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Artículos de revistas sobre el tema "System apocalypse"

Autor: Grafiati
Publicado: 25 de julio de 2024
Última modificación: 26 de julio de 2024

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1

Kirsta, Yuri. "Spiritual state of modern civilization: apocalypse." National Security and Strategic Planning 2023, no. 2 (2023): 5–20. http://dx.doi.org/10.37468/2307-1400-2023-2-5-20.

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The presentation of a new scientific ideology based on the system information-hierarchical approach and characterizing the development of States, ethnoses, religions and modern civilization as evolutional socio-natural systems is continued. The incipient destruction of the bi-ethnic Christian-Jewish religious system, known as the Apocalypse, has been scientifically justified. The involution of the USA, USSR-Russia, Ukraine, China, the Jewish ethnos, Catholic and Orthodox superethnoses is consistent year-to-year with the earlier forecasts of their structural "perestroika": USSR-Russia 1991–1999
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2

Griffiths, Mark. "Moscow after the Apocalypse." Slavic Review 72, no. 3 (2013): 481–504. http://dx.doi.org/10.5612/slavicreview.72.3.0481.

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This article focuses on the apocalyptic images of Moscow that not only proliferated in the immediate aftermath of the fall of the Soviet Union but that have also persisted during the 2000s. Mark Griffiths analyzes Tat'iana Tolstaia's Kys' (2000) and Dmitrii Glukhovskii's Metro 2033 (2005), comparing and contrasting the roles of Muscovite space in these narratives. Riddled with misinterpreted ideas and mutated remainders, turned upside down by ideological volte-face, and haunted by uncanny vestiges of preapocalyptic life, these postapocalyptic worlds are not tabulae rasae but pastiches that ref
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3

Li, Hanyun, Rong Zhao, Yize Lin, Muming Chen, and Jianing Lu. "Post-Apocalyptic Food Production and Distribution Modalities Driven by Private Sector Businesses." Advances in Economics, Management and Political Sciences 9, no. 1 (2023): 231–40. http://dx.doi.org/10.54254/2754-1169/9/20230387.

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Facing the emergence of more world issues, preparing for the arrival of post-apocalypse becomes necessary. Among various problems people might face, lack of food sources is the most critical one. This paper examines how relatively sensitive and responsive private sector businesses can lead and collaborate with other segments of society to build a sustainable long-term food production and distribution system when the post-apocalypse comes. This 2-period system introduces the role of the Chamber of Commerce, and describes the progress of redistribution of resources and cooperation between compan
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4

White, Brian. "Anxious Apocalypse: Transmedia Science Fiction in Japan’s 1960s." Humanities 12, no. 1 (2023): 15. http://dx.doi.org/10.3390/h12010015.

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Science fiction (SF) developed as a self-identified genre in Japan in the 1950s and quickly underwent a boom in the 1960s. Throughout this period, SF literature, film, and television were tightly intertwined industries, sharing production personnel, textual tropes, and audiences. As these industries entered global circulation with the hope of finding recognition and success in the international SF community, however, they encountered the contradictions of the Cold War liberal cultural system under the US nuclear umbrella. Awareness of the discursive marginalization of Japanese SF in the Euro-A
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5

Lee, Hyeongyeong. "A Study on the Spatiality of Choi Jinyoung’s “Where the Sun Goes” : Focusing On Specialities as Representative of Korean Post-Apocalypse Novel." Korean Society of Culture and Convergence 44, no. 10 (2022): 909–18. http://dx.doi.org/10.33645/cnc.2022.10.44.10.909.

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This paper aims to deal with post-apocalypse materials that began the apocalyptic selfawareness that the world is an anthropocene, experienced the COVID-19 pandemic, and began to move from genre literature to pure literature. Among them, it will deal with the spatiality of Choi Jin -young's work “Where the Sun Goes,” which has been pointed out as a Korean-style post- apocalypse literature through various studies. Several studies have proven that studying the spatiality of literary works is a meaningful methodology that can reveal how the artist's thoughts are ideated and symbolized in the work
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6

Baker, Benjamin. "“There’s A Day Coming”: The Origin, Reception, and Conception of the Catastrophic Apocalypse among Black Captives." Journal of Africana Religions 11, no. 2 (2023): 153–97. http://dx.doi.org/10.5325/jafrireli.11.2.0153.

