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Artículos de revistas sobre el tema "Tang Dynasty (China)"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 27 de julio de 2025

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1

DeBlasi, Anthony. "Court and Region in Medieval China: The Case of Tang Bianzhou." T’oung Pao 102, no. 1-3 (2016): 74–120. http://dx.doi.org/10.1163/15685322-10213p04.

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Although Bianzhou (modern Kaifeng) is well known as the imperial capital of the Northern Song dynasty, its history prior to the tenth century reveals much about the political fortunes of the Tang dynasty, especially after the An Lushan rebellion. A careful analysis of the backgrounds of the Military Commissioners appointed to govern the region indicates that following an initial period of instability, the Tang court was able to maintain control over this strategically vital transportation hub late into the ninth century and to repeatedly appoint commissioners who had passed the civil-service e

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2

Zhao, Yixuan. "A Comparative Analysis of Foreign Perspectives on Tang Dynasty Narratives: Examining History of Imperial China and A History of China." Communications in Humanities Research 35, no. 1 (2024): 12–17. http://dx.doi.org/10.54254/2753-7064/35/20240008.

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History of Imperial China, published by Harvard University Press in the United States, and A History of China, published by Kodansha in Japan, are significant works on Chinese general history abroad. Due to differing perspectives and temporal and spatial contexts, these works exhibit distinct narrative styles and characteristics for the same historical period. This article compares the narrative variances between the Tang History Volume of History of Imperial China and A History of China, aiming to elucidate the underlying reasons for such disparities. Analysis reveals that the primary distinc

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3

Qian, Xiangyi. "On the Intellectual Origins of Tang Dynasty Taoism Philosophy." Journal of Education, Humanities and Social Sciences 24 (December 31, 2023): 811–19. http://dx.doi.org/10.54097/52j7pm86.

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The Tang Dynasty was a period of cultural flourishing in ancient China and an important stage in developing Taoism philosophy. This paper aims to explore the intellectual origins of Tang Dynasty Taoism philosophy, analyse its formation and development background, and examine its influence on contemporary thought. Tang Dynasty Taoism philosophy drew from the essence of various schools of thought in pre-Qin China, integrating Laozi's Taoism ideas, Zhuangzi's concept of nature, and the Taoism notions of self-cultivation. Influenced by the social context of the Tang Dynasty, Taoism philosophy flou

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4

Yin, Tianjie. "The Development of the Thunder God’s Image from the Tang to the Song Dynasty: The Case of Deng Bowen." Religions 15, no. 6 (2024): 676. http://dx.doi.org/10.3390/rel15060676.

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Belief in the Thunder God has been important in China since ancient times. During the Tang Dynasty (618–906), the Thunder God was personified and incorporated into official rituals. Due to the increasing presence of Tantric Buddhism in China during the Tang Dynasty, in Daoism (particularly the Divine Empyrean lineage 神霄派), several Thunder Gods formed a military organization, among which Deng Bowen (鄧伯溫) was considered as a marshal who largely preserved the characteristics of the Thunder God from the Tang Dynasty, featuring traits of a half-human and half-bird. This study focuses on interreligi

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5

Li, Jiayin. "Buddhism and Taoism in the Tang Dynasty of Ancient China: From Gender Perspective." Communications in Humanities Research 18, no. 1 (2023): 158–63. http://dx.doi.org/10.54254/2753-7064/18/20231152.

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Gender studies has become a popular field in sociological research. With the deepening of research, womens empowerment is still a considerable challenge facing various industries. As a prosperous dynasty in ancient Chinese history, the Tang Dynasty, because of its inclusive social environment, women had more independent rights compared with other dynasties. This study uses the method of textual research to analyze the historical materials and archaeological evidence of the Tang Dynasty. It was found that women in the Tang Dynasty expected to participate in social affairs, and religious beliefs

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6

Liu, Yuxi. "Exploring the Cultural Logic, Social Structures, and Spiritual Essence of the Tang Dynasty Through Garments as a Medium." Communications in Humanities Research 57, no. 1 (2025): 87–94. https://doi.org/10.54254/2753-7064/2025.22832.

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Given the extensive 5,000-year history of Chinese culture, it is impossible to comprehensively examine it within the scope of a few thousand words. This study focuses on the Tang Dynasty due to its distinct clothing characteristics. Firstly, the Tang Dynasty is mainly divided into four periods: the Early Tang, Wu Zhou, High Tang, Middle Tang, and Late Tang. These four periods will serve as the starting points for the study of clothing characteristics, aiming to understand the trends and fashion of the Tang Dynasty in China during these eras. Secondly, the study will delve into the social class

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7

Linh, Nguyen Hong. "NATURE IN THE POETRY OF DU FU (CHINA) AND NGUYEN KHUYEN (VIETNAM)." International Journal of Education Humanities and Social Science 07, no. 05 (2024): 67–73. http://dx.doi.org/10.54922/ijehss.2024.0783.

