Philology. Issues of Theory and Practice 16, no. 11 (2023): 3939–48. http://dx.doi.org/10.30853/phil20230601.

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The aim of the research is to conduct a culturological and mythopoetic comparative description of the meanings of the symbol “hair” using the material of a traditional Russian wedding taking place on the territory of Udmurtia. The scientific novelty lies in the holistic study and systematization of the different meanings of the symbols marking the bride’s hair – in identifying poetic motifs and plots of wedding song folklore, in analyzing the context of the event code of the ceremony – within the framework of the Russian dialect tradition of one region. It is the first time that new wedding ep

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15

Shuliak, S. A., and H. H. Volokh. "SYMBOLISM OF DENDROLEXEMES IN THE TEXTS OF UKRAINIAN FOLKLORE." Тrаnscarpathian Philological Studies, no. 38 (2024): 92–95. https://doi.org/10.32782/tps2663-4880/2024.38.16.

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16

Ilimbetova, Azaliya F. "THE SYMBOLISM OF AZHDAKHA IN THE FOLKLORE AND BELIEFS OF THE BASHKIRS." Vestnik Chuvashskogo universiteta, no. 2 (June 25, 2021): 87–94. http://dx.doi.org/10.47026/1810-1909-2021-2-87-94.

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The article is devoted to the analysis of one of the key serpentine characters – Azhdakha in the folk art and religious and mystical representations of the Bashkirs. The purpose of the work is to analyze the ideas associated with the image of Azhdakha basing on folklore and field materials, and to try to identify its origins. The scientific novelty of the article lies in the fact that this work is the first attempt to study the reasons for the veneration of the image of Azhdakha among the Bashkirs. And this makes it possible to recreate certain aspects in the ethnic history of the Bashkir peop

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17

Zheng, Wenxuan. "The role of black color in the history of Russian, French and Chinese mythology and folklore." Genesis: исторические исследования, no. 5 (May 2024): 46–55. http://dx.doi.org/10.25136/2409-868x.2024.5.70659.

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The subject of the article is the symbolic meaning of black color in the culture and folklore of various civilizations, especially in the Russian, French and Chinese traditions. The research aims to identify the evolution of the perception of black color over time and its role in religious, mythological and socio-cultural contexts. The author examines the transformations of the symbolism of the black color, its connection with myths, rituals and ideas about the world in various cultures, as well as its significance as a reflection of social and cultural norms and values. The research is aimed

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18

Nasiba, Saburovna Jumatova. "Symbolic Images Associated with Color in Folk Songs." International Journal of Social Science and Human Research 04, no. 11 (2021): 3384–86. https://doi.org/10.47191/ijsshr/v4-i11-47.

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This article discusses the historical basis of the creation of symbolic images associated with color in Uzbek literature, the role of folklore in folklore. Symbolic images associated with color serve to enhance the art, charm and impact of Uzbek folk songs. In folk songs, color symbols have been explored using examples as a means of expressing ideas clearly, succinctly, and figuratively.

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19

Tolkacheva, S. V. "Symbols of Time in Russian Wedding Folklore of Udmurtia." Nauchnyi dialog, no. 6 (June 24, 2021): 251–66. http://dx.doi.org/10.24224/2227-1295-2021-6-251-266.

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The article is devoted to the study of the system of artistic images of Russian wedding folklore of the modern Udmurt Republic. The relevance of the work is due to the fact that the temporal processes of the wedding ritual itself, as well as family-clan and natural rhythms are first considered on the example of wedding folklore that exists in the territory of the modern republic. Particular attention is paid to the images of heavenly bodies, the kingdom of plants, zooand ornithomorphic images, the symbolism of sound signals. The sun is shown to be the central artistic image associated with the

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20

Bragina, Natalia, and Vladislav Stepanov. "PHILOSOPHICAL INTERPRETATION OF SYMBOLISM OF ČIURLIONIS’ PAINTINGS." SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference 4 (May 25, 2018): 360–71. http://dx.doi.org/10.17770/sie2018vol1.3196.