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Abstract Blacks employed myriad means to survive the harrowing and protracted ordeal of American slavery. Arguably, the most important means were ideological, and one idea ubiquitous among Black captives was the catastrophic apocalypse: God physically coming to earth to destroy the planet and “wicked” people, while preserving “righteous” people. This article explores the origin, reception, and conception of this idea among enslaved Blacks in the United States. To do this, I first explore West and Central African cosmology during the era of the transatlantic slave trade to determine if there we
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7

Denisov, A., and V. Khomiakov. "JOINT MEASURES OF RUSSIA AND USA TO INTRODUCE POSTINDUSTRIAL TECHONOLOGICAL ENVIRONMENTS." National Association of Scientists 1, no. 73 (2021): 18–24. http://dx.doi.org/10.31618/nas.2413-5291.2021.1.73.493.

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Considered joint political and military-political decisions of Russian and American governments led to massive integration of new technological environments in Russia based on covering material technologies. Showed that for solving of the whole system of integrated tasks there was made a synthesis of results of engineering and system designing of productions with irrational religious myths and symbols of apocalypse.
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8

Schreiber, Stefan. "Der Mensch im Tod nach der Apokalypse des Mose Eine frühjüdische Anthropologie in der Zeit des Paulus." Journal for the Study of Judaism 35, no. 1 (2004): 49–69. http://dx.doi.org/10.1163/157006304772913087.

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AbstractIn the Apocalypse of Moses the themes of the protoplasts' death and of God's mercy with Adam are dominant. The anthropological views, however, are ambivalent: man as a unity, or a dichotomy of body and soul. In the literary setting of the document as a whole, traditio-historical solutions are not satisfying. On the background of the use of the key terms σ μα, πνε μα and ψυχ in the Septuagint, the author of the Apocalypse does not provide a clear anthropological system, but articulates the "self," the "life" of man as owed to God. Avoiding the dualistic picture of man common in Greek ph
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9

Fields, Alison. "Visualizing Faith and Futility in the Nuclear Apocalypse." Religions 13, no. 2 (2022): 142. http://dx.doi.org/10.3390/rel13020142.

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This paper explores the intersection of personal responsibility, futility, and faith in visual representations of nuclear apocalypse. In two films produced during the late Cold War, Testament (1983) and When the Wind Blows (1986), the protagonists attempt to follow public guidance, maintain daily routines as their health and communities break down, and make muddled connections to religious faith. In Testament, a mother is left to care for her children in suburban California for months after an unexplained nuclear attack isolates and contaminates the town. In When the Wind Blows, a retired coup
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10

Shoja Shafti, Saeed. "Nostradamus, Freud, and Apocalypse: Political Psychology of a Qualm." Neuroscience and Neurological Surgery 14, no. 03 (2024): 01–03. http://dx.doi.org/10.31579/2578-8868/304.

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As said by Freud, an important mental need in some neurotic patients is the need for uncertainty in their life, or for doubt, which may prepare the background for drawing the patient away from reality, isolate him from the world, organize the person’s perspective for magical fantasizing, and turn their thoughts to those subjects upon which all mankind is uncertain, like life and its continual after death (1). In this regard, ‘Animism’ (magical thinking) may be considered a system of thought that allows us to grasp the whole universe as a single unity from a single point of view, and myths, as
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11

Scott, Heidi. "Apocalypse Narrative, Chaotic System: Gilbert White’s Natural History of Selborne and Modern Ecology." Articles, no. 56 (March 8, 2011): 0. http://dx.doi.org/10.7202/1001095ar.

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The catastrophic worldview, which has been formalized into various scientific theories (punctuated equilibrium, chaos, tipping points), covets disaster as its aesthetic, with entropy and negentropy as vying principles. At the close of the eighteenth century, science centered around the new findings of Geology, and scientists like Cuvier, Lamarck, and Buffon debated the predominance of gradual change through time versus sudden, widespread calamities or ‘punctuations.’ This essay investigates Gilbert White’s Natural History of Selborne (1789), a non-fiction, late eighteenth century natural histo
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12

Farland, Maria. ""Total system, total solution, total apocalypse": Sex Oppression, Systems of Property, and 1970s Women's Liberation Fiction." Yale Journal of Criticism 18, no. 2 (2005): 381–407. http://dx.doi.org/10.1353/yale.2006.0006.

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13

Stevens, Kirsten. "Fighting the Festival Apocalypse: Film Festivals and Futures in Film Exhibition." Media International Australia 139, no. 1 (2011): 140–48. http://dx.doi.org/10.1177/1329878x1113900118.