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Tang poetry is a special poetic phenomenon of Chinese literature, including works that lasted throughout the Tang Dynasty, from the time Emperor Gaozu of Tang Li Yuan established the dynasty, until the collapse of the Tang Dynasty, a period of nearly 300 years (618-907). This is considered the golden age of Chinese poetry. In the Complete Tang Poetry published in 1707, there were 900 books, 30 volumes, and 48,900 poems by more than 2,200 poets of the Tang Dynasty. Tang poetry has a profound influence on Vietnamese literature, especially the absorption of the influence of authors such as Du Fu,

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8

Ye Zhi Ping, Ye Zhi Ping, Azlizan Mat Enh, and Suffian Mansor. "The Internationalisation of Muslim Chinese Ummah During the Tang Dynasty." Journal of Strategic Studies & International Affairs 4, no. 2 (2024): 106–16. https://doi.org/10.17576/sinergi.0402.2024.08.

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The historical ties between Muslim and Chinese cultures hold a significant position in Asian geopolitics and have left an indelible mark on world history. During the Tang Dynasty, the spread of Islam, the flourishing Silk Road, and enhanced communication between China and foreign nations facilitated the migration of numerous Muslim merchants, envoys, and missionaries from Arabia and Persia to China. These Muslim communities became central to foreign trade, connecting China with the Western world through Southeast Asia and the Indian Ocean. This period represents one of the most remarkable chap

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9

Wang, Xiaojing. "Study on the Style of Duan Inkstone Inscriptions in the Tang Dynasty "Wu Yong Pan Guan"." Frontiers in Humanities and Social Sciences 2, no. 10 (2022): 70–75. http://dx.doi.org/10.54691/fhss.v2i10.2379.

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The establishment of the imperial examination system in the Sui and Tang Dynasties of China led to the development of stationery accessories. Among them, the inkstone, as one of the important stationery accessories, has a rich cultural and historical background. The archaeological excavation of the Duan inkstone inscribed in the Tang Dynasty "Wu Yong Pan Guan" enhances the textual research on the appearance period of the Tang Dynasty Duan inkstone, as well as the tracing of the aesthetic style of the regular scripts of the Tang Dynasty.

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10

Zhang, Jannie Qimo. "A Comparison Between Buddhist Temple Architecture in The Tang Dynasty and In Japan." Journal of Education, Humanities and Social Sciences 42 (December 10, 2024): 479–85. https://doi.org/10.54097/jx6efg35.

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This paper discusses the similarities and differences between Tang Dynasty and Japanese Buddhist architecture by comparing the architectural features of the East Hall of Foguang Temple, a Buddhist temple in the Tang Dynasty in China, and the Golden Hall of Toshodaiji Temple, a Buddhist temple in the Nara period in Japan. First, the two buildings are very similar in structure. Both adopt the mortise and tenon structure and the beam, column, and bracket transmission system of Tang Dynasty architecture, reflecting the simple and majestic style of Tang Dynasty architecture. However, the two buildi

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11

Wang, Qijun. "Characteristics of Liao Dynasty Architecture in China." Spectrum of Art 1, no. 3 (2024): 65–77. http://dx.doi.org/10.69954/soa010307.

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The Liao Dynasty architecture is an important part of Chinese architectural history. It inherited the style of the Tang Dynasty and was also deeply influenced by the living habits and residential customs of the Khitan people. Additionally, the widespread influence of Buddhism at the time contributed to the development of a unique architectural style. Liao Dynasty architecture used large building materials, similar to those of the Tang Dynasty. Roofs were elevated with gentle slopes, and columns were columns were set with side column and raised eave to enhance stability. This paper discusses th

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12

Nugent, Christopher. "Literary Collections in Tang Dynasty China." T'oung Pao 93, no. 1 (2007): 1–52. http://dx.doi.org/10.1163/008254307x211098.

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13

Mai, Biqi. "A Study on the Phenomenon of Foreign Slaves in the Tang Dynasty." Lecture Notes in Education Psychology and Public Media 59, no. 1 (2024): None. http://dx.doi.org/10.54254/2753-7048/59/20241779.