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The art of M.-K. Čiurlionis is unique and at the same time emblematic of the culture of the art nouveau period. A deep connection of his art to Lithuanian folklore was combined with his fascination with European philosophical trends of the turn of the 19th - 20th centuries. The aim of this article is to identify the cross-cutting themes (leitmotifs) in the artist’s works and, with the help of this, to reveal the philosophical basis of his works. The methods of research are the study and analysis of both individual Čiurlionis’ paintings and his artistic production in general, as well as the ana

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21

Woloschuk, Caitlin. "Masculinity in Folklore: The Enduring Symbolism of the Canadian Lumberjack." Pathways 3, no. 1 (2022): 5–13. http://dx.doi.org/10.29173/pathways36.

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The nineteenth-century logging industry in North America produced working conditions that gave birth to many folk tales and folk heroes that have held firm, keeping the lumberjack a topic of popular culture that has endured for over a century. Through examining a historical painting and sketch inspired by the popular French-Canadian folktale La Chasse Galerie, present-day people can better understand the different historical influences, such as religion and ethnicity, that helped create folklore and ideas of masculinity within the timber trade in the Ottawa Valley. In addition, the masculinity

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22

Jelenić, Milica. "FOLKLORNI ELEMENTI U ZBIRCI PRIPOVEDAKA IZ TAMNOG VILAJETA MOMČILA NASTASIJEVIĆA." Lipar XXIII, no. 79 (2022): 195–205. http://dx.doi.org/10.46793/lipar79.195j.

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The paper interprets the short stories from the collection From the Dark Vilayet in order to decode the mythical and folklore layer in the narrative world of Momčilo Nastasijević. Examining the storytelling technique, the presence of motifs from folk tradition, ritual and mythical symbolism, the archaic character of Nastasijević’s prose is pointed out as its peculiarity, and the phenomenon of modernist prose in folklore clothing is observed. Folkloric elements figure as an indispensable segment for understanding and interpreting the creativity of Momčilo Nastasijević.

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23

Niebrzegowska-Bartmińska, Stanisława. "Symbolika płodnościowa w polskim folklorze." Etnolingwistyka. Problemy Języka i Kultury 28 (September 22, 2016): 207. http://dx.doi.org/10.17951/et.2016.28.207.

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<p>Autorka podejmuje kwestie płodności w kulturze tradycyjnej i sposoby jej wyrażania, charakteryzuje sposoby wnioskowania o płodności, możliwości wpływania na płodność, jej ochronę i pobudzanie w obrzędowości dorocznej i rodzinnej, daje przykłady hamowania płodności oraz powodowania niepłodności słowem i gestem. Dowodzi, że kod werbalny jako nośnik znaczeń symbolicznych, pozostaje w ścisłym powiązaniu z innymi kodami kulturowymi: przedmiotowym, personalnym, akcjonalnym, muzycznotanecznym, temporalnym i lokatywnym. Służąc wyrażaniu sensów symbolicznych, kody funkcjonują wymiennie, zastęp

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24

Mykytenko, Oksana. "My Small Apple Has Rolled Away: Poetic Peculiarities of Funeral Laments for Children in Ukrainian and South Slavic Folklore Traditions." Tautosakos darbai 59 (June 2, 2020): 85–99. http://dx.doi.org/10.51554/td.2020.28368.

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Traditional notions about death at a young age shape the special character of funeral rituals for children and are reflected in associated funeral lamentations. These funerals are generally subject to the most mournful sympathy and sincere grieving owing to the emotional basis of the texts. At the same time, it was not common to mourn after the death of a baby or the first child. It is evident that there is a tendency to enhance the social status and the age of the dead child through ritual, e.g. by using specific vestments. The motif of the death-wedding seems to be the most relevant in this

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25

RAȚĂ, Irina. "The motifs of death and resurrection in Neil Gaiman’s works." ACROSS Journal of Interdisciplinary Cross-border Studies 8, no. 8 (2025): 5–13. https://doi.org/10.35219/across.2024.8.01.