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Since the turn of the millennium, the number of film festivals celebrated annually has exploded, with more than 30 events being celebrated in the Melbourne metropolitan area alone in 2010. The rate of proliferation raises issues of event saturation, bringing into question the future of the film festival format. This article engages with the growing debate over the sustainability of unchecked festival growth. Examining the rise in specialised events that has characterised the film festival phenomenon, it argues that the diverse range and ubiquitous nature of these events collectively forms an e
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14

Proglio, Gabriele. "Il cammino degli eroi: the empire as a mark of modernity. Representations of colonial power in a famous regime documentary." Modern Italy 21, no. 3 (2016): 289–303. http://dx.doi.org/10.1017/mit.2016.26.

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This article examines the most important documentary film about the Italian ‘victory’ in Ethiopia, Il cammino degli eroi, by Corrado D’Errico (1936), the primary aim being to shed light on its complex iconographic system of representation. The first part examines the representation of the ‘African Mussolini’. In the second part, the article analyses the ‘conqueror’s gaze’ in the visual perspective employed by D’Errico in his account of the new Italian colony. The third part is devoted to arguing the juxtaposition between ‘Italian Creation and Ethiopian apocalypse’. Finally, the last part of th
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15

Abdala Meneses, Simón. "The Apocalypse of Leviathan: Eschatology on the political project of Thomas Hobbes." Revista de Filosofía 21, no. 1 (2022): 129–45. http://dx.doi.org/10.21703/2735-6353.2022.21.01.06.

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The main objective of this presentation is to determine the role played by eschatology within the political thought of Thomas Hobbes. In order to determine this role, it is fundamental to give an account of the bibliographic framework used for this presentation. Moreover, there will be an analysis on the relationship of the concepts of "death of State," "history," and "contract," and Hobbes’s main consequences in the post-apocalyptic political landscape. Finally, there will be an interpretation of Hobbes's use of eschatology responding the following question: Is eschatology just a rhetorical d
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16

Tryczyńska, Katarzyna. "Cultural Asymmetry as a Problem in the Dutch-language Translations of Popiół i diament, Mała apokalipsa and Dukla." Werkwinkel 11, no. 2 (2016): 109–31. http://dx.doi.org/10.1515/werk-2016-0013.

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Abstract Culture is present in texts created in a certain literary system and socio-cultural context on every level and becomes particularly visible in culture-specific items (CSIs). They anchor the texts into a certain culture and as such pose serious translation problems. At the same time culture is embedded in the system of transnational relations where there is always cultural asymmetry that exerts influence on the translation process. The position of the culture and the language in the international system tends to be reflected in translator’s choices. This paper addresses the issue of th
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17

Giri, Himal. "Environmental Apocalypse in Rudolf Anaya’s Devil Deer: An Eco-critical Reading." Patan Pragya 11, no. 02 (2022): 68–74. http://dx.doi.org/10.3126/pragya.v11i02.52035.

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This article addresses the issue of increasingly outspoken about environmental problems in American Southwest as portrayed in Rudolf Anaya’s Devil Deer. Impact of toxicity in the environment and the health of flora and fauna are some of the serious issues. Likewise, with the establishment of Los Alamos National Laboratory (LANL)-national’s military industrial complex, the radioactive rays and carcinogenic chemicals though LANL which spread toxicity that has contaminated all the beings. The natural healthy, robust beings have become poisonous, and like mutilated devil. To the flora and fauna th
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18

Sangha, Laura. "Revelation and Reckoning: Angels and the Apocalypse in Reformation England, c. 1559–1625." Studies in Church History 45 (2009): 248–57. http://dx.doi.org/10.1017/s0424208400002540.

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Angelology – the science of angels – exercised a compelling hold on the medieval and early modern mind. The role that angels had in the belief and ritual associated with death was perhaps its most theologically resonant aspect – angels were intimately involved in the system of eschatology and the rites associated with dying, mourning and burial. Their responsibilities at the end of life included participation in the cosmic struggle enacted around the deathbed, where good and evil angels were thought to contend for the custody of the soul of the dying; and stewardship of the soul after death, w
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19

Оробинская, Э. Ю. "Eternity in Time: John Tavener’s “Apocalypse” as an Attempt of Musical Iconography." Научный вестник Московской консерватории 15, no. 1(56) (2024): 46–61. http://dx.doi.org/10.26176/mosconsv.2024.56.1.03.