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As one of the most prosperous periods in ancient China's economic, political, and cultural history, the Tang Dynasty's literature features many depictions of foreign slaves. These individuals became captives due to wars or arrived in China through trade exchanges along the Silk Road and other means. They played various roles in Tang society. This study is divided into five parts: the introduction, a detailed exploration of the types, sources, and primary occupations of foreign slaves in the Tang Dynasty, an analysis of the fundamental reasons for the influx of a large number of foreign slaves

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14

Xiang, Yuning, and Bingzhe Xiang. "Chinese art in the Tang Dynasty and the forms of its presentation in museums of the People’s Republic of China at the beginning of the 21st century." Issues of Museology 12, no. 2 (2021): 257–67. http://dx.doi.org/10.21638/spbu27.2021.208.

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The topic of this study is a realistic due to the fact that in Chinese history, the Tang Dynasty (618–907) is considered as the peak of national strength. It is during this period that ancient China became the center of economic and cultural exchanges with a number of states in the medieval world. Thanks to stable social development and the steadily developing economy, Chinese art of this period flourished. To this day, it has a special meaning for both Chinese and Asian cultures. The article examines the presentational forms of the art of Tang Dynasty in historical and art museums of the Peop

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15

LI, Wei. "Cognitive Analysis of “Fog” Metaphor in Poetry of the Tang Dynasty." Education and Linguistics Research 10, no. 1 (2024): 1. http://dx.doi.org/10.5296/elr.v10i1.21716.

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In the cognitive linguistic view, metaphor is not only a linguistic device but also a mode of thinking that people use to conceptualize and comprehend the world. Cconceptual metaphors are a set of mappings from a concrete source domain from an abstract target domain. The cognitive foundation of conceptual metaphor is a variety of human experience. Poetry of the Tang Dynasty abounds with metaphorical images. Fog is a regularly used image in poetry of the Tang Dynasty. Yet the research on fog from the perspective of conceptual metaphor remains as an under-explored area. Based on conceptual metap

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16

Pankenier, David W. "Parallel Planetary Astrologies in Medieval China and Inner Asia." International Journal of Divination and Prognostication 1, no. 2 (2020): 157–203. http://dx.doi.org/10.1163/25899201-12340008.

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Abstract Portentous clusters of the five visible planets are repeatedly implicated in historical sources in connection with dynastic transitions in early China. In the medieval period, which is the focus of this investigation, the History of the Three Kingdoms records how timely planetary portents during the decline of the Later Han dynasty (184–220 CE) were exploited as the celestial signs justifying usurpation and the founding of the (Cao-)Wei 曹魏 dynasty by Cao Pi 曹丕 (ca. 187–226). Half a millennium later, in mid-Tang 唐 dynasty, the impetus for the devastating rebellion of An Lushan 安祿山 (703

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17

Xue, Yawen. "Cultural Interaction between Flying Buddhas of Northern Wei and Tang Dynasties’ Mogao Grottoes and Heian Period Japan." Journal of Education, Humanities and Social Sciences 42 (December 9, 2024): 252–56. https://doi.org/10.54097/5bgy4z16.

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Japanese Buddhism originates from Chinese Buddhism, on what basis? Books, music, dance, architecture and other arts and cultures are the carriers of Buddhism. Murals and sculptures are no exception and are visual media that can strongly embody cultural interaction. Through the existing academic research, the author understands the artistic style of flying Buddha statues in the Northern Wei and Tang Dynasties. On this basis, this paper takes several flying Buddha figures recorded in Mogao Grottoes of Dunhuang as the typical flying Buddha figures and discusses the mural art of Northern Wei Dynas

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18

Yao, Ping. "Good Karmic Connections: Buddhist Mothers in Tang China." NAN NÜ 10, no. 1 (2008): 57–85. http://dx.doi.org/10.1163/138768008x273719.

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AbstractThis essay examines the women's role in Chinese Buddhism through a close reading of epitaphs from the Tang dynasty (618-907). During this period, more than ever before, the religion became instrumental in the development of mothers' identity and in the conceptualization of ideal maternal virtues. According to many Tang dynasty epitaphs (muzhi ming), it would appear that children of Buddhist mothers largely complied with their mothers' desire to leave the household life or to be cremated rather than buried after her death. They were also much more likely than children of Buddhist father

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19

Dien, Albert. "ARMOR IN CHINA BEFORE THE TANG DYNASTY." Journal of East Asian Archaeology 2, no. 3 (2000): 23–59. http://dx.doi.org/10.1163/156852300760222047.