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Renowned for his reliance on the rich literary tradition in the form of references to poetry, prose, and popular culture, Neil Gaiman reimagines and reinterprets sources from myth and traditional folklore and modern, contemporary folklore to meet his own ends and match new contexts. He recycles certain themes, motifs, and symbols throughout his oeuvre. This article aims to address death and resurrection motifs, and their associated symbolism in terms of thematic criticism and structuralism, in view of determining their function at the level of the literary text

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26

Gura, Aleksandr. "Water and Fire in the Slavonic Symbolism of Dreams and the Symbolic Language of Culture." Antropologicheskij forum 19, no. 56 (2023): 25–61. http://dx.doi.org/10.31250/1815-8870-2023-19-56-25-61.

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The analysis of oral folk interpretations of dreams and dream books lets us determine the range of symbolic meanings for each of the two elements—fire and water. This range represents a semantic paradigmatic structure—an area with a certain symbolism. In a certain sense it resembles what is called a lexical nest or a semantic field in linguistics. The interaction between the symbolism of fire and the symbolism of water is in their partial imposing on each other and is distributed crosswise: dreams about water can get fiery symbolism and vice versa, the three varieties of earthly, heavenly and

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27

Braszka, Justyna. "Symbolika w filmie Nosferatu wampir Wernera Herzoga." Ogrody Nauk i Sztuk 11, no. 11 (2021): 170–77. http://dx.doi.org/10.15503/onis2021.170.177.

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Cel. Celem artykułu jest przedstawienie symboliki ukrytej w filmie Nosferatu wampir w reżyserii Wernera Herzoga, zaprezentowanej na tle filmowego wampiryzmu i twórczości reżysera. Artykuł przedstawia zarys i genezę kina wampirycznego, spuściznę ekspresjonistycznej kinematografii niemieckiej i ponowne podejście Herzoga do wznowienia myśli neoromantycznej. W artykule zaprezentowano także wpływ folkloru i motyw potęgi natury, który miał wpływ na reżyserię Wernera Herzoga. Wymienione wyżej tematy przeplatają się z celem głównym artykułu, czyli interpretacją filmu Nosferatu wampir. Omówienie koncep

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28

Alieva, M., and A. Muratova. "The Depiction of Childhood in English Fairy Tales and Folklore." Bulletin of Science and Practice 10, no. 10 (2024): 419–28. http://dx.doi.org/10.33619/2414-2948/107/55.

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This article explores the depiction of childhood in English fairy tales and folklore, analyzing key aspects and symbolism associated with the image of the child. The study examines how cultural perceptions of childhood, upbringing, and the social role of the child are conveyed through fairy tale plots and characters. It identifies the main archetypes and motifs present in English folklore and their influence on the perception of childhood in the English-speaking world. The article also discusses the significance of these motifs in shaping national identity and instilling values in the younger

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Ilimbetova, Azaliya Fattakhovna. "Sheep (ram) symbolism in folklore, rituals and customs of the Bashkirs." Samara Journal of Science 10, no. 4 (2021): 235–41. http://dx.doi.org/10.17816/snv2021104217.

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The paper analyzes the remnants of the sheep (ram) cult among the Bashkirs, which was one of the revered animals in their religious and mystical views. The consecration of the sheep (ram) by the ancient Bashkirs is based on the remnants of the totemic way of primitive people thinking about the identity, unity and blood relationship of man and the sheep (ram). Their vestiges are manifested in fairytale folklore, folk games, tribal ethnonymy and anthroponyms of the Bashkirs. The existence in the oral stories of the Bashkirs of a character a king with rams horns shows that the ancient Bashkirs re

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Lee, Kyung Hee. "A Study on the Symbolism of Vocabulary in the Altai Folklore." Institute for Russian and Altaic Studies Chungbuk University 26 (February 28, 2023): 243–64. http://dx.doi.org/10.24958/rh.2023.26.243.