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Статья посвящена малоизвестному в России произведению английского композитора Джона Тавенера «Апокалипсис» (1993). На материале этого масштабного сочинения исследуется возникший в наиболее ортодоксальный период творчества данного автора концепт звуковой иконы, прослеживается его генезис. Возможность понимания музыкального произведения как иконы осмысливается в свете учения Православной церкви. При этом сквозь призму религиозной догматики рассматривается соотношение свободы творчества и религиозного канона, допустимая мера присутствия автора в тексте сочинения на столь значимый религиозный сюже
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20

Breedlove, Jace. "Rethinking Spectrum Governance After the FAA and FCC’s Turf War Over 5G." Journal of Air Law and Commerce 88, no. 3 (2023): 701. http://dx.doi.org/10.25172/jalc.88.3.6.

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The rollout of 5G technology promised transformative benefits for consumers and the economy. But a protracted dispute between the FCC and FAA relating to 5G interference with airplane safety equipment prevented a smooth 5G rollout. While the FCC was giving wireless companies the green light to roll out 5G service, the FAA was warning of apocalypse if they did. What resulted was a turf war between the FAA and FCC, revealing a dysfunctional process (or lack thereof) for handling spectrum interference concerns. This Comment argues that the United States’ spectrum management system needs an overha
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21

Levy, David L., and André Spicer. "Contested imaginaries and the cultural political economy of climate change." Organization 20, no. 5 (2013): 659–78. http://dx.doi.org/10.1177/1350508413489816.

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This article analyses the evolving cultural political economy of climate change by developing the concept of ‘climate imaginaries’. These are shared socio-semiotic systems that structure a field around a set of shared understandings of the climate. Climate imaginaries imply a particular mode of organizing production and consumption, and a prioritization of environmental and cultural values. We use this concept to examine the struggle among NGOs, business and state agencies over four core climate imaginaries. These are ‘fossil fuels forever’, ‘climate apocalypse’, ‘techno-market’ and ‘sustainab
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22

Entezam, Mahtab, and Pyeaam Abbasi. "Utopia in Kurt Vonnegut’s Cat’s Cradle." International Letters of Social and Humanistic Sciences 42 (October 2014): 1–11. http://dx.doi.org/10.18052/www.scipress.com/ilshs.42.1.

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Utopia is a universal concept, as manifested by the fact that it has attracted readers of five centuries and has influenced numerous writers. It is obvious that people, recognizing the abundant stupidities, corruptions, and injustice prevalent in their society, should attempt to plan a better system for living together. Whether they can reach such a society or not is the fundamental question found in most Vonnegut’s works. The utopian schemes in Vonnegut’s works such as the settlement of San Lorenzo in Cat’s Cradle, almost always backfire, often bringing about more problems than they promise t
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23

Makhnacheva, Tatiana V. "An Experimental Model of the System of Children’s Musical Enlightenment: The Initial Level." Observatory of Culture 18, no. 5 (2021): 531–37. http://dx.doi.org/10.25281/2072-3156-2021-18-5-531-537.

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Culture today is experiencing a state defined by most researchers as “critical”, “threshold”, “moral or spiritual apocalypse”. One of the main problems is the devaluation of spiritual values, which leads to the destruction of the connection between society and academic culture.The multi-channel and all-consuming system of mass communications (media) has begun to play an increasingly decisive role in modern society. As an alternative to spontaneous dissemination of information flows, the concepts of “media culture” and “media art” arise, which makes it possible to combine aesthetic searches wit
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24

Lacković, Stjepan, Mateja Šporčić, and Marina Baralić. "War and Apocalypse Metaphors in Media Discourse on the Pandemic and Earthquake in Croatia 2020/2021." Medijska istraživanja 27, no. 2 (2021): 37–58. http://dx.doi.org/10.22572/mi.27.2.2.

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The way we talk about complex and abstract ideas is abundant in metaphors. Many research studies have shown that even the most subtle metaphor can have a significant influence on the way people try to tackle various social problems. Thus, the assumption is that metaphors are not just a simple rhetorical tool, but also have a profound effect on how we conceptualize reality and respond to important social issues. In the last two decades, scientists have studied the impact of metaphorical framing on political discourse from different research perspectives. Metaphors are often used for framing pol
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25

Chuprina, G. "Multiple sclerosis: etiology, pathogenesis, clinic, diagnosis, differential diagnosis, treatment (clinical lecture)." East European Journal of Neurology, no. 5(17) (November 20, 2017): 27–37. http://dx.doi.org/10.33444/2411-5797.2017.5(17).27-37.