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20

Jie, Yu. "Frontier poetry of Emperor Taizong of the Tang Dynasty." OOO "Zhurnal "Voprosy Istorii" 2023, no. 8-1 (2023): 04–15. http://dx.doi.org/10.31166/voprosyistorii202308statyi27.

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Frontier poetry is the specific literature of the Tang Dynasty era. It tells about military campaigns against the enemies of China. It depicts the whole life world of the defenders of the country, for instance their exploits and everyday life, everyday features, feelings and emotions. A characteristic feature of this poetry is the borrowing of facts and plots from historical writings about the past of the empire to describe the events of the Tang time proper. All these characteristic features of frontier poetry are analyzed on the example of the poem of Emperor Taizong of the Tang Dynasty.

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21

Lei, Wen, та Kathryn Henderson. "Mount Longjiao’s “Capital of Immortals” [龍角仙都]: Representation and Evolution of a Sacred Site from the Tang Dynasty". Journal of Chinese Humanities 4, № 2 (2019): 150–78. http://dx.doi.org/10.1163/23521341-12340062.

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AbstractThe Abbey Celebrating the Tang [Qingtang guan 慶唐觀], a Daoist temple on Mount Longjiao in southern Shanxi Province, played a special role in the religious history of China in the Tang dynasty. Because of the myth that Laozi himself emerged from this mountain during the war to found the Tang state, this abbey was closely linked to the political legitimation of the Tang. Even plants in this abbey were regarded as the harbingers of the fate of the state. The emperor Xuanzong erected a huge stele in the Abbey Celebrating the Tang, demonstrating the support enjoyed from the royal house. Imag

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22

Jang, Kyoung-A. "An Analysis of ‘Hangje’ Cases Through the Perspectives of Epitaphs and Genealogy －Focusing on the Anyang Han Clan of the Song China－." Korean Society of Human and Nature 5, no. 1 (2024): 261–74. http://dx.doi.org/10.54913/hn.2024.5.1.261.

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This paper analyzes the “Hangje” of the Anyang Han clan during the Song Dynasty based on an initial case study of the Tang Dynasty’s Nak-An Sohn clan. By analyzing Han Qi’s The Literary Collection of Anyang, the recently excavated epitaphs of the Anyang Han clan, and The Genealogy of Xiaoshan Yidu Han Family Clan, it was possible to reconstruct the specific appearance of the “Hangje.” As a result, it was revealed that the generational ranks were assigned based on birth order of each male member, including cousins of the same generation among the extended family members within the Song Dynasty’

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23

Yan, Zhang, and Elis Syuhaila Binti Mokhtar. "A Study on the Characteristics and the Meaning of the 'baoxianghua' Patterns in the Dun Huang Murals, China." Global Journal of Arts, Humanities and Social Sciences 11, no. 11 (2023): 69–80. http://dx.doi.org/10.37745/gjahss.2013/vol11n116980.

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The study explores the distinctive 'baoxianghua' designs intrinsic to the art of China's Tang Dynasty. Unlike typical Chinese patterns that usually replicate specific natural forms or shapes, the 'baoxianghua' patterns depict an idealized plant emblem that carried significant symbolic weight in the Tang period. The main goal of this project is to investigate the unique characteristics and significances of the 'baoxianghua' motifs during the four stages of the Tang Dynasty, with a specific focus on the Dun Huang frescoes. The research aims to unravel and examine the relationships between the fe

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24

Xiaodun, Wang, and Sun Xiaohui. "Yuebu of the Tang Dynasty: Musical Transmission from the Han to the Early Tang Dynasty." Yearbook for Traditional Music 36 (2004): 50–64. http://dx.doi.org/10.1017/s0740155800020452.

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This paper studies the system and development of the yuebu, an official court music system during the Tang dynasty. Research on the music of the Tang dynasty has been quite abundant, mostly on the yanyue (court banquet music that was administered by the yuebu), with notable studies by scholars such as Ren Bantang (1982), Kishibe Shigeo (1973), Wang Xiaodun (1995), and Shen Dong (2000). However, previous research on music of the Tang dynasty emphasised acculturation and assimilation between China and cultures from bordering western countries; they did not look at music of the Tang court from th

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25

ZHANG, F., and T. KROTOVA. "INFLUENCE OF SILK ROAD CULTURE ON MODERN DESIGN: ARTISTIC FEATURES OF CHINESE BROCADE PATTERNS." Art and Design, no. 1 (May 6, 2024): 56–67. http://dx.doi.org/10.30857/2617-0272.2024.1.5.