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The purpose of this study is to analyze the characteristics of Altai tales and the symbolic meanings of words in Altai tales. Altai refers to the Altai Republic in the Russian Federation, located in South Siberia. Altaians - the common name of a kind of historically formed union of six autochthonous Turkic-speaking ethnic groups. Altai folklore is the traditional beliefs, customs, and stories of a community, passed through the generations by word of mouth Altai people. Altai folk tales are life stories that reflect the traditions, belief systems, religions, and cosmic views of the peoples who

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31

Jali, Nurfauza, Suriati Khartini Jali, Abby Lian Hendrick, et al. "Obus: A Two-Dimensional (2D) Game Preserving Bidayuh Folklore and Symbolism." Journal of Advanced Research in Applied Sciences and Engineering Technology 55, no. 2 (2025): 188–202. https://doi.org/10.37934/araset.55.2.188202.

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Digital games have the potential to preserve cultural heritage, including the fading traditions of Bidayuh folklore and symbolism. This project aims to develop a 2D game that digitally adapts Bidayuh traditions, providing a modernised way to transmit this cultural knowledge. A 2D HTML game prototype titled Obus was designed and developed. The prototype was hosted on Itch.io for online testing and a separate executable file was distributed for offline testing. Distributed questionnaires consisted of open-ended and close-ended questions based on the Technology Acceptance Model (TAM). Responses w

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32

Vasić, Danijela. "Monkey Symbolism in Japan." Narodna umjetnost 60, no. 2 (2023): 119–38. http://dx.doi.org/10.15176/vol60no207.

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Majmun je jedina životinja koja je u japanskoj kulturi prošla dug i trnovit put od božanstva do predmeta poruge. Predstave o majmunu deo su najrazličitijih diskursa, od religije i mitologije preko folklora i različitih vrsta umetnosti pa sve do savremene kulture. Mitske predstave o majmunu predstavljaju hibrid budističkih i taoističkih verovanja pristiglih iz Kine, dodatih na postojeće šintoističko nasleđe. Iz tog spleta ideja, čuvar granice između nebeskog i zemaljskog sveta postaje sam bog i božanski glasnik, a postepeno dobija sve značajnije mesto i u verovanjima, gde se naročito ističu apo

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Monraev, Mikhail U., та Alexander B. Lidzhiev. "Символика птиц у калмыков". Desertum Magnum: studia historica Великая степь: исторические исследования, № 2 (30 грудня 2020): 78–86. http://dx.doi.org/10.22162/2712-8431-2020-10-2-78-86.

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The article describes the symbolic meaning of the image of some bird species existing in the Kalmyk traditional perception. As a rule, different species of birds in the culture of a nation have their own symbolic meaning that can have both positive and negative connotation. The article analyzes the role of messengers referred to different species of birds. The article points out the link of the bird symbolism with totemism and in particular with the selection of this or other species of birds for totems of different ethnic groups. There was a comparative analysis of the bird symbolism among di

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34

Li, Eryong. "Songs by S. V. Rachmaninov: On the problem of classification." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 53 (2024): 162–75. http://dx.doi.org/10.17223/22220836/53/13.

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In this article, the author for the first time offers his view on Rachmaninov’s romances and sets out their classification, obtained through a careful analysis of dramaturgy and poetics, taking into account the content and musical characteristics of the romances. Separate groups include lyrical romances, monologues, folklore, portrait sketches, pre-symbolist and symbolist. To date, no study has proposed a classification of romances based on convincing generalizations of their musical and content side.

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Mingze, Gao. "Ukrainian Symbolism: From Emergence to Revival in the Contemporary Wartime Reality." ARTISTIC CULTURE. TOPICAL ISSUES, no. 20(2) (November 28, 2024): 99–104. https://doi.org/10.31500/1992-5514.20(2).2024.318257.