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Multiple sclerosis is a chronic inflammatory demyelinating disease of an infectious and allergic origin, which usually begins at a young age, manifested by signs of a multifocal lesion mainly in the central nervous system, it has a remitting, less progressive nature of the course, often leads to disability. Multiple sclerosis is the most famous and widespread throughout the globe demyelinating diseases of the nervous system. According to the prevalence, it ranks fourth after cerebral stroke, epilepsy and parkinsonism, and is among the so-called "Four riders of the neurological apocalypse", acc
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26

Nmoma Robinson, Veronica. "A Look Back - Learning from Africa: Covid 19 - Politicization, Polarization, And Resistance, The Us and Africa." International Journal of Arts, Humanities & Social Science 04, no. 06 (2023): 17–25. http://dx.doi.org/10.56734/ijahss.v4n6a3.

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Although declared an end as a global health emergency, the Coronavirus remains the most prominent international pandemic challenging the world in the 21st century; it exposed the unfortunate politicization of a devastating pandemic, resource weakness, inadequacies of the democratic system of governance, and the failure of the federal administrative system of the US. This paper argues that, unlike many African nations, partisan politics, politicization, and resistance to Covid-19 in America contributed to prolonged containment efforts and untold suffering resulting in over a million deaths from
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27

Shin, Haerin. "The Neurocognitive Criminology of Avenging Memories: Dissociative Violence in Young-ha Kim’s The Mnemonics of a Murderer." Journal of Korean Studies 23, no. 2 (2018): 299–324. http://dx.doi.org/10.1215/21581665-6973323.

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Abstract Young-ha Kim’s 2013 crime thriller The Mnemonics of a Murderer is a tale of neurocognitive apocalypse, wherein selfhood built upon dissociative violence turns on its own self. In the novel, a retired psychopathic serial killer suffering from Alzheimer’s disease awakens back to action upon detecting his own kind on his trail, only to discover that all was merely an elaborate construct of his deteriorating mind. The outcome is no less deadly, however, for the revelation condemns him to exposure at the hands of his own prized faculties—his memories and deeds as a murderer. Expanding on t
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28

Schimel, Joshua P. "Life in Dry Soils: Effects of Drought on Soil Microbial Communities and Processes." Annual Review of Ecology, Evolution, and Systematics 49, no. 1 (2018): 409–32. http://dx.doi.org/10.1146/annurev-ecolsys-110617-062614.

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Throughout Earth's history, drought has been a common crisis in terrestrial ecosystems; in human societies, it can cause famine, one of the Four Horsemen of the apocalypse. As the global hydrological cycle intensifies with global warming, deeper droughts and rewetting will alter, and possibly transform, ecosystems. Soil communities, however, seem more tolerant than plants or animals are to water stress—the main effects, in fact, on soil processes appear to be limited diffusion and the limited supply of resources to soil organisms. Thus, the rains that end a drought not only release soil microb
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29

Bishop, Chris. "Reading Antiquity in Metro Redux." Games and Culture 15, no. 3 (2018): 308–27. http://dx.doi.org/10.1177/1555412018786649.

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4A Games’s Metro Redux (2014) plays at the intersection of literature and video games. The suite consists of two games, the first of which ( Metro 2033) was based on the self-published novels of Dmitry Glukhovsky: Mempo 2033 (2005) and Mempo 2034 (2009). The games, like the novels, are set in the metro system of Moscow some 20 years after a nuclear apocalypse. Remnant communities, forced underground, congregate in stations that function as nascent city-states. Some stations are independent and unaligned, while others have formed factions (the mercantile “Hanza,” the communist “Red Line,” and t
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30

Paris, Václav. "Tutuola in the Bush of Primitivism." Comparative Literature 76, no. 2 (2024): 201–19. http://dx.doi.org/10.1215/00104124-11054930.

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Abstract This article situates the early novels of Amos Tutuola—The Palm-Wine Drinkard (1952) and My Life in the Bush of Ghosts (1954)—in relation to literary primitivism. The first part outlines the initial misconstrual of Tutuola in the United Kingdom and United States as a “true primitive,” capable of producing authentically what earlier modernist primitivists attempted to produce by simulation. The article then argues that Tutuola anticipated the reception of his texts and himself as primitive, and it describes how he manipulated a binary division in Yoruba folktales between the realm of t
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31

Helmer, Christine. "A systematic theological theory of truth in Kathryn Tanner's Jesus, Humanity and the Trinity: A Brief Systematic Theology." Scottish Journal of Theology 57, no. 2 (2004): 203–20. http://dx.doi.org/10.1017/s0036930604000079.