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Goal: this study aims to analyze the influence of Silk Road culture on the style of brocade patterns in the Tang and Ming Dynasties of China, as well as to consider the practices of using brocade motifs of ancient dynasties in modern design. Methodology: based on the research of scientific literature, this article compares and analyses the stylistic characteristics of brocade patterns: connected beads, curly grass, treasure and cloud; the analysis makes it possible to trace the process of formation and evolution of brocade patterns in the Tang Dynasty. The methods of figurative and stylistic,

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26

Xiong, Victor Cunrui. "Sui Yangdi and the Building of Sui-Tang Luoyang." Journal of Asian Studies 52, no. 1 (1993): 66–89. http://dx.doi.org/10.2307/2059145.

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Sui-tang luoyang, built IN 605–6 as the eastern capital of the Sui dynasty and subsequently the eastern capital of the Tang dynasty, was one of the great cities of medieval China. Almost as soon as it was built to the taste of Emperor Sui Yangdi (r. 604–17), Luoyang became the second largest city in China, surpassed only by Daxingcheng-Chang'an, the first capital, which had been built by Yangdi's father. Both cities were objects of scholarly interest as early as the eighth century when, in 722, Wei Shu completed his Liangjing xinji [A new record of the two capitals] (Fukuyama Toshio).

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27

Liu, Qiuru. "The Evolution of Interaction Between China and the Da Qin Based on Chinese Historiography." Communications in Humanities Research 5, no. 1 (2023): 54–57. http://dx.doi.org/10.54254/2753-7064/5/20230038.

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In this essay, I will discuss about the changing relationship between China and the Roman Empire in the long stream of history from Chinese historiography. While doing research I found that in Qin dynasty two countries have direct interaction with each other, but faded in Tang dynasty. Multiple historical resource written in Tang dynasty were overlap with previous source written during earlier period like Qin. As we all know, China and Roman empire are both really strong empires over their regions. If their influence each other in economic or politics perspective, the influence is incalculable

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28

Wu, Jiahui. "The Translation, Dissemination, and Evolution of Poetry from the High Tang Dynasty in France." Journal of Social Science and Humanities 6, no. 12 (2024): 51–59. https://doi.org/10.53469/jssh.2024.6(12).12.

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The 17th to 18th centuries marked the beginning of cultural exchange between China and the West, during which Jesuit missionaries played a significant role. They introduced the latest Western thoughts and scientific advancements to China while providing detailed descriptions of China in their letters sent back to Europe. Additionally, they translated many Chinese texts, with French Jesuits contributing the most influential works. Among these translations were various collections of Tang poetry translated into French. In the 19th century, the first collection of Tang poetry in French was publis

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Han, Peibei. "Popularization of Spice Culture and its influence in Tang Dynasty." Journal of Education, Humanities and Social Sciences 8 (February 7, 2023): 709–16. http://dx.doi.org/10.54097/ehss.v8i.4340.

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In Ancient China, the usage of spices has a long history. Following the establishment of the Silk Road during the Han Dynasty, spices were eventually introduced into Chinese culture through commercial exchanges. Before the Tang dynasty, the narrow access to spices and their small application scope confined them to the aristocratic class. As time went by, due to the national power of the Tang Dynasty, the empire conquered parts of the Western Regions and was recognized by the surrounding countries. Therefore, the Silk Road flourished, starting the process of the popularization of Spice Culture.

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Mamatova, Mahfuza Bahriddinovna. "THE TEA ROAD: FROM CHINA TO UZBEKISTAN (7-15TH CENTURIES)." Psychology and Education Journal 58, no. 1 (2021): 4913–24. http://dx.doi.org/10.17762/pae.v58i1.1710.

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Five thousand years ago, the first tea was made in China. Only from the beginning of the Middle Ages people of neighboring countries of China recognized tea and until the Tang Dynasty, tea drinking was not widespread. Beginning of the 7th century tea brought Central Asia with the Tea Road. From this period he stretched from China to India. At the centre of this path was Central Asia, the ancient cities of Uzbekistan namely after Samarkand, Bukhara, Tashkent and the Ferghana Valley. It was the northeastern Tea Road that connected China with Central Asia and was much more ancient than other dire

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31

KALUTSKOV, V. N., and JU WU. "LITERARY TRAVELS IN CHINA DURING THE TANG DYNASTY." Linguistics and Intercultural Communication 27, no. 2_2024 (2024): 153–63. http://dx.doi.org/10.55959/msu-2074-1588-19-27-2-12.