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Ukrainian symbolism emerged at the turn of the century, and its took its definite theoretical shape in the early twentieth century. Intuitively sensing the forthcoming changes, the symbolists transformed the system of cognition of the world, building it on the basis of creativity, where the latter was interpreted as subconsciously intuitive contemplation of secret meanings accessible only to the artist-creator. The symbol became the central aesthetic category of the new movement and the main means of storing and transmitting the contemplative secret meaning. In their artistic work, Ukrainian s

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Gura, Alexander V. "Linguistic Harmony as a Means of Symbolization in Folklore and Poetic Texts." Slovene 10, no. 1 (2021): 322–46. http://dx.doi.org/10.31168/2305-6754.2021.10.1.14.

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The article discusses the use of linguistic harmony in traditional culture as a means of symbolisation. In folklore texts, the phonetic similarity of the words heightens the semantic connections between them. This happens when homonyms, paronyms, and other similar-sounding words in the text along with anagrammatic coding of the meaning of the text (for example, riddles) merge, combining two words in one hybrid word paronymous with both of them; by means of phonetic strengthening, complex sound compilation of the text as a whole, as frequently seen in poetry, etc. Symbolic correlations based on

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Gura, Aleksandr. "The symbolism of cat in the Slavic folk tradition." Slavic Almanac, no. 1-2 (2019): 335–70. http://dx.doi.org/10.31168/2073-5731.2019.1-2.5.01.

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In the Slavic folk tradition, the cat has ambiguous symbolism and demonic functions. It correlates with the dog, being combined with it by some features and opposed by other (when perceived as pure or impure). The cat and the dog constitute a symbolical parallel to a pair of wild animals - the bear and the wolf. Cat appearance marks other characters of the folk demonology: the devil, “zmora”, the death, the vampire. In the folk zoology, the cat together with some other fur animals (the squirrel, the fox etc.) is to some extent ranked as a mustelid with a specific complex of ideas they represen

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Garunova, Saida Magomedkhanovna, Robert Chenciner, and Magomedhan M. Magomedhanov. "COLOUR AND SYMBOLISM IN DAGHESTAN FOLKLORE LITERATURE AND CARPETS - A FRESH LOOK." History, Archeology and Ethnography of the Caucasus 14, no. 3 (2018): 109–26. http://dx.doi.org/10.32653/ch143109-126.

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In the present article, we study more issues of color semantics and symbols. Our research is based on the analysis of mainly Daghestani folklore and ethnographic materials and colour characteristics of traditional textiles, including carpets. We examined two methods of gathering evidence about associations of colours in the minds of people. The first is to use some kind of psychological tests. The second is to use ideas incorporated in folklore and folk litera- ture, as handed down through generations of narrators and listeners. During this process, successive narrators have unconsciously filt

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Sherwood, Amy. "An Bó Bheannaithe: Cattle Symbolism in Traditional Irish Folklore, Myth, and Archaeology." McNair Scholars Online Journal 3, no. 1 (2009): 189–225. http://dx.doi.org/10.15760/mcnair.2009.189.

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Генжебаев, Тимур. "THE USE OF FOLKLORE ELEMENTS IN THE WORKS OF THE BROTHERS GRIMM AND ALEXANDER PUSHKIN." MODERN SCIENCE АND RESEARCH 3, no. 4 (2024): 79–81. https://doi.org/10.5281/zenodo.10934624.

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<em>This article examines the use of folklore elements in the works of the Brothers Grimm and Alexander Pushkin. Folklore motifs play a key role in the work of both writers, enriching their works with depth, authenticity and unique flavor. Writers not only retold folk tales, but also put into them their own vision of the world and human relations. The works of the Brothers Grimm, such as Hansel and Gretel and Cinderella, are prime examples of the use of folklore to convey moral lessons and create compelling stories. In the works of Alexander Pushkin, folklore elements permeate his poetry and p

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Sinelnikov, Ivan. "Folklore Heritage of Zhytomyr Polissia: Specifics of Local Functioning (Based on Expeditionary Research of Olevsk District)." Bulletin of KNUKiM. Series in Arts, no. 50 (June 27, 2024): 82–91. https://doi.org/10.31866/2410-1176.50.2024.306797.