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This paper raises the truth question to explore the possibility of constructing a system of systematic theology in the contemporary context. By using Schleiermacher's thought as a constructive resource, two dimensions of truth are discussed in dialogue with Kathryn Tanner's book Jesus, Humanity and the Trinity: A Brief Systematic Theology: coherence and correspondence. Addressed in the first section is coherence, along with its auxiliary, comprehensiveness, as a requirement for system. The whole of the Christian world view is grasped by a principle of coherence that reflects both a subjective
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32

Essefi, Elhoucine. "Homo Sapiens Sapiens Progressive Defaunation During The Great Acceleration: The Cli-Fi Apocalypse Hypothesis." International Journal of Toxicology and Toxicity Assessment 1, no. 1 (2021): 18–23. http://dx.doi.org/10.55124/ijt.v1i1.114.

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This paper is meant to study the apocalyptic scenario of the at the perspectives of the Great Acceleration. the apocalyptic scenario is not a pure imagination of the literature works. Instead, scientific evidences are in favour of dramatic change in the climatic conditions related to the climax of Man actions. the modelling of the future climate leads to horrible situations including intolerable temperatures, dryness, tornadoes, and noticeable sear level rise evading coastal regions. Going far from these scientific claims, Homo Sapiens Sapiens extended his imagination through the Climate-Ficti
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33

Shevchugova, Ekaterina I. "Christian Motives in Ch. T. Aitmatov’s Novel The Scaffold." Philology 18, no. 9 (2020): 194–201. http://dx.doi.org/10.25205/1818-7919-2019-18-9-194-201.

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In the following article, we identify the Christian motifs in the novel Plakha (The Scaffold) by Ch. T. Aitmatov, describe them and offer our interpretations. The novelty of our analysis stems from the fact that Ch. T. Aitmatov’s body of work is still underresearched, particularly the religious components of this novel. Within our study, we employ the historical-literary, comparative, and motif analysis. We summarize the worldview of Avdii Kallistratov as a system and show that his image and life journey as someone who experiences choice, solitude, fate, recognition of his predestination and m
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34

Vasylenko, Vadym. "THE POETRY BY MYKHAILO OREST: IDEAS AND FIGURATIVE STRUCTURE." Слово і Час, no. 2 (April 30, 2024): 51–69. http://dx.doi.org/10.33608/0236-1477.2024.02.51-69.

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The paper explores the structure of Mykhailo Orest’s poetry, delving into its main elements such as concepts of time, forest, silence, and word, as well as the motives of eschatologism and reincarnation. It focuses on the ideological and aesthetic originality of Orest’s poetry, examining his views on the nature of language and the essence of art. The distinctive feature of Orest’s poetry is a metaphor of time that comprises various philosophical meanings, including the eschatological understanding of time as “the world of the night,” the era of “the departure of God,” and “the end of things” a
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35

Jelenić, Milica Ž. "A PARODY OF MYTHICAL AND FOLKLORE IN THE NOVEL "THE EPIC OF WATER" BY ENES HALILOVIĆ." Folia linguistica et litteraria XIII, no. 44 (2023): 303–21. http://dx.doi.org/10.31902/fll.44.2023.17.

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The paper deals with the parodic procedure in the novel "The Epic of Water" by Enes Halilović. Considering the significant share of mythical and folklore, the nature of these silts in the work was illuminated and the parodic relationship to tradition was observed. In addition to the above-mentioned elements, the share of the historical can also be seen as significant, which was observed through the prism of the postmodernist text, which results in a specific relationship with the past. The socio-historical context, the system of social and moral values and the influence of the social component
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36

Stavyskyi, Vadym I. "“Revnova zhe dedou svoyemou Monomakhou”: Towards the Interpretation of the Kinship Term of Prince Roman Mstislavich." Slovene 6, no. 2 (2018): 188–98. http://dx.doi.org/10.31168/2305-6754.2017.6.2.7.

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The subject of this article is a phrase from the text distinguished in the initial part of the Galician-Volhynian Chronicle and described, conditionally, with the title “Eulogy to Prince Roman Mstislavich Galitsky.” In this text Prince Vladimir Monomakh is designated as the “grandfather” of Prince Roman. It is well known that Prince Roman was a fifth-generation descendant of Prince Vladimir Monomakh, which in no way corresponds to the understanding of the term “grandfather” in the sense of a genealogical relationship. The inviolability of the established place of each of the representatives of
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37

López Ortega, Jordi. "How Anthropocene Might Save the World: Metamorphosis." Social Sciences 11, no. 2 (2022): 68. http://dx.doi.org/10.3390/socsci11020068.