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The article discusses literary travels in the historical period of the Tang Dynasty, which entered the history of the country as a period of flourishing culture - science, painting, literature, and especially poetry. Two great Chinese poets Li Bo and Du Fu created during this period. Literary and cultural-geographical approaches to the study of travelogues developed in Western, Chinese and Russian literary geography are presented. The historical and cultural contexts of literary travels are discussed. The cultural and historical specificity of the travelogues of the Tang Dynasty period is that

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Dubrovskaya, Dinara V. "On the Dangers of International Maritime Trade in the Tang Era (The Incidents of Genocide of the Arab-Persian Population of China in 760 and 879)." Oriental Courier, no. 1 (2023): 190. http://dx.doi.org/10.18254/s268684310025316-5.

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At the end of the Tang Empire (618–907), the universally recognized “golden age” of imperial China, the country entered a long period of socio-political and ethnic turmoil. The broader set of problems associated with the An Lushan uprising (755–763) is widely known — this civilizational catastrophe marked a turning point in the development of the dynasty and, by impacting all aspects of a powerful empire, caused the sun to start setting on Tang China. Still, many episodes remain relatively unexplored, among them the crises that befell Arab-Persian communities in southern China, which fell vict

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33

Liu, N. "The overseas dissemination of the three hundred poems of the tang dynasty." Management of Education 14, no. 4-2(81) (2024): 228–35. https://doi.org/10.25726/o7252-3627-1879-d.

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The Three Hundred Poems of the Tang Dynasty has a history of more than 250 years since it was written in the 28th year of Qianlong (1763). The Three Hundred Poems of the Tang Dynasty is characterized by its literary and enlightening character. Since its publication, it has been popular and spread widely. It has made an indelible contribution to the inheritance and development of Chinese culture and the manifestation of its charm. The Three Hundred Poems of the Tang Dynasty is regarded as «a standard primer for the study of Tang poetry» and is listed by the World Record Association as the most

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34

Chen, Yanlin. "A Parallel Comparison Between the Social Status of Sogdian and Chinese Aristocratic Women in Tang Dynasty." Communications in Humanities Research 31, no. 1 (2024): 92–96. http://dx.doi.org/10.54254/2753-7064/31/20231928.

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Sogdians were active in commercial activities on the Silk Road in Tang and Song Dynasty of China. The interaction between Sogdians and Chinese promotes the exchange and development of both cultures, which resulted in some shared similarities between them, including the social status of women. However, further research is required to compare the social status of Sogdian and Chinese aristocratic women. This contributes to better knowledge about the family structure and marital relationships in Tang Dynasty, enabling researchers to reconstruct the life of aristocratic Sogdians and Chinese. In thi

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35

Li, He Qun, and Yan Li Wu. "Of the Water Gate on the Ancient City Wall of China." Advanced Materials Research 1030-1032 (September 2014): 823–26. http://dx.doi.org/10.4028/www.scientific.net/amr.1030-1032.823.

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On the ancient city wall of China, the water gate used to been built. Probably before the Tang Dynasty, it always took the shape of hole in order to drain and prevent others from entering city. From the Song Dynasty on, for the sake of navigation, the majority of water gates became the sluice gate that could go up and down.

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36

Ying, Wang. "A National Flower’s Symbolic Value During the Tang and Song Dynasties in China." Space and Culture 21, no. 1 (2018): 46–59. http://dx.doi.org/10.1177/1206331217749765.

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The concept of a national flower was an important part of the culture and poetry of the imperial courts of the Tang and Song dynasties. Li Bai and other poets in the Tang period used the tree peony as an icon of the imperial concubine Yang Yuhuan’s beauty. Later Tang poetry, however, also includes undertones of disquiet, using this flower-image as a sign of unhappiness at the state of the country. With the advent of the Song dynasty, the poetic focus exalts the plum blossom, a very different kind of flower than the tree peony. I argue that this reflects the Song dynasty’s different mentality.

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Ganiev, R. T. "THE CONFRONTATION BETWEEN THE TURKS AND THE SUI DYNASTY IN 609 – 617." Bulletin of Kemerovo State University, no. 2 (June 29, 2017): 24–29. http://dx.doi.org/10.21603/2078-8975-2017-2-24-29.