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<strong>The aim of the article</strong> is to highlight the preservation state of local functioning of the authentic folk-musical song tradition in Zhytomyr Polissia (based on materials of expeditionary research in Olevsk district); to study the plots and image symbolism of folklore texts inherent to the specified tradition’s locus. <strong>Results.</strong> The research is based on folklore materials recorded during the the 2010s by Kyiv National University of Culture and Arts students’ expeditions in villages of Olevsk district, Zhytomyr region. Approximately 100 songs

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Koval, Vladimir I. "Symbol of Mouse in Slavonic and Chinese Linguocultures." RUDN Journal of Language Studies, Semiotics and Semantics 11, no. 2 (2020): 250–64. http://dx.doi.org/10.22363/2313-2299-2020-11-2-250-264.

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The article describes in comparative aspect the main symbolic meanings of the zoononym mouse in Slavic and Chinese linguocultures. The study of animal symbolism in Russian (wider - Slavic) and Chinese cultural traditions is one of the current trends in modern linguistics, which, on the one hand, has a pronounced anthropocentric orientation, and on the other, is characterized by a noticeable increase in interest in the Chinese language and culture of China in different countries of the world. Turning to the study of complex and ambiguous symbolism of the mouse is quite timely and taking into ac

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Liana, KHAGOZHEEVA. "Symbolism of numbers in the Circassian epic: one and two." Epic studies 4, no. 32 (2023): 108–18. http://dx.doi.org/10.25587/2782-4861-2023-4-108-118.

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The article analyzes the nature of reflecting the symbolism of the number one and two in the poetics of historical and heroic epic. It is proved that they contain deep mythological roots, are the carrier of folk consciousness and mentality of ethnos, and have a clear reflection in the Adyghe folklore. To reveal the artistic forms of manifestation of these numbers on the material of historical and heroic songs and legends was the purpose of our work. To achieve the goal the following tasks were set: to analyze the texts of historical-heroic epic; to study the symbolism of the number “one” and “

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Calaza-Martínez, Pedro, Nuria Freire-González, and Camilo Blanco-Pampín. "Sacred Landscapes in Galicia: Small Religious Architecture and Symbolism." Acta Horticulturae et Regiotecturae 22, no. 1 (2019): 8–13. http://dx.doi.org/10.2478/ahr-2019-0002.

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Abstract Cultural landscapes are multi-layered entities that constantly endure changes and transformations, especially in Europe due to its ancient history and anthropized nature, which reveals itself not only in physical elements, but also through immaterial heritage. This paper aims to analyse the connection between sacred landscapes, small religious architecture and folklore, focusing on the origin and transformations of several places in Galicia (northwest of Spain). Galicia is defined by its rich flora and fauna, a management of its land based on smallholding and the social idiosyncrasy o

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Kuchko, Valeria S. "Жемчуг in Russian Folklore". Izvestia of the Ural federal university. Series 2. Humanities and Arts 24, № 3 (2022): 118–38. http://dx.doi.org/10.15826/izv2.2022.24.3.048.

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Pearls are some of the most frequently encountered gems in Russian folklore. This reflects their importance for Russian culture, where from the sixteenth and seventeenth centuries and up to the nineteenth century, they were among its symbols. Pearls were not only gems representing the highest strata of society and the highest clergy. They were relatively easily accessible to the common people, and even to the peasantry, especially in the Russian North, the territory of their extraction in Russia (the poor peasantry used imitations). The rootedness and high value of pearls in folk life contribu

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Ahmedova, Gulxare. "Theatrical Structures and Performance Traditions in Azerbaijani Folklore." EuroGlobal Journal of Linguistics and Language Education 2, no. 3 (2025): 74–82. https://doi.org/10.69760/egjlle.2500199.