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The Anthropocene has created a new cartography. It moves between the rejection of scientific disciplines, overcoming dualism and a change of coordinates with which to interpret the world. The Anthropocene unites two fields of knowledge: geology and anthropology. The “Axial Age” divides daily practices (the World of life) and the objective view of nature (the World of science). The Anthropocene” by Paul J. Crutzen and Eugene Stoermer has two distinct parts; the first establishes “a period of time”, and the second establishes an “epistemic tool”. This paper is intended to illustrate the epistemo
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38

Yudina, Tamara N., Petr S. Lemeshchenko, and Elena V. Kupchishina. "Features of New Institutions in The Digital Economy." Journal of Institutional Studies 14, no. 3 (2022): 031–45. http://dx.doi.org/10.17835/2076-6297.2022.14.3.031-045.

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Digital trust and, simultaneously, global distrust became a topical issue in the context of modern trends in the socioeconomic systems development: informatization, internetization, networkization, digitalization. A. Guterres asserts global distrust as one of the four “horsemen of the apocalypse” that threaten all of humanity at the present time. Vulnerability of Russia's positions in the global information and digital space, represented in the predominance of foreign (primarily Western) software and Chinese hardware, cyber-attacks on strategic infrastructure facilities, leaks and the actual v
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39

Osmukhina, Olga Y., and Ekaterina A. Beloglazova. "The synthesis specificity of folklore and orthodox code in Y. Voznesenskaya’s novel “The Star Chernobyl”." Neophilology, no. 4 (2022): 772–85. http://dx.doi.org/10.20310/2587-6953-2022-8-4-772-785.

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Y. Voznesenskaya’s novel “The Star Chernobyl” is analyzed through the prism of the folklore code. The novel, built as a synthesis of fiction and non-fiction and telling about the first weeks after the Chernobyl disaster, connects the biblical context and the story of a small family, unfolding in real historical conditions according to the scheme of a fairy tale narrative. We establish that the epigraph to the novel does not just “rhyme” with the plot deployment, but, firstly, sets the key theme of the narrative (Chernobyl disaster), and secondly, it makes it possible to discover the commonalit
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40

Muromtseva, Alena Olegovna. "Representation of the lyrical "I" in the poetry by A. Podgornova." Litera, no. 3 (March 2024): 205–8. http://dx.doi.org/10.25136/2409-8698.2024.3.70105.

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The multidimensional study of women's poetry is one of the promising strategies of modern Russian literary criticism, which allows us to reveal not only the tools of women's writing, but also the female mentality, feminine identity, and the peculiarities of reflection by a female author of the natural and social world. Among the female authors, a special place is occupied by the Erzya poet Alina Podgornova, whose works trace postmodern trends. The subject of the research in the article is the means of representing the lyrical "I" in the poet's poems. The purpose of the work is to analyze a num
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41

Klein, Stefan, and Mary Beth Watson-Manheim. "Robo-apocalypse cancelled?" Journal of Information Technology 35, no. 4 (2020): 305–6. http://dx.doi.org/10.1177/0268396220925096.

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42

East, Harry. "Apocalypse not quite yet." Journal of Information Science 13, no. 1 (1987): 45–49. http://dx.doi.org/10.1177/016555158701300107.

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43

Benson, Steve. "Apocalypse now: information systems in Australian universities." Journal of Systems and Information Technology 12, no. 3 (2010): 222–29. http://dx.doi.org/10.1108/13287261011070849.

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44

Dery, Kristine. "Robo-apocalypse cancelled? Commentary." Journal of Information Technology 35, no. 4 (2020): 303–4. http://dx.doi.org/10.1177/0268396220925832.

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45

Shubert, Ganna. "EXPERIMENTAL ARTISTIC STRATEGIES OF S.D. KRZHIZHANOVSKIY." Polish Studies of Kyiv, no. 35 (2019): 418–23. http://dx.doi.org/10.17721/psk.2019.35.418-423.

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The author of the article investigates original artistic heritage – experimental art strategies which are repre- sented in short stories by Sigizmund Krzhizhanovskiy. The article gives short biographical information about Krzhizhanovs- kiy as his popularity is growing. The author of short stories is famous for his omniscience talent. Researcher distinguishes such experimental artistic traits as creation of heroes, model of creation individual author’s myth about the world, synthesis of literature kind and sort. These traits are specificity of transitional type of thinking Krzhizhanovs- kiy’s.
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46

Misi Mungala, Junior. "Bonne gouvernance et culture de la paix dans la démocratie : question de méthode." Studia Universitatis Babeș-Bolyai Studia Europaea 68, no. 2 (2023): 125–47. http://dx.doi.org/10.24193/subbeuropaea.2023.2.06.