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The article studies the events of the military confrontation between the Shibi Qaghan and Sui Dynasty in 609 – 615 AD. It shows the political situation in China whose deterioration led to the political upheaval in 617 AD and the young Tang Dynasty came to power. By the end of the Sui Dynasty period there were more than 200 organized armed gangs that were tearing the empire apart and often found support from the Turks. In 615 AD the Turks also surrounded Emperor Sui Yangdi in the fortress of Yanmen and thereby put an end to his political career. At the beginning of VII century the Eastern Turk

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38

Chen, Songlin. "Diet and Culture Exchange between Central Plains and Turpan during Tang Dynasty." International Journal of Social Sciences and Public Administration 3, no. 3 (2024): 78–88. http://dx.doi.org/10.62051/ijsspa.v3n3.09.

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The culinary culture of the Tang Dynasty was extremely prosperous, with a wide variety of food and a meticulous production process. Moreover, due to the development of the Silk Road and cultural exchange between the central plains and Turpan, the diet communication between the central plains and western regions are especially frequent. The phenomenon of dietary Hu Feng in the Tang Dynasty is one of the main examples of Cultural exchange between China and the West and the absorption of foreign culture by Han ethnic group. According to the researches on the diet communication between central pla

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39

Zhong, H., and M. A. Hann. "Textile Production in China between the Han Dynasty and the Tang Dynasty." Journal of the Textile Institute 82, no. 1 (1991): 18–23. http://dx.doi.org/10.1080/00405009108658733.

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40

Choi, Ju-yeon. "The Development of Decorative Techniques in Chinese Tang Dynasty Mirrors and Influence on Unified Silla Crafts." Society for the Study of Early Korean History 49 (April 30, 2025): 129–64. https://doi.org/10.35160/sjekh.2025.4.49.129.

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The Tang Dynasty was a major turning point in the history of Chinese bronze mirrors after the Han Dynasty. While previous trends were primarily based on Han Dynasty styles with only decorative variations, the development of mirror-making in the Tang period was accelerated by the combination of foreign influences and advancements in craftsmanship. This evolution is evident in bronze mirrors adorned with various materials. The emergence of mirrors decorated with luxurious materials in the Tang Dynasty was significantly influenced by the advancements in decorative techniques and the aristocracy's

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41

Wang, Yuanlin. "The Sacrificial Ritual and Commissioners to the South Sea God in Tang China." Religions 12, no. 11 (2021): 960. http://dx.doi.org/10.3390/rel12110960.

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Previous studies on the Nanhaishen Temple 南海神廟 (Temple of the South Sea God) in Guangzhou in the Tang dynasty focus mainly on the South Sea God as the patron of the Maritime Silk Road, without thoroughly discussing the state ritual and the sacrificial right of the Tang government. This paper illuminates five new points concerning the ritual. First, the sacrificial ritual to the South Sea God developed from the suburban rituals in previous dynasties into both forms of suburban and local rituals, which was also categorized as the medium sacrifice among the three major sacrifices in the state rit

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42

Bian, Xiangyang, Peixian Sui, and Jinying Mou. "Samite with Paired Lions in Pearl Roundels: A Tang Dynasty Interpretation." Asian Social Science 21, no. 1 (2025): 63. https://doi.org/10.5539/ass.v21n1p63.

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The animal motifs within pearl roundels of the Tang Dynasty hold a significant position in the evolution of ancient Chinese decorative patterns. This article focuses on the Tang Dynasty Brocade with Pearl Roundel Facing Lions Pattern housed in the China National Silk Museum as the primary object of study. The analysis is divided into three parts: first, an examination of its technical characteristics and achievements; second, an exploration of its artistic features, including pattern design and color application; and finally, an investigation of its historical value within the context of histo

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43

Wu, Shaowei. "A Study on the Literacy Rate of Buddhist Sangha in the Tang Dynasty." Religions 15, no. 3 (2024): 306. http://dx.doi.org/10.3390/rel15030306.

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The Buddhist sangha played a crucial role in ancient China, exerting significant influence on its society through religious identity and cultural knowledge. However, not all members of the monastic community were literate. The Tang Dynasty introduced an examination system that assessed monks’ proficiency in reciting Buddhist scriptures, determining their eligibility for ordination. Simultaneously, efforts to remove unqualified monks and nuns provided an opportunity to estimate the literacy rate within the monastic community. A statistical analysis of the literacy rate offers a novel perspectiv

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44

Guo, Qinghua. "Tomb Architecture of Dynastic China: Old and New Questions." Architectural History 47 (2004): 1–24. http://dx.doi.org/10.1017/s0066622x00001672.

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A significant number of tombs have survived from the Han dynasty (Western Han 206 BC-AD 8, Eastern Han 25–220), an important period for tomb architecture in China. The number of examples is in stark contrast to the lack of evidence of other architecture from the period. In fact, no timber architecture built before the Tang dynasty (618–907) exists today. While much care and scholarly effort has been devoted to the interpretation of ancient architecture, funeral architecture has not received adequate study and scrutiny.