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This article examines the theatrical structures and performance traditions embedded within Azerbaijani folklore, proposing that oral narratives, ritual practices, and musical storytelling constitute a form of proto-theatre. Drawing on theoretical insights from performance studies and folklore research—particularly the works of Richard Bauman and Victor Turner—the study frames Azerbaijani folklore not only as a repository of cultural heritage but also as a dynamic performative system. Through the analysis of epic tales (dastans), lyrical folk songs, the Ashiq bardic tradition, and seasonal ritu

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Popova, E. V. "V INTERNATIONAL FIELD ETHNOGRAPHIC SYMPOSIUM “BAKCHA: VEGETABLE GARDENING TRADITIONS IN THE CULTURE OF THE URAL-VOLGA REGION PEOPLES”." Historical and cultural heritage 15, no. 1 (2025): 116–21. https://doi.org/10.62669/30342139.2025.1.14.

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The V International Field Ethnographic Symposium “Bakcha: Vegetable Gardening Traditions in the Culture of the Ural-Volga Region Peoples” was held on September 11–12, 2024 in Izhevsk. The symposium was interdisciplinary and was attended by specialists from various scientific fields and museum employees. The reports discussed traditional agricultural technology and innovations, history, rituals and beliefs, toponymy and folklore associated with vegetable gardening. The focus was on Soviet dachas, city vegetable gardens and balcony vegetable gardens. The symbolism of the vegetable garden was con

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Wu, Yingming. "Wedding Elements in Chinese Horror Games: A Case Study of Paper Bride." Lecture Notes in Education Psychology and Public Media 77, no. 1 (2024): 146–53. https://doi.org/10.54254/2753-7048/2024.19066.

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Video games, as one of the most popular media today, have become a platform for the reinterpretation and creative expression of cultural elements. Folklore elements in games are not merely replicated; instead, they are transformed, blending traditional narratives with modern aesthetics and gameplay mechanics. This kind of reconstructed folklore is different from traditional folklore, forming a hybrid folklore, which is a new field that deserves the research of folklorists. This paper takes the video game Paper Bride as a case study and analyses how the element of traditional Chinese wedding is

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Diehl, A. V., and A. A. Butina. "Folklore origins of allegorical symbolism in the poem “Luceafărul” by M. Eminescu: linguocultural analysis." Uchenye zapiski St. Petersburg University of Management Technologies and Economics, no. 1 (April 9, 2022): 24–28. http://dx.doi.org/10.35854/2541-8106-2022-1-24-28.

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This research is devoted to the study of the folklore tradition underlying some symbolic images in the poem “Luceafărul” by M. Eminescu. The purpose of the study is to examine a number of relevant cultural symbols and identify their associative speciﬁcity. To achieve the above-mentioned goal, a number of tasks were identiﬁed: to consider the main conceptual dominants of the literary world of M. Eminescu; to identify the most signiﬁcant symbolic images of the poem from the linguocultural point of view and establish the speciﬁcity of their origin; to consider various options for linguocultural i

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Abdullah Sani, Muhammad Nadzmi, Nur Syuhada Mat Sin, and Ronaldi Saleh Umar. "Framework of Animation Costume Design in Film Upin and Ipin Keris Siamang Tunggal." International Journal of Creative Future and Heritage (TENIAT) 13, no. 1 (2025): 39–54. https://doi.org/10.47252/teniat.v13i1.1317.

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Abstract Folklore plays a vital role in Malay traditional culture, emphasizing elements of Malay identity that have been creatively transformed into 3D animated films. This study examines the characters adapted from these folklores, focusing on their symbolism and the traditional elements incorporated into their costumes. However, existing documentation on costume design often neglects the adaptation process and its relationship to the character, theme, and culture as visual metaphors. The objective of this study is to develop the Character Costume Symbolism Relevance Framework (CCSRF), specif

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