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"Today, like never before, humanity is developing a fear of self-destruction. After the development of atomic weapons, the current nuclear weapon, although considered a weapon of deterrence, threatens the world with an apocalypse from which it could not recover. Faced with this situation, after the second war, the ultimate question nagging people's minds is the following: what weapon would be used in the next war? As a result, saving humanity from the catastrophe that is looming on the horizon requires recourse to the founding values of good governance and the culture of peace. Despite the old
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47

Бурмистрова, Светлана Владимировна. "Reception of the Apostolic Text in the Poem of V. A. Zhukovsky ‘Agasfer’." Theological Herald, no. 1(36) (March 15, 2020): 264–76. http://dx.doi.org/10.31802/2500-1450-2020-36-1-264-276.

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В статье анализируется рецепция апостольского текста в поэме в. а. Жуковского «Агасфер». основные методы исследования: интертекстуальный, рецептивный, историко-литературный. средневековая легенда об Агасфере осмысляется Жуковским в религиозно-философском аспекте: как сюжет о грехопадении и духовном воскресении. ключевой момент в сюжете духовного перерождения героя связан с темой покаяния, которая осмысляется в контексте священного предания как внутренний переворот, как духовное изменение. тема покаяния в поэме аллюзивно соотносится с образом апостола Павла и его посланиями. восстановление ценн
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48

Асаналиева, А. "РOЛЬ СИМВOЛOВ И ДЕТАЛЕЙ В РАССКАЗЕ И.А.БУНИНА «ГОСПОДИН ИЗ САН-ФРАНЦИСКО»". Vestnik Bishkek Humanities University, № 50 (15 січня 2020): 82–84. http://dx.doi.org/10.35254/bhu.2019.50.8.

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Аннотация. Статья пoсвящeнa выявлению симвoлoв и дeтaлeй, a тaкжe исследованию их рoли в рaсскaзе И.А.Бунинa «Гoспoдин из Сaн-Фрaнциско». В свoих художественных текстах Бунин часто гoвoрит o мире, где нет смысла и мeчтaх присущих чeловeку, oб иллюзoрнoсти и обмaнчивости цeлeй, к которым чeлoвeк стрeмится. Бунин с грустью показывает, чтo между жизнью oт смeртью тонкая и ненадежная нить. Образы-символы в рассказе «Господин из Сан-Франциско» используются для того, чтобф показать авторский взгляд. Важную роль в тексте также играют детали. Идейный смысл рaсскaза «Гoспoдин из Сaн-Фрaнцискo» характер
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49

Somova, E. V., and E. B. Schemeleva. "The role of spatial images in R.D. Harris’s novel “Pompeii”." Literature at School, no. 4, 2020 (2020): 56–67. http://dx.doi.org/10.31862/0130-3414-2020-4-56-67.

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The article focuses on the novel “Pompeii” by Robert Dennis Harris which has been little studied in Russia and presents a new material for further research. The purpose of the research is to identify the originality of spatial images in the novel of the British writer. Basing on the comparative historical and analytical methods, the authors of the article explore the main principles of creating historical narration and the specifics of R.D. Harris’s work with historiographical sources while creating a historical epoch; they identify the features of W. Scott and E.G. Bulver-Lytton. Within the c
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50

González-García, Ricardo. "Los ‘apocalipsis silenciosos’ del arte contemporáneo como dispositivos transformadores de conciencia para la reparación de una memoria ecológica degradada." Arte y Políticas de Identidad 23 (December 30, 2020): 230–46. http://dx.doi.org/10.6018/reapi.461751.

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Como una reunión simbólica de conciencia, toda gran obra de arte es un apocalipsis silencioso que, con sus significativas impresiones o interacciones, puede llegar a transformar la estructura social. Transfigurando el mundo mediante sus espacios de representación, es capaz de adquirir una capacidad profética que denuncia situaciones a fin de, como en el caso específico aquí ofrecido, reestablecer el equilibrio de los ecosistemas degradados por la huella que el ser humano ha impreso sobre ellos. Esta misma impronta antropocénica, auspiciada por la idea de progreso que confiere la utopía del cre
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