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45

Yingqi, Zhang. "The themes and the artistic conceptions of flower-and-bird painting in Ming Dynasty." OOO "Zhurnal "Voprosy Istorii" 2023, no. 3-2 (2023): 176–83. http://dx.doi.org/10.31166/voprosyistorii202303statyi65.

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As the peak of the development of flower-and-bird painting in China, Shen Zhou, Chen Chun, Xu Wei, Tang Yin and Wen Zhiming emerged in the Ming Dynasty. Because of their different periods of life, they have their own advantages in the choice of theme and the expression of artistic conception, which made outstanding contributions to the development of flower-and-bird painting in Ming Dynasty. This paper mainly studies the theme and conception of flower-and-bird painting in Ming Dynasty.

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46

Meng, Xiang Wu, Ming Hui Ye, and Han Zhang. "Valley Settlement Characteristics Analysis in Northwest of China - Exampled by Qingcheng Town." Advanced Materials Research 261-263 (May 2011): 1172–77. http://dx.doi.org/10.4028/www.scientific.net/amr.261-263.1172.

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Known as “the Millennium Town beside the Yellow River” Qingcheng Town in Yuzhong County has many rich cultural heritages and profound cultural foundation. Its terrain belongs to the typical Yellow River Valley. It was an important traffic wharf of the ancient Silk Road, and a terminal frontier military center from Tang Dynasty to Ming Dynasty. By researching and analyzing the Qingcheng town, the thesis summarizes its characteristics of the spatial layout and ecological culture.

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47

Xiaowan, Yu, and Li Gang. "Bone Toothbrush Handles in Chinese Tang Dynasty Ash Pits." Journal of the History of Dentistry 72, no. 2 (2024): 162–64. http://dx.doi.org/10.58929/jhd.2024.072.02.162.

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China has been recognized as an important birthplace of dentistry in the world. The bone toothbrush from ash pits in the museum of the Chengdu University of Traditional Chinese Medicine confirms that the Chinese had the awareness of cleaning their teeth and the tools to do for over 1000 years. These findings help to promote the study of the historical development of dentistry in China.

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48

Ge, Yingmiao. "The Homogenization of Man-Made Historical Landscapes and Its Solution: Case Analysis of Tang Dynasty Never Nights City and Chongquan Ancient Town." Highlights in Business, Economics and Management 48 (March 3, 2025): 1–6. https://doi.org/10.54097/55hf0h27.

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Shaanxi Province has a long history, and the famous Tang Dynasty in ancient China was once located here. The cultural background is strong, and the man-made historical landscape relies on its development and the success of the Tang Dynasty Never Nights City also benefits from this. With its successful development, many tourism industries are vying to imitate it. The homogenization of man-made landscapes has affected the sustainable development of Shaanxi's cultural tourism industry. This study mainly focuses on analyzing the problem and giving the way to solve it, finding the problem through f

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49

Wu, Qiang, Guangyu Tong, and Peng Zhou. "Long-term wage inequality in imperial China: From 202 BCE to 1912 CE." PLOS ONE 20, no. 1 (2025): e0315627. https://doi.org/10.1371/journal.pone.0315627.

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This paper attempts to describe and explain the long-term evolution of wage inequality in imperial China, covering over two millennia from the Han dynasty to the Qing dynasty (202 BCE-1912 CE). Based on historical government records of official salaries, commodity prices, and agricultural productivity, we convert various forms of salaries to equivalent rice volumes and comparable salary benchmarks. Wage inequality is measured by salary ratios and (partial) Gini coefficients between official and peasant classes as well as within the official class. The inter-class wage inequality features an “i

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50

Wang, Zhichen, and Young Soo Chang. "The Pearl Rounded Pattern in the Mogao Caves in Dunhuang." Institute of Art & Design Research 24, no. 1 (2021): 1–12. http://dx.doi.org/10.59386/jadr.2021.24.1.1.

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The rounded pearl pattern is composed of continuous round beads, sometimes into strips, arranged on the edge of the main pattern or the fabric, sometimes in a rhombus shape filled with flowers, animals, or other shapes. The research method entailed literature research and the analysis of the artifacts of Dunhuang Mogao Grottoes. The conclusions are as follows: Foreigners mainly influenced the rounded pearl pattern that later became popular in China. At present, most academic researchers believe that it originated from the Sasan Dynasty of Persia. Migrating between different races in the

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